Hi everyone,
While browsing the net I came across this forum and this particular section,
I shot the WE commercial and would like to add to the discussion a couple of facts.
First I have to admit not ever seeing "Tango" (pardon my ignorance) sorry David, but I'll promise to go and see it now :-) , so if the scene is reminiscent of Tango it's purely coincidental.
Along the TVC we also shot a music video, which is an extended version and has more narrative to it. There's a quick time of it on my website at www.markbliss.com in the music video section
As was previously stated I did not use bleach by pass as we did not have the facility to do in Argentina, and also the time pressure was such, that we had no
time to do tests.
We used Series 4 Cooke lenses, 98% was hand held and I used 50 and 250 D Vision stock and for interiors we used 500T, I did not push the stock and yes we did tweak the contrast a little in post. I personally preferred the look of the "one light" print of the original telecine. I had a less polished look. Most of the interiors were shot close to wide open.
The look was achieved mostly with lighting or the lack off. :-)
The light in Argentina had a very special quality and even though the shoot was extremely exhausting and we shot it pretty much on the run I am very happy I had the chance to be part of this production.
The tango scene was shot during normal running of the tango hall and was shot in stifling heat, most of the dancing scene was shot with a 85mm or 135 mm lenses. The scene was lit with existing fixtures where we swapped bulbs for 40W from the original 25W, and we added a row of Par Cans with 650W bulbs and dimmed them down to about 30%
The processing and telecine was done in Buenos Aires and I was very happy with the crew and the post process as well.
I hope it clears some of the questions raised earlier, if not get in touch with me to answer specific questions.
With respect
mark