Seba Vuye

Hey guys! I've finished my latest showreel, I would love to have some constructive criticism from you! Thanks!

I actually agree with everything you touched upon If I could reedit the short I would probably get rid of the first 8 minutes or so, remove most of the voice over etc. They say you learn from your mistakes, who knows :) Thanks for the constructive feedback!

Hi! Last year I've shot a short film called Memories of a Hitman. Shot on a tight budget of 8000 euro's with a skeleton crew over here in Belgium, very fun experience! Would like anyone thoughts on it! Thanks in advance

Needed to put a password up for the film festivals, it's gone now, Thanks!

Thank you! for two close up's we did use the canon 50mm 1.4. thank you!

Thanks! The grading was done by Juan Melara (http://juanmelara.com.au/)

Thank you! This was mostly shot on the Tokina 11-16, because of the horrible crop factor of the Blackmagic 2.5K camera Thanks, yeah the production design was the most intense part of this project.

I heard this poem years ago, it got stuck in my head and just wouldn't let go, so years later I finally got this project realised... What dou you think guys?

Hey, thanks for your feedback!

Hello, A test of the 50D Raw option recreating a Memento scene.

Hey, This is a clip I did for school about one of the seven deadly sins, Pride. The whole concept is "pride comes before the fall"

I don't think of RED or Alexa as a newbie camera. Just look at the price of those two. I myself bought a Canon t3i a year ago and pimped up with a rig, mattebox and so on, i'am happy with it. Some things bother me more after a year using it, like the crappy h264 codec for example.( it's really a pain i the ass, in post) But it remains a good learning tool, untill you get to the next level. But, being in your position now, I would go for the Black Magic Camera for sure, and if the money isn't an issue, go for Alexa or Red, can't go wrong there.

Ok thanks guys!

Yeah, I see it as an opportunity to work with more advanced lenses, and the rental is 135 euros for a set of 3 of them for four days, so a good deal I think?

Looking at the videos from 7d it's indeed very hard to see any quality improvement in the image.

Hey, I'am about to shoot a short, and planning on renting a set of zeiss cp2 lenses. One thing is still not very clear to me, even though I scanned the internet for examples and reviews, I just can't find any examples of cp2's on a t3i or a t2i. Full of them on the 5D but I can't really consider it as a benchmark, since the 5D is a full sensor, and mine is not. I just want to know how much of a difference they will make in sharpness and "better quality" of my image(not the look and feeling), compared to lenses I own myself ( Canon 50mm 1.4, Tokina 11-16mm 2.8, etc, mostly the cheaper lenses on the market). Any info would be nice. Thanks Seba

I think that 3D only works with spectacle films where the WOW factor is more important than story. Transformers is a good example of 3D that works. Shooting a movie like Amour or Lincoln in 3D would destroy the whole experiance. 3D is like a new attraction in the amusment park, it's fun for a while but after some time you get bored.

Can you try to do both? Maybe they are ok with you working for them but occasionally leaving for freelance work. That happens at my school all the time, all my film teachers are freelancers and if they get a job, they are gone for weeks or longer and there is no class during that period.

thanks for this interview

Happy New Year!

Movie was ok

ok thanks mark

Can I do something in my shooting process to avoid this type of a problem, or is it only fixable in the post? Any tips? Ow yeah, i do not shoot with a professional camera but with a 600D. Thanks.

this man speaks the truth!

thanks!