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Cinematographer
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NE PA USA
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http://www.jbearl.com www.earlandsedor.com
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Good Old Fashion Light Meter
JB Earl replied to Stephen Baldassarre's topic in Lighting for Film & Video
i love the 398A but had too stop using it some years ago. We're often working with only a few FC and it's just not accurate enough down there. I suspect the Luna Pro is the same. -
Fair Pay for Cinematographers in Indie Films
JB Earl replied to Abhinay Pandit's topic in General Discussion
I'd love to see more discussion on this. Indie film rates are all over the place and it's really difficult. 30-40 days of on ground pre-production on a 1 million budget? How much is for talent?- 3 replies
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Trying to find an Arri compatible bridge or base plate that is quick mount from the top of the rail. I know I’ve seen at least one that exists. Any ideas?
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Modern LED equivalent to small fresnel
JB Earl replied to Johanan Pandone's topic in Lighting for Film & Video
yes they work really well especially for the price. The only other options all have a separate ballast. the Boltzen is standalone, but doesn't have as good optics for cutting -
Any good ideas on getting a light stand rigged to a fiberglass bucket on a boom truck?
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Best bowens light for compact overhead lantern?
JB Earl replied to Johanan Pandone's topic in Lighting for Film & Video
in tight spaces it's much easier to use a mat. look up LC160 lantern -
Modern LED equivalent to small fresnel
JB Earl replied to Johanan Pandone's topic in Lighting for Film & Video
IF you're looking specifically for a very compact light, the new Smallrig spot works pretty well. Not heavy duty by any means though. I also have a CLAR 30 spot that's pretty heavy duty but daylight only. Both of those use optics like the DEDO. -
"I'm after something on that order, something that can replace a rideable dolly in at least some circumstances." Phill have you looked at the Dutti Dolly? I've made pipe dollies with ladder truss brackets.
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Is this Day for Night or Cross-Processed?
JB Earl replied to Omar Lopex's topic in Lighting for Film & Video
just tungsten film shot in daylight with no correction, i would guess -
unless you need the scene to be dramatic the white walls are fine. You could just us a clip on reflector flood (from a hardware store) bounced off one of walls outside the frame. I think the iphone does better with daylight balanced sources, so try a higher output LED daylight bulb in it (100w equivalent or more. (You could also use an LED par30 or such instead of the reflector)
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Hi Duncan, most of those questions i can't answer but I'll send more photos that you can post (i did hit the limit here)
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I'm trying to find what a reasonable value is for this Eclair NPR Super16 package. In nice condition and running PL and C mount Tobiin crystal motor TXM-14 Video tap the good Angie viewfinder 3 mags Canon c mount adapter and 50mm, rods 2 bescor battery belts (won't hold charge)) 2 pellican cases I'm in NE Pennsylvania
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Is this a good lighting kit for moody stylized lighting?
JB Earl replied to Edith blazek's topic in Lighting for Film & Video
i'd suggest looking at a rental house website for the contents of a grip package. Just copy it and you'll have everything that's most useful and marketable. as far as lights, the standard items will always work for you (that's why they are standards ? ) I understand wanting your own preferences instead, just know that there will be times you won't rent or get hired because of it -
Is this a good lighting kit for moody stylized lighting?
JB Earl replied to Edith blazek's topic in Lighting for Film & Video
Don't get the Road Flags, you want flags ready to go, not have to assemble them. Lights should go on light stands, not C stands. you are getting a truck?