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Stanislav Schubert

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Everything posted by Stanislav Schubert

  1. Eyemo VS Arriflex 35 WWII cameras test dive in battle AGFA Aviphot pan 200 and USSR Tasma b\w negative films
  2. Eyemo VS Arriflex 35 WWII cameras test dive in battle AGFA Aviphot pan 200 and USSR Tasma b\w negative films
  3. What focal length? i have arriflex 34 wwII and gaus tahar 32. need 25 and 75
  4. this is bad film now. because- reversal process. you can tray Svema KN-1 negative format, about 32 iso native, this soviet film can be used iso-16 now
  5. i dont know, tank very rare, you price? i posted it on eBay https://www.ebay.com/itm/165324641221
  6. I have original 100 ft LOMO tank for sale: https://www.ebay.com/itm/165324641221
  7. Very RARE original 100 feet Russian big film developing tank by LOMO for sale! Tank can be used for home processing motion picture films all types 35 mm and 16 mm (1R or 2R perforation), leigh 30 meters!!! (100 feet) in one roll. For cold (about 20 C degrees, b\w films, negative and reversal) and hot process ECN-2 (38-40 degrees C), E6 and other process. 3 liters solutions. Tank in working condition, test with films, hermetic can, spiral no have crakes and no broken. Have small black black contamination is a coating that does not affect the development quality, and can be washed off. EX++ Worldwide shipping. " " " " " " " " " " " " "
  8. I have LOMO Roundfront anamorphic BAC 50 mm T2.4 and BAC 100 mm T3.2 Roundfront with OCT-19 mount
  9. FS: Excellent++ condition original ARRI film magazine for Arriflex 16 BL movie camera 500ft 16 mm film single and double perforation, full working condition. In film mag mechanics is serviced, clean and clear inside, outside have small scratchers for using. The price: 150 USD+ shipping
  10. LOMO Anamorphic BAC series lens, 35 mm squarefront, 75, 50 mm - round front anamorphic, camera Konvas 2M, film Kodak 5212, Kodak 5201, 35 mm 4 perf.
  11. NEW my video about old film cameras WWII time and my together Anatoly Antonov's creative activity Russian cinematographers Anatoly Antonov and Stanislav Schubert arrived in Krasnogorsk near Moscow to film the opening ceremony of the world's first monument to front-line cameramen on film, with Aymo cameras, during the Second World War, as a tribute to the memory of front-line cameramen. On September 4, the opening of the monument took place, which was attended by the children and grandchildren of front-line cameramen of the Great Patriotic War, as well as Nikita Mikhalkov, Alexey Uchitel and other filmmakers. Novosibirsk filmmakers with cameras of the war years, dressed in uniforms from the times of the Great Patriotic War, "cheered" Muscovites, who did not guess before such an action and were dumbfounded. Like 75 years ago, Siberians came to Moscow with help. Siberians strike back! Filmed with old 35 mm cameras, the film was developed in the Mosfilm laboratory, now the film with this chronicle is given for eternal storage to the Russian State Archive of Film and Photo Documents (RGAKFD, Krasnogorsk).
  12. NEW my video about old film cameras WWII time and my together Anatoly Antonov's creative activity Russian cinematographers Anatoly Antonov and Stanislav Schubert arrived in Krasnogorsk near Moscow to film the opening ceremony of the world's first monument to front-line cameramen on film, with Aymo cameras, during the Second World War, as a tribute to the memory of front-line cameramen. On September 4, the opening of the monument took place, which was attended by the children and grandchildren of front-line cameramen of the Great Patriotic War, as well as Nikita Mikhalkov, Alexey Uchitel and other filmmakers. Novosibirsk filmmakers with cameras of the war years, dressed in uniforms from the times of the Great Patriotic War, "cheered" Muscovites, who did not guess before such an action and were dumbfounded. Like 75 years ago, Siberians came to Moscow with help. Siberians strike back! Filmed with old 35 mm cameras, the film was developed in the Mosfilm laboratory, now the film with this chronicle is given for eternal storage to the Russian State Archive of Film and Photo Documents (RGAKFD, Krasnogorsk).
  13. It's clear. This means that you can watch it for free, and take a digital copy for yourself for money. We have approximately the same system in the Russian Archives in Krasnogorsk.
  14. I know that you have free access to film archives, including Russian documentaries, at the Library of Congress. For all people? Because in our country cinema archives are either abandoned, are being restored by enthusiasts such as Anatoly, or in Moscow they demand a lot of money for the provision of materials
  15. Hello, we are Russian filmmakers, filming on LOMO anamorphic lens and LOMO OKC lens on filmstock 35 mm by Konvas-2M movie camera and Digital cameras. 1. The Feodosia: 25 and 1\2 century (trailer documentary) 35 mm film Kodak 5201 50D, LOMO anamorphic set (35 mm square front and 50 mm, 75 mm round front BAC) Storyline: Feodosia is one of the oldest cities in Russia, this year it celebrates its 2550 anniversary! In the film, shot on 35 mm film, we connect the history of the city with its modernity. This video is a trailer for a future documentary. Scriptwriter: Yakov Lyubchenko, director and cameraman - Stanislav Schubert. We filmed the chronicle of the city this year on 35 mm film Kodak Vision 2 50D (5201) with the Konvas-2M movie camera using anamorphic cinema optics LOMO of the BAS series. We are looking for sponsors to complete the full film: https://planeta.ru/campaigns/feo2550 2. The House I Live In (A documentary about the keeper of the Siberian film archive) At a distance of three thousand kilometers from the capital of Russia, in the Siberian city of Novosibirsk, in an old dilapidated barrack from the time of Stalin, cinematographer Anatoly Antonov lives. He is the last curator of a unique film archive of documentary chronicles filmed in the 1930-1980s about the life of Siberia and the Soviet Union. A small sketch filmed with a Lumix GH5 camera with a LOMO anamorphic square front cinema lens BAS series (35BAC10-2-01 f=35 mm T2.8)
  16. The House I Live In (A documentary about the keeper of the Siberian film archive) At a distance of three thousand kilometers from the capital of Russia, in the Siberian city of Novosibirsk, in an old dilapidated barrack from the time of Stalin, cinematographer Anatoly Antonov lives. He is the last curator of a unique film archive of documentary chronicles filmed in the 1930-1980s about the life of Siberia and the Soviet Union. A small sketch filmed with a Lumix GH5 camera with a LOMO anamorphic square front cinema lens BAS series (35BAC10-2-01 f=35 mm T2.8)
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