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  1. I've recently found myself in need of a Mitchell BNCR-to-Arri Std. adapter. I would prefer the antiquated variety that works with the older rotating lens assembly, but the type which accepts the more "modern" stationary barrel lenses will suffice. These are generally known as the pain-in-the-arse adapters that seat your lens so deep that adjusting focus is near impossible. Just the same, I'd love to get my mitts on one! I'm also looking to purchase a vintage Arri 2C power cable that's 4-pin XLR updated on one end but will still accept the original twin banana-pins on the other end (either large + small inputs or both large). By chance I seem to have ended up with a pair of 2Cs, along with 3 old-school motors of varying pin configurations, but, frustratingly enough, I've yet to be able to power either of them up. If any kind members happen to have or could possibly point me in the direction of either item, I'd be especially grateful.
  2. Hi there, I recently bought an Arriflex 2C and it came with an extra handgrip motor. Model CRA-6A from Cinema Products which can either work at 24 or 25 fps. It didn't come with a battery nor a power cable and I'm trying to build one myself. It states that it's a 16-24 V & 2 Amp motor but i can't identify what kind is this input power port. It looks like a downsized version of a 3 pin XLR but I could be wrong. Any ideas on what could it be? I don't know if it's readable in the picture but each pin is marked with a letter: A, B and C. I have guessed that "A" stands for the hot pin, "B" for the cold and "C" for ground. But again I could be wrong and I don't want to apply power without being 100% sure since I could fry the motor. Any help is highly welcomed! I'll update if I find additional info on this. Fran Moreno
  3. Hi Everyone. I hope you're all having a great holiday season. I just wanted to share an overview/tutorial for the Arriflex 535B that I (finally) got around to posting. My friends and I filmed it back in the summer of 2022 and I've been sitting on it for a while, but I suppose film cameras don't get outdated like digital so all the info should still be correct*. It is a bit long however, so I won't be offended if you watch it on 1.5 or even 2x speed. Anyways, please let me know what you all think and hopefully this can be helpful to at least a few people. Thanks to Kyle Mikolajczyk and Sidharth Sadhujan for all their help. *Please ignore the part where I say there are no other 535 videos on YouTube. This was true when we filmed but is no longer the case. Also the part about the shutter is hard to see, apologies in advance.
  4. Hi There, Some of you may remember that almost a year ago I was moving to South America and sold of a bunch of my film equipment on here. I had an Arriflex SR16 with sound blimp for sale but the buyer backed out at the last minute and I had to put the camera in Storage before I left. Now I'm back in the states for 3 months and have it for sale again but now I'm thinking maybe I should keep it but here is the problem I'm having... This one is a bayonet mount camera and I have been unable to buy lenses for it. One reason being that they aren't that easy to find. Now that I live a more carefree life, I want to start doing more short documentaries and films and I'm thinking maybe I can still use this camera if I convert it to super16 and maybe convert the lens mount to one where I can buy more readily available lenses. I like that this one works perfectly, has some accessories and I have the special sound blimp to go with it that reduces the camera noise to zero. Or should I trade it for a super16 camera with a lens mount with more readily available lenses?
  5. Hello Everyone, Well last year I was selling a bunch of gear before moving to South America. Some of it never sold and I'm back in the States for a short visit and still need to go ahead and try to get rid of it instead of letting it sit in my storage unit. I need to have all this sold before May 12th. I've tried to price them as low as I can to get rid of them quickly. There is some wiggle room for some of the more expensive items. Reasonable deals can be made if buying several items. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories - $800 + $50 shipping It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp - $400 + $50 shipping 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. If you want to buy the Arriflex SR16 and the Sound Blimp together - $1000 + $100 shipping https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-sale-arri I also have some items for the Bolex Rex5 & Rex4: Bolex Rex 5 Film Magazines - $250 + $40 for shipping You can own two film magazines for your Bolex Rex 5 including a leather sound cover and vintage carrying case today! These film magazines allow you to use 400' rolls of 16mm film with your Bolex Rex 5. They are in good condition and work great. *Note the grey & color cards and scrims in the pictures are not included. https://www.etsy.com/listing/287265553/bolex-film-magazines-sale-16mm-film Sound Blimp for a Bolex Rex 4 - $200 + $40 shipping You can own a custom made sound blimp for your Bolex Rex 4 today! It reduces the noise made by the Rex 4 to near zero. There is a non-crystal sync motor inside that works. Only a Bolex Rex 4 will fit inside this housing. A replacement rubber collar is needed for the power cable to seal it in the opening. Front glass is cracked (not shown in the photos) and will need to be replaced. https://www.etsy.com/listing/273635904/bolex-sound-blimp-sale-custom-16mm-film Shipping costs listed are for buyers in the lower 48 states. I know many of you may be in other countries and as long as we can work out shipping costs, I will ship to most counties if using Etsy to pay. You must cover the full cost of shipping. If in doubt, please ask. Thanks. Shipping for heavy items will be done via Amtrak: Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy. If you don't want to pay through Etsy, and you want the item(s) shipped to one of the lower 48 states, I can accept payments via Stripe as well. Billing and shipping addresses must be the same. Please feel free to ask me if you have any questions about any of these items and I will answer as best I can.
  6. Hello Everyone, I'm back from South America and need to sell my Arriflex 16SR camera with the Arri Talbot sound blimp by December 20th. Shipping is FREE. I can only ship to the lower 48 states. Shipping will be done via Amtrak (so you must be close to an Amtrak station or willing to travel to the closest one). Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. These two items are being sold together. You can view and buy on Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound
  7. Hi I wonder if you can help me. I have the original Arriflex shoulder rig for my Arriflex SB 16mm camera, but it's missing the pistol grip that allows the camera to attach to it. Any ideas what I could use as an alternative? Those original pistol grips are very difficult to come by but maybe there's a modern equivalent I could use instead? Any suggestions much appreciated. Here's an example of the shoulder rig with pistol grip attached: https://www.ebay.co.uk/itm/325520570202?hash=item4bca89b75a:g:cAQAAOSweBlj22bg&amdata=enc%3AAQAHAAAAoJUg8RoNr0CWLuMmY%2BKA7vzslBLbAtGykJI7EZS%2FkMMivYiFf2TApXx6R1Lkwju61PtPmE1HkGS9INUxaDEBI96m9SHeLhH3hFz9husxVGOAVDEj6HrBxLFhxrxKjmGT5ULn62yjfQKaoLKezA%2FXbb2PoYUkiJRVmfqX7drl2m5jTcIajaFvdh9HKR3xcnMEn4NUrfFi8ktxfTHwLlNVgCU%3D|tkp%3ABk9SR7Lop-fNYQ
  8. Hello! I am trying to get 12V out of my Arri SR2 HS from 11 pin Fischer connector at the back for the accessory, but when I measured the voltage it appears to be only 2,5V :(. For the pinout I found a scan from Jon Fauer "Arriflex SR book" scanned and uploaded in the other topic on this forum. (Original topic with the scheme here:) What is even stranger, the voltage slightly changes, and can even go to zero when I turn the potentiometer knob on a "GLOW" that is on the side of my camera - also pictures attached: Do you have any ideas what could be causing the problem? When I unplug the two wires that power the GLOW, camera will not run. I will appreciate any ideas! Thank you! Adrian
  9. Contact me with any questions and/or to receive pictures. Aaton 35-3 Camera Package = $10,000 Includes: - Aaton 35-3 Camera Body - 4/Perf Movement - Adjustable Mirror Shutter - ACAD + TVTRANS + TV Safe Ground Glass - PL Mount - PV Mount - Top Handle - Pitch & Mirror Shutter Adjusting Tools - NTSC Video Sync Assist - Aaton Code - OriginCplus Controller - Aaton Eyepiece - Aaton Eyepiece Extension - (4) 400-ft. Magazine - Handgrip w/Mini-Rod Bracket - Set of Threaded Front Mini-Rods (15mm) - Wooden Handgrip - Arriflex Bridge Plate (15mm) - Arriflex Sliding Base Plate - Set of Long Iris Rods (15mm) - (3) 12v Ni-Cad On-Board Battery - NEED TO BE RECELLED - PAG Micromaster Fast Charger w/AC Cable - Battery Charger Cable - (4) Camera Power Cables - BNC Video Power Cables - Raincover - Flight Cases Arriflex 535B Camera Package = $10,000 Includes: - 535B Camera Body - 4/Perf Movement - NTSC Color Video Assist - Camera Handle Grip System - Arriflex F-2 Swing-Over Finder - Wide Angle Eyepiece - Wide Angle Eyecup - Arriflex FE-3 Finder Extension - Arriflex EL-3 Eyepiece Leveler - (2) 400-ft M-11 Magazine - (3) 1000-ft M-10 Magazine - (5) Magazine Loop Protector - Arriflex BP-3 Bridge Plate (15mm) - Sliding Base Plate - Set of Long Iris Rods - (2) IVS Power Cable - (2) Camera Power Cable - Flight Cases
  10. Hey peeps, Has anyone experience to rig/setup an Arri SR3 on a DJI Ronin2? Thanks in advance, much appreciated!
  11. I've been a commercial photographer for 25 years, started DP and directing a decade ago, broadcast and streaming commercials, documentary and docu-series working with Arri Alexa, Amira, Red, Sony. A friend picked up this SR2 in Iraq in 2003 from a Brit filmmaker, my friend was there for NatGeo filming. He has a terminal illness and gave me the Arri SR2 w/Angenieux 10-150 and an additional high speed magazine. The SR2 is serial # 63831. I'm planning on filming with it and getting it set up (it needs a new cell or replacement battery - the casing is there but empty inside, just 2 wires). Ideal would be to convert to a V-Mount if possible. And down the road convert to Ultra16 (DeMarco/Aranofsky). I'm curious it has a High Speed magazine, How do I tell if the camera is a High Speed version (10-150fps)? If not can I use the high speed magazine as a standard mag? iPhone snaps attached.
  12. I'm asking $600 USD for both mags with the case. I just had these two mags checked/serviced by Andree Martin of AM Camera last month, so you know they're good to go. Invoice from AM Camera is included with the images of the mags. I also just had Innerspace install new foam, since the old foam had gotten sticky/melty. I bought these from one of the big Otto Nemenz auctions around mid-2012. Available for local pick up in Brooklyn, NYC (preferred in-person sale). I can also ship at buyer's cost. I won't sell just one mag, or just the case. Besides working on the Arri 35-3 (AKA the "Arri 3"), these are also compatible with the Arriflex 2C and 3C. You can even use these on the 235 and 435, but if you want to go faster than what they were designed for (120 fps), you'd want to use a 435-style mag on your 435, like if you want to go up to 150 fps. Feel free to DM me with any questions.
  13. Set includes: 9.5mm 12mm 16mm 25mm All lenses have high quality Arri-PL adapters (with brass inserts), front and rear caps. The set also includes the rare Zeiss Aspheron and attachment rings for 9.5 and 12mm. The 12mm has a removable front ring to allow you to use threaded filters. The 25mm has a custom step-up frontage, which does not allow the use of thread filters. Also included is a plastic follow focus gear that was fitted to the 12mm. There are some minor cleaning marks to some of the front optics. No scratches, haze, fungus or contamination. Price: £7500 Lenses ship worldwide in Pelicase. Buyer pays all costs, shipping and necessary insurance.
  14. Hello, I'm thinking about getting a 35mm motion picture film camera to rent in my area as no one else is, but I don't want to spend that much on it as truth be told I'm not that passionate about the look nowadays as I am with super 16 because it lacks the texture I like in film but I otherwise I like the look of it in terms of lenses vs super 16 so in order to get a feel for it I thought of getting a 2c as for it's price on the market it rents out well and has so many accessories to customize but it's an mos camera, meaning it's loud and that would work against me but I really want it, so I ask, is there any way to make the 2c work with the dedicated blimp that makes it as big as an imax camera? Are there any parts I can get that's not the 2c blimp that I could use to shoot sync sound with this camera like say the georg jenson motor for the 16s allowed that to shoot sync sound or is it not that simple?
  15. Hi all! I'm selling my fully functioning Arriflex 16BL with its original lens (Angenieux 12-120mm) and plenty of original accessories. Quite a unique collection of items that include: - 3 400ft magazines (two functioning - one untested) - 1 1000ft coax magazine - Blimp for prime lenses - Minilock for crystal sync (untested - motor in the camera is different) - Two motors (untested, one is 42v for use with power supply) - Camera top handle - Multitude of filters (can provide more details by email) - Plenty of magazine cores for the 400ft plastic cores - Remote control for camera - 4-pin XLR to D-tap for power - Original box - Power supply for 42v motor - Periscope viewfinder for when operating with a shoulder rig Most recently used for a short film that was shot in 2022 and 2023, no issues at all with the camera. Very stable gate, great image. I can ship to UK and maybe EU but collection in London is preferred. This is the eBay link for the camera: https://www.ebay.co.uk/itm/374789398236 There are some pictures on the eBay listing too. Happy to receive offers through eBay or directly on here if you prefer. Sad to see this one go because I really love shooting on the 16BL, but I'm selling it to finance my next short film!
  16. Arriflex 416 Plus Camera Package..... $79K USD Here is a link to the product on our website : https://broadcastsolutions.com/product/arri-416-plus-s16mm-camera-kit/ 1x ARRI 416 Plus Body (WHITE CODE Antenna) 1x ARRI 416 IVS PAL 4x 400ft Magazine 1x ELOKUVAKNOEPAJA Gold Mount Battery Plate w/ Built In Wicam Analog – HD Video Converter 2x Arri OBB-2 416 Batteries And Charger 1x Arri UMC Antenna 1x Arri Rubber Eyecup 1x Arri Heated Eyecup 1x Eyepiece Extension 1x Duvetail 1x ARRI LWS-5 1x ARRI BP-10 1x SRB-2 1 LRB-2 1x Steadicam Plate 2x 15mm Rods 1x ARRI 416 Shutter Tool 1 1x Ground Glass 1.78 1x Rolling Pelican
  17. Two ground glasses for sale. For use with an Arri 2C, 3C, 35-3 film cameras or Kish UDF or other Dir/Find that uses this type of ground glass. $200 for both OR: $150 for the one with the metal handle (in slightly nicer condition) with Academy 1.85 and what looks like Academy 4x3 (common sides). In blue ARRI jewel case. $100 for the one without handle (a couple of tiny blemishes, visible in photos), marked with Academy 1.85 and a "TV" that is not common sides or top/bottom. The 1.85 marking is the dominant marking on this one. Both have tiny chips outside of the picture area. Both have center cross-hair. Located in Brooklyn, NY. Thanks for looking.
  18. I am trying to find out which battery adaptor this is in the photo attached. I know there is the Elokuvakonepaja gold mount option....but, I am worried about weight with the added SDI/HD convertor. I need this to stay as simple and as light as possible. I also like the fact that it looks like there is a brace that holds this adaptor in place. Any info would be greatly appreciated.
  19. Hey, im selling my Arriflex 16SR T-Bar with B&W SD Videoassist CEI VP III B&W (NTSC). Also i´ll add an 5" Transvideo SD Rainbow (PAL/SECAM/NTSC comp.) Monitor with sunshade. Tested, cleaned & working! And in good condition! The Videoassist covers the S16 Mattescreen only around 90% but if you squeeze it it can Cover a squeezed 98% of Super16 1.66 Mattescreen. All together as a Set- 1000€. Pick up preffered. (Berlin) But can ship it as well! Best, Philip
  20. For sale here is one of Tobin's last (newest) crystal motors ever made for the Arri 16S or 16M. Runs forwards only. Crystal speeds: 12, 20, 24, 25, 30, 40, 50 fps. This was bought new directly from Tobin and has only been run to test a few of times. More information from the Tobin website (a pdf download link) http://www.tobincinemasystems.com/TCS_Public_PDF/TXM22A.pdf Please see my other listings, I'm moving and selling a bunch of gear. Available for $600 O.B.O! Available for pick up in West Hollywood through this Saturday. For convenience, preference will be given if there is a buyer in the LA area who will pick up in person and pay cash. Pictures! http://www.flickr.com/photos/95212445@N02/sets/72157633331298455/ Send me a PM if interested. Thanks for looking! Rich
  21. Selling very rare Angenieux 24 Type R2 f2.2 in Arri/s mount. Covers S35, famously known as a longer focal length of the Angenieux 18.5; Orson Welles' favourite lens. Ideally looking to swap for 25mm Cooke Speed Panchro S3 in Arri/s mount—preferably locally in Australia. This lens is very rarely found in Arri/s mount; which means you can easily adapt to PL. Most copies of this lens are Cameflex which need rehousing for modern cinema cameras. Lens is in great condition, glass is clean (a rarity for Angenieux primes which often have lots of micro scratches on the front element). Has a small scratch mark on rear element that doesn't affect image. Will send with a specialised step-up ring made specifically for this lens by Rafcamera.
  22. ARRIFLEX 416 Plus Camera Package Condition Used - like new omar@raw-entertainment.com $99,000 Excellent Condition 1 x Arriflex 416 Plus Camera Package 1x Arri Plus Camera Body 1 x 416 Integrated Video System (IVS-2) 3 x 416 - 400ft Magazine 1 x Arri Heated Eyepiece 1 x On/ Off Pistol Grip 1 x Arri 416 Antenna 1 x Arri Clip On Shoulder Pad 1 x 416 Left Rod Bracket 1 x 416 Base Plate 1 x 416 Base Plate Sled 1 x 416 Low Mode Support Set 1 x Handle 1 x 416 On-Board Battery Charger 3 x Power Cable 1 x Changing Bag 2 x 300mm x 19mm Rods 1 x Transvideo Rainbow II Monitor 1 x Hirose 6 to Fisher 4 - Power & Video For Mini Monitor Arri x 100mm x 15mm Rods 2 x 200mm x 15mm Rods 2 x 300mm x 15mm Rods 1 x Tilta Universal Handgrip System 1 x Large Custom Pelican Case wheels 1 x Medium Custom Metal Case
  23. Does anyone have a video or audio clip of an SR3 (non-highspeed) running? The SR3 Advanced I just got sounds a bit odd, running at 24fps without film. I’ve only ever been around SR3s while shooting MOS, so I never really paid attention to the noise. Does it sound like this camera needs a service? Is it typically the body or the mags that need servicing when the noise is too much? Video of it running at 24fps without film: https://imgur.com/a/R8Gdkbn I’m going to test with film soon—don’t have any short ends at the moment. It sounds about the same with any of the three mags I have.
  24. Hi, I need to let go of the best camera I've ever handled. Since I have access to another 416 I can't motivate keeping it no matter how much I'd like to :) Complete list of what's included can be sent, it's a nice big kit with three mags, three batteries, all important accessories like shoulder support and hand grip etc (it's a lot) and two cases that fit it all. There's more stuff then in the attached picture. Runs like a charm, was just out shooting with it tonight without any problems. I've never had any camera related issues with it (only user error before I learnt to load it correctly…). Price is 8000€ + shipping and I'm not taking any offers at the moment, so please only contact me if you're seriously interested. EU-sale preferred. I'm based in Stockholm, Sweden. Pick up would be great, coffee/tea included if you come :) Please contact me here or with the contact info on my website linked in my profile. Take care/Kalle
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