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Jae Solina

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Everything posted by Jae Solina

  1. $9250 ursa mini pro 12k your saving $1200 plus due to taxes. $8250 Arri alexa
  2. Bought the Ump 12k October 20, 2020. This camera is overkill for home videos and travel. Will come with ef and pl mount, vmount battery plate, davinci resolve 17 studio and original box. Will ship FedEx 2 day when paypal clears payment. There is a small chipped paint by the F1 button as seen in the picture below. Let me know if you have any questions. Due to the value of the item I cannot take returns and refunds. I can also record a small clip showing the camera works if the final buyer wants to. Save yourself some cash. $9500 and the ursa mini pro 12k is yours. 12K IMAX in your cargo pocket. Selling my arri alexa classic too. Just need lens and you are good to go. I actually bought this from someone here. The package includesArri Alexa Body with Highspeed License Operating Time 1458 hoursArri EVF (Not installed)V-Mount battery plate (installed)Gold Mount battery plateLeitax EF Mount (installed)PL Mount (Not installed)64 GB SXS CardSXS Card Reader (No cables)Odyssey 7Q w/ ARRIRAW License (can shoot arriraw up to 60FPS)2x 512 GB Odyssey SSD Media2x SDI CablesVCT Base plateHard CaseWill ship UPS Ground after paypal gives me a green light. Asking price is $8500 for the entire package.
  3. Longtime BMC user here. I would absolutely love to see you use a blackmagic camera. You do such great work. I absolutely believe the Pocket 6k will look amazing on your hands.
  4. Thanks for the test. I'm pretty excited about these powerful LED's. Technically 3 Forza 500s are still cheaper than at 1.2k HMI right?
  5. The only thing i hate about bouncing unbleached muslin is the spillage. Be prepared to have a lot of flags. Tung
  6. Figured as much. They probably just used a nice monitor and lit it by eyes. I like the fact that his face still has detail and the shadows are dark but not noisy. Even for youtube it looks nice
  7. Good morning! Hope everyone is well. I am curious to see what people think about the key to fill ratio in this shot. I'm trying to learn more about back lighting and i really like the mood of this music video. Thanks guys!
  8. Hey guys does anyone know what stand he is using here for the overhead example at 2:13? It looks like a regular cstand but the arm is very long. Thanks. Overhead
  9. Man that looks amazing. What was the diffusion? Where would you put the mirror if there were two people in the car? One driver and one passenger?
  10. I can't see the attachment for some reason. What mirror boards do you recommend? All i can find right now are matthews'. Im guessing shake it up means adjusting it? Thank you AJ
  11. Mr. Holt. You seriously need to consider making a masterclass. We need more resources regarding gripping and dp'ing. Thank you for this.
  12. Were the litemats right on the windows or a couple of feet away? It looks fantastic in my opinion.
  13. Thanks for the feedback guys. I think im going to go check it out to see how bad they are color wise.Insert other media
  14. I hope all is well with you all. Has any one ever used portable light towers like what's below for making movies? You get so much power for cheap, I wonder if I could use something like this instead of an HMI. No one wants to ship an HMI to my location for rental and buying is not an option unfortunately. Thank you in advance.https://www.unitedrentals.com/market...-light-tower#/
  15. What a great insight. Thank you very much!Im still waiting for him to finish.
  16. Good afternoon beautiful people of cinematography. I hope all is well with you. I know this forum is a cinematography forum but this is probably the only place I actually get feedback. That being said, I hired someone in upwork to help me with my screenplay. Am I now responsible for putting him as a co-writer when submitting my screenplay to film festivals? Will I have to put him in the end credits if I somehow manage to film the said screenplay?
  17. bmforum is not as active as this one unfortunately. thank you for the input. mr hurlbut used DIY metal halide lights light metered at 5600k. Honestly, i am thinking about investing in hmi's. i will check out the link
  18. Hmm odd. Nevermind. I tried the same set up with my red dragon camera. I am now getting bluer 5600k. Guess camera matters.
  19. in that case i actually needed more background light since i had it turn down it was too bright. I guess i need to get a brighther key light? Thank you
  20. first off happy belated birthday to you sir and thank you once again for your reply. Basically the harsher the light the bluer it should get? I did bounce the 120d off the ceiling so i guess it wasnt really 5600k by the time it hit the back wall. That makes sense.
  21. Team. Hello. I have purchased Shane Hurlbut's how to light night exterior on his website (the link below is part of the series but is not the one i am trying to replicate). I am trying to recreate the colors he is getting with the warm skin tones but blue background light. On the course his camera was set at WB 3800k and the fake moonlight is set at 5600k. He used a red dragon on his example while i am using a pocket cinema camera 4k for mine. Why does my 5600k (Aputure 120d Mk 2) look so much more neutral than his. Is it because of the dragon sensor? Is it because of his metal halide back light? Or is it both? Thank you all for your time. My screenshot link: https://drive.google.com/open?id=1yP0Hv8PzIDFMvZbPM5vrSegQe-NR6Uzd
  22. Wow! Thank you for all of the ideas. I should have stated. It;s going to be a night scene. What would be the best position for a key light if the talent is standing where the picture is taken. Will an overhead work or should i have him stand beside the window and get keyed by the window lights. Thanks.
  23. First of all i apologize for my bad english for its my second language. I need your help trying to light the attached image. I would like to give it a very dark/horror lowkey look. I am thinking of punching some lights through the doors and windows and use smoke for that Spielberg effect. I am also thinking about taping some translucent trash bags on the windows so that it would break up the lights so it wouldn't be too harsh. Do you think what i am trying to do is a great idea or should i just top light the musician instead or backlight him similar to this video https://www.shutterstock.com/video/clip-19215859-stock-footage-skateboarder-moves-on-a-skateboard-along-the-corridor-of-an-abandoned-building.html?src=rel/4949642:1/gg. Thank you.
  24. Could you possibly also share the lighting set up for the same music video timestamp's 0:26 and 2:13? What aperture do you guys usually shoot eminem at since he moves around too much lol. He is probably an AC's worse nightmare.
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