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Rob Guerrero

Basic Member
  • Content Count

    36
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About Rob Guerrero

  • Rank

Profile Information

  • Occupation
    Cinematographer
  • Location
    Hollywood, California
  • My Gear
    Arri 2 perf

Recent Profile Visitors

2175 profile views
  1. That is for certain, 35mm film is still used heavy for both music videos and commercials, I know DPs that shoot only those with film format. That said even with feature films with 12K scans it really is just artistic preference to shoot film or digital these days.
  2. Hi Rich thanks for the update. I *think* that applies mainly to "sellers", with actual items to sell. I am not selling anything, just WTB. There is no limit mentioned on bumping WTB that I can see.
  3. Ditto what Stephen said! AMAZING work Uli and the home movie is adorable ...now that is a home movie you can watch on the big screen in a real movie theater! ... and hopefully the theaters will open soon after the pandemic so we can all enjoy good film work properly as it was meant to. I am just floored how rock film steady the 235 is with the registration pin. Just makes me want to get the 235 even more ... still searching!
  4. Hi Kris, I would recommend either the CINE 60 16.8V battery belt or a CEI power supply, both worked flawlessly on my old ARRI IIB 2-perf Techniscope movie camera on the IIC Cinematography electonics (CE) motor base which I highly recommend . The extra voltage will be perfectly fine on your ARRI IIC especially on the IIC CE motor and give you more torque for 400 ft mags. I would not go over 16.8V as the good folks at CE here in California confirmed this. Both the battery belt and power supply are very rare and hard to find, they both connect perfectly to the 4 pin XLR cable.
  5. Hi Dennis, I would also recommend either the CINE 60 16.8V battery belt or a CEI power supply, both worked flawlessly on my old ARRI IIB 2-perf Techniscope movie camera on the IIC Cinematography electonics (CE) motor base which I highly recommend . The extra voltage will be perfectly fine on your ARRI III especially on the III CE motor and give you more torque for 400 ft mags. I would not go over 16.8V though unless you are running high speed 120 FPS on the ARRI III in which case you will need double the voltage. Both the battery belt and power supply are very rare and hard to find, they bot
  6. Thanks Uli! I did contact Herman, he only has 3-perf right now...I am looking for a 4-perf only basic kit.
  7. Awesome 2-perf 35mm discussion guys! Here was my old ARRI 2B Techniscope 2-perf movie camera (1958) with the ultra rare Fellini Door it was a super hot rental for many years (yes this door was invented for the famous Italian director Fellini !!!). I have only seen two 2-perf Techniscope IIC or IIB movie cameras with a Fellini Door ever and mine was one of them. I just sold it this year after shooting with it for years to upgrade to a newer 2-perf movie camera so by summer 2021, I should have either the ARRI 35-3 2-perf (1983) or the 235 2-perf (2003) (yes I actually have the 2-perf moveme
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