Luis Hartmann

Interesting, I never thought of using a older scanner. Do you have any references and comparisons?

Hey Jack, what's the Lab called? Is it Day for Record in Hapjeong?

I always ask them, to handcheck, in some places they can be iffy with it, like CDG. If they don't do it, plead with them, tell them that it's not the same as photo film. In theory there shouldn't be an issue, especially on lower ASAs like the 7207, but who wants to risk it?

Let's see, I was planning to use it on my r16, the PL adapter from RAF doesn't clear according to RAF, for example. Ah that makes sense, I was always a bit confused by how it'd be possible to make an adapter.

so it's not universally usable on other m43 lenses?

Cool! Are you gonna setup some website, or is paypal fine? I‘m down for it, let me know how the sample comes out!

Keep us updated!

Hey, any chance you could share this with me as well?

Maybe shoot the person who shot it a DM on IG and ask directly. I'd say it could have been shot on any modern digital camera, with a older ENG zoom and a good grade.

I don't have an answer to your question, but that's a sweet camera, never heard of this modification before.

I'm sure you'd find someone willing to drop 4k on this, hell if I had still had my Minima, I would consider it, if it would mean I could rid myself of the anguish of using the 200ft spools.

Would there be any way to modify the mags and use 100ft spools?

Yes, I think that "mystery" has been solved by now, but just for completions sake, from the 98' Article And as for camera choice:

About the filters, from February 2001, "Production Slate" - In the mood for love. I couldn't find anything in the ASC Mags about the chemical processes, but as a side note I happened to see a 35mm projection of Fallen Angels last year and the image was quite "neutral", for example the green flourescent tint must have been introduced in later (blue ray) versions.

I finally found my copy of the ASC Mag February 1998 again, there's a little article about Fallen Angels in "Production Slate". About the filmstock: The black and white scenes were actually a mistake, caused by the assistant fetching expired filmstocks.