Jump to content

Jack Jin

Basic Member
  • Posts

    36
  • Joined

  • Last visited

Profile Information

  • Occupation
    Student
  • Location
    Seoul, South Korea

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Hi there, we are a boutique filmlab based out of South Korea, we are the first film lab to have opened in Korea in nearly a decade. Our goal is to bring back the beauty of shooting film to Korea. We are currently looking to upgrade to processors that can take multiple rolls of film at once to speed up our workflow, also to increase the consistency in density and color of the developed film, but we are looking for options that take up a small footprint, which the current existing options in the market doesnt seem to offer. please reach out to jyb271155@gmail.com if you know how to make a film processor, thank you.
  2. Hi there, I'm looking for a non automatic working R16 right now, so that I can fit bigger lenses and adapters onto to camera, thank you. Email: yj2711559@gmail.com
  3. Hi unfortunetly it's not available anymore, wishing you goodluck on your search for the dragon.
  4. Selling my beloved epic dragon set, has 1800 hours on it, and has given me amazing footage. 2950 USD for the Set, Shipping Worldwide (Shipping Included!) RED Epic Dragon 6K Body (1800 Hours) RED EF Mount RED Side SSD Minimag Module RED DSMC1 Side Handle RED DSMC Fan 2.0 RED 480GB Minimag Smallrig Top handle Wooden Camera Quickback V mount battery plate images of the set: https://drive.google.com/drive/folders/1v4_sxnT3cgBZjNv2Eo7_ecCdGDrYf9aR?usp=sharing
  5. 안녕하세요, 저도 한국에서 16mm 필름을 촬영하고 있습니다. 필름을 어느 필름랩으로 보내십니까? 미국으로 보내시겠습니까 아니면 일본의 TOGEN Filmlab으로 보내시겠습니까?
  6. I'd say go with 2 perf and use the mini hawks for the anamorphic bokeh but spherical sharpness and speed.
  7. Link to full short: https://www.youtube.com/watch?v=gYZHUB_uj0s&ab_channel=crappyfish123 I shot this project partially on ultra 16 and Vision 3 250D, and majority of it was shot on my Red Epic Dragon 6K. The lenses I used were mostly the Tamron 24-70 f2.8, and the Canon 24mm f1.4L ii for the early morning shots, with the Tokina 11-16 used for the sports shots. The compression ratio used was 6K HD and 5k HD at 6:1 to avoid artifacts. I pushed the Red to 6400 and 12800 in order to get better highlight latitude and also more noise and texture. Since I wanted a more gritty look to match the 16mm footage. The whole short film is shot at my classmate/actor's apartment and our highschool. Would love to know your guy's opnion and how I can further improve!
  8. Holy cow Alan Gordan has been around for that long? Crazy
  9. the f900 is a contender, but ism't the viper from 2004? Also, where there is bokeh i don't see any signature rainbow bokeh from the 3ccd on the f900, so I think it's film? But no idea what telecine/scanner/colorgrading suite could be on, the lighting is super interesting though!
  10. This is a japanese music video shot around 2000, but the colors look very interesting and almost print film like and switches to a cold and desaturated palette midway through, any idea how and what equipment they could have achieved this look on? Thank you very much.
  11. What scanner was used? Because the end result looks fantastic with amazing 60s/70s color depth.
  12. https://www.emotivecolor.com/ I think the tungsten version is kinda meh imo, so i would recommend the daylight version only
  13. Highlight roll off on internal footage and external prores is actually quite nice, very similar to p4k with the highlight recovery on, but braw on the s5 does not have any highlight roll off in clipped areas, as all highlight roll off is built into the colorscience and processing of the camera, and braw does not use the camera's colorscience but rather blackmagic's V-log color science. I would highly recommend s1alex again, as it really does make grading so much easier, V-log is quite weird in it's hue and s1alex just makes an incredibly nice and filmic gamma curve since it converts the v-log to arri log c. The pocket 4k's rolling shutter and the s5's rolling shutter in 4k apsc crop are about the same, around 13ms, and the s5 in fullframe is at around 21-22ms. Which for reference, the a7m4 is at about 27-28ms and the pocket 6k is at about 19ms.
×
×
  • Create New...