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Belleville, Ontario, Canada
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Silent comedy, acting, writing, directing
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I've not posted for awhile, but I thought I'd ask this here, since I'm not certain how to get going. I started shooting a short film a few years back. It's a no-dialogue/silent film in the Chaplin/Keaton/Tati style. Since I'm basically an amateur, I just asked a few friends to help me shoot a couple ideas I'd had. Buster Keaton would start shooting with a beginning and an end, then find the rest as he went. Since I have no one to please, but myself, I followed this model. (I do understand that few pros work like this anymore.) Long and short is, I have the second act "in the can," but I just don't have the technique to edit the piece in the way I want. I don't have the computing power or Final Cut/Premiere skills. Even auteurs don't do everything. TL:DR I'm looking for some help in editing my film. I'm not even sure how to choose an editor. I act, write, direct, and produce, so I'm not totally green, but I'd like to chat about getting at least what I've currently shot cut together. Thanks!
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I recently bought an analogue light meter, which should do fine.
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I did hear from the app developer. He's provided some clear instructions I'd be happy to share via PM. (Sharing a private email on a public thread seems gauche somehow.)
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Thanks for these! I've been emailing with the app developer and I do NOT need an attachment. Incidental light is measured by the "selfie" camera; reflected light by the rear camera.
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Speaking as a theatre director, I would be inclined to first ask what the play is. A bare stage is rarely lit, unless it's deliberate for the play. There is no key light in the theatre. It would be too hot. Musicals often use a follow spot for soloists, but it usually blends with the rest of the lighting design. It's a four-way plot to like an actor so she looks three-dimensional. Two lekos on the front, two fresnels at the rear, generally speaking. By all mean use the theatrical instruments available to you. They cast a different glow than film lights. Lekos and fresnels are generally standard instruments. Fresnels with barndoors are helpful for casting distinct shapes, like light spilling through a doorway or window. I would consult a theatrical lighting designer and director in your area for specifics on your shoot. Break a leg!
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Which particular piece of hardware is $3? Link please
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I was given to understand I didn't require the aftermarket bulb for the app I mentioned.
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I've been using LightMeter app by David Quiles Amat. I'm still confused how to get an accurate aperture reading. The dial doesn't really fall in a specific spot. It seems like a range of options. Little help? https://drive.google.com/file/d/1jZtZ1fM_ph5bhTmsBr4TeuCCS15k5afC/view?usp=drivesdk
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The Marvelous Mrs. Maisel
Timothy Fransky replied to David Mullen ASC's topic in On Screen / Reviews & Observations
I believe this show is up for some awards this season. I don't know if cinematography is one of them, but all the same, congratulations! Everybody involved wins in these situations. -
Sorry, gonna hijack. Mother! was garbage, start-to-finish. I didn't mind the visuals so much as the trash medieval mystery play. I have a Dutch reformed education and that's the sort of story every theatre major was trying to do for their independent study. It wasn't clever, shocking, or interesting. I don't know if you've ever heard of the evangelical traveling play called "Heaven's Gates and Hell's Flames," but it's as bad as it sounds. Just zero theological/spiritual understanding. I have nothing against a good spiritual story from any religion (I'm something of a believer myself), but that film was insulting to everyone's intelligence. I mean, Star Wars handles religion and faith better and it doesn't handle it very well at all. Rant over. Sorry.
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Blade Runner like Production Diary - A MUST see!
Timothy Fransky replied to Randy J Tomlinson's topic in General Discussion
This is really good work! You guys could open an SFX company! -
I would also love to know. I have a B&H 627 I'd love to mate with an period-correct tripod.
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Colour chart/grey cards/white balance advice pls
Timothy Fransky replied to Timothy Fransky's topic in Super-8
I shot this on my Dad's B&H 1206. It came out much better than the wedding. It was a super sunny day also, so that helped. https://vimeo.com/301725724 -
Colour chart/grey cards/white balance advice pls
Timothy Fransky replied to Timothy Fransky's topic in Super-8
Not defensive, Nick. Sorry if it came off that way. I was just venting. This was such a good learning experience for me. I'm a hands-on kinda guy. I need physical experience with something before I learn anything. I actually have LightMeter by David Quiles Amat for my android. It's going to come in really handy with my 16mm camera. It's really grey weather in my local area, but I don't want to stop taking pictures. So, I need to learn to shoot in poor light. Head first is the best way I know how. -
Colour chart/grey cards/white balance advice pls
Timothy Fransky replied to Timothy Fransky's topic in Super-8
I had spoken with Adrian before shooting this, actually. He'd recommended shooting at 20ASA. I shot manual exposure because I knew the stock was rough to begin with. I definitely would've had better results with auto exposure. Hindsight is 20/20. And, yes, I actually did shoot at f22, which is indeed the opposite of what I wanted. I don't know how I got the numbers backwards, but I did. Stupid mistake. The smaller the number, the wider the aperture. I knew that. Dumb. And with all due respect, "use better/fresher stock" is the least helpful comment I've ever read. I had this available. I was pretty certain I'd be making mistakes, so why waste good stock? It was meant as an educational exercise, not a proper wedding film. In that sense, I feel this was a positive experience. I made some major errors, but that's why we practice. No one's "special day" was ruined by a bad film. The couple had professional photogs that captured everything properly. No one had asked me to shoot the wedding. I felt it was a useful event to get my feet wet in super 8. Finally, let me say that no one learned anything by not trying. You can't hit a home run if you don't swing away.