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Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloor lights would help accomplishing this nighclub ambiance) The second one is more of a natural ambiance in bright daylight with characters in the frame running on a road and other narratives sequences in the city ... Thanks in advance ! cheers

Don't hold your breath while waiting for the Kodak reversal film. Ektachrome 100D is here! Over 50 minutes of running time at 18fps! Ektachrome 100D 400ft can of Double-Super-8 DS-8 Kodak Ektachrome 100D Double Super-8 16/8 2R 122 meter / 400 feet Kodak 7285 CAT 186 1681 Comes from cooled storage, factory sealed. Obviously you will need a DS8 camera or skills and capability to cut and split this DS8 into 16 pieces suitable for Super-8 cartridges. Shipping from Netherlands The Fata Morgana:

Hi, this is Pablo Secaira from Laboratorio Abierto de Fotografía Ecuador. We are in South America. We have a project that use ten super 8 Ektachrome 100D reversal film and we need to develop this. We own an Analogue Laboratory. So we need some advises to begin the process. Is there any thing that we have to take care, or prevent before we start. And where we can purchase this chemistry near our location. If you have experience / anecdotes on this topic please share with us it would be great.. Thank you so much for your help. Pablo. LAF Ecuador.

Alright I'm having a conundrum this morning as I pack for a weekend in the woods. I really would love to shoot one of my carts of Ektachrome (64T or 100D) I have left. Also... I want to use my newly acquired Nizo 156 Macro as it's a lovely little travel camera and I have the UWL wide angle lens for it as well. Also it has a 220º XL lens (1/28th). I have shot 200T in this camera and it came back great so the camera definitely works. Thing is... it has dumb metering. I've attached an image of what the manual says about how it reads carts. In THEORY... I feel like it should read a 100D cart correctly as 100D as it SAYS it can meter 100D. But when I tested the aperture looking at a building outside my door, it was reading around 2.8ish-4 on the Nizo 156 Macro THEN when I tested that same cart on my Canon 514XL (I've shot Ekta and Provia 100D in the 514XL with great results) and my trusty Canon 814XL-S (only shot 64T in there but it meters everything really), they both read around F8. I even tried Tungsten notching the 100D and got roughly the same results in both (when on tungsten as I don't want any filter engaged). And to make things even more interesting, I realized the 156 Macro's filter switch is just connected to a little rod that tests whether the cart has a notch or not. As in... if you move the switch back and forth, the little rod goes back and forth. So it's not really detecting anything on its own. Thoughts? It must be reading the 100D as 25 or 40ASA (either as Tungsten or B&W... what's the difference in cart??) since it was Why does it say it'll read 100D when clearly it doesn't. How does it detect daylight film? I have seen only a couple examples online with this combo that seem good but no idea how they metered. https://www.youtube.com/watch?v=2WrGfBdKfZs Super 8 metering is crazy.... Wish Kodak would've just made all cameras able to set ASA...

For Sale: 2 cartridges of Kodak Super 8 Ektachrome 100D film. Has been kept in freezer since purchased from Kodak. Asking $120.00 US plus shipping.

Does anyone know how this camera will expose 100d and 50d? It's new to me and I can't afford a test reel right now. Thanks! - Hunter

The topic title says it all. Was hoping to get some opinions. I have a few reversal so I'd have to purchase the negative but I'm willing if I'd be getting much better results. Thanks! - Hunter

Hi Everyone, I've got two 400' rolls of 16mm Ektachrome 100d for sale. Bought from Stanleys in London. Fridge stored for 1 year and freezer stored for the last two. £220 each. Cheers.

Hello All, Looking for E100D, especially in 400ft loads on core, 100ft daylight spools or Super 8. There were tons of it available through B&H before it sold out in the frantic buying spree post announcement of discontinuance. So, I know there are people out there with thousands of feet in the fridge just waiting to be guilted into selling some or all of it to someone that wants to actually shoot it. It's film. Let's shoot. :) I am not going to pay the crazy $1/ft prices people are asking on Ebay. So, please don't waste either of our time with offer like that. I will offer $165 for a 400ft load on core, $60 for 100ft loads on daylight or $25 for Super 8. This is completely reasonable to offer for this stock. Thanks!

http://youtu.be/c4IxLmrpktg Ektachrome 100D Super 8 shot on a Bolex Double Super 8 H8 Camera. Cross Processed and Hand Processed. Transferred to Video one frame at a time on a JK Optical Printer.

I shot this with my Canon 1014 on the last few rolls of Extachrome 100D. I was storing it in my freezer and planned to keep it there but I gave in and decided to use the last of mine.Does anyone else have some of this stock stored away or have you shot anything on it recently?

Hi Everyone, After buying a fridge full of Ektachrome last December, I now realise I've got too much for my needs, so I've put a few rolls on Ebay UK - item no 300895327438 All the rolls have been fridge stored, since purchase. Many Thanks.