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Found 86 results

  1. FOR SALE (Pre-Owned): Vision Research Flex 4K Camera Package Email For Details SMALLHD 2403 HDR 24" Production Monitor NEW IN UNOPENED BOX $3200.00 Vinten Osprey Plus Peds Qty. 4 Available Email sales@broadcastsolutions.com for pricing and details.
  2. Panasonic Varicam 35 Package For Sale - $19,500 I am Los Angeles-based director/producer and purchased the camera for a production. It was barely used (161 total hours). It's like new. I am happy to provide professional references from reputable industry professionals. This is an excellent camera at a steal of a price. All functions of the camera work perfectly. It has been extremely well kept at a rental house in LA. All functionality can be tested before purchase. The Package includes: ||CAMERA|| - Panasonic AU-V35C1G Varicam Camera with PL Mount - AU-VREC1G Recording Module - AU-VCVF1G OdLED Viewfinder for Varicam Mount - EVF Cable - Eyecup - Body Cap - Top Handle - Gold Mount Battery Plate ||OTHER|| - 2 x 256GB expressP2 Memory Card (2 256GB cards total) - Panasonic AU-XPD1 Express P2 Memory Card Drive - CUSTOM CAMERA CASE from Master Case. Latest firmware installed Version 7.50-00-0.00 (240 FPS, anamorphic de-squeeze, any Apple ProRes available, and more) Please let me know if you have any questions at all.
  3. Both working, both are in reasonable condition. One has barn doors, other hasn't They're big and heavy, so I'll ship to Europe only. https://www.ebay.ie/itm/202085601853?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 https://www.ebay.ie/itm/202085600277?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 I also have one 4k Sirio HMI with magnetic ballast, I'll also will let it go if someone interested
  4. Hi all, We are shooting interviews with 2 C300's Mark II and I need a very high quality. Not knowing the camera exactly, I wanted to know what do you think about the following? 4K recording DCI Cinema 4096×2160 (or is 4K recording in UHD 3840×2160 enough?) 10-bit 4:2:2 Also, which frame rate is the best? 23.976, 24, 25 and 29.97? I don't understand? Premiere supports many different file types, so I guess the native or raw file format doesn't matter? We tend to shoot for about 8-10 hours, do you think we will past 5TB? Usage is YouTube, TV's and Premieres. (Screenings) Thank you all!
  5. Not sure where to post this. News seemed like the obvious place but I can't post there but this seems of interest to everyone here as it is about one possible future for Theatrical presentation. Giant LED displays for the cinema: https://www.redsharknews.com/business/item/4751-samsung-launches-hdr-led-cinema-screen Freya
  6. This is a short film I made in Oslo. Feel free to critique, comment and maybe share :) Thanks! Martin
  7. You are looking at my trusted Sony PMW-F5 Camera. I've just upgraded to another system and unfortunately have to let it go. The system only has 634h on it's back and includes the 4k upgrade that allows for internal 4k recording. The package includes: 1x Sony PMW-F5 camera body and handle (PL-MOUNT) 1x Sony DVF-L350 3.5" Color LCD Viewfinder (Loupe included but not fully functional) 1x Sony SxS Pro+ 64GB Card 1x SxS Card Case 1x Movcam Shoulder Rig with sliding baseplate and shoulder pad 1x Movcam Right Handgrip Batteries (V-Mount) are NOT included. New this set up cost me $22k. I'm offering it for $8999 incl. Free US shipping. http://www.ebay.com/itm/122590849000 It's a great camera and has worked for me very reliably with no corrupted files or any other technical hick-ups. Neither screen nor sensor have any dead pixels or other glitches. It's never been rented out and has only been used on my own shoots. IMPORTANT NOTE: the camera is updated to version 7.01 and since it's one of the first units (Serial: 0100383) released it CAN ONLY be upgraded to version 8+ by Sony, which is a free procedure they provide. It's fully functional now and I've tested this version for 100h+ so far with no problems. All sales are final and there are no returns accepted, so please feel free to ask any questions before buying. I only ship to CONFIRMED Paypal addresses and NO PO Boxes. Thank you for your interest! More pics on ebay:
  8. This film was supposed to premiere today at the Cannes Film Festival. Darius Khondji will be there, according to afcinema. Apparently, Netflix did not want this to be shot on film and demanded it be shot in 4K: The film got into a controversy between Netflix and the Festival because Netflix didn't want to show the film in French cinemas. The screening was stopped today because of heckling. Here is a fresh interview with Darius Khondji – in French. Check this link, too. Here's another one, in French again. Funny that he says he hopes he has no style. The film will be released on Netflix on 28 June 2017.
  9. Hi there, I'm asking myself some questions about compression in the sony a7s II's various recording formats and maybe some of you know the answer. I tried to calculate the mean (file) size of a pixel in the different formats to compare the amount of compression: 4k 30p 100Mbps : 3.33 Mb per image = 0.40 bit per pixel (on average, obviously) 24p 100Mbps : 4.17 Mb per image = 0.50 bit per pixel HD 24p 50Mbps : 2.08 Mb per image = 1.00 bit per pixel 30p 50Mbps : 1.67 Mb per image = 0.80 bit per pixel 60p 50Mbps : 0.83 Mb per image = 0.40 bit per pixel 120p 100Mbps : 0.83 Mb per image = 0.40 bit per pixel Is 4K 24p actually 80Mbps to have the same image quality as 4K 30p, or is it true 100Mbps an thus produce a less compressed image ? Same question for 24 and 30p 50Mbps HD. If 24p 50Mbps HD is actually 50Mbps, it means it's the format with the least compression with over 1bit per pixel on average. If the limiting factor of the camera is a data stream of 100Mbps max, why are there no HD 24/30/60p 100Mbps modes for better IQ ? Is it to keep consistency over compression levels across the various framerates even if it means sub optimal IQ ? But then the 4K 24p should be 80Mbps to fit the 30p compression ? 100Mps for all the different res/framerate combinations would allow the 60p to be better quality than the 120p, as it should, and also allow an even lower compression 24p mode (with over 2 bits per pixel) This would come in handy for specific shots where you'd want low compression over high resolution. Or am I just talking nonsense ? Cheers.
  10. Looking To Purchase (Pre-Owned) Vision Research Flex 4K Camera Package Vision Research Flex 2K 32GB Camera Package Sony PMW-F5 w/ProRes Option Zeiss MKII 18mm Zeiss MKII or MKIII Set of Lenses Angenieux Optimo 45-120 Fujinon Cabrio 19-90 V2 Arri /Zeiss VarioーSonnar 16.5-110 T2.6 Angenieux Optimo 17-80mm T2.2 Angenieux Optimo 24-290mm T2.8 Cooke S4i 65mm Cooke S4i Cooke mini lens set of 6 Individual Ultra Primes Or Master Prime Lenses Please email sales@broadcastsolutions
  11. To end the year of 2016, my friend Mark and I decided to head west on an adventure and to shoot some beautiful Californian landscape footage exclusively on the DJI Mavic Pro. See where we've been. Song: "Mountain Game" by Animal Collective Follow me on Social Media: http://instagram.com/photo.corey http://www.coreymachado.com Check out Mark's Channel: http://bit.ly/2ir4May
  12. Arri Gold Mount Adapter for AMIRA Arri KC-50 Straight Power Cable for AMIRA AbelCine 220W / 24v Power Supply (4) Sandisk CFAST 2.0 Card 128GB (Arri Compatible) SanDisk Extreme Pro CFast 2.0 Reader / Writer Arri WPA-1 Wedge Plate Adapter for AMIRA Arri QRP-1 Quick Release Plate Arri EF Lens Mount for AMIRA 142 hours Wooden Camera Rosette Handle Kit (Black Leather) Email sales@broadcastsolutions.com for pricing and details.
  13. 64gb Color Camera w/PL Mount 2x 2TB VRI Cinemag IV Cinestation Power Supply/Cables Pelican Case Email sales@broadcastsolutions.com for pricing and details.
  14. Hey guys, what are your thoughts on the new Blackmagic Ursa? In need of 4K so I can be more flexible with clients when they want to zoom in on an image. Is it worth the buy? Thanks!
  15. 18k = IMAX 15-perf (or 36K?) 12-13k = 70MM 5-perf 6K = 35MM 4-perf 3K = 35MM 2-perf 1.8K = S16MM 1.5K = 16MM 720p = S8MM 480 = 8MM I had to share this with someone. I found so many people including myself looking for these numbers I had to compile this list. I cannot find anything close to this on the internet all in one place. Digitally, IMAX is referred to as being three times better/larger than 35mm (18k / 6K). On Film, IMAX is three times larger then 70mm and 70mm is twice as large as 35mm therefore it should be six times as large. This is of course the best possible scenario of each format. These are all comparables, they cannot be absolutely perfect. I'm comparing category to category. So much in the real world changes these numbers, for example cropping 16mm to a release format reduces the frame size and corresponding resolution or finding a camera and lens that can shoot S8mm or 8mm and come close to 720 or 480 quality.
  16. Irvine, CA - September 7, 2016. RED Digital Cinema is heading to IBC (booth #12.C71) in Amsterdam from September 9-13. Those visiting RED's booth can interact with RED's entire line of DSMC2TM cameras - RED RAVEN™ 4.5K, SCARLET-W 5K, WEAPON® 6K and WEAPON 8K VV, as well as the limited edition white WEAPON 8K S35 featuring RED's newest sensor, HELIUM™. This creates a unique opportunity for visitors to experience two industry-leading 8K sensors, RED DRAGON® VV and HELIUM S35, side-by-side. All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, and are capable of shooting simultaneously in REDCODE® RAW and Apple ProRes or Avid DNxHD/HR. WEAPON cameras upgraded to a RED DRAGON 8K VV sensor boast up to 75 fps at 8K resolution, 35 megapixel stills from motion, 300 fps at 2K resolution, and incredibly fast data speeds (up to 300 MB/s). RED will also highlight the flexibility of its cameras' modular design by showcasing a variety of third party accessories and peripherals designed specifically for RED cameras. Companies represented in RED's booth will include: * FOOLCOLOR * OFFHOLLYWOOD * RT Motion * Bright Tangerine * Gates Underwater
  17. For Sale: Red One MX 4K Digital Cinema Camera Package / PL & Nikon Mount RED ONE MX CAMERA Body Serial#1899 1679 HOURS Model Number: Mysterium MX Version: 32.0.3 - Second Generation You can make me an offer and purchase it directly from ebay: http://bit.ly/2bFy54M EQUIPMENT LIST RED ACCESSORIES Top Handle Top Handle Extension Red Top Mount Red Cheese Plate Red Bottom Plate Red 5.6″ LCD Hoodman TL56 5.6″ LCD Hood RED EVF Element Technica BNC Video Breakout Box 18″ Rods 12″ Rods Red AC power Block & Cable RED Shoulder Dovetail 24″ LCD Cable 24″ EVF Cable 18″ Drive Cable Cavision Viewfinder Mount for Red One Camera with bracket to attach to Red 19mm Top Rods Cavision Dual Handgrips & Connector which accepts both 15mm / 60mm rods and 19mm / 104mm Rods Redrock Micro microOmni Mount 19mm/15mm Studio/15mm Lightweight Rod Converter Wooden Camera Rod Clamp, 19mm Flashpoint 7″ Adjustable Double Articulating Arm (Israeli arm) PELICAN DESICCANT SILICA GEL 2x Pelican 1650 Case BATTERIES, CHARGERS & BATTERY MOUNTS (4) Switronix – XPL-90S V-Type 14.8VDC Lithium Battery Brick Switronix GP-2LSJ 2-Position Simultaneous Charger Switronix GPTS V-Mount Hot Swap Adapter Switronix P-Tap Male to P-Tap Female Extension Cable – 36″ Battery Charger AC Cable RED Cradle (Battery & Drive Holder) Switronix RED Battery Mount Quick Plate RED Battery Belt Holder MEDIA 640GB RAID Drive 320GB RAID Drive 16GB CF Cards (6) 8GB CF Cards (3) Lexar Professional CF Card Reader
  18. As an AC or DTI what is the best way you manage your captured data? Are there any standards or protocols? Is there a key device that is must have for backing up data? I guess this bridges into on set workflow which I'm sure differs from set to set, but in general how does everyone handle this? It seems that the growing size of memory cards (and their falling prices) make shooting on fewer cards easier, but does any one run backups while on set? The last film shoot I did was on film, the last digital shoot I did was still in the land of 7D and 1080p which was decently manageable. I've been out of the loop a bit and I'm curious going forward how I can prepare for a more modern workflow. Thanks!, Zig
  19. Phantom Flex 64gb w/ PL Mount (2) VRI 2TB Cinemag IV Phantom Cinestation for Cinemag IV Only PL Lens Mount Anton Bauer Standard Gold Mount Cine-Style Riser All Cables Pelican Case Email sales@broadcastsolutions for pricing.
  20. Just a quick spin around Australia using mainly the Sony A7S with Canon L series lenses, also used is the Red Rock Micro OMC slider.
  21. I've been told the information in a 4k image from a 4k sensor is anything from 33% to 70% on a bayer sensor. I am so confused with so much misinformation around. I've looked through the forums and learned a lot about this topic. But it never answered this question. - Is 422 from a 4k sensor real 4k 422? - Exactly how much real color information is in a 4k sensor at 4k resolution (pixels)? You get the jagged edges when trying to key a 420 image... Why would a 4k 422 sampling from a 4k sensor be any different. If its not enough information there will it look like 420 even at 422?
  22. Looking For To Purchase: Preowned Arri 416 Camera Packages Arri Alexa XT Camera Packages Vision Research Flex 4K Camera Package Sony PMW-F5 Leica Summilux -C 18/25/35/50/75&135mm Lens Set Leica Summicron -C 18/25/35/50/75&100mm Lens Set Super Baltars TLS Re-Housed Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Superspeed MK3 Lenses Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Fujinon Alura 45-250mm Lens Fujinon Alura 15.5-45mm Lens Sony RCP750 Remote Control Panel Fujinon WCV-L85 Wide Angle Converters Contact : sales@broadcastsolutions.com
  23. I have some questions about how Blu-ray Disc video differs from VOD available on various streaming services. What are the main differences between a Blu-ray video and a video from any of the streaming-services ones? What changes the most? Is it the amount of colours? Is contrast lower? How much less sharp are the streaming videos? Do the same differences apply whether it be 1080p HD content vs. Blu-ray or the 4K UHD Blu-rays and UHD streaming? Are there any differences in quality between various streaming services? Is the same film on, for example, Amazon Video in the same format and of the same quality as it is on Netflix? Are the codecs used by various streaming Web sites the same? For example, I see that Vimeo, YouTube, and iTunes Store use H.264. If both a Blu-ray Disc and a streaming service use H.264, why is streaming video of lower quality? I presume it’s because of the compression scheme. Are the compression schemes all the same on various VOD Web sites? So a single-layer Blu-ray Disc can contain up to 25 GB of data and the dual-layer one 50. If you were the download a 1080p streaming video, how much storage would it occupy? Is the problem with the difference in quality a problem of internet speeds or does it lie somewhere else? A Blu-ray Disc can have a bitrate of up to 40 Mbps. What are the bitrate of streaming services? What kind of speeds will you need for uninterrupted, smooth streaming of 4K UHD video? Or, more generally, how do you calculate the speed needed for a content with a particular resolotion, given that this will change a lot in the future? Will we eventually have even the true Blu-ray Disc audio experience in streaming, too? Will streaming services eventually replace Blu-ray Discs and what are some of the things that need to happen for that to occur? I forgot a lot of what I was going to ask, and one thread got lost when I accidentally shut down my browser, but I think I’ve managed to recover the gist of what I was going for.
  24. Yes, another 16mm question :) I have two 16mm color double-perf Kodachrome prints (less than 400' each) that I've been storing at the Academy archives in Hollywood. These prints from 1965 & 1968 document two world premieres here in Los Angeles and the color & condition of the both rolls are stunning. I don't think they've ever been projected. When we found them, we originally screened them on a flatbed Moviola and thought we had color reversal film. Closer inspection of the film over the light table revealed it was, in fact, Kodachrome. My question is: what is the best way to both archive this & digitize it for use in Final Cut Pro? There is lot of discussion on the forum regarding 2K vs 4K 16mm scans, but I'm presuming this refers to NEGATIVE, not print. Any tips, pointers or advice? Many thanks :)
  25. Currently a cinematography student at the Northern Film School in Leeds, I'm in the process of researching for my dissertation the subject of 4k, and what this means for film. Specifically, I'm studying the impact that 4k is having on producers/studios, consumers, and the production process itself. To aid in my research in the latter section, I'd like to know whether shooting on 4k causes any changes for camera operators in terms of shooting requirements, extra research/learning or a change in operating style etc. Any information or guidance would be greatly appreciated! Thankyou!
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