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Showing results for tags 'ARRI'.
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We are wrapping production and no longer need our camera package. Asking price is $80,000 for the entire package. Open to offers. If interested call or email: gina[at]opsociety.org 303-444-2454 ARRI ALEXA Base Kit & Accessories Arri ALEXA Camera, S/N 3497 With 120 fps Hi-Speed License, 343 Shoot hours Arri ALEXA EVF-1 Electronic Viewfinder , S/N k2.72008.0-3799 Arri ALEXA VMB-2 Viewfinder Mounting Bracket , S/N n/a Arri ALEXA Viewfinder Cable Short (0.35m/1.2ft) KC 150-S, S/N n/a x 2 Arri ALEXA VEB-1 Viewfinder Extension Bracket , S/N k272000.0-veb-1 Arri ALEXA Viewfinder Cable Medium (0.65m/2.1ft) KC 151-S, S/N K2.72013.0 x 2 Arri ALEXA Ethernet Cable (3.00m/9.8ft) KC 153-S x 2 Arri ALEXA 12V Accessory Cable KC 154-SP-S 2 221W / 24v Power Supply, S/N RBOA346515 10 ft 24v 3-Pin Power Cable for Alexa Arri ALEXA Battery Adapter Back for Gold Mount (BAB-G) x 2 Arri Alexa SxS module ProResCodec option QuickTime File Format Option for Alexa Arri BPA-1 Bridge Plate Adapter for ALEXA Arri WA-1 Wedge Adapter for ALEXA Arri LB-1 Leveling Block for ALEXA Arri SP-3 Shoulder Pad for ALEXA Arri CCH-1 Center Camera Handle for ALEXA Arri HEB-2 Handle Extension Block for ALEXA Arri BP-12 Bridge Plate Set - 19mm Innerspace Case for Alexa Body with Accessories Sony 32GB SxS Card 4 ET 24'' Arri Dovetail for OC-2060 European Quick Release Plate OConnor CFF-1 Follow Focus One Package Arri Flex Shaft Knob Hand Wheel Element Technica 24'' 19mm Ultra Rod Element Technica 12'' 19mm Ultra Rod Element Technica 8'' 19mm Shorty Ultra Rod Universal Rod Adapter 15mm-19mm O-Grips Double Jointed Set Arri LS-9 Snap-on Low Support, S/N 6088 ALX-15MP Cheese Plate Anton Bauer QR-QUAD-PT Sandwich Adapter x 4 PowerTap Anton Bauer QR-DSR Gold Mount IDX A-AB2E - 3-stud to ENDURA V-Mount Adaptor Other Plates- 3 pin to V-Mount/3-pin to Dtap Portabrace Bag for Arri Alexa (COABM) - NEW Batteries/Chargers Battery Kit 1 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611077 Battery Kit 2 Custom Cut Innerspace Case for 6 batteries Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 6 Battery Kit 3 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 4 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611094 Battery Kit 4 Custom Cut Innerspace Case for 4 batteries + charger Anton Bauer Hytron 140w 14.4Vv NiMH Battery x 3 Anton Bauer TM4 4-Position Simultaneous Fast Charger , S/N 87611160 Tripod/Head Kit System Cine 30 Sachtler Tripod System, includes: 3006 Cine 30 HD 150mm fluid head 6290 Cine 150L tripod 7023 ground spreader 3372 front pan bar Tuffpak Tripod Case Hi Hat 1004 Lo-Hat MITC Filters Diffusion Set, includes: Tiffen 4x5.65 Black Diffusion FX 1/4 Filter Tiffen 4x5.65 Black Diffusion FX 1/2 Filter Tiffen 4x5.65 Black Diffusion FX 1 Filter Tiffen 4x5.65 Black Diffusion FX 2 Filter Tiffen 4X5.65 Black Diffusion FX 3 Filter Tiffen 4x5.65 ND .3 Filter IRND Set, includes: Tiffen 4x5.65 IRND 0.3 Tiffen 4x5.65 IRND 0.6 Tiffen 4x5.65 IRND 0.9 Tiffen 4x5.65 IRND 1.2 Monitoring Sony PVM-740 OLED Professional Display Monitor, S/N 3000149S, includes: Portabrace Feed Bag for PVM740 TV Logic 5.6' HDM 3G VFM + Hood, S/N VF056K3425, includes: Noga DG6145CA Cine Arm with 1/4'' 20 and 3/8'' 16 mounts Pelican Storm Case IM2200 - Fits TV Logic Monitor WEVI CamWave CW5-HD, S/N U5ZD01393
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Hi, This is my firts post on this forum so i would like to share with you my recent showreel: Im, 24years old cinematography student from Polish national film school in Łódź. it was shot on 35mm, arri alexa, red epic, red scarlet, sony f3 Watch, and comment :) -
I am looking to sell my set of 5 Arri/Zeiss Ultra Prime lenses which have only been used for testing and are virtually brand new. Comes with orinal Zeiss boxes and warranty. Great set with some gorgeous focal lenghts not usually found in the standard set. 16mm T1.9 28mm T1.9 40mm. T1.9 65mm T1.9 100mm T1.9 Located in Los Angeles. Thank you!
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Has anyone out there tested the ARRI Alexa XT's Open Gate mode (1.55:1) on 2x Anamorphic Lenses verses a Dragon at (3:2) with Ana's for close to a 3:1 output ratio with cropping? Or even just the two against each other at all. I cant find anything online at all. Any thoughts on this would be appreciated. Cheers! Karl Janisse
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For Sale: MItchell Light Weight Geared Head - Black. I purchased this 3 speed geared head directly from Panavision L.A. - it was in brand new condition and has seen little use since then. The action on the gears is extremely smooth - no slop at all. Panavision did their usual dilligence and have slightly modified the head for smooth operation. This Mitchell Model #135R500 with built in tilt plate comes with: Head # 276, 150mm flat base tie down, 2 wheels, Riser, Panavision shipping case and original owners manual. I am the only owner. This head has been well cared for as you can see from the photo. Price: $5200. + shipping Randall Love - Director of Photography
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Hello, I'm in the market for a super-16 camera with video assist/tap, 400ft mags, crystal sync at 24/25. Got my eye out for an Arri SR2, SR3, or an Aaton, although a reliable Eclair NPR could do the trick. A camera in Europe is preferable as import duty costs a fortune. Looking to spend £1000 - £2000 ($1650 - $3300) depending on the model and condition. Thanks, Greg
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I have the opportunity to purchase a used Arri D-21 from a local rental shop for $6000. I have heard that the D-21 footage has a unique film like quality that surpasses most cameras, even the Alexa. Although it's dynamic range is limited to 11 stops and low lightcapabilities seem to be quite poor. Can those of you who have used the D-21 please share your experiences.
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Excellent Condition. Please contact Rebecca 206.251.9526 ARRI Follow-Focus (see pages 39-41) ARRI FF3 2-SPEED FOLLOW FOCUS FOR 19MM RODS ARRI, RED, PANAVISION 1 - ARRI FF3 Follow Focus 1 - ARRI FF3 Right Focus Knob 1 - ARRI FF3 Right Focus Knob Extension 1 - ARRI FF3 Prime Lens Gear 1 - ARRI FF3 Zoom Lens Gear 2 - ARRI FF3 Marking Disks 2-speed follow focus for video and film cameras. 2-Speed Follow Focus Follow Focus For Video And Film Cameras Efficient Snap-On Mounting Flexible Mounting Options: • Snaps Onto Lightweight Rods • Snap-On Adapter For 19mm Rods • Compatible With FF-4 Accessories
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Excellent condition Matte Box for sale. Contact Rebecca 206.251.9526 MATTE BOX (see page 43-49) ARRI PRODUCTION MATTE BOX 4 X 4 MB-16 PACKAGE 1 - ARRI MB-16 4 X 4 Matte Box (19mm) 1 - ARRI MB-16 Arm (19mm) 1 - ARRI MB-16 Step Down Bellows 1 - ARRI MB-16 138mm Retaining Ring 1 - ARRI MB-16 80mm Step Down Ring 1 - ARRI MB-16 87mm Step Down Ring 1 - ARRI MB-16 2-Stage Filter Holder 2 - ARRI MB-16 4 X 4 Filter Tray 1 - ARRI MB-16 4 X 4 Eyebrow ARRI MB-16 HARD MATTE SET(5) 12-180MM PACKAGE 1 - ARRI MB-16 Matte 16mm/12mm 1 - ARRI MB-16 Matte 16mm/16-20mm 1 - ARRI MB-16 Matte 16mm/24-28mm 1 - ARRI MB-16 Matte 16mm/32-40mm 1 - ARRI MB-16 Matte 16mm/50-180mm ARRI 19MM SUPPORT PACKAGE 1 - ARRI Sliding Base Plate BP16 (19mm) 1 - ARRI Dove Tail (19mm) 1 - ARRI Support Rod 9.5” (19mm) 1 - ARRI Support Rod 17" (19mm) ARRI ROAD CASE ARRI Accessory Case 22" X 5" X 10" 4 X 4 PRODUCTION MATTE BOX MB-16 The standard equipment of the 4" x 4" production matte box MB-16 includes a 2x filter stage for two rotatable 4" x 4" push-through filters. One of the filter frames is toothed for operation by turning knob or flexible shaft. At the rear of the filter stage there is a receptacle for 4 1/2" filter rings and for an anti-reflection ring. The 2x filter stage can be interchanged against other filter stages. For easy lens changing the matte box swings open 90°.
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Hey guys, So we're shooting the first ten minutes of our feature film this month and I'm trying to finalize my lens package. We can afford 5 Super Speeds (35, 50, 85, 100, 135) but I don't know how low I can go on 16mm. If it can handle something like an 18 or a 21, or even a 24, I would be very interested. for more information on our movie, check us out at po.st/sowhat -
Hey all, One more item I'm looking to part with sadly. If anyone is in the market for this package, or perhaps one of the individual items, let me know and I can arrange a deal. $14,440.00 USD ARRI PRODUCTION MATTE BOX 4 X 4 MB-16 PACKAGE 1 - ARRI MB-16 4 X 4 Matte Box (19mm) 1 - ARRI MB-16 Arm (19mm) 1 - ARRI MB-16 Step Down Bellows 1 - ARRI MB-16 138mm Retaining Ring 1 - ARRI MB-16 80mm Step Down Ring 1 - ARRI MB-16 87mm Step Down Ring 1 - ARRI MB-16 2-Stage Filter Holder 2 - ARRI MB-16 4 X 4 Filter Tray 1 - ARRI MB-16 4 X 4 Eyebrow ARRI MB-16 HARD MATTE SET(5) 12-180MM PACKAGE 1 - ARRI MB-16 Matte 16mm/12mm 1 - ARRI MB-16 Matte 16mm/16-20mm 1 - ARRI MB-16 Matte 16mm/24-28mm 1 - ARRI MB-16 Matte 16mm/32-40mm 1 - ARRI MB-16 Matte 16mm/50-180mm ARRI 19MM SUPPORT PACKAGE 1 - ARRI Sliding Base Plate BP16 (19mm) 1 - ARRI Dove Tail (19mm) 1 - ARRI Support Rod 9.5” (19mm) 1 - ARRI Support Rod 17" (19mm) ARRI ROAD CASE ARRI Accessory Case 22" X 5" X 10" 4 X 4 PRODUCTION MATTE BOX MB-16 The standard equipment of the 4" x 4" production matte box MB-16 includes a 2x filter stage for two rotatable 4" x 4" push-through filters. One of the filter frames is toothed for operation by turning knob or flexible shaft. At the rear of the filter stage there is a receptacle for 4 1/2" filter rings and for an anti-reflection ring. The 2x filter stage can be interchanged against other filter stages. For easy lens changing the matte box swings open 90°.
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Hey guys, We are currently selling a Zeiss Distagon S16 super speed lens, MKII, scale in feet & metric, ARRI PL-Mount, 16mm, T1.2. Let me know if you are interested or have any questions.
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Located in Los Angeles Vintage - 16 MM Arriflex film camera with footage counter Build in West Germany - BL 54085 Hand mount Mounted with Angenieux lens f. 9.5 - 95 mm zoom 1:22 no. 1368423 Built in France. 1 - 400 ft film magazine 1 - follow focus 1 - Matte box 1 - Crystalok Camera speed controller, model CRBL - 5 from Cinema Products, LA Foam fitted Anvil Case 27" by 22" by 10" Camera is used and operational the last time used. Personal camera of Emmy award winning cinematographer, Robert Collins Sold as is and without any expressed warranties. $1500.00 Available for viewing nancybevins@gmail.com Several Photos at Craiglist listing: http://losangeles.craigslist.org/wst/pho/4323599700.html
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Hello to my fellow cinematography enthusiasts, I have an ARRI Heated Eyecup HE-4 W-Cable for sale - $1,300. ALMOST BRAND NEW (used once) with Cable ARRI Heated Eyecup HE-4 The new and improved Heated Eyecup HE-4 fits on all ARRIFLEX and ARRICAM cameras. Completely redesigned electronics and a new heating element make this a much more robust unit than its predecessor. In addition, the connector housing can now be rotated, which allows the HE-4 to be easily mounted on all cameras in all positions. Popular features of the HE-3 have been kept, though: the HE-4 can be set to 2 power settings (OFF = heating off, HI = constant heating with maximum power, LO = constant heating with reduced power) and it still uses the same Fischer 4 pin connector, so all existing cables can be used. Message if you are interested. We can ship worldwide.
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Hi, I'm offering my camera set for sale, it includes: BOLEX EL mk.II normal16 camera body. last user had it sent to Bolex switzerland to complete service. Since then (4 years ago) only about 25 rolls of 100' film have been shot with camera. Camera runs without any problems, and it's really in great shape. Kern Vario-Switar Compact 18-75mm f3.5 zoom bolex bayonet mount. Lens is in mint condition and has great image quality. Angenieux 15mm f1.3 C-mount lens 2x Bolex <> C-mount adapter one genuine Bolex, and one "heavy-duty" from Andrew Alden - Bolex.co.uk Arri Standart <> C-mount adapter 4x behind the lens filters 1x with 85 filter 1x with 85N9 filter 1x with ND6 filter 1x free Power cable to 4pin XLR All fitted in PELI case ----- I'm selling this set, because I've got SR1 ant LTR sets and don't use Bolex any more. I'm located in Slovak Republic, Europe PRICE: € 850 + shipping
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As I understand it, most big-budget feature movies record on film as opposed to digital; the common claim being that film provides a much more cinematic image, etc. Does anyone think that we'll come to a point when digital cameras are able to produce an image, indistinguishable from film - and that cinematographers will choose digital over film due to artistic choices instead of being led by financial considerations?
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I am in pre-production of a film at the moment that will require an 'aerial work platform' and a lighting rig to imitate moonlight above a wooded area. It's part of an ambitious project and none of the crew members have had any experience with this kind of set-up other than our University, Greenwich, is often a film set (twice a month) and we often see similar set-ups, for a beginner with this kind of project, what would you recommend? Extra info: filming in an area in the UK where no films have ever been made and its a bit of a novelty. Some rough terrain and at least 400ft to the nearest power supply if we get the location we would like. Currently we are looking at a 60ft high platform holding a single 12k Arri HMI Fresnel. Any advice will be hugely appreciated (I understand that I have recently posted in a similar topic however it was 6 years old and I would prefer much more recent experience as advice)
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£449 ARRIFLEX 16S + 2 MAGAZINES (8V) + ORIGINAL ARRIFLEX MATTEBOX + ORIGINAL 8V MOTOR + ORIGINAL CABLE Fully working. Just serviced by Les Bosher in South Wales. Pristine and clean inside and outside. Original Mattebox is in good condition. Magazines have some signs of use and acrylic pieces (on footage meter) cracked, but does not affect performance. Serial Number: 6587 £499 ARRIFLEX 16S + 2 MAGAZINES (1 12V, 1 8V) + ORIGINAL ARRIFLEX MATTEBOX + TOBIN TCS TM23 + ORIGINAL CABLE Fully working. Just serviced by Les Bosher in South Wales. Pristine and clean inside and outside. Original Mattebox is in very good condition. Magazines have some signs of use and both acrylic piece (on footage meter) cracked, but does not affect performance. Serial Number: 8467 PLEASE CHECK DOCS ATTACHED WITH PICTURES. CAN SHIP WORLDWIDE. WOULD LOVE TO KEEP THEM, BUT NEED THE MONEY.
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Hey folks, Slightly urgent issue here. I've just loaded an SR3 magazine and when I close the first door the film advance wheel (not sure what it's called) is very hard to wind. The other two I loaded spooled the film out quite easily. Should there be a lot of stick when winding the film out? Cheers for the help.
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Hey folks, I'm shooting a music video on an SR3 soon with some superspeeds. I had a look through the viewfinder the other day, wide open at t 1.3 and I 'seemed' to be able to pick the focus fairly accurately. I don't want to eyeball the whole shoot however and get back soft rushes. Has anyone judged focus by eye and been ok? Or should I always be measuring? By the way, I'm not going to be shooting the clip at t1.3! Cheers!
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HI All. Selling my Arri 16s. Just serviced by Les Bosher in UK. Arri 16s Body + 2 Magazines (1 12v by Tobin and 1 8V) + 1 Tobin TXM22a Motor + Original Arri 8V Motor + Original Matte Box. Kindly accepting offers before going for ePay. Pictures sent on request (attached only one as is allowed 100kb). Thanks, F
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Hi all. I have an Arri 16mm Set for sale. Beautiful condition: 1 Arri S Body + 2 Magazines (1 8v + 1 12V) + Tobin TXM 23 Motor + Original Arri 8V Motor + Original Matte Box I'm accepting offers before putting on eBay. Let me know how much would you offer. Pictures sent on request. The body has just been serviced by Les Bosher in UK. It's fully working and proper lubbed. Thanks, F
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Hello everyone, I thought I'd post this here and see if others with more experience could give me their input on this. I've found an Arri 435 ES (4-perf) camera package for sale that I'm extremely interested in purchasing. Film is something I've sorely wanted to learn for years now and I think this could be a great opportunity. The package is going for $6000 and includes the following: 1 Low Bridge 1 8" balance plate rods 6 400' magazines 1 Ground glass 535 AlB 1V square 1 Mask Arri glow 535/435 1V 1 2:35 ground glass 1 2:35 Arri glow mask 1 1:85/1:37 ground glass 1 1:85/1:37 Arri glow mask 1 1:85 1V ground glass 1 1:86 Arri glow ground glass 1 Heated eyecup: 435 2 step 1 Finder support 535/435/16SR-3 1 Operating handgrip 1 Arriglow module: 435 1 Worklight 1 Remote control, Universal: RCU 1 Shoulder set S-4 435 1 Cushion F/435 w/steadicam 1 Follow focus mech only w/right focus knob, right focus knob ext, prime &zoom gears, short ff ext 1 13.5 fiex shaft w/knob 1 38" fiex shaft w/knob 1 Bridgeplate w/15mm rods 1 6.6 MB-14 matte box set 1 CCD optic module 1 lntergrated video module 4 1 24v plug on module 1 65' extension cable for RCU 1 Finder extender 1 Focus crank 1 Mask set, 18-180mm lenses 1 Flex shaft: grad filters 1 Reflex prevention ring for 10mm Zeiss w/158mm diameter 1 138mm filter ring w/rubber sleeve for Angenieux 25-250 HP w/125mm diameter 1 Studio follow focus FF-3 w/15mm bridge plate 35mm format 2 435 power cables 1 Heater eyepiece cable 1 25' RCU-1 cable-spare 1 Case-camera 1 case-follow focus 1 case-6.6 MB 3 Case-magazines It comes with everything I would absolutely need minus a lens and some filters. To me it seems like a steal, but I'd like to get 3rd party input. It is worth it going for a 4perf camera? Thanks, Chris
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Hello everyone, I thought I'd post this here and see if others with more experience could give me their input on this. I've found an Arri 435 ES (4-perf) camera package for sale that I'm extremely interested in purchasing. Film is something I've sorely wanted to learn for years now and I think this could be a great opportunity. The package is going for $6000 and includes the following: 1 Low Bridge 1 8" balance plate rods 6 400' magazines 1 Ground glass 535 AlB 1V square 1 Mask Arri glow 535/435 1V 1 2:35 ground glass 1 2:35 Arri glow mask 1 1:85/1:37 ground glass 1 1:85/1:37 Arri glow mask 1 1:85 1V ground glass 1 1:86 Arri glow ground glass 1 Heated eyecup: 435 2 step 1 Finder support 535/435/16SR-3 1 Operating handgrip 1 Arriglow module: 435 1 Worklight 1 Remote control, Universal: RCU 1 Shoulder set S-4 435 1 Cushion F/435 w/steadicam 1 Follow focus mech only w/right focus knob, right focus knob ext, prime &zoom gears, short ff ext 1 13.5 fiex shaft w/knob 1 38" fiex shaft w/knob 1 Bridgeplate w/15mm rods 1 6.6 MB-14 matte box set 1 CCD optic module 1 lntergrated video module 4 1 24v plug on module 1 65' extension cable for RCU 1 Finder extender 1 Focus crank 1 Mask set, 18-180mm lenses 1 Flex shaft: grad filters 1 Reflex prevention ring for 10mm Zeiss w/158mm diameter 1 138mm filter ring w/rubber sleeve for Angenieux 25-250 HP w/125mm diameter 1 Studio follow focus FF-3 w/15mm bridge plate 35mm format 2 435 power cables 1 Heater eyepiece cable 1 25' RCU-1 cable-spare
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Hello everybody, Came here today to ask for advice on building a set of Schneider Primes (arri st or c mount) for use with my black magic pocket camera. I have these both Arri ST mount primes: Schneider-Kreuznach Arriflex-Cinegon 16mm f1.4 Schneider Cinegon 10mm f1.8 So I was thinking on a 25mm and a 50mm to complete the set. Maybe a 75mm or up as well. And I need to know which ones should I get (the names, please) to have a set where they could be interchangeable, meaning I could keep a balance in the quality/looks. So I can chase around to buy them. Thank you all in advance.
