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This Steadicam was purchased new in 1993. 1. Vest 2. Arm 3. Docking Bracket 4. Sled a. Baseplate is attached to the upper sled b. Electronics connections 5. Three Allen keys 6. Two hard cases a. One for the sled and Allen keys b. Second one for the arm, docking bracket and vest. Accepting offers @ sales@broadcastsolutions.com

Purchased new in 2006. Here's what is included: 1. Vest 2. Sled 3. Baseplate for Sled(Comes with two screws: 1/4" and 3/8") 4. Arm 5. 7" Color Monitor 6. Docking Bracket 7. Allen Wrench 8. Soft sleeve/case for arm. 9. Soft Case for entire steadicam package. Contact sales@broadcastsolutions.com for pricing and more pics.

For Sale : CINEMA LENSES: Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Re-Housed Cooke Mini S4i Lens Set 18/25/32/50/75/100mm Super Baltar Prime Lens Set P&S Rehoused 20/25/35/50/75 &100mm Super Baltar Prime Lens Set 20/25/35/50/75mm PL Mount 110mm Front Zeiss Super Speed MKII 18/25/35/50/85mm Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP.2 T3.6 CF 12" Prime Lens Angenieux Optimo 45-120mm Zoom Lens Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Fujinon Cabrio 19-90 Version 1 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Canon CN-E 30-300mm Lens Cooke Varotal 18-100mm T3 MKII Zoom Lens Cooke Cine Varotal 25-250mm T3.9 MKII Zoom Lens Arri Ultra Prime 8R 8mm/T2.8 Lens Arri 14mm Ultra Prime Arri/Fuji Alura 30-80 Zoom Lens IBE Optics HDx35 Mark I 16MM LENSES: Optex 5.5mm Super 16 T1.9 Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon HA18x7.6 w/Servo Zoom Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32GB Package ARRI Amira Camera Package 2 Available ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red One MX Package Sony PMW-F55 Camera Package Sony PMW-F5 w/4K Upgrade Camera Packages Low Hours Sony PMW-F5 without 4K Upgrade Low Hours,Extended Warranty Sony F65 Camera Package Sony NEX-FS700U Camera Package (2 Available) Sony PDW-F800 Camera Sony HDW-750P Sony HDW-650P Sony PMW-EX3 Camera Package Panasonic Varicam 35 4K Camera Package Panasonic AJ-HPX 3700 Camera Canon C300 EF Mount Camera Package Sony A7S E Mount Camera CAMERAS / 16mm : Arriflex 16SR3 High Speed Advanced & Accessories Qty.-2 Available Arriflex 16SR3 Silent & Accessories CAMERA/35mm: Moviecam Compact 35mm Film Camera Package CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels Looking For To Purchase: Preowned Arri 416 Camera Packages Arri Alexa XT Camera Packages Zeiss MKII Super Speed 35mm T1.3 Lens Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Arri Macro 50 &100mm Lens Fujinon WCV-L85 Wide Angle Converters

I'm looking for a new camera. I'm ready to invest a bit of money so I was looking at the Sony alpha series. What do you think is there something I should consider?

Hi guys. Selling my lovely TOBIN TCS TXM-22 Crystal Sync Motor for Arri 16-S and 16-M. Bought from Du-All Cameras 2 years ago. Only tested, but never used. It´s as new. I will come up with a price and post pictures very soon. Just checking who might be interested. Please get in touch. Cheers. Flavio

Looking For To Purchase: Preowned Arri 416 Camera Packages Arri Alexa XT Camera Packages Vision Research Flex 4K Camera Package Sony PMW-F5 Leica Summilux -C 18/25/35/50/75&135mm Lens Set Leica Summicron -C 18/25/35/50/75&100mm Lens Set Super Baltars TLS Re-Housed Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Superspeed MK3 Lenses Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Fujinon Alura 45-250mm Lens Fujinon Alura 15.5-45mm Lens Sony RCP750 Remote Control Panel Fujinon WCV-L85 Wide Angle Converters Contact : sales@broadcastsolutions.com

For Sale : CINEMA LENSES: Zeiss Super Speed MKII 18/25/35/50/85mm Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP2 Super Speed Lens Angenieux Optimo 45-120mm Zoom Lens Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Fujinon Cabrio 19-90 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Mint Cooke Varotal 18-100mm T3 MKII Zoom Lens Cooke Cine Varotal 25-250mm T3.9 MKII Zoom Lens Arri 14mm Ultra Prime Arri/Fuji Alura 30-80 Zoom Lens Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case Red 18-50mm T3 Zoom Lens 16MM LENSES: Zeiss High Speed Super 16 Lens Set 9.5/12/16/25/50mm T1.3 Optex 5.5mm Super 16 T1.9 Canon 7-63mm Super 16 T2.2 Zoom Lens Canon 11-110mm Super 16 T2.8 Zoom Lens Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32GB Package ARRI Alexa XT Plus Camera Package ARRI Amira Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Studio 4:3 Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red Epic Camera Package Red One MX Package Sony F55 Camera Package Sony F5 Camera Package Sony F65 Camera Package Two Packages Available Sony HDC-1500 HD Video Camera w/HDCU 1500 CCU Sony NEX-FS700U Camera Package (2 Available) Sony F800 Camera Sony HDW-750P Sony HDW-650P Sony PMW-EX3 Camera Package Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX2700 Camera Package Canon C500 PL Mount Camera Packages (2 Available) Available With The C500 Cameras CD Odyssey 7Q Monitor/Recorder Canon C300 EF Mount Camera Package Sony A7S E Mount Camera Panasonic AG-HPX370 Complete Camera Package Includes:Sachtler Tripod, Lectrosonics,Marshall Monitor & Misc. Email For Complete List. CAMERAS / 16mm : Arriflex 16SR3 High Speed Advanced & Accessories Qty.-2 Available Arriflex 16SR3 Silent & Accessories CAMERA/35mm: Moviecam Compact 35mm Film Camera Package Fly Pack System : Email For Complete List Of Equipment Included CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels GRIP TRUCK : 1999 Freightliner FC-70 3 Ton Grip Truck, 70K miles, 26,000 GVW, Walco Liftgate. Comes With Complete Grip Package. Email For Pics & Grip List. Looking For To Purchase: Preowned Arri 416 Camera Packages Arri Alexa XT Camera Packages Vision Research Flex 4K Camera Package Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Superspeed MK3 Lenses Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Fujinon Alura 45-250mm Lens Fujinon Alura 15.5-45mm Lens Sony RCP750 Remote Control Panel Fujinon WCV-L85 Wide Angle Converters

Hi Folks! Does anyone have the instruction manual of Silma 8S macro zoom camera? Scans will be highly appreciated. Best Erkan

Okay, so I'm posting on this forum because I can't seem to find anything similar to this. What is the difference between the Arriflex and Arricam line? Like Arricam ST and Arriflex 435 or Arricam LT vs Arriflex 235?

I just purchased a Canon Cine Zoom model 512 8mm camera off ebay and the spring driven mechanism makes a clunk sound and locks up. Is this camera worth fixing? Who would you recommend if it is worth it. Thanks

Hi everybody! One of my biggest fears on set is to fry camera accessories because of misunderstanding of voltage etc etc. I know that some accessories like TV logic need 12 volts while other like follow focus motors etc need 24 volts. What I do not understand is how do I know which voltahe is the correct for each accessories and what's the voltage of each power port (If I'm not wrong RS ports are 24v while Dtap is 12-18). Is there any rule of thumbs or does anybody have a more defines explanations that goes beyond my knowledge of the topic? My understanding of electricity is pretty basic too. Thank you in advance for the help!

Thousands of feet of 35mm film for trade. 16 rolls. Most of it is 400' rolls and a couple 1000' rolls. The film was handled and stored correctly by a studio and always refrigerated before I acquired it a week ago. 5 Canisters 400' Stock 5279 500T 3 Canisters 400' Stock 5218 500T 2 Canisters 400' Stock 5248 100T 3 Canisters 400' Stock 5246 250D 2 Canisters 400' Stock 5277 100D 1 Canister of 400' High Speed Color Reversal Daylight 7 rolls unopened 4 rolls are re-canned 5 rolls opened for clip test I'm looking to trade it all for a 16mm camera.

For Sale : CINEMA LENSES: Angenieux Optimo 45-120mm Zoom Lens Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 40-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Fujinon Cabrio 19-90 Zoom Lens Arri/Fuji Alura 30-80 Zoom Lens Arri/Fuji Alura 18-80 Zoom Lens Red 18-50mm T3 Zoom Lens Canon CN-E 30-105 Compact Zoom PL Mount Lens Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP2 Super Speed Lens Zeiss CP2 Super Speed 35/50/85mm T1.5 Lens Set Includes Case Zeiss Compact Prime CP.2 18mm T3.6 12” Prime Lens (PL) Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case 2/3” HD ENG Lenses Canon HJ11ex4.7B IRSE Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32 GB Package Vision Research Phantom Gold 32GB Package ARRI Alexa XT Plus Camera Package ARRI Alexa Amira Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Studio 4:3 Camera Package Reduced ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red Weapon Magnesium Brain Email For Details Red Epic Dragon Package Red One MX Package Sony F5 Camera Package Sony F65 Camera Package Sony HDC-1500 HD Video Camera w/HDCU 1500 CCU Sony NEX-FS700U Camera Package (2 Available) Sony PDW-F800 Camera Sony PDW-700 Camera Sony HDW-750P Sony HDW-650P Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX2700 Camera Package Canon C500 PL Mount Camera Packages (2 Available) Available With The C500 Cameras CD Odyssey 7Q Monitor/Recorder Canon C300 Camera Package Sony A7S E Mount Camera Panasonic AG-HPX370 Complete Camera Package Includes:Sachtler Tripod, Lectrosonics,Marshall Monitor & Misc. Email For Complete List. Fly Pack System : Email For Complete List Of Equipment Included CAMERA MISC.: Box Meridian Wireless Video Transmitter & Receiver Cam Mate T18’ 2000 Series With Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder C Motion System Email for Complete List NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels GRIP TRUCK : 1999 Freightliner FC-70 3 Ton Grip Truck, 70K miles, 26,000 GVW, Walco Liftgate. Comes With Complete Grip Package. Email For Pics & Grip List. Looking For : Preowned Arri 416 Camera Packages Vision Research Flex 4K Camera Package Zeiss Master Primes Set Of 6 Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Superspeed S35 MK3 Lenses Zeiss 15.5-45mm T2.6 LWZ.2 Lightweight Zoom Lens Sony RCP750 Remote Control Panel F35 Active Dock For A Codex Recorder Sony HDW-F900R Cameras

For sale is my beautiful 2-perf (Techniscope) Arri 3C (IIIC) camera package. This camera was never a rental and it looks like it's hardly ever been used, it's in such beautiful condition. I've owned it since 2009 and during that time I found and bought an original Arri factory 2-perf conversion kit, which was installed by the technicians at Clairmont Camera in North Hollywood. I'm guessing everyone here knows why 2-perf is so great. But just in case... basically you get twice the run time from the same amount of film. A 400' roll of 35mm film running at 24 fps lasts about 8 minutes instead of the usual 4 minutes. A 200' short end is suddenly not a pain to work with since it lasts about 4 minutes. So that means you spend half as much money on film stock and processing since that's paid by the foot, too. The aspect ratio is naturally 2.40:1 at the gate so it's well suited to that cinemascope look, but much less expensive than anamorphic on film stock/processing (not to mention lens rental costs). If you wanted to shoot 1.85:1 on this camera, you could have the ground glass pencilled with two vertical lines to create 1.85 within the 2.40, and you'd still have roughly twice as much negative area than if you shot 1.85 on Super 16. I know of a feature film that just wrapped which did exactly that. Some recent and beautifully-shot 2-perf films: "Hunger", "Shame", "The Place Beyond the Pines", "American Hustle", "The Fighter", "Silver Linings Playbook", to name a few. Includes: - Arri 3C Camera body with PL mount port cap, body (magazine) port cap, in custom shipping case - Custom-made by Shurco 2-perf 2.40:1 Arri-3 style ground glass, with clear plastic case - Panavision (PV) Mount (PL mount currently installed, centered on Academy, not Super) with some shims - Cinematography Electronics Crystal Motor Base (could also be used with an Arri 2C, best motor you can get for these cameras) - Arriflex 3C Crystal Handgrip Motor (12V) with screws and gear (could also be used with an Arri 2C, a very rare item) - Italian Flatbase Motor Adapter Plate for above handgrip motor (ECE - ROME), untested - Custom Samcine Hand Held Support Brackets for IIC/IIIC in small hard shipping case - 2x 400' Arri 3 mags in a 2-hole mag case - 4x 200' Arri 3 mags in a 4-hole mag case. Note, two of the mags need some minor servicing. One looks like it's never been used - 2x 400' Fromm Shoulder Mags with spare rubber belt drives and 1x adjustable shoulder bracket (no case) - Jurgen's Orientable Video Door for 3C with Sony Color CCD camera - Arri Hand Held Door for 3C - Arri Orientable Door for 3C - Arri Straight Door for 3C with 2x Anamorphic desqueeze lever - Flat cover for above Straight Door if anamorphic dequeeze module is to be removed - Wide Angle Deniz Eyepiece with rubber eyecup that has shutter that can close - Spare Arri Eyepiece with rubber eyecup -push eye against eyecup to open shutter type, helps prevent light leaks - 1x Jurgen's Extension Eyepiece - 1x Arri Extension Eyepiece - 1x Arri Right Handgrip (no on/off switch) Arri Rosette style attachment - 1x Rosette to Rosette extension arm (adapter bracket needed/not included to use with above handgrip). Bracket pictured in hand held mode is not included) - 1x Unknown Brand Balance Plate Top A35/S35 switchable, like BP-9 (for 15mm rods) - 1x Van Diemen Balance Plate Bottom (Dovetail) ~12" - 2x 12V 4-pin XLR to 4-pin XLR power cables, one with a pigtail - 3x Power Cables for Jurgen's Video Door - 2x Medium Carbon Fiber rods (15mm) - 2x Medium rods (15mm) - 2x Short rods (15mm) - 1x SR2/SR3 type LWS 15mm bracket with 2x screw-in extension rods (for attaching to front of CE Flat Crystal Motor Base - Arri grease The inching knob (shutter/frame advance knob) has three holes drilled in it which was done to attach a hand-crank module from Clairmont Camera for a commercial (shot before the 2-perf conversion). Due to the 2-perf conversion, the Cinematography Electronics Crystal motor base does not count footage correctly. Simply divide the readout by half for an accurate footage count. I've created an album on Flickr with quite a few photos. On the wide photo with everything, you may notice two smudges. I've erased two items which I realized after the fact have no relevance or use with this package. I've also included some frame grabs from a music video I made with this camera after the 2-perf conversion. It was a joy to shoot with, performing flawlessly with not one instance of a hair in the gate. It was almost entirely shot with short ends of 200' or less. If you're not familiar with the 3C, you could think of it as the final refinement of the 2C before the Arri 35-3 came out, mostly designed as a result of engineering Arri did to the 2C for the German WW2 film "Das Boot". It has an orientable door which keeps the horizon level as you reposition the eyepiece up or down (on the 2 doors here that let you swivel the eyepiece up/down). It has a more sturdy hinged door (not interchangeable with the Arri 35-3 door), unlike the metal prongs which hold the 2C door to the body. That design was never intended for the weight of a Jurgen's video door and I've seen a few 2C bodies that are wearing out where these prongs grip, making it risky that the door could fall off. The 3C came from the factory with a PL mount, and it has a very nice crystal handgrip motor which is often sought after since it works just as well on the 2C. Something else I like about the 3C, they have a variable shutter, something that's hard to find on a 2C. The 3C also has a rosette for mounting accessories, right by the inching knob. The 2C doesn't have that. This is a beautiful example of the very rare Arri IIIC. The 3C movement is the same as the 2C movement and motors, mags and of course ground glasses are interchangeable. It took me many years to assemble this package so at least initially, I won't consider splitting off pieces of it. That said, feel free to get in touch if you're interested in something, and I'll keep you in mind. Available for $6,500 Or Best Offer. Available to see in NYC or Los Angeles, if you cover shipping costs to LA. For convenience, preference will be given if there is a buyer in the NYC (1st) or Los Angeles (2nd) area who will pick up in person and pay cash. I live in NYC but have friends/family in LA who can coordinate a sale in LA for me. Please check out the pictures and shoot me a private message if you're interested or if you have any questions. Thanks for looking! Rich https://flic.kr/s/aHskwM83a3

Hi everyone! This is my first post here on the forums. I saw a video recently on Facebook showcasing the camera cars and carnage in Fast & Furious 5, which is here: https://www.facebook.com/brendan.riel/posts/10209207881700944 It got me thinking, how would one even begin to get a career path like this? It seems it would be someone of high driving skill turned camera car operator. The amount of skill it seems to take for these types of moves is amazing.

So I am trying to look into Renting equipment for 14 Days for an Indie Film. The issue is we only have about 6K to spend for a FULL Camera Kit and Lenses. Mind you I have a good tripod, but obviously need all the working parts. Im really contemplating a Canon C300 MKII for 4K C-Log, with either a Zeiss CP2 Kit (which is much cheaper, under budget it seems) or a Set of Cooke S4 Primes which puts us right on target, maybe a hair expensive. I'm a stickler for quality and this film is really in need of that "David Fincher" Style usually locked off on a tripod, so no need for handheld rigs, but needs to have a very "anamorphic" look and almost like 35mm Film Stock! Im not a Cinematography Pro, I just really need something that does well in low light, doesnt need to be like an A7s, but that NAILS Color and the overall feel of things. Hope someone has some ideas! Thanks!

Hey! First post over here on the non lighting side... So I am looking into purchasing a new kit for myself-I do a lot of Independent Music Videos, Travel Docs....etc. Currently I have several GoPro's in my package, with a Canon 7d-the 7d I am pretty sick of at this point. I would like to upgrade to a Sony a7s ..or the a7sii, maybe even the r if I can get a good argument. I do a lot of lowlight with the Travel stuff so I need something pretty versatile. I've heard the rolling shutter is terrible though. I came across the Aja Cion; and I've never really heard of this camera but a few tests seemed alright outside of it's lack of dynamic range. I was just wondering on some opinions for these! If anyones used them in a Travel Scenario; or just any recommendations and facts I may have missed would be helpful. I just want to get the most bang for my buck-but also make some quality video (also any lens rec's would be awesome..i know the E Mount is a pain). Thanks!

For Sale : LENSES: Arri Master Prime 27mm T1.3 Lens Metric Scale Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP2 Super Speed Lens Zeiss LWZ.2 15.5-45mm T2.6 Lens Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Zeiss CP2 Super Speed 35/50/85mm T1.5 Lens Set Includes Case Angenieux Optimo 28-76mm T2.6 Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available Fujinon Cabrio 19-90 Zoom Lens Fujinon Cabrio 85-300 Zoom Lens Arri/Fuji Alura 30-80 Zoom Lens Red 18-50mm T3 Zoom Lens Excellent Condition Arri/Fuji Alura 18-80 Zoom lens Includes: 2-18" New Stainless Steel Rails,15 &19mm Lens Supports,Arri LMB 4 Clamp On Matte Box Adapter For Alura & 2x New 6.6 to PSR Filter Trays,Arri LMB 5 Clamp On Matte Box Back Adapter For Alura, Alu/Stainless Double Shock Resistant Flight Case 2/3" Lenses Canon HJ14EX4.3B IRSD PS12 Canon HJ22ex7.6B Fujinon HA22x7.3BERM Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available CAMERAS: Vision Research Miro Package Vision Research Phantom Flex 2K 32 GB Package Vision Research Phantom Gold 32GB Package ARRI Alexa XT Camera Package ARRI Alexa-M 4:3 XR Camera Package ARRI Alexa Studio 4:3 Camera Package Reduced ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages Red Epic Camera Package Red Epic Dragon Package Red One MX Package Sony F5 Camera Package Sony F65 Camera Package Sony HDC-1500 HD Video Camera w/HDCU 1500 CCU Sony NEX-FS700U Camera Package (2 Available) Sony F800 Camera Sony HDW-750P Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX2700 Camera Package Canon C500 PL Mount Camera Packages (2 Available) Available With The C500 Cameras CD Odyssey 7Q Monitor/Recorder Canon C300 Camera Package Panasonic AG-HPX370 Complete Camera Package Includes:Sachtler Tripod, Lectrosonics,Marshall Monitor & Misc. Email For Complete List. Fly Pack System : Email For Complete List Of Equipment Included CAMERA MISC.: Cam Mate T18’ 2000 series with Dutch Head Vision Research 512GB Cinemag II For Flex 2K,Gold & V Series Cameras Sony CA4000 4K Fiber Optic Triax Camera Adapter NEW Sony SR-D1 Card Reader Sony SR-PC4 w/10GigE Card SRMemory Data Transfer Sony RM-B750 w/Cables (2 Available) Sony HDVF 35W Viewfinder NewTek Tricaster TCXD850, 22-Channel HD/SD Live Production Switcher, Rack Mount Form Factor, 8 External Sources, 8 Virtual/Mix Ch, Removable Storage,Custom Rack Case On Wheels GRIP TRUCK : 1999 Freightliner FC-70 3 Ton Grip Truck, 70K miles, 26,000 GVW, Walco Liftgate. Comes With Complete Grip Package. Email For Pics & Grip List. Looking For : Preowned Arri 416 Camera Packages Vision Research Flex 4K Camera Package Zeiss Master Primes Arri Ultra Primes 16,24,32,50,85 & 135mm Cooke S4i Lens Set Canon 30-300 Lens Sony RCP750 Remote Control Panel

Hi Everyone, I'm moving to South America in May and the time has come for me to purge items I simply can't take with me and/or never use. I'm sure many of you know this is painful. But there is no sense in me keeping these items in storage. I've tried to price them as low as I can to get rid of them quickly. There is some wiggle room for some of the more expensive items. Deals can be made if buying several items. I use Stripe for payments which accepts most credit cards. I do have some of these items on Etsy as well for those who feel more comfortable using it to pay. $900: First thing I'd like to see go to a good home is my Arriflex 16SR. I bought it to shoot a film noir but couldn't raise the budget and can't take it with me so it's for sale. It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. This camera package comes with: 1 - Arriflex SR16 16mm motion picture camera 1- Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet NO LENSES ARE INCLUDED. $900: If you have an Arriflex 16SR, you'll love this awesome sound blimp! You can't hear the motor at all once your Arriflex is in this beast. This item may possibly have to ship via Amtrak for the best shipping price. I shipped a Tuba that way and it only cost about $60 so I would imagine this would be cheaper. It's extremely heavy so you'll have to use it on a heavy duty tripod (I have some of them for sale too). When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. $600: Custom Bolex Rex 4 Sound Blimp. - Rare blimp but can't take it with me. It makes the Rex 4 ultra silent indeed. It's really heavy so it may be beneficial to ship via Amtrak. $400: Tobin Crystal Sync Motor for Bolexes - I only used this motor once on my Bolex Rex 5 and it works great! $80: Canon 514 xl-s with Case and Microphone - This camera comes with the original case (see condition in photo) and the original microphone. NOTE: Although this is a sound camera, sound film for this camera is no longer available. You can use this camera with modern Super8 films. With batteries inserted, the motor runs smoothly and the battery check works. This camera is untested with film and is being sold as-is.

Brand New RED Weapon Ready to shoot package for sale. Everything you need to start shooting (just BYO V-Locks). Below is a list of the full package. Camera is currently at RED HQ undergoing upgrade and should be finished some time in the next few days. $48,995.00 USD OBO RED Weapon Package: 1x RED Weapon Magnesium Brain w/Integrated Media Bay (Ships direct from RED) 1x DSMC2 Sidekick (Ships direct from RED) 1x DSMC2 Base Expander (Ships direct from RED) 1x DSMC2 Top Handle (Ships direct from RED) 1x DSMC2 REDvolt XL Module Adapter (Ships direct from RED) 1x DSMC2 AC Power Adapter (Ships direct from RED) 1x DSMC2 Lemo Adapter A (Ships direct from RED) 2x Red Mini Mag 512GB (Ships direct from RED) 1x RED Station Mini Mag Reader (Ships direct from RED) 1x DSMC2 RED Standard OLPF (Ships direct from RED) 1x RED Weapon Package Case (Ships direct from RED) 1x RED Touch 5" DSMC 1x RED Bomb EVF LCOS 1x PL Mount 1x RED DSMC Canon AL Mount 1x RED DSMC AL Leica Mount 1x LCD/EVF Cable 12" 1x LCD/EVF cable 18" 1x Solid Camera EVF Mount/Arm System 1x V-mount Battery Plate/Power Solution 1x OCT-19 Mount I dont have photos of the camera or any of the new pieces as they are still at RED HQ. All the other accessories I have photos for. To view please message me or send me an email at redweaponforsale@gmail.com Cheers

Items included with each package. 1x Arri EVF-1 Colour Viewfinder 1x Arri Alex V/F Rod Mount + Rod Cap 1x Arri Extension V/F Arm 1x Arri Alexa CCH-1 Top Carry Handle 1x Arri Alexa HEB-2 Carry Handle Extension 2x 24v 3 pin to 2 pin Fischer Power Cables 1x 2 pin Lemo to 4 pin XLR 12v Monitor Power Cable 1x Short V/F Cable 1x Long V/F Cable 3x XR CODEX CDX-3730 Mags 512GB 1x XR CODEX USB 3 XR Mag Reader 1x Travel Case Email : sales@broadcastsolutions.com for pricing and details.

Hello all, Well I am new to this web site and I hope my post hasn't been addressed before (I searched the forum of course). I appreciate your patience reading my rather long post, also introducing myself - I apologize if I'm drifting off topic for a moment. :-) Well I am considering starting to pick up a film camera again. I was a Super 8mm user back in the day (1975 through 1981) and I never got the results I was looking for and I don't see that format ever yielding truly satisfying results (in my humble opinion and for what I have in mind, not to be disrespectful!), even with all recent efforts (Pro8mm, Logmar, Kodak's new planned camera line and film stock turnaround - for 2016....). I never bought a video camera/camcorder, because I just don't like the look at all, even the most skillfully graded footage I have seen (it's always glassy, harsh and "digital" looking). Just to fill you in: I worked small jobs at the Frankfurt tv station "HR" (1977 - 83), and got a lot of insight regarding the sweet old Arriflex 16mm cameras, film loading, servicing, editing on the Steenbecks, in-house processing and the old machines where the films were aired "live" as opposed to telecine transfer which was still in its infancy - those (then) professional 16mm cameras were still in heavy use for all kinds of television productions. I studied photography and cinematography at the University, but I knew it would lead me nowhere - so I dropped out. I went full time for music, a decision I never regretted - but true motion picture film (even with all its hassle) is still my passion. Recently I checked on Ebay: there are a handful of K-3 cameras for sale and most are converted to Super 16mm including re-centering the lens. Most are coming from the Ucraine and Bielarus. Prices are very affordable. I know that the first two numbers of the serial number represent the production year (please correct me if I'm wrong). One model is as recent as 1989 (last production run) - so I should be able to purchase later some nice, sharp prime lenses. Here are my questions: 1) Has anyone purchased an already modified Super 16mm K-3? Is the optical axis really 100% re-centered? Is the new, widened film gate safe regarding scratching the film? I don't see any shifting to the side on the photos regarding the lens adapter ring.... 2) is the view finder normally modified to match the new format? I wouldn't mind it not being wider, as long as the center is exactly natching film gate and optical axis - and as long as I know when unwanted vignetting occurs. I don't mind some guess work. I'm "old school" if it's necessary :-) 2) Would it be recommendable to remove the loop guides right away and hand-load, to eliminate the chance of scratches? 3) I don't have anyone who could service the camera nearby - so how reliable is it regarding motor speed, mechanics? I plan on mainly filming at 24 fps - perhaps some slow motion at the highest speed possible... 4) is it recommendable to purchase a battery adapter kit since the old, discontinued batteries are usually dead and new ones read to wrong read outs. I will eventually purchase a separate light meter, but the use is not always feasible since I plan on filming mostly spontaneously what I see (as opposed to an improvised studio set up) - some of it for use in music videos. No problem with filming wild (no crystal sync motor needed) as long as the actual film speed is close enough to 24 fps. I don't plan on purchasing a fully serviced K-3 from the US. I am located in Portugal and the costs would be too high for an entry-level camera (will check it out anyway). BUT I see a lot of K-3 footage, both 16mm and Super 16mm (YouTube and Vimeo) which clearly have focus issues. Some shots are razor sharp though (even when considering it's Super 16mm) so it must be a lens issue. I thought about a Super 16mm converted Bolex, but these are much more expensive and also seem to have issues. Do these wind up cameras handle the modern Kodak Vision 3 neg film stock well (jamming, lost loops, jitter, etc.). Any hints and tips highly appreciated. Thanks a lot for reading. Best wishes, Christian

hello, i have a used like new sony F65 im planning to sell, along with its accessories, below is the list of items and the price Used-like new Sony Digital Picture F65 Camera:- (Excellent Condition) F-65 Camera Body. SR-R4 Digital Recorder. Dual Battery Adapter V-Mount. \\SRK-CP1 Control Panel. Sony HDVF-C30RW Color Viewfinder. SR-D1 Reader. SR-memory Card (2X512GB-1X256GB). Converter V-mount Cable. Power cable limo 8-pin. Rode (2X12'' - 2X9''). Camera Case. price: range between 40,000 -45,000 USD (negotiable)

Hello Cinema Community! I have a music video client who would like psychedelic images in her music video: Options include fractals, light prism effects, kaleidoscopic imagery etc. I am curious, is anyone aware of practical solutions to achieving an end result similar to what I listed above? I realize that I could achieve much of this via a program like After Effects; however, I am curious if doing something like this practically would produce something more organic. If anyone has any experience with this, it would be great to know what methods you used, in addition to seeing visual references of the end result. Lastly, this project is on a shoe string budget!

Hello friends, I have a BMCC 2.5K package in great condition that I don't use and I want to trade it for Red One. It comes with following: Camera body BMCC 2.5K Full DaVinci Resolve Lenses: Tokina 11-16mm F2.6; Tokina 28-70mm F2.6; SpeedBuster Lanparte shoulder rig Shoot35 follow focus Mattebox, 1 Switronix v-mount battery with charges and power cable 3X 250GB SSD drives, Filters I'm based in Los Angeles, let me know if anybody's interested. Good day.