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Found 9 results

  1. Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloor lights would help accomplishing this nighclub ambiance) The second one is more of a natural ambiance in bright daylight with characters in the frame running on a road and other narratives sequences in the city ... Thanks in advance ! cheers
  2. Hi to all, I am seeking for example of filter use on 16 mm. It can go from glimmer, black promised to effect filters like stars and else (ideally from footages, test or existing movies) Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light , about T'4 coming from outside with top windows. Thanks in advance
  3. Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate 😉 I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan
  4. Hey everyone, Just purchased a beautiful Aaton XTR Prod (very happy) and I'm currently figuring out which direction I want to go lens wise. I've personally already used the Arri/Zeiss 11-110 T2.2 a bit and quite liked it. Not tried the Canon "hurt locker" zooms but have only heard good things. My main question was around using newer glass made for S35, and what the potential downsides of that might be. The Tokina seems to be well made, not huge, have great reviews, not silly money, and can be used as a superwide on S35 when the opportunity arises. Is there something I'm missing? Image wise, what am I losing by using it on S16? Thanks! Rowan
  5. Hello, I am considering selling my Aaton xtr prod. it has been serviced from scratch at cinefacilites in Amsterdam, and it is in fantastic condition. Pm for photos, I am only willing to sell it in Europe ( shipping internationally would be too much of a hassle, it s a big case ). 15K eur, OBO I also have two Zeiss superspeeds s16 ( 12 and 16mm ) if you are interested. Sold separately. Location : the Netherlands Best Kimon
  6. I posted this some time ago and would like to see if anyone can add to what I already know......forget parts 2 + 3 as they are obvious......don't know what 1, 4, 5, 6 or 7 are for.....
  7. I have a set of Cooke Kinetal primes I'm looking to rehouse and the adapt for an Aaton XTR PL mount. I have the 9, 12.5, 17.5, 25, and 50 So far the only house I've found who will work on them them is asking 3.5k per lens, anyone have a tip on a more affordable vendor?
  8. I just recently picked up an Aaton XTR prod and I'm looking for some accessories. - Aaton extension zoom eyepiece ( the fancy one) - wooden hand grip - 1.85 ground glass - Aaton 15mm rods I know there is a company that custom makes the hand grips but I wanted to put out feelers on this forum.I know all this is a long shot but who knows right?
  9. Hey Guys, I've recently become the proud owner of an Aaton XTR Prod, however the camera unfortunately has a few items missing, which i'd like to acquire. With that said, i'm on the lookout for original Aaton accessories including: - Walnut handgrip & cable - 2x screw in 15mm rods (short) - Heated eyepiece cable As the purchase of the camera used up a fair amount of my budget, i'm looking for reasonable prices, however I completely understand that these are getting harder to come by, so happy to play fair. I also have a few accessories that I don't think i'll be needing - such as the Origin timecode device, that i'd be happy to swap if people are searching for one (tend to slate anyway). I'm based in the U.K, if that helps too. Thanks! Nick Lee-Shield www.nicholasleeshield.com
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