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Showing results for tags 'cinematographer'.
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ALEXA Mini LF Ready to work $69,500.00 Less then 200 hrs ALEXA Mini LF camera body Comes with ARRI LPL Mount (LBUS) ARRI PL-to-LPL Adapter Codex Compact Drive 1TB (CA08-1024) Multi Viewfinder MVF-2 Cable VF (0.35m/1.15ft) Cable VF (0.5m/1.5ft) Mini Adapter Plate MAP-2A Mini Viewfinder Bracket MVB-1 Center Camera Handle CCH-2 Mini Side Bracket MSB-3 Mini Side Bracket MSB-2 Compact Bridge Plate CBP-1 19mm Rear Accessory Bracket RAB-1 RAB-1 Clamp 2 Rod Mounting Bracket RMB-3 15mm Reduction Insert V-mount Power Splitting Box MkII Bottom Dovetail Plate 300mm/12in AMIRA Power Cable Straight 2m/6.6in KC50 Camera and Accessories Case Laser Cut Case If you need more information you can contact me directly Call or Text 917-499-9596 Email barbara@newprovideo.com Check out period offered to verify the integrity of the camera. Worldwide Shpg.
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For Sale Arri 435 Xtreme S35mm Camera Pkg. PL Mount If you want more information, you can call or text 917-499-9596 or Email barbara@newprovideo.com There is a 72 hour Check out period to verify the integrity of the camera and is not being misrepresented. Comes with FEM 2 Integrated Lens Motor Electronics Arri 435 IVS NTSC Video Assist #1579 Accessory Socket Distributor (11-pin splitter) 3-Arri 435 400' Mags w/ Fitted Case 2-Arri 435 Steadicam Mags w/ Fitted Case 1-Arri 435 100% Video Top Arri LDD-FP Lens Data Display Monitor 1-15mm Studio Sliding Baseplate with Dovetail Plate 1-Arri MB-14 4-Stage Matte box with Case 1-114mm Donut for Arri MB-14 1-Ground glass 2-15mm Lens Rods 1-Spherical Viewfinder Top 1-Wide Angle Eyepiece 1-FE-3 Extension Eyepiece 1-Arri RCU Remote Control Unit with Cable #1401 1-24V Power Cable 1-Camera Body/AKS Case 1-435 Advanced User Manual -
For Sale Set of 8 Brand New Signature Primes Will ship in 7 to 10 days! Call or Text or WhatsApp 917-499-9596 Email barbara@newprovideo.com $162,000.00 PL Mount with Feet scales Focal Lengths ARRI Signature Prime 18/T1.8 F ARRI Signature Prime 25/T1.8 F ARRI Signature Prime 35/T1.8 F ARRI Signature Prime 47/T1.8 F ARRI Signature Prime 58/T1.8 F ARRI Signature Prime 75/T1.8 F ARRI Signature Prime 95/T1.8 F ARRI Signature Prime 125/T1.8 F
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For Sale Sony Venice 2 8k Camera pkg with licenses
Barbara Holler posted a topic in Cine Marketplace
SONY VENICE 2 if you have any other questions, You can call or text me or What's App 917-499-9596 $70,000.00 As with All equipment we sell you will get a 2 day check out to verify the condition and not misrepresented in any way. 917-499-9596 Comes with Sony Venice 2 MPC-3628 with PL Mount Licences: Anamorphic + Full Frame Hours: 422 View Finder V-Lock Battery plate back Arri Pro Cine Set KK.0043759 Wooden Camera A-Box Audio Module Sony AXS-AR2 card reader 2-Sony A1TS66 AXSM 1TB Cards Wooden Camera EVF extender and eyepiece leveling kit Manuals, Software, E-Mount cap and shims for PL mount -
Hi I’m a director based in Rhode Island. I’m working on few projects and I’m new to the area. I want to start up few of my projects, but I’m in need of a dp/cinematographer. Also I’m in need of a crew based or near area, to help. I’m looking for long run relationship on future projects. This can be considered passion projects but will pay if necessary.
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Can you believe what made me cut this! - The Music track which i saw on the Davinci Resolve Website. Check out and give me your kind feedback on my shots from few of my feature films ! (apologies for few overly saturated shots-was done for youtube compression) thank you all Rajavel Mohan <iframe width="560" height="315" src="https://www.youtube.com/embed/wivAuZqOHgE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> -
For Sale Fujinon Premista 28-100mm T2.9 Large-FF Lens PL Mount Asking $32,000.00In good condition you will get an Inspection period to verify that it is a good working lens.You can call or text me at 917-499-9596 or email me barbara@newprovideo.com...Barbara Holler
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Hey everyone, just wanted to feel the waters to see if anyone knew any well-known Cinematographers who came up from G&E. I've worked as a Gaffer and Key Grip myself for a good while and I wanted to see how the journey was to get to the DP position from other people so I can research their path to see what I can do with mine. I've DP'd a handful of projects so I've worked in the Camera Department before, so I'm not at all green.
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Seems folks always beat me to posting the interesting stuff, but I'll keep drip feeding these as I think they're terrific and super candid. Rest is copied from the video's description: FEATURING SCENES & COMMENTARY ON - Blood Orange, Dazn, Ferrari, Adidas, Gatorade, Bose, NFL, Asics, Dazn, Michelob, Nemiroff, Tommy Hilfiger, Victoria's Secret and more. In our fifth episode, cinematographer Garrett Hardy Davis chats about the competitive new world of shooting remotely, where to find inspiration, how he got into the film industry, starting a career as a director of photography and behind the scenes of some of his latest projects. GARRETT HARDY DAVIS http://www.garretthardydavis.com/ https://vimeo.com/garretthardydavis https://www.instagram.com/garretthard... https://www.artistry.net/clients/dire... -
Cinematographer Kanamé Onoyama about his professional journey, a few memorable productions and his view beyond the current pandemic. KANAMÉ ONOYAMA https://kanameonoyama.com https://wp-a.co.uk/clients/kaname-onoyama https://vimeo.com/kanameonoyama https://www.instagram.com/kaname.onoyama/
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Taken from the industry showcase and networking channel of IN / DEVELOPMENT. Got their YouTube here: https://www.youtube.com/c/indevelopment Below is copy-paste, but the links are super interesting and Stephen's insight and honesty is wonderful. The series seems to have just started so might post more if they're great. Can't see anyone else mentioning them before. - - - Joe Douglas talks to fellow cinematographer Stephen Murphy about his professional journey, a few memorable productions and his view beyond the current pandemic. FEATURING SCENES & COMMENTARY FROM - The Favourite, The West Wing, The Moonstone, Hanna, Line of Duty, Years & Years, Krypton, Death and Nightingales and more. STEPHEN MURPHY - BSC, ISC https://www.stephen-murphy.com/ https://www.imdb.com/name/nm1094426/ https://www.wp-a.co.uk/clients/stephe... https://www.instagram.com/stephenmurp... JOE DOUGLAS http://joedouglasdop.com/ https://wizzoandco.co.uk/agency/joe-d... https://vimeo.com/joedouglasdop https://www.instagram.com/joedouglasdop/
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For Sale Pre Owned Phantom FLEX4K ULTRA 64GB Color Camera W/ PL Mount & CINEMAG IV 2TB Asking $98,000.00 Comes with 1-Phantom View Finder (OLED with Bracket) Images Phantom 4k Flex Package 1-VRI-BATT-MNT-AB Battery Mount, Standard Anton Bauer Gold Mount for Flex4K 1-Anton Bauer QR HOTSWAP AN-QR-HOTSWAP SHARKFIN -AR Snap-On Hot Swap for ARRI Alexa Camera 1-C400 Cine-Style Riser for Phantom Flex 4K Arri Dovetail 12” Arri Bridge Plate BP-9 Set Short (15mm Rods) AR-339862 Phantom 4K Flex BNC TRIG/TC/AUX Onboard Breakout Box Trigger Pickle Switch – VRI-TRIG-PIC CINEMAG IV 2TB CineMag IV 2TB CineMag IV Phantom 100 foot Custom Loom 1650 Pelican Case 4-100 FT BNC 1-100 FT Phantom PCU Cable 1- 100 FT Phantom Fisher to Ethernet Cable Phantom 4k Flex Package CINESTATION IV CineStation IV Cinestation IV Power Supply Osha Cable ATTO ThunderLink NT 1102 (10GBASE-T) – ATTO-TLNT-1102- 10Gb/s ThunderboltTM (2-port) to 10GbE (2-Port) Desklink ATTO ThunderLink Power Supply Osha Cable Thunderbolt cable - AP-MD861ZM/A Apple - mini-DisplayPort (M) Thunderbolt cable - AP-MD861ZM/A Apple - mini-DisplayPort (M) - mini- DisplayPort (M) - 2 m 5 Pocket Equipment Bag Pelican Storm Case 2450 Innerspace Custom Foam Insert for Phantom CinestationIV, ATTO Thunderlink, CinemagIVs, and AKS to fit in Pelican Storm iM2450 case - CAT6A Shielded Patch Cable Blue 3ft. - 2 CO-CAT6A-3BLU* Glue Tools Software License Cables Arri ALEXA 12V Accessory Cable to 4-Pin XLR KC 154-SP-S Thunderbolt cable - mini-DisplayPort (M) - mini- DisplayPort (M) - 2 m 2-Phantom Flex 4K 12V Pigtail – AB-P4K-XLR4-12V Pamona HDSDI Shorty BNC with Coiled Shorty Power Hirose 4-Pin Breakout Cable, Capture For MIRO M Series, Trigger, READY, IRIG-IN, IRIG-OUT, VIDEO, Power, AUX - 1 VRI-2MA5017-01 2-10 Meter CAT 5 Ethernet Cable for Phantom 4k FLEX 5 Meter CAT 5 Ethernet Cable for Phantom 4K Flex 2-XLR3 to XLR3 Power Cable – 10' – AB-XLR3-10 PCU 25' 5-Pin Controller Cable – AB-PCU-190-25 PCU 2' 5-Pin Controller Cable – AB-PCU-190-2 PCU 5' 5-Pin Controller Cable – AB-PCU-190-5 CAT5E 25' RJ45 to RJ45 HDSDI 2' BNC LapTop Macbook Pro 15” Macbook Pro AC Power Adapter Macbook Pro AC Power Adapter OSHA extension Apple Thunderbolt to Gigabit Ethernet Adapter ADDITIONAL ACCESSORIES (AKS) 24v Power Supply - AB-PWR-SUPPLY -221W-24V 221W 24v Power Supply 221W / 24v Power Supply AB-PWR- SUPPLY – BACKUP OSHA for 24v Power Supply Vision Research Camera Control Software Printed Manual OSHA – BACKUP REMOTE CONTROL Vision Research Dongle II, Phantom HD/65 Bluetooth PCU2 Tenergy Power Package - AB-PCU-280 WD Soft case for Power Package USB 2.0 A type to Mini-USB PCU2 Control Unit for Phantom - AB-PCU-200 SNAPR Soft case for PCU2 HTC AC to USB Adapter USB 2.0 Type A to Micro USB Neutrik RJ-45 to RJ45 Coupler HP 17” Backup Laptop Windows 8 HP 17” Power Adapter CASES Phantom 4K Flex Innerspace Grey Hard Case – w/wheels and handle 1600 Pelican Case 1020 Pelican Micro case for Vision Research Bluetooth Dongle 5 Pocket Equipment Bag 5 Pocket Pouch (Backup AKS)
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Hi I wonder what is your roughly consultancy price list for cinematographers. Either if hourly or daily. Cheers
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I'm relatively new to drone (18 months) but have found that once you have learned the controls it simply becomes another "tool in the box", another way of placing your lens in different or unusual places. I have a passion for landscape and enjoy trying to tweak the HLG (HDR) format to its full potential. Still learning but enjoying the ride. https://vimeo.com/335046212
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RED Digital Cinema® released its RED R3D® SDK and accompanying REDCINE-X PRO® software with accelerated decode and debayering on NVIDIA CUDA® platforms. By offloading the compute-intensive decoding and debayering of RED R3D files onto one or more NVIDIA GPUs, real-time playback, edit and color grade of 8K footage is now possible. Benefits and efficiencies of this new software-hardware combination during the post-production process include: • 8K real-time 30 fps or greater playback performance • Up to 10x faster transcoding, depending on the format and content • Improved efficiencies and quality control within the content review process • Creative freedom using flexible R3D files instead of proxy files 8K performance is available with NVIDIA Quadro® RTX™ 6000 and 8000, GeForce® RTX™ 2080 Ti and TITAN RTX™ GPUs when coupled with a moderately configured PC. Creators can achieve additional performance improvements with multi-GPU configurations and may see noticeable gains even with older NVIDIA GPUs. Also, new NVIDIA RTX laptops from the world’s leading computer manufacturers, including Razer, Acer, Alienware, ASUS, Dell, Gigabyte, HP, Lenovo, MSI and Samsung, provide real-time playback at up to 8K and offer flexibility in choosing the right tools to fit a variety of budgets. Support from major NLEs and other SDK integrators is expected soon. -
RED Digital Cinema® will present a Masterclass featuring Oscar®-winner Guillermo Navarro, ASC at the upcoming BSC Expo in London. Navarro will be discussing his approach to cinematography in the digital age during the seminar that will take place Saturday, February 2, at 16.00. BSC Expo 2019 runs Feb. 1-2 at the Battersea Evolution. Navarro won the Academy Award® for Best Cinematography on Pan’s Labyrinth. His impressive credits also include Desperado, From Dusk Till Dawn, Jackie Brown, Hellboy, Night at the Museum, and Pacific Rim, among many others. He has worked in Hollywood since 1993 and is a frequent collaborator with Guillermo del Toro and Robert Rodriguez. Born and raised in Mexico City, Navarro was a still photographer in his native country before segueing into shooting documentaries and commercials, and directing television. Most recently, he completed principal photography on The Voyage of Doctor Doolitle, slated for release in 2020, using the RED HELIUM 8K S35 sensor. Over at Stand 334, RED will showcase its latest sensor technology, including the MONSTRO® 8K VV and GEMINI® 5K S35. MONSTRO is an evolutionary step in large-format sensor technology with improvements in image quality including dynamic range and shadow detail. GEMINI leverages dual sensitivity modes to provide creators with greater flexibility using standard mode or low-light mode. RED will also demonstrate a real-time 8K workflow using a new REDCODE RAW SDK powered by the NVIDIA QUADRO RTX 6000 GPU. By offloading the compute-intensive decoding and debayering of REDCODE RAW footage onto a single NVIDIA GPU, real-time play back, edit and color-grade of RAW 8K footage is possible. Additionally, RED will display its newest accessories. The new RED® DSMC2 Touch 7.0” Ultra-Brite LCD Monitor is a robust, optically-bonded touchscreen with Gorilla® Glass that provides an intuitive way to navigate menus, adjust camera parameters, and review .R3D clips directly out of the camera. It offers a brighter, high-definition viewing experience for recording and viewing footage on DSMC2 camera systems, even in direct sunlight. The DSMC2 PRODUCTION MODULE mounts directly to the DSMC2 camera body and incorporates an industry standard V-Lock mount with integrated battery mount (DSMC2® Gold Mount will be available soon) and P-Tap for 12V accessories. The module delivers a comprehensive array of video, XLR audio, power, and communication connections, including support for 3-pin 24V accessories. It’s also available as a kit.
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Hi Everyone. I am new to this website. My name is Tayyib Mahmood and I am a film student at Birmingham City University. I am writing a dissertation on a comparative analysis between LED and Tungsten Lighting and I need of a few interviewees. This can be done over video call (Skype). I am in need of anyone with industry experience who would like to give me their opinion on Tungsten and LED lighting and which would be dominant within the upcoming years. Thank you, Tayyib
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The American Society of Cinematographers (ASC) is now taking submissions for the television competition of its 33rd Annual ASC Awards for Outstanding Achievement in Cinematography. The event, which will also salute the organization’s 100th anniversary, takes place February 9, 2019, at the Ray Dolby Ballroom at Hollywood & Highland, and winners will be announced in all categories. Three categories comprise the TV awards: • Episode of a Television Series – Commercial (half hour and one hour) • Episode of a Television Series – Non-Commercial (half hour and one hour) • Motion Picture, Miniseries, or Pilot Made for TV The deadline to enter is November 5 by 5 p.m. (PT). To qualify, shows must have a premiere broadcast date in the United States between November 1, 2017, and October 31, 2018. Entry forms can be downloaded at here on the ASC website. In addition to the TV awards, the ASC gala in February will recognize the year’s best feature film cinematography, as well as lifetime honorees. For a complete timeline of the 33rd ASC Awards, visit this link.
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Hi, I’ve recently uploaded my showreel and website. Would be interested to hear some creative feedback and thoughts. Thanks. Best, Hal halrobertson.com
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Panavision, the entertainment industry’s leading designer, manufacturer and rental provider of high-precision optics and camera systems, has named Zoe Iltsopoulos Borys to lead the company’s Atlanta office as vice president and general manager. Borys will oversee day-to-day operations in the region, and ensure Panavision’s customers continue to receive the highest level of service to support their production needs. “Zoe is a respected partner to the cinematic community and we are pleased to have her on the team at Panavision,” said Michael George, Panavision’s chief operating officer. “Her understanding and familiarity with the needs of our customers will be an invaluable addition to our presence in the region. Filmmakers can be confident that they will continue to receive our superior service, along with our innovative Panavised camera systems and premier lenses.” Borys’ 25 years of experience in the motion picture industry includes business development for Production Resources Group (PRG), and general manager for Fletcher Camera and Lenses (now VER). This is her second turn at Panavision, having served in a marketing role at the company from 1998-2006. Throughout her career, she has been responsible for bringing innovative technology to the creative community, empowering them to bring their vision to the screen. She is also an associate member of the American Society of Cinematographers. Panavision’s Atlanta facilities, located in West Midtown and at Pinewood Studios, are the largest suppliers of camera rental equipment in the southern U.S., with a full staff of prep technicians and camera service experts. The Atlanta team has provided equipment and services to productions such as Avengers: Infinity War, Black Panther, Guardians of the Galaxy: Vol. 2, The Immortal Life of Henrietta Lacks, Baby Driver, and Pitch Perfect 3, among others.
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Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Auto-Panatar Anamorphic P+S Technik 35-70mm T3.2 Cinemascope Zoom Todd AO High-Speed Anamorphic Hope you enjoy it. Please let me know if any questions!
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Long story but I just heard about this song tonight. When looking for the song, I stumbled across the video. I am rather impressed with how Guy Ritchie shot this. I also see it caused quite an uproar in its heyday. My question: Does any of you cats know the cinematographer? Anyone here work on this? I know it was shot in parts of LA.
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Hey everyone, please take a look at the showreel on my website and let me know what you think! www.oliwilliamsdop.com Many thanks, Oliver Williams
