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Showing results for tags 'cooke'.
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Cooke Kinetal 50mm T2 Arri PL mount cine lens. The lens was designed for S16 film cameras, but the image circle is large enough to cover S35 and almost (with a slight vignette) FF/135 cameras. Rehoused by British lens technician Les Bosher, the housing is smaller and more compact than those made by TLS. The lens has integrated gears for focus and aperture, a Arri PL mount and a 95mm frontage. The optics are clean and bright with no haze, fungus or separation. There are faint cleaning marks to the front and rear optics, as is to be expected with a lens of it's age. There is some very minor play in the housing (standard for a Les Bosher lens) but the focus and aperture operate as expected. Price: £2350 (no VAT for a UK sale). The lenses ship worldwide from the UK at cost.
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Full Set COOKE S2/3 TLS Speed Panchro 18-100mm Key Specifications: Focal Lengths: 18mm, 25mm, 32mm, 40mm, 50mm, 75mm, 100mm Rehousing: P+S Technik This set has been held in a professional rental environment at Cineground in Montreal, a top-tier facility known for its exacting standards. This set has benefited from a consistent schedule of professional cleaning and regular servicing by expert lens technicians. The glass is clean, the mechanics are smooth, and their performance is reliable. Lens Mount: Arri PL Front Diameter: 95mm (unified) Gear Position: Focus and Iris (unified) Condition: Glass is clean and well-maintained, free of fungus, haze, or significant scratches affecting the image. Focus and iris mechanics are smooth and precise. Included: The set comes in a custom-fitted, hard-shell flight case. SET FULL PRICE IS: 58000 USD
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𝐍𝐞𝐰 𝐋𝐨𝐰𝐞𝐫 𝐏𝐫𝐢𝐜𝐞! 𝐂𝐨𝐨𝐤𝐞 𝐀𝐧𝐚𝐦𝐨𝐫𝐩𝐡𝐢𝐜/𝐢 𝟏.𝟖 𝐅𝐅 𝐒𝐅 𝐏𝐫𝐢𝐦𝐞 𝐋𝐞𝐧𝐬 Asking $89,000.00 𝐒𝐞𝐭 𝐨𝐟 𝟒 𝟑𝟐,𝟓𝟎,𝟕𝟓,𝟏𝟎𝟎𝐦𝐦 𝐒𝐞𝐭 𝐈𝐧𝐜𝐥𝐮𝐝𝐞𝐬 Cooke Anamorphic/i FF SF 32mm T2.3 Cooke Anamorphic/i FF SF 50mm T2.3 Cooke Anamorphic/i FF SF 75mm T2.3 Cooke Anamorphic/i FF SF 100mm T2.3 𝐏𝐫𝐢𝐜𝐞𝐝 𝐭𝐨 𝐦𝐨𝐯𝐞 𝐒𝐡𝐢𝐩𝐬 𝐰𝐨𝐫𝐥𝐝𝐰𝐢𝐝𝐞 𝐂𝐚𝐥𝐥 𝐨𝐫 𝐓𝐞𝐱𝐭 𝐁𝐚𝐫𝐛𝐚𝐫𝐚 𝐚𝐭 𝟗𝟏𝟕-𝟒𝟗𝟗-𝟗𝟓𝟗𝟔 for more pictures and information. 𝐂𝐎𝐍𝐃𝐈𝐓𝐈𝐎𝐍: Lightly Used & Professionally maintained. Includes Front & Rear Lens Caps, Hard Case.
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Cooke Panchro/i Classic 8 Prime Lens Set Price : $47,000 USD LINK : https://broadcastsolutions.com/product/cooke-panchro-i-classic-8-prime-lens-set/ Panchro/i Classic Set Includes: 18/25/32/40/50/75/100/152mm 152mm Can Be Sold Separately. Lenses Are Very Clean & Include An Evaluation Report From A Lens Tech.
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Set Includes: 21/25/32/40/50/65mm Macro/75/100mm 18mm available for an additional cost. Email sales@broadcastsolutions.com for pricing & details. Very Light Use. Mint Condition. LINK : https://broadcastsolutions.com/product/cooke-panchros-i-classic-ff-9-lens-set/
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I ask as I've seen some say this but I've also heard that it's not true given the character of the prominars versus those other lenses so if anyone with more knowledge than me could confirm or deny that would be great. -
Extender doubles the focal length - while losing 2 stops of transmitted light. In excellent used condition. Optics clean and unmarked. Ships from the UK at cost (buyer pays all shipping and necessary insurance). Price: £1500 (ono)
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Cooke 30-95mm Varotal Full Frame Zoom Lens $35,000 USD Link : https://broadcastsolutions.com/product/cooke-30-95mm-varotal-full-frame-zoom-lens/ Covers up to Full Frame Sensor Size 9-Blade Iris, T2.9 to T22 Aperture PL Mount with /i Technology Color-Matched to S7/i Prime Range 114mm Front Diameter / 4′ Close Focus Focus Marks in Feet 0.8 MOD Cine Gears, M112.5 Filter Thread
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Here's my piece 'Luthier'. It's the making of a classic guitar by an artesanal luthier. Shot on Aaton XTR XC + T2.5 Cooke Varokinetal 9-50mm lens + Kodak Vision3 500T and 250D. Processed and scanned on a Scanity (4K) by Cinelab London. I made the live recording of the music in the theatre using a Rode NTG4+ mic into a Zoom F3 recorder. The music was composed by Jeremías (the guitarist/luthier) and is called 'Aida' named after my mother that passed away a couple of Decembers ago. The why: finding out this talented busker was also a luthier, I asked him to make a guitar for me with the idea of filming the whole process. Both the guitar and the 'piece' are intended as a family heirloom. I can't play a note myself! I want to pass the guitar down on the one hand and have the 'filming' as a testament to my 'art'. I hope you have a bit of time to watch the piece. I will be entering it into the very modest Gibraltar Visual Arts Spring Festival in some months time. If I win it will pay back some of the costs I incurred and that's good enough for me haha. Watch at 1440p on YouTube for the best quality! Thanks for watching if you do watch!!! -
https://fjsinternational.com/cameras/cooke-panchro-i-classic-set-of-4/ Price: GBP £ 17,920 FOB "Please check our website for our phone number and email address, call, text or email. We do not respond to direct messages on Facebook"
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https://fjsinternational.com/cameras/cooke-panchro-i-27mm-classic/ Price: GBP £ 5,850 FOB "Please check our website for our phone number and email address, call, text or email."
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Recently checked at Panavision Australia, clean bill of health. Purchased 2017, used on a couple of jobs and never rented. Fantastic condition with most recent /i data. Sigma ceramic clear filters included and have been on since purchase. $9000 USD / each Will entertain offers if purchased together. Can ship worldwide or arrange pickup LA / SYD
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W.T.B. Cooke S4i 65mm Lens Send info. to sales@broadcastsolutions.com
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For Sale : Cooke S4i 180mm T2 Prime PL Mount Lens Price : $9,000 US Email sales@broadcastsolutions.com for details.
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LOTS MORE! ASK IF YOU DON'T SEE WHAT YOUR LOOKING FOR!!! Accepting All Reasonable Offers. Qty.- 3 Arri 235 3 & 4 Perf Camera Pkgs (includes both 3&4 Perf Movements) Qty.- 8 Arri 535B 3 & 4 Perf Camera Pkgs (includes both 3&4 Perf Movements) Qty.- 4 Arri 435ES 4Perf Qty.- 1 MOVIECAM Compact MK2 3 Perf Qty - 2 Aaton XTR S16 Camera Package Qty. - 1 Bell & Howell EYEMO 35 Includes: 4/50 FPS,Daylight Spools Qty .-1 Arri 2C w/Crystal Base Qty.- 3 Arri BL4S Camera Package Qty.- 1 Arri III Parts Only Qty.- 1 Arri III Camera Package Includes:Video Tap NTSC CEI Color Qty.- 2 Arri Mattebox MB14 Qty.- 9 Arri Mattebox MB18 Qty.- Arri Mattebox 15mm SMB2 Qty.- 1 ArriHead 1 Includes: Both Wheels,Locking Nut,VF Holder Qty.- 3 Ronford Baker F7 MK4 Includes: All Accessories Qty. -1 Ronford Baker MKVII Includes: All Accessories Qty .-1 Cooke 18-100mm T3 Includes: 15mm Rods,Motor Bracket,Zoom Stick Qty. -1 Angenieux 18-102mm T2.9 Qty.- 1 Codex Recorder CDX-3600 Included: Cables & Power Cables Qty.- 3 Arri FF4 Follow Focus 15mm BA3, Complete Kit Qty.- 1 Chroziel Follow Focus Lightweight Qty.- 1 Rain Deflector (For Panavision Side Holder,Hand Held Mode,No Cables
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Hi all, Came across an intense flaring/ghosting (not really sure what's happening here) phenomenon using a Cooke S16 Varokinetal 10.4mm-52mm. It has been serviced by Visual Products 2 months ago. The stills come from footage on a RED GEMINI in 2K crop mode, with standard OLPF and no filter or mattebox on. It is present across the aperture (toned down past T5.6) and zoom range (seems to zoom in the effect). Can provide examples in other lighting situation. In a lot of scenes the light source, even a window with ambient daylight, will appear as a blue ghost/flare. The effect was noticed on ARRI mini LF too and potentially on ARRI SR2 (though not as evident on the 16mm footage shot yet, as the source was ambiant overcast daylight). I find this interesting as I tested a lot of vintage S16 zooms before from Angénieux, Canon and Zeiss and never came across this to my memory. Anyone has insight or guesses on this? Trying to gather information from other users too. Thanks, Alec
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Would mixing different brand lenses be too obvious? Hello, I have 3 different lenses for my Arriflex 16S. A Schneider 10mm f1.8, Schneider 16mm Xenon f1.9 (the old version from the 50s) and a Cooke Kinetal 25mm t2.0 which I haven’t tested yet in comparison to the other two. I personally really like the 16 and 25mm focal length so I would shoot 95% of everything with those lenses. I understand that the Kinetal is a bit warmer than the Schneider but I imagine that color correction could solve that problem. Here is a frame shot on 200T with the Schneider 16mm f1.9 closed down to f2.8 And this was shot at F4.0 where the lens get surprisingly sharp. I would like to know people’s opinion on this or if someone’s had a similar experience with matching different lenses. Greetings, Ivan Dimitrov
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Cooke 2X Anamorphic iS35 Set Of 6 Lenses $110,000.00 US Includes: 25/32/50/75/100/135mm Qty.-2 Cases Link : https://broadcastsolutions.com/product/cooke-2x-anamorphic-is35-set-of-6-lenses/
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These lenses are great candidates for rehousing (ex. True Lens Services). Please let me know if you have any questions. A short video link for each is posted below. US $3,000 each, or.... Buy 2 for $5,500 ($500 savings) Buy 3 for $8,000 (1,000 savings) Buy all 4 for $10,500 ($1,500 savings) I'd prefer a local NYC or US-based sale, if possible. But I am open to the idea of shipping. All the Photos: https://www.flickr.com/gp/95212445@N02/e14q9L5Q8g $3,000 32mm Cooke Speed Panchro Series II, T2.3, SN 668919. Arri Standard Mount. Marked in Meters and Feet - CF as marked is 1.25' Cosmetically the exterior is good - but as expected for a lens of this age, the original paint has rubbed off a bit on some of the feet markings. Iris and focus both turn smoothly. FE very clean from any scratches/pits/coating damage. RE very clean from any scratches/pits/coating damage. An unusual circle in center of coating - I'm not sure what this could be caused by but it's very subtle and I'm pretty sure would not affect the image. No visible oil on the iris blades. Some minor internal debris and very mild/subtle yellowing. https://vimeo.com/931220862/35e4d78131 $3,000 50mm Cooke Speed Panchro Series II, T2.3, SN 609172. Arri Standard Mount. Marked in Meters and Feet - CF as marked is 3' Cosmetically the exterior is very good/excellent - the lens looks like it was repainted in the last 10 years and hasn't had much use since. One of the screws holding on the focus ear tabs has been lost, so that sometimes dangles. Iris and focus both turn smoothly. FE very clean from any scratches/pits/coating damage. RE has no pits, but has a few small light cleaning marks (light coating scratches), and one or two small scratches, although small enough that I doubt the image would be affected in any noticeable way. There appears to be some oil on the iris blades. Some minor internal debris and very mild/the slightest hint of yellowing. https://vimeo.com/931222738/95dc7ac8bb $3,000 75mm Cooke Speed Panchro Series II, T2.3, SN 743515. Arri Standard Mount. Marked in Meters and Feet - CF as marked is 4.75' Cosmetically the exterior is good - but as expected for a lens of this age, the original paint has faded and some of the fill paint on engravings has faded. Iris and focus both turn smoothly, although the iris ring turns with a bit more resistance than the others. FE very clean from any scratches/pits/coating damage. RE very clean from any scratches/pits/coating damage. No visible oil on the iris blades. Some minor internal debris and and really no perceptible yellowing - excellent for a 75mm CSP! https://vimeo.com/931223951/a43bea2164 $3,000 100mm Cooke Deep Field Panchro, T2.8, SN 601076. Arri Standard Mount. Marked in Feet only - CF as marked is 5' Cosmetically the exterior is good - but as expected for a lens of this age, the original paint has faded and some of the fill paint on engravings has faded. The housing is a little wider in the focus markings than other 100mm Cookes I've seen, and it may be something custom since it's engraved "CAMERA SERVICE CENTER INC. NYC." Iris and focus both turn smoothly. FE has a few very minor coating scratches (cleaning marks) only really visible when blasting a light from the opposite end. RE has many light coating scratches (cleaning marks) only really visible when blasting a light from the opposite end. No visible oil on the iris blades. There is some internal debris and and the slightest hint of yellowing. https://vimeo.com/931225948/fd510cc607
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Cooke S5i Prime Lens Set Includes: 18/25/32/40/50/65/75/100mm. Email sales@broadcastsolutions.com for pricing. • 18mm T1.4 • 25mm T1.4 • 32mm T1.4 • 40mm T1.4 • 50mm T1.4 • 65mm T1.4 • 75mm T1.4 • 100mm T1.4 Photo missing 100mm.
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152mm Cooke Telepanchro T3.2 Lens For Sale Serviced in 2020 Marked in both Imperial and Metric Close Focus: 8' PL mount No case included This beautiful and very rare lens covers full frame sensors and complements the “Cooke Look” of Series II & III Speed Panchros very well. 152mm Cooke Telepanchro lenses in such clean condition are incredibly rare. Serviced by IndieOptics (a Panavision lens technician) in August 2020 (3 hours labor, receipt available), with no use since then, the glass is in excellent condition for the age, with minimal contamination and just a few (very small/light) marks on the elements. This is an excellent sample for rehousing with True Lens Services, which would also improve close focus (their current wait is approx 16-20 weeks). With that said, this lens is PL-mounted and geared for both focus and iris, and is usable as-is without rehousing. Focus and iris are both smooth, just not as *perfect* as a TLS-rehoused lens. The lens does *not* rotate as you pull focus (so you can use a clip-on matte box), and only telescopes forwards/backwards less than half an inch. It's about a 85mm front diameter with the lens hood, and about 66mm without. The lens has a beautiful 16-bladed iris for perfectly smooth round bokeh. Pictured both with and without the metal screw-on lens hood. Detailed IndieOptics report with images available. If you'd like to pay for an independent evaluation in NYC or Los Angeles (with shipping), I'm also open to that. Link to TLS's specs, in case you're interested in their rehousing after purchase: https://www.truelens.co.uk/telepanchro-152/t3.2 I owned another one of these very rare 152mm Telepanchros (but TLS-rehoused, see picture of the two next to each other), which I sold for $16K in 2022. I'm asking US $9,000 for this lens, providing an opportunity to save a few thousand dollars even if you do decide to rehouse it with TLS. I'd prefer a local (NYC) or Los Angeles (via family/friend) sale. I will consider domestic shipping after that, and potentially international shipping after that. High resolution images available: https://flic.kr/s/aHBqjB5oJE
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Hi folks, I'm looking at investing in another set of lenses and have my eye on a TLS rehouse. I know that some of the engineering comes from a Cooke background, as do some of the lens techs. Anecdotally, a rental house near me has had a lot of issues with their Cooke glass, constantly needing service and jamming intermittently. These range from S4s to new Panchro Classics and Anamorphics. I was of the understanding that Cooke mechanics were in the Ultra Prime "set and forget" category but am perhaps misinformed. What experience do you all have with Cooke reliability in the field and service requirements? Does TLS have similar needs or are they far more different than i'm giving them credit for? -
Below a list of Equipment, I have ready to ship and priced to sell! Will listen to Offers! For more information you can either Call or Text me Barbara Holler 917-499-9596 or email barbara@newprovideo.com LENSES Arri Zeiss Ultra Primes Lens Set of 6 16,24,32,50 & 85 & 135mm PL Mount $41,400.00 Cooke Anamorphic/i S35 Lens Set of 6 25mm 2x, 32mm 2x,40mm 2x, 50mm 2x, 75mm 2x & 100mm 2x (NOT FF) Call for Price! Arri/Zeiss Master Primes Set of 6 14,25,35,50,75 & 100 PL Mount $89,000.00 Arri/Zeiss Ultra Primes Set of 6 16,24,32,50 & 85 & 135mm PL Mount $41,400.00 Arri Signature Primes Set of 5 25,35,47,75 & 125mm PL Mount $103,000.00 Canon CN-E Prime Lens Set of 6 14,24,35,50,85 & 135 EF Mount $15,500.00 Angenieux Optimo Style S35 25-250mm T3.2-T3.5 10x Zoom Lens w/ PL-Mount $23,500.00 Zeiss Compact Cine Zoom CZ.2 3-Lens Set 15-30,28-80 & 70-200mm PL Mount $48,000.00 CAMERAS Alexa Mini Camera Pkg. All 3 Licenses $34,000.00 1389Hours! ARRI ALEXA 35 4.6K Super 35 Production Set 15mm Studio (Brand New - Zero Hours) ARRI ALEXA 35 4.6K Super 35 Production Set 19mm Studio (Brand New - Zero Hours) Sony Venice 6K w/Rialto All Licenses $35,000.00 Sony Venice 6K Camera Pkg $28,000.00 TRIPODS & MISC. O'Connor 2575 Tripod system $15,250.00 O'Connor 2060 Head Barely Used! $7,250.00 Ronford-Baker Baby & Standard Legs Barely Used! 2-Miller Compass 25 2 Avail. Barely Used! $3,350.00 Shotover F1 6-Axis Gyro Stabilized Gimbal Low Hours! Asking $215000.00 Will listen to Offers GSS Cinema Series – C520 5-axis gyro-stabilized camera system Low Hours! Asking $215000.00 Will listen to Offers White Water Hawaii Underwater Housing for Alexa Min
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I own one of these beautiful lenses along with a CSP 32mm as well, but mechanically they are different - I use it fine for sure on my GEMINI in manual focus, and I use it wide open at 1.7, which understandably make the image soft. However, I just wanted to make sure that the backfocus on my GEMINI isn't off and contributing to the softness, but for the life of me I've never figured out where the focus marker is on the lens. The aperture marker is evident enough, just not the focus marker. This is not my lens per se, but it is the same and I am linking the video for reference. -
I entered a local Ministry of Culture visual arts competition a week ago…..and I won the ‘video’ category with this piece (originally just intended as a family heirloom). I re-edited the footage processed for me by Cinelab London in DaVinci Resolve. Not many entries from our 33,000 population, so not exactly a Cannes winning equivalent haha but the prize money will be used to shoot something else on my beloved 16mm film. Watch in 2K if you can. The grain is a bit sludgy no thanks to YouTube…..and no I will not be adding ‘award winning cinematographer’ to my legend hahahaha wtf as if
