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  1. I'm looking for SR3 | 416 Fiberscreens. In particular - 1.66 and 2.35 or 2.39 Does anyone have these and looking to sell?
  2. Hi there! I'm looking for a USED set of Glimmer Glass and a 138mm Tiffen +0.5 Diopter. My email is gpolofilms@gmail.com Many thanks!
  3. Hello everyone! I'm one more time asking for your help on this forum! I'm shooting a short-film and I got this shot in which the camera dollies left filming photos that are framed up on the wall. It's kind of a close up and I don't want to see my reflection in the glass of the frames, then the camera stops as we see the reflection of the actress in one of the frames. So I was thinking of maybe removing all the glass except on the frame in which we're supposed to see the reflection of the actress and then re-add the glass in post using after effect, but is that possible? And how much o
  4. I have three Zeiss Planar Standard Speeds all in PL mount::: 85mm, 100mm and 135mm T2.1 All the glass is super clean, all the gears work just fine. Very moderate signs of wear on the barrels. - Zeiss Planar 135mm T2,1......$5900 - Zeiss Planar 100mm T 2,1.....$4700 - Zeiss Planar 85mm T2,1.........$4200 FOR PICS CLICK HERE
  5. 317mm Telepanchro - Excellent condition, Just PL'd lubed + optics cleaned + camera support added, very very nice....Price $7,495k PICS HERE I also have another 317mm that is Arri Standard mount for $6,495. Email if interested. PICS HERE This is my personal Telepanchro. Duclos did the report and Optitek cleaned optics + did the PL work. Feel free to reach out. I'm located in Los Angeles. Local pickup preferred! Email me if I need to ship. I'll think about shipping it, but depends on your location. FYI - I have two full panchros sets (ser II + ser III). One in excellent condition @
  6. Set #217 are Cooke Speed Panchros ser# 6XXXXX, just the 75 and 18 are 7XXXXX They all work fine, very minor cleaning marks in few of them. Price is 19.5k. Please let know if you have any questions. FOR PICTURES CLICK HERE PS - We do have a couple other sets available in better conditions for higher price. Thanks!
  7. I have three Zeiss Planar Standard Speeds all in PL mount::: 85mm, 100mm and 135mm T2.1 All the glass is super clean, all the gears work just fine. Very moderate signs of wear on the barrels. ****Willing to split up the set. Pics HERE Price $14.8k
  8. Hey everyone, I'm a film student working on a project that requires me to shoot a model miniature. The problem is, the model is inside a protective glass case. It's only about an inch thick, but I can't remove it. Any tips for lighting the model through the glass? The model is fairly large (6 ft x 6 ft) so I was thinking of using a soft fill on the opposite side than I am shooting to reduce glare but that's kind of restrictive to the shots I can get. Not sure if anyone has done anything like this before but I thought I'd ask. Thanks! Zach
  9. Hey all! Just finished the ASC Manual and there are a few spots that speak about "Ground Glass". From what I've collected, it seems to be a piece of glass that works between the gate and the reflex and often includes different aspect ratio guides? Can anyone give me a clearer definition? Thanks, Jake
  10. Hello everyone, I would love to hear your opinions on the following.... I'm waiting for a Russian K3 16mm camera to arrive which I bought recently and ordered some Kodak 16mm stock for it.... .....in the meantime (as one does in this day and age) I've been thinking about 'upgrading' to an Arriflex SR +....then I started thinking....why? which is where you all come in I hope to offer advice, knowledge.... An aside.....I used to shoot stills with a Hasselblad 503CW back in the day and now I have a standard 500CM but using the same excellent Hasselblad zeiss lenses = same quality of i
  11. Set of Cooke Speed Panchros ser. II and III, seven lenses in arri mount, 18-25-32-40-50-75-100, ser # they range from 5XXXXX to 7XXXXX. The 32mm has no focusing mount. Normal signs of usage, only the 40mm has more wear on the barrel. Glass does not have any scratches, some lenses do have irrelevant faint small cleaning marks. PICS HERE Price $19k
  12. I have some Super Baltars:::: 25mm f2, 2 inch 50mm f2, 3 inch 75mm f2 They are all in Mitchell R-35 mount. All the glass is in great condition. No haze and no scratches. Only the 25m 2 inch has a couple faint cleaning marks on the rear element. Mechanics are good with both the focus and iris. Let me know if you have any questions. Pics here $15900
  13. Just got a complete set of the Cooke Speed Panchro ser II + III's, all geared: 18-25-32-40-50-75-100mm D.F.) All lenses have serial numbers above 700000. Gently used, some lenses have light cleaning marks, minor specs of dust. Would consider offers for the six lenses 18-25-32-40-50-75 (without the 100mm D.F.) They all focus fine. Price $19.5k Pics here
  14. They have these "levitation-like" shots in a zero gravity space ship. https://youtu.be/L8eRzOYhLuw?t=1m36s At first I thought maybe a wire harness or they did this with a chroma key/green screen Then I believe the closeup shots around 3:01 gave it away. Pause at 3:01 and it looks like she's laying on a glass layer that for the most part looks invisible but here you can see small scratches on the glass. Also how her hair appears to be laying on top of something instead of floating in some of the closeup shots. Anyone know what the name of this "invisible glass" is or is it just
  15. I am making a low-budget short film in July, where the actor punches through the passenger window while another character sits in the passenger seat. They'll be multiple takes, so I want at least 10 breakaway windows. I've tested sugar glass, but it's tinted yellow. I've thought of using food coloring to try and dilute the yellow, but in case that doesn't work, I want other options. SMASH! Plastic (from smooth-on.com) looks realistic & clear. But don't want to pay $200+ for it. Is there some way I could make this plastic concoction on my own? Or another method to make smooth
  16. Hi. I'm testing some spherical primes made by Technovision and I'm wondering if anyone here knows what lenses their conversions were based on? The T-stop is 1.4 on all of them and they cover Full Frame. Zeiss? K35, but the T-stop doesn't match? The 25mm confuses me. Thanks, Robert Blom
  17. Hi, I've been assigned to shoot and direct and documentary in Nepal in two months time and I'm looking to gear up for the shoot. The project is a low budget / indie documentary for which I thought to get the Sony A7s ii for the job for its low light conditions as most likely I'd use very little available lights. I own a Blackmagic 4K ef mount which I plan to sell as I find it to bulky and heavy for the job and not great on low light. I am currently looking for lenses, and understanding more about the different type of glass. I'm looking for recommendations I want to achieve a filmic
  18. Lately, I've been very interested in experimenting with various glass/flashlights/translucent objects to distort the frame. I wanted to gather feedback from other people on objects or techniques they've found to work well. I've used various pieces of beveled glass, vaseline smeared on UV filter, water bottle and got some pretty cool results. Using a flashlight to veil the lens gets pretty nice results, but it's hard to find consistency using some of these techniques since the results are so variable. Anyone ever rig a flashlight to 15mm rails so the veil stays in the same spot? I'm al
  19. I have some Zeiss Super Speeds for sale. Pics here They are:::: Distagon 35mm f 1,2 Planar 50mm f 1,3 Planar 85mm f 1,4 All of them are in Arriflex bayonet mount, and the 35mm Distagon does have the adapter to PL. So it's easy to move the adapter around to either lens. All three lenses are in very nice shape, no issues on the glass, focus and iris are perfect. The 50mm might have some very faint haze or just need a cleaning, but this is very minimal. All the lenses have an 80mm exterior front ring diameter. Price is $15,000
  20. Apologies if this question has already been ask, I couldn't seem to find a thread on this topic. I own a set of 4x4 filters, a variety of glass Tiffen FX and ND filters. I just haven't found a way of cleaning them without smearing the filter. I've tried a variety of methods, including rosco fluid/tissue, pancro, some other brand of spray on lens fluid I have in my kit; I haven't found a way that works yet. What is the best way you have found to clean filters? Circular cleaning from the centre like a lens, or just go crazy? :) Any specific fluid/tissue brand combination that seems to w
  21. I'm looking to buy some lenses. They all must be scratch free glass. Please contact me here or at asafdie@gmail.com WTB: Dallmeyer Super-Six, Meyer Kino-plasmat: - Dallmeyer Super-Six Anastigmat 51mm, 57mm, 63mm, 76mm & 82mm f1.9 - Hugo Meyer Kino-Plasmat 90mm f1.5 WTB: Cooke Technicolor, Pinkham Smith - Cooke Anastigmat Technicolor 50mm f1.7 - Pinkham Smith series VII 2 inch f3 Thanks so much! Best, Alex
  22. Reflector holder & glass reflector for Studio 5000 Theatre, Compact 4000, Studio 2000, ... (can be used as retrofit kit for old glass reflector versions) -EBAY LINK: http://www.ebay.co.uk/itm/-/321919867922?
  23. FIRSTLY Sorry about the title, I am horrible at this. FOREWORD Hello. This is my first posting in this forum and I don’t think it will be my last : ). I’m still young and there are lots of things that I don’t know about cinematography. So if I’m wrong somewhere, please correct me and feel free to tell me your thoughts. I have studied cinematography autodidactively, read the ASC Mag, Painting with Light, Film Lighting and books like that for quite some time now and have a handful of questions as I am currently approaching my first feature film. I can’t really say a lot about it at t
  24. Does anyone know what lenses are being used on the HBO series "The Leftovers"? I've seen some interesting flares and am curious to find out what they are using. Thanks, Alan Gwiz
  25. Hello! this is a question regarding the quality of the filter against the quality of the lens... Its spring and Im getting so excited to start filming non-black and white (Minnesota is monochromatic for 8 months a year regardless if you like Gaspar Noe or Ingmar Bergman) anyway enough chip talk, I recently found a Rokinon Cine Prime 1.5/35mm lens for my Canon Rebel T4i, looking at filters now, I would normally just get a set of norm. filters cause its like either 18.00 for a set or 300.00 for one filter ;/ never was one for online decisions so I like to ask around. Plus, this is the b
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