Search the Community
Showing results for tags 'lens'.
-
Hi! I just got a used Super16 lens to compliment my super speeds. It's a Panther Cinar Super Super16 8mm T1.3. It looks just like a super speed mkIII and has a really solid and nice feel to it. Since Panther is still an active company I email'd them to see if they could tell me more about the lens. The person who answered had never even heard that they had made lenses… But he found some old documents about a couple of zooms and 7mm + 35mm primes. Would be nice if anyone had some knowledge about this lens, thank you!
-
Just finished a film and selling (3) Super 16 lenses. All of them were overhauled by Abelcine and the gears renewed with teflon a month ago by VP. The are all super clean, project sharp and clear. Only a few cleaning marks on them due to age. The 50mm Illumina is super sharp. If you buy a random lens on Ebay, you will most likely have to pay $$ to get it up to speed. That work has already been done to these. Zeiss 16mm MKIII s/n 7500048 Zeiss 25mm MKIII s/n 7500143 Optar Illumina 50mm s/n 9725013 Send me a PM, sensible offers welcome. Selling individual or as a set. I have receipts, more pics, and details. Thanks, Martin
-
Im selling a set of 3 ARRI Master Primes. The 18mm T1.3, 32mm T1.3, and 65mm T1.3 are in excellent condition. Never rented. Available for inspection. Location: North Texas, 45 min north of Dallas. Im asking $55,000. The lenses come in a durable Innerspace lens case. Also willing to sell lenses individually. The best way to reach me is by email at: elliotovla@yahoo.com We purchased the master primes in late 2012, so we have had them almost two years. They have not been in for any service. One of the lens caps has a chip in it. Not sure how that even happened, but I included a photo of the plastic cap with its damage. Nothing major. The lens case has some wear, but a small wipe down will get it looking in great condition. I have included photos below.
-
The majority of the work I do is documentary and sports features and it seems that an Amira is inevitable in the near future. With NFL Films making the switch to the Arri Amira as their primary camera I am curious as to what lenses they are using with the body. 2/3" ENG lenses? Cinema Zooms? Any information would be great.
-
Looking to sell my Red 17-50mm lens. Bought it about a year ago from a fellow Red User. I don't freelance anymore and don't really use the lens anymore as well. Looking for $5,500 (negotiable). Let me know if you want to see pictures - I can email them. The lens is in great condition.
-
We have a beautiful Fujinon 19-90 cabrio lens for sale $26,990 email me for pictures carson.lori61@gmail.com
-
Hello guys, I'm music video clipmaker (beginner). I like k-pop MVs. I want to shoot my MVs like that. I've got Red One MX camera and Zeiss 35mm CP2 superspeed t1.5 lens only. Which lens (mm) do you recomment to buy? (sorry, I don't know english very well)
-
Selling my Zeiss CP.2 50mm T/2.1 Nikon F Mount lens. It's in excellent, like new condition. It's a great lens, but I don't use it much anymore because I no longer do freelance work. Looking for $3300 for it (negotiable). And don't get discouraged if you're looking for an EF or PL mount - the beauty with these lenses is that you can change mounts very easily. I can email photos.
-
Hi everyone, I was hoping to see if anyone knew how to achieve these distorting effects found in these music videos. The first is in the music video for Lana Del Rey's Blue Jeans track. It's used on and off notably at the 1:30 mark. The 2nd is this music video for Feist's Anti - Pioneer. It's more like a ghosting/doubling effect seen at the 40 second mark. These effects must be through some kind of filtration, in the case with the Feist video, allowing light to leak behind the diffusion filter to get reflections? With the Lana Del Rey video I'm not so sure. Physically holding warped glass in front of the lens? If anyone has attempted this before I'd love to get some pointers. Thanks! Chris
-
Looking for a nice 24mm to complete my set, thank you. JF
-
I would like to hear your thoughts on what sort of lens is best for photographing something with little to no depth. I'm not considering a multiplane set-up but would be pleased to also hear thoughts on that. -
Angenieux Paris F. 15-300 mm
Cristian Eduardo Ochoa Fica posted a topic in Lenses & Lens Accessories
Hi friends I have a Angenieux Lens F.15-300 mm 1:4.5 - Type 20x15A and my question is.... how much? approximate thankssss ;) -
Hello, We are selling a brand new Angenieux Optimo PL 15-40 zoom lens. This lens has never been rented and is in perfect condition. Item is located in Western Europe but is in US/Feet Scaling. Can be sold to anywhere in the world at buyer's expense. Price: $37.500,00 USD obo. For photos, serial # & further information please contact me here or Nico Franck: info@transrent.lu Thank You.
-
Hello, We are selling an almost brand new Angenieux Optimo PL 28-76 zoom lens. This lens has only been rented a few times and is in mint condition. Item is located in Western Europe but is in US/Feet Scaling. Willing to sell to anywhere in the world at buyer's expense. Price: $36.500,00 USD obo. For photos, serial # & further information please contact me here or Nico Franck: info@transrent.lu Thank You.
-
I am executing a 3-minute unbroken tracking shot for a music video using a Canon 5D Mark III and a MoVI M5 house with a ring handle. The music video takes place at a house party moving from interior to exterior. Plenty of choreography in each frame and following two main characters. I want depth of field but with soft focus so as to limit the use of pull-focus. Does anybody have an specific suggestions as to what lens would be best for this criteria? I'm thinking a fixed lens like a 35mm f/1.4 Zeiss or a Sigma 30mm f/1.4 but those are my only leads. NEED HELP. Thanks.
-
Hi Cinematography.com, I'm a second year film student and an aspiring cameraman/D.O.P. I am currently working as a junior editor at a production house for the summer, and am wondering what I should invest my money on once I've compiled enough when school starts! At the moment, I am wondering if I should invest in two decent lenses, lights, filters, and grip stands instead of a camera body such as GH4 + lens. The reason is because I will have another year of school, which means access to cameras such as F3 (Hell even Bolex h16) till April 2015 + 6 months graduation equipment rental blessing from my college, and by then I'm kind of worried that the next best deal will be released. Also I am not too crazy about 4K resolution or slow-mo... I'd much rather prefer that Wes Anderson X Robert Yeoman look or films by Hirokazu Koreeda. (I am a wide-lens fanatic) So my question is, would it be a wise choice to invest in equipments other than a camera body? Or should I be focusing my attention on something else? I'm hoping whatever I will squeeze out of my 5 grand will help me on the long run rather... If you can help me with my inexperienced and confused self, then it is very much appreciated. THANK YOU. -
We’re currently building and kitting out a studio, largely to be used for shooting products. We’re getting an Alexa, but are stumbling on our lens choice, mostly because the budget is not infinite. Our MUST HAVE primes are 35mm, and 50mm. We are looking at CP.2 super speeds – the cost is attractive, but more than that the speed is important – we often open up to f1.4 to knock the set background out of focus (rather than for exposure). I’m concerned about the performance of these lenses - I’ve not used them much - what are they like wide–open (T1.5)? We’re not looking at cinema projection here, TV or digital is where our shots will be seen, so I’m trying to be pragmatic. Am I worrying about nothing? Is there another line (other brands) of fast lenses that sits between Master Primes and CP.2 super speeds that I’m missing?
-
Does anyone know what lenses are being used on the HBO series "The Leftovers"? I've seen some interesting flares and am curious to find out what they are using. Thanks, Alan Gwiz
-
Arri S16 11-110 T2.2 (PL Mount) Super 16 Zoom Lens
Alexander Boyd posted a topic in Cine Marketplace
Selling a Arri S16 11-110 T2.2 (PL Mount) Zoom in very good condition. It fully covers the S16-Format and is in very good functional and optical condition. No scratches, no dust or fungus. It works smoothly and has been well cared for. For questions simply message me. Asking price: 5000€ (shipping not included) Located in Vienna, can be shipped within Europe. More pictures upon request.
-
Hello everyone! I'm aware that there are numerous other topics about s16 zoom lenses. However, I'd like to hear your advice/thoughts on these particular PL-mount lenses (some of them only PL Adapters) mentioned below as I'm planning to buy one of them for my Aaton A-Minima PL. The lens will be used for more personal, S16 film projects (hence these "lower-budget" lenses): - Angenieux 9.5-57 T1.6-2.2 | PL Adapter on Arri Bayo Mount - Angenieux 9.5-95 T2.5 | converted to PL mount - Angenieux 12-240 F3.5 | converted to S16 with PL mount - Cooke 9-50 T2.5 | PL Adapter on Arri Mount - Zeiss Vario Sonnar 12.5-75 T2 | S16?? // PL Adapter - Zeiss Vario Sonnar 10-100 F2.8 | S16?? // PL Adapter on Arri Mount Looking forward on reading/hearing your thoughts about breathing, vignetting, combining it with a Minima etc. Thanks in advance, Alex
-
Hi. I'm selling my Kowa Prominar 16D Anamorphic Lens. It's in fantastic shape. $599 Free Expedited Shipping. Ebay Listing: http://www.ebay.com/itm/181397691897 -
Hi, I have an old yet in pretty good condition, Angenieux 16-44mm 1:0.95 zoom. Would love some advice from anyone who's familiar with this lens. I tried to google this lens but there's very little information out there. It says 1:0.95, but what's the F & T stop on this lens? How common/rare and good/bad is this lens? I ran few test rolls on my Aaton s16 LTR but I don't know enough to tell if this is any better/worse than other Angenieux zoom lens. What is the mount on this lens? Here's some photos: https://www.dropbox.com/s/4xg2aagb2xqluvh/S_20140521-_MG_1957.jpg https://www.dropbox.com/s/xperqqfoxyjej1m/S_20140521-_MG_1955.jpg https://www.dropbox.com/s/5q5ypon0u61wk3i/S_20140518-_MG_1938.jpg https://www.dropbox.com/s/37tqr6a6ev88r6f/S_20140518-_MG_1943.jpg Any insight would be greatly appreciated! -
Pls check my work and my equipment. Will work and rent worldwide. Thx. Christian Pfeil. https://www.facebook.com/pfeil.christian
-
Preferably in PL mount, and from sellers in the UK/EU (as I'm based in the UK), though open to offers from further afield. Kind Regards, Josh
-
Pentacon 500mm 5.6 MC PL mount For Sale. Located in san francisco CA. glass in great shape. 65mm coverage. solid PL mount. Can work for about any camera mount. 650$$
