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Found 8 results

  1. Hello, I'm looking for a Canon 8-64mm t2.4 OR 7-64mm t2.6 OR 6.6-66mm t2.7. I'm based in Copenhagen, Denmark. For tax and shipping concerns a lens currently inside the EU would be preferable - but I could pay for shipping from overseas if the price is right. Let me know what you've got! Best, Peter Hammer Documentary filmmaker
  2. Hi! I saw that there was some discussion on a thread about this before, but just wanted to get some clarification. Has anyone had experience with using 35mm intended lenses on their super 16? I fully understand that a 50 is a 50 is a 50! My questions isn't regarding what the field of view would be in choosing the lenses but more so on what it would do to the negative with the larger cover area? I have read about it working but at the cost of possible light magnification onto the negative or spilling unwanted artifacts onto the final exposure? I'm still learning when it comes to this subject ma
  3. Hello, Hopefully an interesting question and not pure amateur hour ! More art less matter than the title: Can I achieve the feel and look of native 35mm when shooting on super16 (to blow up) ? Ideally a three part answer: A) Yes or no B) The inherent limits of s16 to 35 vs native 35 C) Bringing out the cook book with the old recipes of how different cameras, lenses, stock etc will produce such an effect and from there to infinity and beyond! As always thank you for your time! You are a treasure trove!
  4. How much would it cost to purchase a good to near mint condition Aaton A-Minima?
  5. Hi Everybody, I've just acquired an Arri SR2 Advanced and wanted to know if someone knows where I can find dummy film stock ? I need to practice a bit before starting to shoot something real. I live in Switzerland and we don't have labs and film stock anymore in here, everything is closed and out of stock... Let me know. Thank you
  6. Hey Guys, I've recently become the proud owner of an Aaton XTR Prod, however the camera unfortunately has a few items missing, which i'd like to acquire. With that said, i'm on the lookout for original Aaton accessories including: - Walnut handgrip & cable - 2x screw in 15mm rods (short) - Heated eyepiece cable As the purchase of the camera used up a fair amount of my budget, i'm looking for reasonable prices, however I completely understand that these are getting harder to come by, so happy to play fair. I also have a few accessories that I don't think i'll be needing
  7. Hello Group, Planning on a short film in Super 16mm B&W. Did some first B-Roll shots as a test with Kodak Tri-X 7226 reversal, waiting for the scan to return. I happened to have two 100ft rolls (one still in the freezer). The idea is to evoke a 1940s-50s period feel. Not sure about excessive film grain in S 16mm though. I have seen a lot of recent footage (excellent digital scans) of Tri-X reversal, Double-X neg, Orwo UN 54 and FomaPan R 100. The latter seems to suffer from unpleasant round white spots (like air or gas bubbles during processing) frequently. Other than that I really can
  8. First off, I want to say thank you to all the people who contribute to this forum - I’ve been lurking around for quite some time without posting much. You know the old adage... “If you don't have anything nice to say, don't say anything at all”... Well, by nice I mean something that could further the discussions - but quite often I find the answers before needing to ask! Anyway, I just got myself a s16mm Arriflex SR2 (PL mount), and I'm looking into prime lens options. I have a collection of 35mm and above format primes, but none suitable for this smaller gauge (they can obviously cover it
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