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Found 388 results

  1. Hey everyone, I've had a handful of rolls developed from my Bolex H16 RX, and all have had a vertical purple line throughout each frame on the left hand side. There's a faint line on the right hand side as well, but less prominent. The line is more apparent in underexposed footage. Image attached of an underexposed clip. Anyone know what this might be? Some sort of a light leak, or is something scratching the film? Thanks in advance for any help.
  2. Hey everyone! I've got a few lenses that I'm letting go of. Every single one has just been to duall for CLA (which was almost $1k in getting them all good to go). OPTAR ILLUMINA s16 4 LENS SET: 9.5mm 12mm 16mm 25mm with hardcase — $4500 obo the illuminas are in 'hard' PL, not B mount with some crappy adapter. ELITE "Panther" 7mm t1.3 PL MOUNT: amazing lens, cover a whole room! Wider and sharper than the 8mm illumina, but still cuts well — $2800 obo . OPTEX s16 2xTENDER: $800 obo Illuminas + 2xtender: $5200 obo 'Panther' + 2xtender: $3400 obo Illuminas + 'Panther': $6800 obo Illuminas + 'Panther' + 2xtender: $7200 obo shoot me an email! mhs at 16by40 (or look us up). any questions, feel free to ask! photos:
  3. I’m intending to do some double exposures on 16mm film with an Arri 416 camera. The most rudimentary method I could think of is just expose the entire roll (one stop underexposed, or however I feel is appropriate for the subject), make notes of the contents, and then reload the same film to shoot the second layer. But sometimes it would be really convenient to be able to just «rewind» the film right away to do the second layer. As far as I can see from the manual, there is no such function in the camera. I guess you could open the mag and do it manually, but it sounds cumbersome. Anyone done this and know a good method that I haven’t though of?
  4. Can anyone please help me identify a two (round) pin (plus earth 'flange') connector on an RCA Holywood cine projector. The plug (though the plug contains copper pin sockets) has Nettle T80120 written on it. The plug is 120/240v and there is one socket on the projector (with copper pins) as well as earth 'blocks'. There is also a transformer with a plug (bakelite-falling apart) and I also need another plug (to standard three pin uk plug) to plug into the transformer to provide 240v. For images of the socket and the plug, please see: https://drive.google.com/file/d/1XC-CEt4hgsNrMVI-tXjdva_kQ3HN9pnC/view?usp=sharing I'd be particularly interested if there is a modern (i.e. non bakelite) version available. Thank you Andy
  5. I'm a student making the transition from digital to film and my next project will be shot entirely on 16mm. I'm interested in purchasing a working ARRI SR I or II. My budget is around $1200. I reside in the U.S. You may email me at willjacobscinephile@gmail.com
  6. Hi Guys, I own a Krasnogorsk K-3, I purely use it for fun, not professionally. I've put about three rolls through it at this stage, and although I'm happy with the quality of the footage, I notice a large dust build up on all the the footage, as well as some continuous straight scratching on the right side of the film. Have been quoted £400 to have the camera professionally cleaned and serviced, but it's not worth that so I'm not really willing to fork out that much just for a camera that I use for fun. Was wondering if anyone here has experience of cleaning this camera themselves? And if they could give any advice to potentially fixing this at home? I gave the camera a good blow with compressed air, and a little brush the last time I put a roll through it, but still got the recurring issues. Any other help would be massively appreciated! I have attached some images for reference. Best, Jack
  7. I just learned I have access to an Aaton LTR but that the batteries went missing. I've searched for batteries online to no avail and was wondering if anyone here knew anyone selling them? Let me know guys, Thank you!
  8. Does anyone know where I could find a dummy roll of 400ft 16mm to pratice loading? Thanks.
  9. Hi everyone, I own an Aaton LTR 7, and I was hoping someone would be able to offer some advice on a bridge plate / rig that would be compatible. The wooden grip handle that came with the camera constantly comes loose and is more annoying than practical for handheld shooting. I'd prefer to just sort a set up with rails and moose bars that I can adjust more easily. I found an ARRI BP-5 on ebay but it seems that they work best with 35mm / Digital cameras. Can anyone recommend an alternative bridge plate that could work? Any suggestions/ recommendations would be super appreciated! Thanks
  10. Hi, I just want to share link to Paul-Anthony Mille´s posthouse: http://kafardfilms.fr/film-stocks-processing/ He is doing so far, the cheapest work in Europe. 16mm - 400ft = 200 € 35mm - 400ft = 150 € (Prices are for developming, cleaning and 2K/4K scanning) Development is done by Hiventy lab, Paris and Paul is doing scans at his posthouse. I have not met Paul in person yet, I just want to share this cheap and great quality alternative on market 🙂 Many people already know Paul, but for those who not, this is the solution to keep you shooting film
  11. Hey Everyone, Im selling my Bolex H16 Reflex camera body. It has been full serviced, so no need to send it for any type of repair. The prism was replaced with a bran new one when I sent it for a CLA. Camera comes with: -Pistol Grip -Flat base adapter -Filters -Single frame trigger Asking price is $550 + shipping I can send more pictures on request
  12. Hey, Looking to pick up an aaton a-minima top handle and or trans video monitor for the camera. Thanks, J
  13. Hey, I'm looking for an Aaton 16mm camera. If you have one for sale please send me an email: hello(at)moritzmatlik.com Thank you!
  14. Hello, I am looking for a used super 16 package with a PL mount. I'm interested in a SR2 or SR3 or an Aaton XTR Prod. If anyone is interested in selling please let me know! Thanks!
  15. Hi all, I'm looking to purchase an orientable Angenieux viewfinder for the Eclair NPR. I have the original Kinoptic viewfinder which is being laser brightened soon, but I would love to have an orientable vf in the kit. Let me know if anyone has any leads! Thank you, Tristan
  16. Hello Everyone, I just released my latest short film, POKERS, that I wrote, directed, and co-starred in, along with my producing partner and DP (who is also a member of this forum). It's a 9 minute short about four men sharing their perspectives on their shared occupation during a game of poker. It was shot on 16MM Fujifilm Eterna 250 via Arri HR3 HS in Super 16. I would love it hear any feedback and criticism. I am still very new to filmmaking and look forward to learning and growing. I hope you enjoy it:
  17. Angeniuex 17.5-70mm f/2.2 PL Mount Purchased and serviced at Visual Products Good condition asking 1,750$ OBO Zeiss Distagon T* 9.5mm f/1.3 PL Mount Purchased and serviced at Alan Gordon Excellent condition asking 2,000$ OBO Both lenses are in nearly the same condition as when I bought them. The reason I'm selling is that I just haven't been using them as much as I'd like. I can send more photos upon request :) pendleton.tanner@gmail.com 978-340-2012
  18. Im about to shoot a short film on 16mm, and were gonna use back projection (the projection itself would be digital, and its material shot on digital camera). I would appreciate any advice since i never did this. my concerns are mostly two: 1. whats the best way to expose/ measure the projection? 2. should I take any special precautions to avoid flickering? or will it be fine just as long as the camera and the projector are set to the same frame rate? if i plan to use hand cranck, I imagine there is no way to avoid variable flickering, right? Thanks Daniel
  19. Sell ​​my faithful Bolex rex 3 Super 16. It is serviced and converted to super 16 in January 2018 at Bolex in Switzerland. It is only used for two personal movies after that. With you get pistol grip, C-PL mount adapter, 3 rolls of Kodak Vision 3 250d and 3 rolls with Fujifilm Eterna 250t. (100ft) Not interested in selling anything separately. Sells everything for 3500$ Will Ship worldwide for the buyers bill. It will be shipt from Norway. If you are interested send me a email skildeh@hotmail.com will post some pics later
  20. Hello peeps, I've been trying to find this info for a long time, but I couldn't find anything. I already checked all the threads on the CP section, so I have to ask: Does anyone knows what's the focal flange distance of the CP-16r? Thanks
  21. Hello peeps, I've been trying to find this info for a long time, but I couldn't find anything. I already checked all the threads on the CP section, so I have to ask: Does anyone knows what's the focal flange distance of the CP-16r? Thanks
  22. I am getting yellow lines on my film, I checked the wheels they seem fine they spin, is it the gate ? is it because i shot in expired film ? i hate it i shoot a 400ft roll and the yellow line is present in the whole film. i wanna know whats wrong with my CP-16r, has anyone experienced with this problem before? video:
  23. Hey everyone, I wanted to see if anyone could help me out. I wanted to know if anyone could recommend the best export settings from Adobe Media Encoder for a 16mm scan. I am fine with grain, in fact I love it. I have a project thats completely hand processed kodak 7222, and the results are quite grainy. The problem I have is that when I export the h.264 file for web, the grain just becomes ugly blotches and pixels. I've tried for many hours to get the best export, including raising my bit rate and everything. I know there must be a good method, because i've seen film scans that have quite a bit of grain on the web, but the detail is preserved, so i'm completely at a loss. Any advice would be greatly appreciated. Thanks in advance, Derick
  24. I have never dealt with Cinelab before. I was mainly interested in their Xena 2k scans as they are better at reading underexposure and I was running and gunning at night and mainly just using a beater handheld cam I acquired and was more of a camera/scratch test and comparing scans to a certain degree. I sent in 100' of 7219 to be processed and scanned at 2k thinking this would cost around $70. I initially selected DPX but the decided ProRes would be more than fine. I tried to call and emailed Robert as soon as it went out and said I didn't update the order form to ProRes my apologies. There is no drive. I would just like an upload to Dropbox in ProRes and because I am not particularly attached to the negatives, I didn't include return shipping. Days later no response. Filled out their order form which said nothing about minimums on it and they pricing sheets are somewhat unclear and very scattered. I didn't think twice about it and figured if they had a problem they would call or reach out. I woke up this am to $161 charge. Thinking this was a mistake I reached out with an email with my form attached and also in line with the previous emails I sent before. This was the response I got: HI Charges were: $115 min charge for process and a 2K scan 2.00 for DPX frames $30 for a thumb drive for DPX frames (we don't upload DPX) $14 for UPS shipping. I can change that to ProRes and do an upload which will save $32 So 100' of 7219 cost me $161 because they never saw the email that I sent and also just started assuming things and billed me for items and services that I never was asked about. I understand that my order form was initially filled out incorrect but I tried to call and email to no avail. This honestly could have just been taken care of with a phone call or email to clarify, especially if there is no drive, no request for a drive to be purchased and at least have this brought to my attention. I talked to a few other DPs and asked them what they thought. "Shady as hell" seemed to be the general consensus.
  25. Hey Everyone, I'm looking for a 16mm film synchronizer, if anyone has one they would be willing to part with cheaply. I don't need anything fancy, and a 2 bank is fine. Just need something that works. Let me know if anyone has one they would be willing to get rid of. Best, Derick
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