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  1. Taken from the industry showcase and networking channel of IN / DEVELOPMENT. Got their YouTube here: https://www.youtube.com/c/indevelopment Below is copy-paste, but the links are super interesting and Stephen's insight and honesty is wonderful. The series seems to have just started so might post more if they're great. Can't see anyone else mentioning them before. - - - Joe Douglas talks to fellow cinematographer Stephen Murphy about his professional journey, a few memorable productions and his view beyond the current pandemic. FEATURING SCENES & COMMENTARY FROM -
  2. Hi I wonder what is your roughly consultancy price list for cinematographers. Either if hourly or daily. Cheers
  3. Hi, We are two technicians working in the film industry in France (a grip guy and a gaffer) and we just discovered this very interesting forum. We particularly noticed that gaffers and cinematographers were asking questions about light output and what aperture is obtained at a certain distance. It happens that with the help of two IT engineers we developed an iOS app responding to this question about 2 years ago. First and for all, we’re not going to post messages everywhere on this forum to sell our app nor are we going to pollute your threads to gain in visibility. We just think s
  4. Interview with CATHERINE LUTES CSC: CINEMATOGRAPHER LIFESTYLE https://anchor.fm/cinematographer.lifestyle Apple: https://podcasts.apple.com/us/podcast/id1457497882 Android: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85ZGYwM2EwL3BvZGNhc3QvcnNz Spotify: If you enjoy this podcast, please share. Not for profit, if it gets enough views, I'll keep it going. Cheers ♥ 🙏 Justin Lovell Ass
  5. Hi guys Long time reader, first-time poster on the forum. Recently shot a short film, you can see here: https://vimeo.com/322197103 Would love some feedback. For context, I shot it as a one-man band, on Alexa Mini with Zeiss Superspeeds and glimmer glass. A lot of neg fill, 2 x astra litepanels and 1 x litepanels gemini.
  6. Hi Everyone. I am new to this website. My name is Tayyib Mahmood and I am a film student at Birmingham City University. I am writing a dissertation on a comparative analysis between LED and Tungsten Lighting and I need of a few interviewees. This can be done over video call (Skype). I am in need of anyone with industry experience who would like to give me their opinion on Tungsten and LED lighting and which would be dominant within the upcoming years. Thank you, Tayyib
  7. Hi everyone, I am just wondering if there are any people out there who are both directing and filming (as cinematographer) their work. And if so, what type of projects are those (short films, documentaries, etc.)? And what is your reason to do so (e.g. budget, more creative freedom, etc.)? Please note that I am not asking for a specific reason, just kind of curious. Feel free to share some examples, could be fun! Kind regards, Jaap P.s. meant to write simultaneously in the topic :P
  8. Hi guys, I'm Francesco from Italy and I just uploaded my Reel with many works realised in 2016. They are frames taken by commercial, short movie, videoclip, video art and documentary. I'd like to have your feedback or a simple opinion on these works. Thanks a lot everybody here's the link (obviously watch in HD) ;) https://youtu.be/NP-DBJvqa00
  9. Hi, I am a DoP on an upcoming shoot for a pair of commercials but I'm having a little trouble deciding the camera. I'm more on the lighting side than camera so I'm not to sure about which cameras are better than others. I was looking at a few but other than staring at the specs i didn't really get much information. I was looking at the Alexa, Alexa Mini, Red Weapon, Red Scarlet, Sony F3 (I've had experience with very minimal). the commercials aren't highly complicated but one of them deals with aquatic themes and the other superhero FX (such as laser beams and freezing) do any of thes
  10. I'm just wondering if anybody could break down this scene in terms of lighting for me. Im shooting a short film for somebody next week and would love to achieve this sort of lighting set up. what i'm looking for is Light ratio Temperature softlight/hardlight Colour Gels Filters Lights that are believed to be used colour scheme Practical lights lighting position If anybody could help me out it would be greatly appreciated Thanks
  11. ID Productions is a production studio based in Tirana, Albania. We are involved in the industry by producing TV commercials. We're interested to hire a DOP (freelancer) for our next 3 projects. If you are interested, please send us a Demo Reel. You may contact us here: idproductional@gmail.com Thank you!
  12. I'm a DOP based in South Africa and I'm wondering what websites you use to seek international camera operators etc. Reason being, I'd love to work with more international clients and expand.
  13. hello, i have a used like new sony F65 im planning to sell, along with its accessories, below is the list of items and the price Used-like new Sony Digital Picture F65 Camera:- (Excellent Condition) F-65 Camera Body. SR-R4 Digital Recorder. Dual Battery Adapter V-Mount. \\SRK-CP1 Control Panel. Sony HDVF-C30RW Color Viewfinder. SR-D1 Reader. SR-memory Card (2X512GB-1X256GB). Converter V-mount Cable. Power cable limo 8-pin. Rode (2X12'' - 2X9''). Camera Case. price: range between 40,000 -45,000 USD (negotiable)
  14. Hi! I'm meeting an agent tomorrow and I wonder if this forum has some suggestion when I meet him, what should I make clear from the beginning? Thanks!
  15. Guys, I have a proposal to follow each other's instagram to look what are we doing, to share with each other our impression and our passion in images. Just write in this Topic link to your instagram. Let's be in touch. My instagram: instagram.com/d.mulenko
  16. Hi, I’m looking for a car cinematography specialized DP for a high end SPEC commercial. Green screen experience is required as the featured car will be driven on a large green screen cyclorama. Although a car specialist, this person must be good at lighting people as well. The shoot will take place on July 25-26 in Los Angeles. Non-Union shoot. Pay negotiated upon experience. Please apply only if you specialize in car cinematography. We need to confirm someone ASAP. If interested, please email a link to your reel/portfolio to crewapplications@mzo.tv Thanks.
  17. Hi all. I'm proud to present my new showreel 2015 as a cinematographer. It tooks me time to do it but it's worth the result. I wait for you feedbacks. https://vimeo.com/106486310
  18. Hey everyone, My name is Keerthi Prabath. I'm from Sri Lanka. I'm very interest in cinematography. So this collection of my cinematography works for the past two years and this is my first showreel. I used DSLR cameras to shoot all of this stuff. I'll hope your advice and comment about my work,.. Thank you
  19. Hello fellow cinematographers and film makers! If I could borrow 3,750 frames at 24fps of your time to review my new reel on my website listed below. It would mean a great deal to me if you could offer some critique afterward. I'm in the middle of a huge push to take my work and career to greater quality and new opportunities. I would be happy to return the favor. Thank you and happy shooting! Alex www.alexfuerst.com
  20. Hello guys! Here you'll find my new showreel! Please comments! Viméo: https://vimeo.com/82892635 Thanks! Merry Christmas and Happy New Year Axel Morin
  21. It seems that a DOP needs to learn to light for every situation and then tweak those according to script and specific locations. Though not exhuastive I have listed the situations in which one should practice lighting. Can you think of others that are good to practice? DAY Interiors room dramatic. Hard sunlight through windows with possibly a little fill. Interiors room soft. Huge softbox outside window with a little fill inside room if necessary. Interiors car and transports dramatic. Hard sunlight through windows with possibly a little fill. Interiors car and transports soft. Huge so
  22. Hey everybody, I'm a first time DOP working on a low budget short film, with tight deadlines and could use some help with lighting a medium size industrial type space. Its a dark rectangular room 15ft high high, 30ft long and 16 ft wide with no reflectable surfaces, except for the front wall which has a large white13x13 ft film screen on it, which I am thinking of using to bounce light off. Using 1k arri and a second light. Or a 4x4 bank kino flow. My lighting arsenal consists of two 1k tungsten fresnel arris, a 700w open faced arri, a 650w and 300w arri fresnel. And two Kino Fl
  23. https://vimeo.com/66794565 Hello! Thanks for watching my showreel. Pete Smthsuth Bangkok, Thailand // petesmiths@gmail.com
  24. Im from Argentina and i would like some feedback of my work. Thanks! https://vimeo.com/51286298
  25. Here is my new showreel 2012-2013 as a director of photography. I'm from France but i'm working abroad as long as director's need my skills. I hope you'll like my reel. I put pieces of me in it. http://vimeo.com/62165709 Enjoy it.
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