Jump to content

Search the Community

Showing results for tags 'RAW'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

  1. Need to Purchase : Alexa Mini w/4:3 & Raw License. Please email details to sales@broadcastsolutions.com
  2. So I’ve been shooting on the BMPCC 4K for the last couple months, my first proper cinema camera that I’ve owned. Each project I’ve shot with Blackmagic’s RAW setting which obviously means massive file sizes. I’m planning on playing with ProRes 422 to test on some shoots but was wondering: how much of a difference is there really between the two? I understand that RAW gives you more ability with things like highlight recovery, changing color temps and ISO in post, etc. But assuming you’re exposing correctly on the day and intentionally shooting with a particular WB, how big of a difference
  3. Hi, I am posting here for the first time, so little bit nervous. The topic might not be properly linked to aesthetics or techniques of Cinematography . Kindly let me know if this is not suitable subject (or has been discussed before). I was trying to dive into the term ‘ISO Invariance’ and I came across some videos and articles (linked below) which confused me even more. My understanding(might be incorrect) is that the voltage at pixel level ,when the photosite gets exposed to light, is very low and the Analog value is amplified by some factors then sent to the ADC,followed by De-Bay
  4. F.S. Alexa Mini Kit. 4014 Hours. Includes 4:3 & RAW License. $31,000.
  5. Hello Everybody, I sell my beloved RED Epic-M Dragon bought at the end of 2014. I unfortunately don't use it enough. I have been shooting much lighter in recent years and will therefore buy a less "high end" camera that is more suitable for projects where I am the only operator. The camera is in very good condition with few projects done with it. Low Hours: 730 hours I sell the whole kit for 11'000€ + Shipping The camera is with me in Geneva, Switzerland. Possibility to pick it up in France or other countries around Switzerland. I can sen
  6. Hi All, I'm selling 35mm short end recans. I came into this stock a few years back, a friend worked on the Wolf of Wall Street and was able to get me there recans. I thought I would use them on a project by now but haven't got around to it and they have been kept in safe storage. I'm looking to sell footage at below price points: Kodak 5219 Vision 3 500T Color Negative - 5,817ft (Price = .25/ft) Kodak 5260 Vision 2 500T Color Negative - 400ft (Price = .20/ft) Kodak 5212 Vision 2 100T Color Negative - 3,687ft (Price = .20/ft) Kodak 5201 Vision 2 50D Color Negative - 400ft (Pric
  7. Not to be confused with a ‘stylized look' LUT – I created the BozBMDFilm_to_Rec709 Utility LUT to bring out the organic contrast and color values captured by the BMCC / BMPCC in Film LOG or RAW modes. In addition, the LUT strives to preserve highlight and shadow detail [with emphasis on softer highlight roll off] while safeguarding image quality and integrity. [RAW video by John Brawley] Though it's not free, It's still cheaper than a Golden Arches Meal and definitely worth a look even if it's just to see more examples of how the LUT works. Download Page: https://bulentozdemirfil
  8. I've shot a lot of stills and have some experience with Canon raw files. How do these compare with black magic raw video? The stills are higher resolution obviously but is the dynamic range comparable? Does Blackmagic raw have better dynamic range? Please advise. Thanks!
  9. Is it even possible to achieve a decent result when color grading non RAW footage. Is it a common thing to do to color grade non RAW footage? How much of what I see at the cinema is shot RAW?
  10. I purchased the sony fs700. it is a great super slow motion camera. I've been waiting for the 6.4 update from Atomos. They said it will support sony raw. however i'm not sure if it is going to support the super slow motion or not. Sony FS700 shoot up to 240fs @2k. please share your thought and opinions.
  11. I had been using a Canon t5i for years and was pretty disappointed in it. I had sworn off DSLRs for video until I saw RAW footage from my friends 7D after he installed magic lantern. When i saw the specs for the 7D Mark II my mind was a buzz with the possibilities that where now open to magic lantern and i bought one thinking the ML community would be working on it... How sadly mistaking I was... The ML forums are filled with Mark II owners pleading for a Magic lantern port and ML devs basically telling them to go screw themselves... Now i'm stuck with a camera only slightly better than
  12. Good evening guys. So, I am looking into optimizing what I get out of my RAW files. And I am not sure I am doing that right now. My workflow now, is 2,5k RAW in Resolve, and then exporting for further editing in Premiere and AFX. What kind of bitrate would you use going from Resolve into Premiere? And what is sufficient for web and cinema use? Thanks!
  13. Blackmagic Production Camera 4k ef mount Like new with original box. Only 1 day of use. Perfect condition MAKE AN OFFER (usd) 4K Super 35mm Sensor with Global Shutter Records 4K (3840x2160) & HD (1920x1080) ProRes 422 Codecs (HQ, 422, LT, & Proxy) Compressed CinemaDNG RAW (4000x2160) Canon EF Lens Mount Built-In SSD Recorder 6G-SDI Output for Ultra HD via One Cable 5" Touchscreen LCD (800x480 Resolution) In the box: Blackmagic Design Production Camera 4K (EF Mount) Sun Shield Camera Strap Turret Dust Cap 12V AC Adapter Possibility of buying a Kingston HyperX Savage - Solid state
  14. Hi everybody, I'm reading David Stump's digital cinematography manual and I need a couple of clarification. Is BAYER FILTER ARRAY (or any other color filter mosaic) used in both RAW or RGB signal output cameras? And does it have something to do with it or that's just a way that the sensor read the lights and it's independent from the file format? It's kind of confusing to me because I wonder if the Bayer CFA is used only when shooting raw or if it's just a system that is independent from the FILE FORMAT. Thanks in advance for the help!
  15. I have a mint condition Blackmagic Pocket Cinema Camera and Blackmagic Pocket Camera to Nikon G Speedbooster with Accessories kit for sale. Very lightly used in mint condition with 4x batteries +charger and 4x 64gb Sandisk Extreme Pro 95mb/s SDXC Cards. $1150.00 paypal + 3% paypal fee. Free shipping within lower 48 continental US States. Please send serious inquiries to mrak1979@yahoo.com. Thanks
  16. Hello friends and fellow cinematographers, Not sure if anyone have posted about this topic but here it goes... Other than being able to shoot RAW from the Alexa, practically and to-the-eyes and after all the proper post correction and all, is there a huge difference between raw from Alexa and the proress 4444 XQ from the Amira? I'm sure there is a difference, but is the difference too great or are most people just being an unconscious pixel-peepers? I feel much of the discussion have put too much attention and emphasize on this issues and on the argument of which is 'truely' cinematic or f
  17. Digital cameras can do some amazing things nowadays considering where they were just even five years ago. One thing I sometimes struggle to understand is how these newer cameras with 13+ stops of dynamic range are actually quantizing that information in the camera body. One thing we know from linear A-to-D quantization is that your dynamic range is a function of the number of bits of the converter chip. A 14-bit ADC can store, at best (and ignoring noise for the moment), 14 stops of dynamic range. However, when we do introduce noise into the mix (sensor, transfer charge, ADC, etc.) and
  18. Hi guys, Selling my F55 kit. Hours are around 1050. I'm looking for £20,500 (+ 20% vat if applicable) for the list below. All beautifully boxed by Case Design. Photos attached, although I don't have the Arri Pro Support set that you see in the photos anymore. Sony F55 + DVF-EL100 OLED Viewfinder 4 x Sony Olivine Batteries Sony BC-L90 Battery Charger Sony SxS Pro+ Card128GB R5 Raw Recorder (Hours: 370) 2 x Sony AXS Card 512GB AXS Card Reader Rigidised Aluminium Camera & Accessories Case with lazer-cut interior Rigidised Aluminium Battery and Charger Case (can accommodate 6 Olivin
  19. Sony F65 Camera Package with Media. Please see the list below. Serious inquires only. If you know about the camera, but you are not totally familiar with all of the items below please email me. Sony F65 Body 1 F65 EVF and EVF Mounting Plate 1 Sony Riser Plate 1 Shoulder Pad 1 Sony F65 R4 Recorder 1 AB Battery Plate 1 V-Mount Shoe 1 Control Panel 1 2x 9pL to 9pL Cable 1 Accessory Bracket 1 Solid Camera 1/20 and 3/8” Side Mounted Cheese Plate 1 V-lock Connectors 2 4 2-pin, 4 3-pin accessory breakout box for 24V and 12V Power 1 (3-pin Fisher 24volt – 2-pin Lemo 12 Volt Conn
  20. I recently posted this to lighting then realized this may be a better place to pose the question. I'm new to the forum and can't figure out how to delete posts so I apologize for any repetition. Anyways, I recently shot a music video and have run into a bit of an issue with the highlights. One of the hero props on this one was a set of floating, glowing orbs a la John Carpenters "Starman". The characters had them in most scenes. Images attached. I was shooting on a Sony F5 with the Raw recorder. We also had proxies at XAVC 2k going to SXS cards. I rated the camera at 12
  21. Hello, For a short fiction, I will shoot a sequence shot: a scene where two people talk while playing pool in a dark pool center (by day, we'll get some sunlight through the windows). Probably with a stabiliser like the DJI Ronin or Easy Rig. Since I wish not to use too much lighting, I'm leaning towards 2,5 K or 4K ≥10-bit RAW, with or without an external recorder. Since I would be often moving randomly so I'm looking for continuous autofocus. Which cameras combine all those requirements? Thank you for your help! Simon
  22. Hello, I've recently shot a short film on a red epic in 5K raw. I've been told that .RED footage can be directly imported into adobe premiere, but that it would require a powerful system to edit. Is it necessary to have a good system to edit the footage ? And if that is, would I have to transcode the footage into a lower format (such as prores) to be able to edit ? Thank you for your time.
  23. I'm planning to shoot my next film, "Self Help" on DVX100B, Andromeda, Reel Stream, 4:4:4. I bough a barely used gear from a Texas based production comany that went bust. No idea how to use it but I have a manual. That's a start :) Anyway if there are any DP's out there that can share their experience or give advice then that would be well appreciated. When the time comes we'll be looking for a DP but until now I just wanted to shoot some tests before I decide to shoot the film on andro instead of S16mm Aaton. Here's a photo of it: http://www.ivan-samu...-for-self-help- Ta!
  24. I'm using an arri alexa, recording to Odyssey 7Q, Raw. Connected by sdi cable which from my understanding should be giving embedded audio. I see the levels at the top right of the 7q when I'm recording. Later, once it's brought in, in each arri raw folder there is an accompying .Wav file. But when I check that file there are no .wav forms present. There arn't a lot of audio setting options on the 7Q, not sure why I'm not getting it. Any ideas?
  25. I've been working on some experimental projection of my artwork and made this short as a proof of concept mostly for me. I plan on incorporating more story soon. Using the 5D Mark III with ML Raw has been key. The low light capabilities really help me get the results I want.
×
×
  • Create New...