Jump to content

Search the Community

Showing results for tags 'cinematographer'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

  1. Can you believe what made me cut this! - The Music track which i saw on the Davinci Resolve Website. Check out and give me your kind feedback on my shots from few of my feature films ! (apologies for few overly saturated shots-was done for youtube compression) thank you all Rajavel Mohan <iframe width="560" height="315" src="https://www.youtube.com/embed/wivAuZqOHgE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
  2. For Sale Fujinon Premista 28-100mm T2.9 Large-FF Lens PL Mount Asking $32,000.00In good condition you will get an Inspection period to verify that it is a good working lens.You can call or text me at 917-499-9596 or email me barbara@newprovideo.com...Barbara Holler
  3. Hey everyone, just wanted to feel the waters to see if anyone knew any well-known Cinematographers who came up from G&E. I've worked as a Gaffer and Key Grip myself for a good while and I wanted to see how the journey was to get to the DP position from other people so I can research their path to see what I can do with mine. I've DP'd a handful of projects so I've worked in the Camera Department before, so I'm not at all green.
  4. Seems folks always beat me to posting the interesting stuff, but I'll keep drip feeding these as I think they're terrific and super candid. Rest is copied from the video's description: FEATURING SCENES & COMMENTARY ON - Blood Orange, Dazn, Ferrari, Adidas, Gatorade, Bose, NFL, Asics, Dazn, Michelob, Nemiroff, Tommy Hilfiger, Victoria's Secret and more. In our fifth episode, cinematographer Garrett Hardy Davis chats about the competitive new world of shooting remotely, where to find inspiration, how he got into the film industry, starting a career as a director of photography and
  5. Cinematographer Kanamé Onoyama about his professional journey, a few memorable productions and his view beyond the current pandemic. KANAMÉ ONOYAMA https://kanameonoyama.com https://wp-a.co.uk/clients/kaname-onoyama https://vimeo.com/kanameonoyama https://www.instagram.com/kaname.onoyama/
  6. Taken from the industry showcase and networking channel of IN / DEVELOPMENT. Got their YouTube here: https://www.youtube.com/c/indevelopment Below is copy-paste, but the links are super interesting and Stephen's insight and honesty is wonderful. The series seems to have just started so might post more if they're great. Can't see anyone else mentioning them before. - - - Joe Douglas talks to fellow cinematographer Stephen Murphy about his professional journey, a few memorable productions and his view beyond the current pandemic. FEATURING SCENES & COMMENTARY FROM -
  7. Hi I wonder what is your roughly consultancy price list for cinematographers. Either if hourly or daily. Cheers
  8. For Sale Pre Owned Phantom FLEX4K ULTRA 64GB Color Camera W/ PL Mount & CINEMAG IV 2TB Asking $98,000.00 Comes with 1-Phantom View Finder (OLED with Bracket) Images Phantom 4k Flex Package 1-VRI-BATT-MNT-AB Battery Mount, Standard Anton Bauer Gold Mount for Flex4K 1-Anton Bauer QR HOTSWAP AN-QR-HOTSWAP SHARKFIN -AR Snap-On Hot Swap for ARRI Alexa Camera 1-C400 Cine-Style Riser for Phantom Flex 4K Arri Dovetail 12” Arri Bridge Plate BP-9 Set Short (15mm Rods) AR-339862 Phantom 4K Flex BNC TRIG/TC/AUX Onboard Br
  9. I'm relatively new to drone (18 months) but have found that once you have learned the controls it simply becomes another "tool in the box", another way of placing your lens in different or unusual places. I have a passion for landscape and enjoy trying to tweak the HLG (HDR) format to its full potential. Still learning but enjoying the ride. https://vimeo.com/335046212
  10. RED Digital Cinema® released its RED R3D® SDK and accompanying REDCINE-X PRO® software with accelerated decode and debayering on NVIDIA CUDA® platforms. By offloading the compute-intensive decoding and debayering of RED R3D files onto one or more NVIDIA GPUs, real-time playback, edit and color grade of 8K footage is now possible. Benefits and efficiencies of this new software-hardware combination during the post-production process include: • 8K real-time 30 fps or greater playback performance • Up to 10x faster transcoding, depending on the format and content • Improved ef
  11. RED Digital Cinema® will present a Masterclass featuring Oscar®-winner Guillermo Navarro, ASC at the upcoming BSC Expo in London. Navarro will be discussing his approach to cinematography in the digital age during the seminar that will take place Saturday, February 2, at 16.00. BSC Expo 2019 runs Feb. 1-2 at the Battersea Evolution. Navarro won the Academy Award® for Best Cinematography on Pan’s Labyrinth. His impressive credits also include Desperado, From Dusk Till Dawn, Jackie Brown, Hellboy, Night at the Museum, and Pacific Rim, among many others. He has worked in Hollywood since 1993
  12. Hi Everyone. I am new to this website. My name is Tayyib Mahmood and I am a film student at Birmingham City University. I am writing a dissertation on a comparative analysis between LED and Tungsten Lighting and I need of a few interviewees. This can be done over video call (Skype). I am in need of anyone with industry experience who would like to give me their opinion on Tungsten and LED lighting and which would be dominant within the upcoming years. Thank you, Tayyib
  13. The American Society of Cinematographers (ASC) is now taking submissions for the television competition of its 33rd Annual ASC Awards for Outstanding Achievement in Cinematography. The event, which will also salute the organization’s 100th anniversary, takes place February 9, 2019, at the Ray Dolby Ballroom at Hollywood & Highland, and winners will be announced in all categories. Three categories comprise the TV awards: • Episode of a Television Series – Commercial (half hour and one hour) • Episode of a Television Series – Non-Commercial (half hour and one hour) • Motion Picture,
  14. Hi, I’ve recently uploaded my showreel and website. Would be interested to hear some creative feedback and thoughts. Thanks. Best, Hal halrobertson.com
  15. Panavision, the entertainment industry’s leading designer, manufacturer and rental provider of high-precision optics and camera systems, has named Zoe Iltsopoulos Borys to lead the company’s Atlanta office as vice president and general manager. Borys will oversee day-to-day operations in the region, and ensure Panavision’s customers continue to receive the highest level of service to support their production needs. “Zoe is a respected partner to the cinematic community and we are pleased to have her on the team at Panavision,” said Michael George, Panavision’s chief operating officer. “Her
  16. Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Aut
  17. Long story but I just heard about this song tonight. When looking for the song, I stumbled across the video. I am rather impressed with how Guy Ritchie shot this. I also see it caused quite an uproar in its heyday. My question: Does any of you cats know the cinematographer? Anyone here work on this? I know it was shot in parts of LA.
  18. Hey everyone, please take a look at the showreel on my website and let me know what you think! www.oliwilliamsdop.com Many thanks, Oliver Williams
  19. WRITER/PRODUCER/VISUAL DESIGNER SEEKING DIRECTOR OF PHOTOGRAPHY WITH HER/HIS OWN EQUIPMENT WHO CAN EDIT AND PRODUCE — TO PARTNER ON PRODUCTIONS Hello everyone! Thank you, in advance, for taking the time to read my post. If it interests you I look forward to hearing from you... if it doesn't then I simply wish you amazing success on all your projects. I cheer for everyone to get their TV and film projects made! Okay...I'm a writer and producer, and a visual designer. I have multiple completed feature scripts and many more ideas/treatments. I have an open invitation for a pitch meeting
  20. Hey guys, I'm a DP in LA but I also founded a company called ShareGrid, where filmmakers can rent gear to each other with integrated insurance. For our blog, I host interviews with filmmakers from our community about their experiences and we just recently released our newest series with DP, Jas Shelton (Keanu, Togetherness, The Stanford Prison Experiment). VIDEOS https://www.youtube.com/playlist?list=PLaCcqdDN6m8F1evAkIl54Bz-ZTsw-7Fqc I would love for you guys to check it out. There's some valuable insight as Jas talks about how he became a DP out of film school, shooting wit
  21. Sean Porter says some really interesting things about 'beating up' the digital image, to sort of pull out that natural grain, and to give it some character. What do you think? Interview here. http://www.cinelinx.com/interviews/item/9323-sean-porter-d-p-of-green-room-on-adapting-for-the-narrative.html
  22. " P I G S " Filmed in 35mm Eastman Color by Glenn Roland Director of Photography/Cinematographer New 2k DCP Restoration was Screened at Cinefamily Silent Movie Theatre on March 12, 2016. Out on Blu-Ray from Vinegar Syndrome - March 29, 2016 Director of Photography Glenn Roland is available worldwide for hire to film Motion Pictures, Television and Television Commercials. For Booking Call: (310) 475-0937 ENJOY THE HORROR! :o
  23. Just wanted to share a short film I was the Cinematographer on. The whole project was completed from start to finish in one month and a half, given our time frame I'm happy with the short film. I've been privilege to meet some great people, the whole thing was based here in Seattle. Camera: BMCC 2.5k RAW Lens: Rokinon 17mm 2T and the Sigma 18-35mm Art 1.8 Edited: Final Cut X Colored: DaVinci Resolve 12 Although it's in another language and sometimes hard to understand; it was a crazy fast experience, I'm very glad to have worked on it. I've worked on lot's of Bollywood Productions
×
×
  • Create New...