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Found 12 results

  1. I have a studio shoot coming up in which I need to shoot a bunch of 120FPS footage with limited lighting (probably no more than a 2' 4 bank Kino and 2x 1x1 LEDs). I unfortunately don't have the budget to do much camera testing, and I'm wondering if there is a consensus as whether the Sony FS7 or a Red Dragon will give me better high speed low light performance.. would appreciate any insight!
  2. Hi, In the current scenario, with price of C300M2 and FS7M2 almost same at around $9000, needed a suggestion as to which one to go for. The camera would be used to shoot fiction, documentaries and corporate films. Also when not in use by myself, I plan to rent it out. I understand from previous threads that producers are usually asking for FS7. Being fairly new to the industry, I needed to know if producers globally ask for FS7 or in just some specific countries. As this would be my first cinema camera, I would like to know which camera will pay for itself sooner? Thanks
  3. Hey, does anyone have a FS7 or FS5 profile for their Sekonic meter? Only available one online for Sony is the F65. Cheers.
  4. Canon CN-E Prime Lenses 24mm T1.5, 35mm T1.5, 50mm T1.5 In excellent condition. EF mount, covers S35 and full frame. Asking $3400 CAD ($2600 USD) each. Contact info@johnker.com. More photos available. Lenses are located in Toronto, Canada.
  5. Hello, I have a short film approaching and some of these shots are in a very tight space, allowing only me as an operator to be close to the action and the actors, forbidding the use of a 1st AC. Due to budget and time reasons we are using my FS7m2 with the 18-110mm G OSS F4 Sony lens. As I discovered, my 1st AC can remotely control the camera thru the Sony wifi dongle that comes with the camera and a smartphone. I have successfully manage to connect the camera with my iPhone and to my surprise all the controls work flawlessly and with no lag. Except the focus control slider that is very
  6. I have my two Sony complete 2nd camera systems that I'm selling - multiple Arri shoots means it's time to change out some barely used gear, so the two 2nd camera systems are on the block. Both are in great condition, both are very complete as shooting kits, and both have very low hours. One is a Sony F5 4k model, with the AXS-R5 RAW back option, media and all the rest - very low studio only hours at 588 (and only 38 hours on the back). I'm selling it for $10,800 just for the F5, with PL, FZR, Leica R and Canon EF lens mounts and more. The whole package with the AXS-R5 back, 3# 512 Gb S
  7. Element Technica Micron camera mount with LW 15mm rail mount, dovetail, padded shoulder mount, and riser plate. This works with most Sony F series cameras (FS700, FS-7, FS-5, F-5, F-55, F-3) and Canon C series cameras (C100, C200, C300, C500). The mount is in great shape with only a few minor scuffs to the anodization. Works great, but I don't have access to an FS-7 camera anymore. :( This is being sold as a complete set, so don't ask me to part is out. PM me for details. This is a duplicate listing because I can't delete the original and this is a better picture of the camera moun
  8. How exactly is the 1080p achieved in this camera? Is it downscaled in camera from the 4k like a hardware downscale? Or is it some complicated in camera magic happening?
  9. EDIT - damnit, sorry I totally posted this in the wrong category.. oops I have a studio shoot coming up in which I need to shoot a bunch of 120FPS footage with limited lighting (probably no more than a 2' 4 bank Kino and 2x 1x1 LEDs). I unfortunately don't have the budget to do much camera testing, and I'm wondering if there is a consensus as whether the Sony FS7 or a Red Dragon will give me better high speed low light performance.. would appreciate any insight!
  10. Has anyone checked these out? http://www.ultimateexposureguides.com/ I'm a relative newcomer to the Sony F3 and I am wondering if some of this material could be of use to me. Maybe the FS5 would share enough in common with the F3 to make it worthwhile for me to get the FS5 Guide? I do plan on hiring the FS7 so that too.
  11. Hello Guys, I am gonna start shooting a documentary next week and our main camera will be the PXW-FS7. I already check many topics, tests and other reviews. I first decided to shoot in 1920 X 1080 in S-LOG 3 / Gamut 3. Two reasons to that, first one being mobility and also wish to keep an good latitude for the grading at the director looking to a specific style. Here an example of the kind of footage we looking to end up with For some of the interview we will have a second camera which will be a Sony A7S. The Director already order a Shogun to go with it. As the A7S is c
  12. Hello! I'm a director and shooter based out of Indiana. Please feel free to ask me any questions, I will try to get you an immediate response. I'm selling my Sony FS7. I purchased it as a B-Stock (a demonstration model) from B&H photo about a month ago. Perfect working condition, only has 22 hours. B&H and Adorama will tell you that anything under 100 hours for this camera is practically brand new. I'm only selling it because I honestly can't afford it right now. It's a beautiful camera. S-Log3 is gorgeous, and it shoots killer slow motion in full HD at up to 180 FPS.
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