Film Stocks & Processing

3,596 topics in this forum

1. FUJI 500T 8572

   By brooklyn, November 11, 2004
   • 3 replies
   • 3k views
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   • David Mullen ASC
   • November 12, 2004
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3. fuji 500D

   By chirantan_das, November 11, 2004
   • 3 replies
   • 1.7k views
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   • David Mullen ASC
   • November 12, 2004

4. Vision 250D

   By David Mullen ASC, November 10, 2004
   • 6 replies
   • 1.9k views
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   • John Pytlak RIP
   • November 11, 2004

5. Two questions

   By Nate Downes, November 7, 2004
   • 1 reply
   • 1.4k views
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   • David Mullen ASC
   • November 8, 2004

6. transition from 7274 to 7217

   By mark leuchter, November 6, 2004
   • 2 replies
   • 1.3k views
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   • John Pytlak RIP
   • November 7, 2004

7. bleach by-pass in super 16mm

   By Demian Barba, November 2, 2004
   • 7 replies
   • 2.2k views
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   • John Pytlak RIP
   • November 4, 2004

8. Anyone have Kodak 16mm vision samples

   By hmc4me, November 2, 2004
   • 11 replies
   • 2.2k views
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   • hmc4me
   • November 4, 2004

9. Disadvantages in Modern Stocks

   By K Borowski, November 1, 2004
   • 19 replies
   • 2.8k views
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   • Max Jacoby
   • November 3, 2004

10. 7390 Reversal Print film

    By J. Anthony Gonzales, November 1, 2004
    • 6 replies
    • 1.6k views
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    • John Pytlak RIP
    • November 3, 2004

11. SOT: Questions about RGB Color Lab

    By K Borowski, October 30, 2004
    • 4 replies
    • 1.7k views
    • 
    • John Pytlak RIP
    • November 2, 2004

12. Please help circulate these Kodak petitions

    By Alain LeTourneau, October 23, 2004
    • 10 replies
    • 2k views
    • 
    • Sam Wells
    • October 30, 2004

13. 250d vs 500t

    By Ype Poortinga, October 19, 2004
    • 5 replies
    • 2.6k views
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    • John Pytlak RIP
    • October 29, 2004

14. cross-processing 5285

    By Mike Williamson, October 27, 2004
    • 4 replies
    • 1.6k views
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    • Mike Williamson
    • October 29, 2004

15. Kodak VISION2 250D Color Negative Film

    By John Pytlak RIP, October 24, 2004
    • 4 replies
    • 1.9k views
    • 
    • John Pytlak RIP
    • October 28, 2004

16. 16mm Kodak color reversal vs. Fuji 16MM Velvia

    By DavidSloan, October 26, 2004
    • 6 replies
    • 3.8k views
    • 
    • David Mullen ASC
    • October 27, 2004

17. Contemporary films shot on Agfa XT

    By Ben Schwartz, October 25, 2004
    • 7 replies
    • 8.4k views
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    • John Pytlak RIP
    • October 26, 2004

18. For Mr. Pytlak

    By Greg Gross, October 26, 2004
    • 4 replies
    • 1.3k views
    • 
    • John Pytlak RIP
    • October 26, 2004

19. Pull processing.

    By Adam Frisch FSF, October 26, 2004
    • 2 replies
    • 1.6k views
    • 
    • John Pytlak RIP
    • October 26, 2004

20. Kodak Tri-X 7266 Super 8 Film

    By danny bartle, October 23, 2004
    • 3 replies
    • 1.5k views
    • 
    • Fulgencio Martinez
    • October 25, 2004

21. SoCal--16mm Work Printing from Color Neg?

    By Bob Eckhart, October 25, 2004
    • 1 reply
    • 1.3k views
    • 
    • John Pytlak RIP
    • October 25, 2004

22. Very basic question from newbie

    By justfortherecord, October 22, 2004
    • 3 replies
    • 1.4k views
    • 
    • justfortherecord
    • October 23, 2004

23. The Causes of Grain

    By Guest Daniel J. Ashley-Smith, October 14, 2004
    • 11 replies
    • 2.4k views
    • 
    • Max Jacoby
    • October 22, 2004

24. Do my own processing...

    By Jonas, October 21, 2004
    • 5 replies
    • 1.7k views
    • 
    • Fulgencio Martinez
    • October 22, 2004

25. Vision2 500T at a DARK Concert...

    By andrewbuchanan, October 13, 2004
    • 8 replies
    • 1.9k views
    • 
    • Greg Gross
    • October 22, 2004

26. Maintaining Rich Blacks on Fast stock

    By Antonio Campos, October 18, 2004
    • 9 replies
    • 1.9k views
    • 
    • Greg Gross
    • October 22, 2004