Xavier Plaza

They don't specify what kind of net he use, perhaps his choose after testing a lot of nets (color, density, textures, etc)... Another interesting thing is "he mounted two peanut bulb (i don't now what kind of light is, anyone knows?) on the support bars and aimed at the lens on the net" using dimmers... Xavier

Hi Francisco As John say you could find some info at ASC magazine october 2007, when i read this article i found an interesting lines in this issue where you can find an artistic use of the nets: "Much of the film was shot with a very fine net stretched across the lens, out of wich Adefarasin cut a custom hole for every setup. Then he would tease aout some of the strands to give the hole a soft rim, throught which the key point of interest in each shot would be framed "the effects is very slight, but it adds a little mellowing to the image, especially the edges" I think Remi Adefarasin did an terrific work Xavier Plaza

You're so right !!! Good luck David on your feature

That's a great light, i work with this lights last year in a couple of projects... rocks!!, but you have to take time to explore how it works and what kind of effects could be make, but that's only time (pre-production)

I found it http://www.cinematography.com/forum2004/in...claudio+miranda hope helps... Xavier Plaza

I guess you have to search in this forum i don't know where but this kind of "search light " have been discuss before, i believe Claudio Miranda told us he use this kind of light in one video called "some girls" by JC Chasez. I think it was a 10k mole richardson, that's what i remember anyway take a look in olders post. http://www.claudiomiranda.com/jc.html Xavier Plaza

why don't you ask him?, perhaps he could say to you wahtever you want... And then you can tell us what he said... http://www.rogerdeakins.com/forum/

Well Jose, i guess you know about ESCAC, there offer a short "master" program, great but highly prices, they have a new HD "master" awesome program but extremely expensive, take a look of both "masters". Another film school could be NYU they have several programs called "professional certificate" you can do a web search about it. I thought NYFS they have similar programs like NYU, i don't know what programs in NY could be the best, perhaps here someone could guide you... hope this info help Xavier NYU PC http://www.scps.nyu.edu/areas-of-study/fil...l-certificates/

Hi Ken i found last year this dp website, there you can find a lot of technical information hope help you http://www2.alfonsoparra.com/php/ver/struc...p;in2=0/0/0/0/1 Xavier

looks great !!!

Ok guys i understand your different points, personally i prefer LCD over Plasma. But i wonder what are the differences between consumer LCD vs professional LCD, i guess definition or there are something else...? Xavier Plaza

Yeap agree with Adam the interviewer miss a lot of moments where he can deepen and extract some artistic and technical susceptibilities, anyway great link thanks Jason

Hi Ruby, all depends what kind of mood do you want to reach. If you wanna light for an interview for 2 or 3 people I would use a Kino Flo (4bank 4ft) over the camera or a couple 4bank kino flo on each one side... I think your key for this kind of setup is use your source with diffusion or bounced that helps you to avoid shadows on your subjetcs... Then if you want you could add a kickers or backlight or whatever you want... Xavier

Hi John , I´m agree with Michael and San kino flo at exterior day light is your worst option... i think... If you want a soft light (fill) at exterior with 1.2 HMI could be a poor light i guess you better can use a 4k or 6k HMI but yeah i know production problems... <_<

Great stuff man, specially in commercial section, good work

Great info, thanks

Great interview Wendell, awesome :lol: is good to know all the philosophy behind the Dp sounds coherent. I was looking for some info but i don't found anything, perhaps you know. Did you know what format use Crhis Soos in his latest spot Hummer "Don't Blink"... Anyway thanks for all

Totally agree Chris Soos have a great work, definitely one of my top ten...

I think some shots looks "plastics" or perhaps I'm confused between finer grain and a lot of grain, but i keep my doubts... Robert thanks for that info...

Hi, I just want to know if anyone have information (technical) about the new spot "Don't Blink, HUMMER", It looks great. I guess it could be a Viper... Anyway awesome photography Thanks Xavier Plaza

Jayson wonderful work, awesome. You can find at Limewire Snapz Pro X program you could take stills and make quicktimes (dvd screen capture).

Perhaps this link, helps you. You can find several great things... http://imago.org/main/public_html/_htm_links/index.htm

you're absolutely right, that's what he say in his book.

You can find a lot of details in every frame a rembrandt by Andrew Laszlo, page 147 link: http://books.google.com.ec/books?id=hdL2gX...bnail#PPA147,M1

Beautiful work delightful especially the fifth frame (at the bar) wow, amazing... great work Stuart. Xavier Plaza