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Posts
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Everything posted by Christopher Lew
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ARRI - ARRICAM Lite (LT) FOR SALE
Christopher Lew replied to Chris Margrave-Greg's topic in Cine Marketplace
Hi Chris, I'm interested. I've sent you a PM to discuss further. Chris -
Equipment For Sale / Looking For Pre-Owned
Christopher Lew replied to Rick Anderson's topic in Cine Marketplace
Emailed regarding the Arricam LT -
Arricam Studio and Lite 3 perf 35mm cameras for sale
Christopher Lew replied to Tyler Purcell's topic in Cine Marketplace
Also tried that email but it was rejected. -
Hello, I couldn't find a 65mm forum so I thought I would share this here. Does anyone know the formula to calculate the amount of time a 1000' mag of 65mm film would run with an 8-perf movement? Chris
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Equipment For sale / Looking For (Pre Owned)
Christopher Lew replied to Rick Anderson's topic in Cine Marketplace
Hi Rick, Can you send me details on the Arricam LT 4 perf kit? Thanks, Chris -
Modulus 3000 wireless video tap transmitter.
Christopher Lew replied to Vince Sweeney's topic in Cine Marketplace
Hi Vince, I've PM'd you. -
Used Arri Film Equipment For Sale
Christopher Lew replied to Casey Louis O'Donoghue's topic in Cine Marketplace
Hi Casey, I've PM'd you. Chris -
Hi Gianni, What are you looking to get for the package?
- 6 replies
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- ARRI SR3
- Film Camera
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Advice for Wireless Video from Arri 435ES
Christopher Lew replied to Christopher Lew's topic in 35mm
Thanks for sharing Satsuki! -
Hello, I'm looking for advice if anyone has done this themselves! I’m trying to up-convert the analog composite signal from a 435ES video tap to an HD-SDI signal so I can get a wireless feed going through a teradeck. What I’ve found online to be the best solution so far is the Aja V2 mini converter. The Decimators (specifically the MD-DUCC) are apparently very misleading and can't convert the analog CVBS signal to SDI, although the Decimator 2 can down-convert. Has anyone tried/tested any of these methods or found a way themselves? Thanks, Chris
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FOR SALE Eumig Nautica underwater Super 8 film camera
Christopher Lew replied to Bill Rodgers's topic in Cine Marketplace
Hi Bill, Do you have anything online that you shot with this camera that you can share? Thanks, Chris -
Thanks Gregg, I've sent them a message. Still open to anyone else looking to sell! Chris
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Hi, I'm on the look out for an Arricam LT package. I'm based in Ontario Canada. Is anyone selling? Thanks, Chris
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Hello, I have a short film shoot set to go to camera early November and we're shooting on Kodak 35mm film. There's a particular scene involving two characters who go out for a night in the city and involves them running through the streets, in china town shops, and restaurants. We've set aside 5219 for those scenes and will be shooting on Zeiss Super Speeds but I'm worried it still won't be enough. So I've thought about push processing. The look of push processing would also aid the story as everything is supposed to feel heightened for the characters. I've never attempted it before so I wanted to see if anyone could help answer some questions: - Does push processing actually get you more image in the blacks or just simply up the contrast? - How many stops should one push to get clear characteristics of push processing (grain, contrast, saturation). I've heard that modern stocks need to be really pushed to their limits before seeing clear results? - Considering I'm shooting 500T, how do I rate the stock for each additional stop? +1 = 1000, +2 = 2000? - Is it even worth it to get the effect chemically or can the same results be achieved in the DI? Thanks for the help! Chris
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How to Achieve This Effect!
Christopher Lew replied to Christopher Lew's topic in Lenses & Lens Accessories
Satsuki, David, thanks so much for the input! -
How to Achieve This Effect!
Christopher Lew replied to Christopher Lew's topic in Lenses & Lens Accessories
Thanks David! Would you have any recommendations as to how this could be achieved? Particular lenses that have very obvious veiling? It looks as thought they're able to get varying degrees of intensity. -
Hello, I've been searching for a while now on how to achieve this effect. Here's a perfect example: It's the beautiful ghosting effect when the light hits the lens at particular times. It looks as though some kind of classic soft filter and they're letting light leak behind it? Or is this a separate piece of glass? Thanks! Chris
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Hi, I have a music video shoot and we're currently deciding cameras. I prefer the look of the Alexa and want to push the Mini as we're mostly on steadicam. However we have a lot of strobe lighting during a performance sequence, making the Dragon with motion mount seem like the right way to go. Is the Studio the only option for choosing Alexa when dealing with strobes? We're shooting a range of speeds, ramping from 24 to 60fps. Thanks, Chris
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Thanks everyone for the input!
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Hi Colin, Definitely interested. Would you have any connections to a couple 400' mags? Also, would you be able to change the perf configuration? Thanks, Chris
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Hi Diana, Visual Products has a small package for sale. I'd contact them for details on pricing. http://www.visualproducts.com/storeProductDetail02.asp?productID=998&Cat=17&Cat2=30 Best, Chris
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Hello, I'm on the look out to buy an Arri AVF-2. Also willing to make a trade with my standard f-3 finder in addition to some cash. Let me know! Thanks, Chris
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- anamorphic
- arri
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Thanks David! Always informative responses! So you're saying I wouldn't notice anything off with color using IRND's shooting 35mm? If not I'm probably better off getting them anyways to cover myself for any digital shoots. chris
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Hello, I was wondering if anyone has had experience shooting 35mm with stacked IRND filters. I was wondering if there is a color shift similar to what you get stacking IRND's with a digital sensor (that blueish shade). I'm looking to get a set of ND's and am wondering if there's a need to spend the extra cash on the IR versions. If not i'll just go for the regular solid ND's. Thanks! Chris