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Justin Hayward

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About Justin Hayward

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  • Birthday 07/01/1978

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    Chicago, IL.

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  1. I think I’m safe. Google “Justin Hayward“ and see what you get. edit: and no, my parents did not do that on purpose.
  2. I stand corrected. The 4:3 with extra headroom looks better in my opinion. Ugh... 😒
  3. I want to see a movie shot in 2.40:1 aspect ratio with anamorphic lenses that’s cropped to 4:3 in post and the only camera moves in the whole movie are pan and scan. edit: for artistic purposes
  4. 😂😂😂. Yeah and I watched the original version before it. The filmmaker in me had to compare the directing choices. I couldn’t help myself.
  5. I’m watching this movie right now and I would be really impressed by anyone that could give me a good artistic purpose why this movie is pillar boxed to 4:3 for any other reason than being noticeably different. Edit: I feel like whole performances from actors were pillar boxed out of this movie.😊
  6. It wouldn't be so bad if they at least masked the letter-boxed area with something. They don't even bother doing that anymore. Just looks like a giant TV. For my projector room I cut strips of foam core, painted them dark brown to match the walls and stick them to the letter-boxed area with clear velcro for 2.39 movies. Much more aesthetically pleasing in my opinion.😊
  7. Ever notice the aspect ratios that were meant to provide a "bigger" experience are now providing a smaller one? 2:39 was meant to be a "wider" viewing experience in theaters. You swapped to the scope lens, the curtains would open, and the screen would get physically wider. Now they just letterbox it... even in a lot of chain theaters, but always on home viewing which is all we get now, so the 2:39 image is actually smaller than if you had just shot 16x9. Lately IMAX movies shoot 1:33 for a much taller/bigger image in the theater than 1:85 or 16x9, but this movie isn't going to IMAX, it
  8. Does anyone have any idea why this might be 1:33 aspect ratio other than a way to differentiate it from the other version?
  9. Totally agree. It's very difficult to make anything look good in my opinion, but I don't believe a lot of people in this business have an honest subjective opinion if something looks good or doesn't. Now that digital has democratized the process (as Tyler put it) now you only have to eyeball a decent exposure and tell everybody it looks good and they'll believe you. With film, you had to have some experience in the technique just to get a decent exposure. Please don't misunderstand, I'm not a crazy film nut. I don't think I've shot on film for ten years. I'm just saying in the days of
  10. I said in the eyes of the layman, not other filmmakers or support crew. I'm always thinking in terms of commercials these days, because that's pretty much all I do and the "layman" in the commercial world are agency people. Trust me when I tell you, they don't know what a focus puller is. I spoke to a gaffer not to long ago that was on a multi-million dollar commercial with a 24 year old DP that didn't understand ratios between dimming lights and adjusting the stop. That would never have happened in the days of film.
  11. This is the only reason I miss anything considered professional having to be shot on 35mm film. There was a technique to it that had to be learned and the person that could put film into a camera and spit out a beautiful image the next day was thought to be a magician in the eyes of the layman. Those days are GONE... Gone... gone...
  12. Obviously if it's the weekend, it's going to be a little easier. We could do a LA-11am, New York-2pm, London-7pm (if that's the right time difference). Or a LA-3pm, New York-6pm, London-11pm... if that's not too late for you Phil. Or somewhere in between. There's really no way for Phil to do the morning without the rest of us going really late or Phil getting up at like 4am, so... Whatever you all think works for me.
  13. Time frame on my little "movie club" has been one of the hardest things to negotiate. New York to LA is a three hour difference and we all want to do evening. Obviously the other side of the world is a bigger issue. As far as picking a movie... there's not much to it... something streaming.... something people would talk about.... I'll give five I just watched that I feel are worth talking about.... "Blue Jasmine" A fantastic take on "Streetcar Named Desire" in my opinion. Streaming on Prime for $3.99 "Agatha" which I just reviewed on my movie club based on a facebook post by
  14. I watched it on Prime on my projector and the blacks looked really washed out, but it just occurred to me the movie opens with that slow push into that old super washed out black and white TV which turns into the actual movie. Maybe he wanted to maintain more of a washed out TV look from the 50's, but in a darker, low-light, modern, style?
  15. And I'd be down! Especially if it's only once a month.
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