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JJ Walker

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  1. JJ Walker
    PRICE LOWERED: Can accept 2,400 USD. Message me if interested, thanks.
  2. JJ Walker
    UPDATE: Price is 3,700 USD.
  3. JJ Walker
    SOLD. But I do have one more 2.39 fiber screen that I can sell. This is the last one. Photos: https://drive.google.com/drive/folders/1xGl8UPokRQBQLTNQwqVa1Hj5_qfpd0qZ?usp=sharing Message me if interested, thanks.
  4. JJ Walker
    ARRI Arriflex 416 IVS-2 (416 Integrated Video System) PAL Video Assist (K2.47663.0) A color video assist that attaches directly to the 416 camera body, independently of the viewfinder. General cosmetic wear. No scratches on the glass. Fully functional. Includes IVS cover plate and a spare IVS panel part. Price is 5,000 USD. Shipping worldwide at buyer's expense. Photos: https://drive.google.com/drive/folders/1634fNMaONIbqyjwhVQeHkgWwHwpxOjSI?usp=sharing Note: Unit can be upgraded to HD resolution by a third-party vendor (at buyer's arrangement). After which, it should be compatible worldwide regardless of PAL designation. Message me if interested, thanks.
  5. JJ Walker
    Have an extra for sale: ARRI Arriflex 416 / 16SR Fiber Screen with 2.39 ratio Super-16 markings. Professionally made by an optical specialist in Los Angeles, USA. Price is 900 USD. ARRI never made a 2.39 ratio fiber screen, so I had this custom-made. Compatible with any Super-16 ARRI SR or 416 camera. Format lines are chrome deposits that catch and reflect light from an ARRIGLOW module. Price is set for labor charges (630 USD) and cost of donor glass. It comes wrapped in a microfiber cloth inside a plastic case. Shipping worldwide for 25 USD. Photos: https://drive.google.com/drive/folders/1fV3uDqEWAnYK_9Y5hrmU4XCToTZaL0l1?usp=sharing Message me if interested, thanks.
  6. JJ Walker
    I have an IVS (PAL) that I can sell. DM me with an offer.
  7. JJ Walker
    99% sure that is from Oppenheimer, as I have one. Solid piece of gear. You may still be able to purchase it if you write to Marty Oppenheimer. http://oppenheimercameraproducts.com/
  8. JJ Walker
    To add to this topic, here's an email I received from Julie:
  9. JJ Walker
    Panavision explains the 2-perforation format in great detail here: https://panalab.panavision.com/sites/default/files/docs/documentLibrary/2Perf Explained.pdf
  10. JJ Walker
    Did Colorlab lower their rates? When I checked with them last year, 16mm processing (with prep and clean) was .22/ft. Scanning to 4K ProRes was .42/ft. That puts the total at .64/ft, so $256 + $197 (roll) = $453 + tax/freight. They mentioned not having student rates and that everyone gets the same rate. Let me know if that's changed or if I'm missing something. Thanks!
  11. JJ Walker
    Thanks Webster. I've been in contact with Pavan, but unfortunately he is missing the 9mm optic element for his Viewfinders and can't find them. -jj
  12. JJ Walker
    Hi, I'm seeking an Ikonoskop A-Cam SP-16 camera kit for sale. Or, I'm open to any parts available, such as the 9mm Viewfinder that came with the original kit. Perhaps someone who converted their camera to a reflex finder may have an unused 9mm Viewfinder to sell? Feel free to message or email me: jjwalker.work at gmail dot com. Thanks, -jj
  13. JJ Walker
    Edit: I misread lab costs in my earlier posting. Anyways, Kodak raised price of 16mm stock this year, but not 35mm stock.
  14. JJ Walker
    No, there is no need for any other accessories, including the Riser Power Base. (I don't think they made one for the 416.) Only the On-Board Battery Adapter is required.
  15. JJ Walker
    I sold all my OBB-2 batteries and chargers. The money I got back nearly covered the cost of purchasing the Oppenheimer ARRI 416 Battery Adapter. Now I can power the camera with V-Mount batteries, and thankfully, can sleep well at night.
  16. JJ Walker
    I suppose this same complexity afflicts the Arricam LT, as well. Indiecam in Austria makes an HD Video Assist for the LT, priced at 11,700 EUR.
  17. JJ Walker
    Is it too complicated to do for the ARRI 416?
  18. JJ Walker
    Hi Attila, I'm looking for Ultra 16 lenses, not S16 Super Speeds. And that price is... Well, I'll just say I'm not interested. :) -jj
  19. JJ Walker
    Thanks, Robin. I was aware of that set and previously submitted an offer. I'm still looking. -jj
  20. JJ Walker
    Hi Attila, I'm referring to the Super 16 lenses. -jj
  21. JJ Walker
    Hi, I'm looking for any ARRI Zeiss Ultra 16 lenses for sale. Seeking a set of five or six lenses. Feet markings. Open to single lenses. Preferring in this focal range: 8, 9.5, 12, 14, 18, 25mm. Feel free to message or email me any offers or leads. jjwalker.work at gmail dot com. Thanks, -jj
  22. JJ Walker
    I'm curious about this, too. Can anyone enlighten us?
  23. JJ Walker
    Thank you for those suggestions. I look forward to reading Jon Fauer’s book; I imagine it will be an excellent resource. The last printing was in 2005, so I wonder if there have been any advancements regarding the camera’s operation that are worth noting? Previously, I did download many useful PDFs from the ARRI sites (after some hunting), though it still has left some questions unanswered. Is there a particular belt and battery combination to recommend? I am still weighing the cost-to-benefit ratio. Maybe a block battery is a better initial choice, especially since I don’t know how much wattage I’ll need for operating the camera. I’ve looked at many photos of the cameras being used in recent productions to get a sense of how it’s being configured and rigged, but it’s only partly helpful since the rig becomes a tangle of wires. In a behind-the-scenes clip, I saw Sean Bobbitt, BSC; using an Arricam in hand-held mode with a battery belt, but I couldn’t determine what type it was. Out of curiosity, does anyone have a well-informed guess as to how many of these cameras were manufactured?
  24. JJ Walker
    Hi, is anyone willing to share their knowledge on using the Arricam system of cameras? I’ll be shooting with the Arricam LT and I don’t have any experience with it (or film cameras, in general). Regarding battery solutions, the Anton Bauer Cine VCLX batteries seem to be the closest thing to the de facto standard battery for this 24V camera. And while I’m open to using a block battery, I’m curious if there are any other preferred battery solutions, especially concerning hand-held use. While I’ve heard of battery belts, I’ve never used one myself and I don’t know how comfortable I am strapping large batteries around my waist. Maybe it is a good solution though, considering the alternatives. How much wattage does the camera consume while filming at different speeds? It’s been difficult to find this information. The manual states the Power Bridgeplate is the standard plate used with this system. Will other ARRI plates, such as the BP-8 bridge plate, fit as well? The standard video assist system (IVS) operates on the aged NTSC/PAL system (and I have little hope of getting my hands on the HD-IVS). It seems the best signal output is S-Video. This isn’t an ideal connection for production use, but can anyone recommend a monitor that has an S-Video input? Or, should I just stick with the BNC Composite signal? Or, is it worth it to use a convertor box to covert the signal to SDI? Any modern-day, practical advice regarding these cameras would be very helpful. Thanks!
  25. JJ Walker
    Thanks for the great advice. It seems, not surprisingly, Kodak has conservative timeframe recommendations regarding the storage of film stock. So far, the consensus seems freezing film stock adds little benefit versus the risks, as compared to refrigeration. For modern stocks, it seems long-term refrigeration can result in very little loss of quality.
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