Jump to content

Search the Community

Showing results for tags '16MM'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

  1. Thought I’d share some stills from a recent music video shoot. Shot on an ultra 16 modified Canon scoopic & only available light. All 500T pushed 1 stop. Not final color grade, just my quick adjustments in resolve. Higher res stills: https://drive.google.com/drive/folders/10LWsp72Wvi8Eu3_x4U6DvWFkVzoA1Xoe
  2. I've been trying to purchase a decent Arri SR2 w/ Super16, but they're either too expensive, the sets miss a lot of vital accessories, or the cams don't seem to be in the best of shape. This has lead me to consider going for a regular SR1 or SR2 and mount anamorphic lenses. My questions: Does anyone have any experience shooting Arri 16SR or SR2 regular 16mm with an anamorphic lens? What are the biggest challenges? Do I have a lot of options with anamorphic lenses on a arri bayonet mount? Is the noise level on earlier Arri SR1's gonna be a problem for nearby sound recordi
  3. Hey everyone, I have decided to part with my Bolex h16 Rex 5. It has the 10x viewfinder. The camera is in flawless cosmetic and working condition. I just had it serviced 4 months ago, and it runs like clockwork. It is very clean inside and out. Unfortunately the camera does not come with any lenses. I am also throwing in a couple of extras, please what’s included see below: -Bolex H16 rex 5 camera body -Extra rubber eye cup -Extra pressure plate (just in case you ever lose the one in the camera!) -Bolex surefire hand grip with trigger cable -filters, extra written
  4. I can't get enough of them and never know what I will find. Everyday is like Christmas. Recently I acquired some 16mm childbirth films from the 1940's. They were labeled 'baby being born.' They turned out to be a bonanaza. The views of 75 year old surgical rooms and dress is fascinitning in itslef, but there is so much more. The anesthesiologist continually drips ether out of a bottle on a dust mask for knocking the gal out. Another clip has the assistant pushing the baby back in the vagina as it tries to come out. Intertitle says something like: Retarded birth to allow for episiotomy.
  5. I work in TV, so when it comes to 16mm I'm just an enthusiast, and all of my 16mm footage so far has been on my Krasnogorsk-3, which has served me well. Having said that, I would like to eventually shoot some more ambitious projects on film (requiring sound, longer takes, etc), but unfortunately the closest place I could rent a film camera from is about five hours away. Because of this, I occasionally find myself browsing eBay for cameras, and often Regular 16 cameras such as Arri SRs, Aatons, or CP-16s are available. I can't help but wonder how worthwhile buying a Regular 16 camera is th
  6. Purchased years ago. Provenance was Bob Monkhouse collection. https://archive.org/search.php?query=Mary+Pickford+Excerpts+Bob+Monkhouse Developed a liking for Pickford after seeing her in M'liss. Plus scanning and working with this film developed more interest in Pickford. She was something. Get a copy of Mary Pickford: Muse of the Movies from your library. Great early days Hollywood coverage. Pickford wanted to burn all her movies when she died. What a nut. She was worried people would make fun of them. OK, maybe not a nut, but just an egomaniac. David Mullen was conn
  7. Here is the old 1942 16mm Kodachrome home movie I just scanned... https://archive.org/search.php?query=Sooner+or+Later+Y'all+End+Up+on+eBay The title came from a discussion they were having on a film collectors forum. One guy didn't like eBay, he wanted to buy film from yard sales. He was complaining he could find projectors, but he could not find any old films. I told him he has to suck it up and go to eBay. The pickers descend on estate sales at the crack of dawn, they gobble up old photos and any films and boom...Sooner or Later Y'all End Up on eBay! The scan is also an
  8. Hi , Just purchased a beautiful old lady in perfect working condition (still got to do some test next week but motors are running pretty well) : an Aaton Ltr 7 from the first era (1974-1982) 1) It came with two mags that are a bit different one from another. Any tips about the serial numbers and the pressure plate (see photos) is welcome. 2) Is there anyone in europe making this kind of video output/assist : http://www.visualproducts.com/storeProductDetail01.asp?productID=741&Cat=11 3) any comments about the camera electronics, what to take care of etc ... is ver
  9. Hi! I'd like to repair my zeiss 8mm t2.1 standard speed lens for 16mm camera's. The focus markings are not correct anymore. Looking through the viewfinder gives me an estimate that the 3m mark is actually infinity. It works but my close focus is very long because of this. My local rental house tried to service it but said they could only repair it by changing it to another mount. I was wondering, could it be a back focus problem? Or does the whole focus mechanism needs to be serviced. If so, do you maybe have an address here in Europe? (living in the netherlands myself) Thanks in advan
  10. For Sale : Fuji 35 & 16mm 400ft. stock new & sealed. Stored in a temperature controlled environment. Purchased new in 2011 & 2012.
  11. Hello All, I just completed a new short film shot on 16MM Kodak film via an Arri SR3 HS. I wrote and directed this fun little horror short, and my producing partner, and friend, Evan Samaras did the cinematography (say hi in the comments, Evan). Not only did Evan and I work behind the camera, but also in front of it. The short features only two characters played by us. Due to COVID-19, we wanted to make something small with a minimal, to non-existent, cast and crew. We have submitted the film to some festivals so, for the time being, it is only up privately with a password on our Vim
  12. London based DP looking to buy some Super 16mm lenses/lens PL mount for SR3. Anyone have any links? Considering primes and zooms.
  13. As I’ve been searching for some new lenses for my Beaulieu R16, I discovered the Contax / Zeiss line of lenses that seems affordable & visually wonderful. I’m wondering if there’s a solution similar to the Speedbooster, (for 16mm film cameras) to reduce focal length on these 35mm lenses? I’ve seen the cheap “wide angle adapters” but they seem like garbage.
  14. Hi I’m looking to purchase a bolex h16 reflex camera or any other reflex 16mm cameras like beaulieu r16 canon scooping, arr16, arr2bc, etc my price range is the highest $600
  15. Hello, everyone! I recently bought a K3 on ebay and just finished getting my second roll scanned. Unfortunately, a lot of what would have otherwise been some nice footage came out unusable because of a very strange issue. Here are a couple clips that demonstrate the problem: Basically, at the start of a shot, the film will weave in and out of focus (there are always a few frames at the start of a shot that are in perfect focus) but then the film settles in a position where the center of the frame is blurred, while the sides seem to be in focus. I had only noticed this is
  16. If you know, you know.. Really sad to see this go. https://www.dropbox.com/s/jnz4okgnq2gsgyd/IMG_7799.jpeg?dl=0 https://www.dropbox.com/s/ewl4t07f9pcc1g2/IMG_7800.jpg?dl=0 Comes with IKONOSKOP SP-16 body, c-mount, rechargeable battery, 12v dc, 3m remote cable currently set up for a shoulder type rig. Will also include original small rods/plate. Angenieux 17-68 2.2 dogleg finder Angenieux 25mm 1.4 Ikonoskop 9mm t1.5 w/ parallax viewer I bought it in 2015, second hand. Used a handful of times, maybe 3 rolls of film. But it's such a neat camera, e
  17. I am working on the film looping installation but I found loading on the looper is pretty hard to get 'balanced'. As I understood, ideally looping system has to reel and unreel film more or less same amount film so it won't stuck or become large film donut? I load the film with spacer on inner circle and remove it later, so whole film roll could rotate smoothly on the looper plate and it could release. It runs well for a while without any problem but after certain moment you can see the whole film circle is getting smaller or bigger which lead the looper stuck with film or make the f
  18. Hello, I have two zeiss superspeeds MK3 ( s16 ) in fantastic condition. ( 12mm&16mm ) bought them 4719 EUR two years ago. . Willing to sell them for 4100 eur. or 2200/each if bought separately. pm for high resolution pics. Best
  19. Anyone have any suggestions regarding a reasonable 2nd hand light meter to use with the Arri SB 16mm camera? Anything I should be aware of? Not experienced with 16mm yet. Intend to shoot a short film soon and need a decent light meter. Thanks.
  20. Hello, The eyepiece on my SR2 used to open and close when I applied pressure, preventing unwanted light passing through when not filming. It has stopped doing that and is just constantly open. Anyone have any advice on how to fix it? I have tried to wiggle it ect Cheers, Ed
  21. This is probably a dumb question but can you load black leader film into your camera (in my case bolex). Just wanted to practice loading my camera in the dark but need a dummy reel. Is it better to just buy a dummy reel thats been shot on already or is black leader film fine?
  22. Hey everyone, I'm looking for old, expired 400' rolls of 16mm that I can use to practice loading. I'm planning to start shooting 16mm more seriously and don't want to have to worry about potentially wasting brand new film while I familiarize myself with the process. Thanks!
  23. Bought eight 400ft rolls of 16mm double-x about nine months ago directly from Kodak for a shoot that was cancelled due to covid. It's been in a refrigerator since then, so should be just about as good as new. Prefer to sell it all, but happy to sell in parts as well. Located in LA, so local pickup/drop-off preferred but can ship if paid for. Looking for 130/roll, but open to offers.
  24. Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small s
  25. Hi im wondering if anyone can answer a question I’ve been pondering, that being...is it possible to change the shutter degree angle on a bolex rex 3?
×
×
  • Create New...