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Showing results for tags 'Arriflex'.
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Arriflex ARRIHEAD Mk-1 Geared Head = $17,000 - Overhauled / Refurbished Includes: - Hand Wheels - Sliding Balance Platform - Quick Release Plate - Eyepiece Leveler Bracket - Eyepiece Leveler Rod - Tie Down - Flight Case Cartoni Lambda 25 Nodal Head (Brand New) = $10,500 Includes: - Cine Style Plate - Pan Bar - Short Handle - Tie Down Cartoni Lambda 50 Nodal Head (Brand New) = $16,950 Includes: - Telescopic Handle - Short Handle - Tie Down Oconnor 50D Fluid Head = $750 - Overhauled / Refurbished Includes: - 100mm Ball Base - Tie Down - Mini Quick Release Platform - Panhandle Sachtler Studio 65 Fluid Head = $5,000 - Overhauled / Refurbished Includes: - Pan Handle - Quick Release Plate - Eyepiece Leveler Bracket - Eyepiece Leveler Rod - Front Box Mount - Tie Down - Flight Case TANGO Mk2 Swing Head (Brand New) = $6,500 Includes: - Quick Release Plate w/Camera Screws - Pelican 1500 Shipping Case
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I've made some Arriflex SR Magazine Covers/Loop protectors since my camera didnt come with any, 3d printed from durable plastics They fit snugly onto the mag and wont fall off/get lost. should fit all SR mag variants. Custom colours, embedded text etc available upon request 30€+ shipping, open to offers. Shipping in the EU only -
Is this a battery or sound recorder on the Arri? Photographs of TV screen <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography -
Hello! I got an Arriflex 16S serviced on January 2023 by Georg Bogner in Germany. And for the moment it runs perfectly. I only shot a short film for it, with about 1800 feet, which you can watch the trailer here. The image is extremely stable and sharp even with 1950s Schneider primes. But still I wonder how often should I pay for a complete overhaul, or if putting oil in the oiling points is sufficient? I’ve read in the Arri manual it is recommended every 100.000 feet or 2 years. But I’ve shot very little compared to that. Greetings, ivan Dimitrov
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Lens dates from the 1950s and is in excellent used condition. Recently serviced by TLS and fitted with a standard TLS front cap. The optics are clean, but not immaculate. There are some very minor cleaning marks, but nothing that effects performance. Focus and aperture operate as to be expected. Comes with a generic Arri-S rear cap. Price: £3750 Ships from the UK at cost (buyer pays all shipping and necessary insurance).
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Hello! Does anyone have the electronic circuit diagram for the last version Arriflex 16BLEQ quartz motor? Thank you.
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Is it possible to power an ARRI SR I/II with 14.8v gold mount batteries? I understand the voltage would need to be converted to a regulated 12v, but even then is it posing a risk? I happened upon this plate: https://www.bhphotovideo.com/c/product/839205-REG/Movecam_MOV_306_0208_BATTERY_BRACKET_FOR_GOLD.html I would have to use a 3-pin male LEMO to 4-pin XLR cable to take advantage of the regulated 12v output. Is that possible, or would it pose problems? Any insight would be dearly appreciated, as I'm quite uneducated when it comes to power supplies. Thank you!
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Two ground glasses for sale. For use with an Arri 2C, 3C, 35-3 film cameras or Kish UDF or other Dir/Find that uses this type of ground glass. $200 for both OR: $150 for the one with the metal handle (in slightly nicer condition) with Academy 1.85 and what looks like Academy 4x3 (common sides). In blue ARRI jewel case. $100 for the one without handle (a couple of tiny blemishes, visible in photos), marked with Academy 1.85 and a "TV" that is not common sides or top/bottom. The 1.85 marking is the dominant marking on this one. Both have tiny chips outside of the picture area. Both have center cross-hair. Located in Brooklyn, NY. Thanks for looking.
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Hey everyone, I am selling: Arriflex SR3 Advanced SN/4244 S16 camera with accessories. Laowa Nanomorph S35 set 1.5x PL/EF Laowa Nanomorph MFT 20mm T2.2. PL/EF 8mm f2,0 Carl Zeiss MK II Arri PL Arriflex N16mm DJI Ronin 2 Gimbal set with accessories All the equipment was only used for one project. Pictures: https://drive.google.com/drive/folders/1uEg8kanNRrTdorV_sO5uPW1uKMzNTi1r?usp=drive_link All the equipment is located in Mainz, Germany (come over for a test). private sell // purchase contract will be made! If interested, contact me: info@joshuamaciejok.de ARRIFLEX SR3 SET // Selling my Arriflex SR3 Advanced kit with accessories. The camera shows normal signs of wear, but works perfectly. Two of three 122m magazines have lost their meter/feet display, but it does not affect the film. I bought the camera kit from kamera_doctor himself; it was never rented out, while I owned it. Arriflex SR3 Advanced S16mm camera Video tap HD-VIS mk II (kamera_doctor) V-Mount Adapter TopHandle and Sideplate (Ratworks) 3x 122m Arri Cassettes Handgrip + Rec-Button 8x Fischer 3 Pin Cable D-Tap to Fischer 3 Pin Splitter D-Tap to Fischer 3 Pin D-Tap Splitter Wooden Shoulderpad Rod Rod-Extension Elokuvakonepaja Baseplate Viewer-Extension Pelicase 1630 ASKING PRICE: 24.000 € Last Project shot on Arriflex: https://vimeo.com/987105111/997b00da64?share=copy LENSES SET // Carl Zeiss MK II // 8mm f2,0 // PL N16mm (good conditions; focus ring is soft, but works fine) ASKING Price: 1.500 € Laowa Nanomorph 1.5x // 20mm T2.2 // MFT PL/EF (mint condition, like new) ASKING PRICE: 1.950 € Laowa Nanomorph 1.5x // 27mm T2.8 // S35 PL/EF (mint condition, like new) Laowa Nanomorph 1.5x // 35mm T2.4 // S35 PL/EF (mint condition, like new) Laowa Nanomorph 1.5x // 50mm T2.4.// S35 PL/EF (mint condition, like new) Laowa Nanomorph 1.5x // 65mm T2.4.// S35 PL/EF (mint condition, like new) Laowa Nanomorph 1.5x // 80mm T2.4 // S35 PL/EF (mint condition, like new) ASKING PRICE for S35 set: 8.800 € DJI RONIN 2 SET // The Ronin 2 is in perfect condition, small signs of wear. 1 x Ronin 2 Gimbal 1 x Case 1 x Ronin 2 Power Hub 1 x Camera adapter-plate 1 x Top camera-adapter-plate 1 x Remote control 1 x Battery station 2 x TB-50 intelligent battery 1 x Battery power station 1 x Power Kabel 1 x Charging Hub 1 x Grip 1 x Accessory Pack (screws und hex wrench) 1 x cable package 1 x Monitor-Mount 1 x 15mm Rod Mount 2 x 15mm Extension Rod 1 x Ronin 2 Universal Mount 4 x Cinemilled Extension 1x Tilta counter weight, 0,5kg ASKING PRICE: 6.000 € Thanks! -
Hi everybody, here is Luca from Milano, Italy. How are you? I'm a camera technician and I've bought an Arriflex 16BL on Ebay (camera and 1 mag from UK, 2 mag and Angenieux 10x12 with blimp from DE) that I want to completely refurbishing, both lens and camera. The camera was ok, I've tested with a battery and everything was working good, and not too noisy! The lens unfortunately has lots of fungus inside, so I'm gong to completely restore it. I'm writing here because maybe (MAYBE..) it could be interesting for someone, or if someone need explications about the camera, or even if someone has tips and suggestion for my work, I'll be pleased! My aim is to make the camera in perfect conditions, both esthetically and working one (it works, but it needs a good cleaning). I would like to add a crystal sync unit, that it will probably will Arduino based - Swiss Made (since I'm Swiss eheh). For the zoom, that has a good mechanic but bad optical part, I'll extract all the lenses, clean them and recompose everything. So, first of all I'm un-assambling all the mags, the blimp and the camera in order to divide all the elements: the ones that needs to be re-anodyze will be sent to the lab, and the mags and the camera will be repainted with the original wrinkle effect. The problem is the serigraphies, that seems to be painted OVER the paint. I don't want to loose them, so I'm thinking for a solution but if someone has a suggestion.. please say it! :D
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Specifically, I'm referring to activating the 'Timecode Trigger' on the indieASSIST HD Video Assist and triggering a recording on a monitor-recorder when the camera starts running. I can confirm the Convergent Design Odyssey 7Q+ as being compatible, but I'm searching for alternatives besides this unit. I could not get the Video Devices PIX-E5/E7 to trigger a recording. And I've not personally tested, but I've heard from another user that the Atomos Ninja V+ is not being triggered. They had to manually start/stop the recordings. I'm curious to hear from others and their experience. I guess another way to phrase the question, albeit very technical: does anyone know of any monitor-recorders, besides the Odyssey 7Q+, that can read the 'VITC2' flag embedded in the SDI stream? It seems many monitor-recorders are only looking for the 'VITC / VITC1' flag. Thanks for any tips! -
Hello everybody! I recently purchased a quartz controlled motor for my Arriflex 16 St, however unfortunately it's not working. Apparently this is a super rare motor made by ARRI (Quarz - Antriebs - System, Typ: A 16 St E), and there is little to no information about it on the internet. I wonder if anybody reading this forum has any documentation about this motor, preferably schematics. I managed to find somebody who's willing to fix it, but it would make our life a 100x easier if we had a starting point. Thank you. (1st picture is from a video on youtube by youtuber "Fresh Ground Pictures", 2nd is my motor)
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This blimp is in really nice condition for it's age. I think it'd be a classy display piece - especially if you pick up a wooden tripod for it. This is for a LOCAL SALE ONLY in Los Angeles. I won't/can't ship this heavy blimp, unfortunately. I do not have a case for this blimp, so someone will need to pick up and pay cash (or Zelle) in person. I usually live in NYC but plan to visit LA at the end of April. If timing doesn't work for a sale while I'm visiting LA, a family member can assist with the transaction. I never actually used this blimp, but in the early 2010s I did have an electrician friend who worked at Clairmont Camera change out the cracked old plastic power cable connector on it. It used to have a very old (and unrecognizable to me) power connector, and my friend changed it to a 12V 4-pin Cannon (XLR). So that's the connector that can now power the blimp (to power camera inside and light inside the blimp). I can make no guarantees about the functionality of this blimp and how much it could quiet down a 16S since it's been a while since I did a test run of a camera in it. From my memory, I think one plate was for the an Arri 16S camera, and the other type of plate was for the Arri 16M camera, but I don't remember if I actually ever tested both my 16S and 16M cameras in this blimp when I owned them, so I really can't make any promises there either. If I had the space for this at my NYC apartment (I really don't, unfortunately), I'd keep this and put it on display. As you can see in the pictures, there are some small spots of light rust. You can also see the fabric accordion style matte box bellows have gotten a little rough over the years. This was stored in a climate controlled house (not a garage), but there are a few signs of it's age. Pictures: https://www.flickr.com/gp/95212445@N02/9Kfx5563yb 3 short video clips: https://vimeo.com/931613961/34f5b7268e https://vimeo.com/931613968/723d9724db https://vimeo.com/931613980/4ae8cba03c $600 O.B.O.
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I've recently found myself in need of a Mitchell BNCR-to-Arri Std. adapter. I would prefer the antiquated variety that works with the older rotating lens assembly, but the type which accepts the more "modern" stationary barrel lenses will suffice. These are generally known as the pain-in-the-arse adapters that seat your lens so deep that adjusting focus is near impossible. Just the same, I'd love to get my mitts on one! I'm also looking to purchase a vintage Arri 2C power cable that's 4-pin XLR updated on one end but will still accept the original twin banana-pins on the other end (either large + small inputs or both large). By chance I seem to have ended up with a pair of 2Cs, along with 3 old-school motors of varying pin configurations, but, frustratingly enough, I've yet to be able to power either of them up. If any kind members happen to have or could possibly point me in the direction of either item, I'd be especially grateful. -
Hi there, I recently bought an Arriflex 2C and it came with an extra handgrip motor. Model CRA-6A from Cinema Products which can either work at 24 or 25 fps. It didn't come with a battery nor a power cable and I'm trying to build one myself. It states that it's a 16-24 V & 2 Amp motor but i can't identify what kind is this input power port. It looks like a downsized version of a 3 pin XLR but I could be wrong. Any ideas on what could it be? I don't know if it's readable in the picture but each pin is marked with a letter: A, B and C. I have guessed that "A" stands for the hot pin, "B" for the cold and "C" for ground. But again I could be wrong and I don't want to apply power without being 100% sure since I could fry the motor. Any help is highly welcomed! I'll update if I find additional info on this. Fran Moreno
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Hi Everyone. I hope you're all having a great holiday season. I just wanted to share an overview/tutorial for the Arriflex 535B that I (finally) got around to posting. My friends and I filmed it back in the summer of 2022 and I've been sitting on it for a while, but I suppose film cameras don't get outdated like digital so all the info should still be correct*. It is a bit long however, so I won't be offended if you watch it on 1.5 or even 2x speed. Anyways, please let me know what you all think and hopefully this can be helpful to at least a few people. Thanks to Kyle Mikolajczyk and Sidharth Sadhujan for all their help. *Please ignore the part where I say there are no other 535 videos on YouTube. This was true when we filmed but is no longer the case. Also the part about the shutter is hard to see, apologies in advance.
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Hi There, Some of you may remember that almost a year ago I was moving to South America and sold of a bunch of my film equipment on here. I had an Arriflex SR16 with sound blimp for sale but the buyer backed out at the last minute and I had to put the camera in Storage before I left. Now I'm back in the states for 3 months and have it for sale again but now I'm thinking maybe I should keep it but here is the problem I'm having... This one is a bayonet mount camera and I have been unable to buy lenses for it. One reason being that they aren't that easy to find. Now that I live a more carefree life, I want to start doing more short documentaries and films and I'm thinking maybe I can still use this camera if I convert it to super16 and maybe convert the lens mount to one where I can buy more readily available lenses. I like that this one works perfectly, has some accessories and I have the special sound blimp to go with it that reduces the camera noise to zero. Or should I trade it for a super16 camera with a lens mount with more readily available lenses?
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FS: Arriflex 16SR, Arri Sound Blimp & Bolex Accessories
T Sanders posted a topic in Cine Marketplace
Hello Everyone, Well last year I was selling a bunch of gear before moving to South America. Some of it never sold and I'm back in the States for a short visit and still need to go ahead and try to get rid of it instead of letting it sit in my storage unit. I need to have all this sold before May 12th. I've tried to price them as low as I can to get rid of them quickly. There is some wiggle room for some of the more expensive items. Reasonable deals can be made if buying several items. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories - $800 + $50 shipping It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp - $400 + $50 shipping 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. If you want to buy the Arriflex SR16 and the Sound Blimp together - $1000 + $100 shipping https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-sale-arri I also have some items for the Bolex Rex5 & Rex4: Bolex Rex 5 Film Magazines - $250 + $40 for shipping You can own two film magazines for your Bolex Rex 5 including a leather sound cover and vintage carrying case today! These film magazines allow you to use 400' rolls of 16mm film with your Bolex Rex 5. They are in good condition and work great. *Note the grey & color cards and scrims in the pictures are not included. https://www.etsy.com/listing/287265553/bolex-film-magazines-sale-16mm-film Sound Blimp for a Bolex Rex 4 - $200 + $40 shipping You can own a custom made sound blimp for your Bolex Rex 4 today! It reduces the noise made by the Rex 4 to near zero. There is a non-crystal sync motor inside that works. Only a Bolex Rex 4 will fit inside this housing. A replacement rubber collar is needed for the power cable to seal it in the opening. Front glass is cracked (not shown in the photos) and will need to be replaced. https://www.etsy.com/listing/273635904/bolex-sound-blimp-sale-custom-16mm-film Shipping costs listed are for buyers in the lower 48 states. I know many of you may be in other countries and as long as we can work out shipping costs, I will ship to most counties if using Etsy to pay. You must cover the full cost of shipping. If in doubt, please ask. Thanks. Shipping for heavy items will be done via Amtrak: Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy. If you don't want to pay through Etsy, and you want the item(s) shipped to one of the lower 48 states, I can accept payments via Stripe as well. Billing and shipping addresses must be the same. Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. -
Hello Everyone, I'm back from South America and need to sell my Arriflex 16SR camera with the Arri Talbot sound blimp by December 20th. Shipping is FREE. I can only ship to the lower 48 states. Shipping will be done via Amtrak (so you must be close to an Amtrak station or willing to travel to the closest one). Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. These two items are being sold together. You can view and buy on Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound
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Hi I wonder if you can help me. I have the original Arriflex shoulder rig for my Arriflex SB 16mm camera, but it's missing the pistol grip that allows the camera to attach to it. Any ideas what I could use as an alternative? Those original pistol grips are very difficult to come by but maybe there's a modern equivalent I could use instead? Any suggestions much appreciated. Here's an example of the shoulder rig with pistol grip attached: https://www.ebay.co.uk/itm/325520570202?hash=item4bca89b75a:g:cAQAAOSweBlj22bg&amdata=enc%3AAQAHAAAAoJUg8RoNr0CWLuMmY%2BKA7vzslBLbAtGykJI7EZS%2FkMMivYiFf2TApXx6R1Lkwju61PtPmE1HkGS9INUxaDEBI96m9SHeLhH3hFz9husxVGOAVDEj6HrBxLFhxrxKjmGT5ULn62yjfQKaoLKezA%2FXbb2PoYUkiJRVmfqX7drl2m5jTcIajaFvdh9HKR3xcnMEn4NUrfFi8ktxfTHwLlNVgCU%3D|tkp%3ABk9SR7Lop-fNYQ
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Hello! I am trying to get 12V out of my Arri SR2 HS from 11 pin Fischer connector at the back for the accessory, but when I measured the voltage it appears to be only 2,5V :(. For the pinout I found a scan from Jon Fauer "Arriflex SR book" scanned and uploaded in the other topic on this forum. (Original topic with the scheme here:) What is even stranger, the voltage slightly changes, and can even go to zero when I turn the potentiometer knob on a "GLOW" that is on the side of my camera - also pictures attached: Do you have any ideas what could be causing the problem? When I unplug the two wires that power the GLOW, camera will not run. I will appreciate any ideas! Thank you! Adrian
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Hey peeps, Has anyone experience to rig/setup an Arri SR3 on a DJI Ronin2? Thanks in advance, much appreciated!
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I've been a commercial photographer for 25 years, started DP and directing a decade ago, broadcast and streaming commercials, documentary and docu-series working with Arri Alexa, Amira, Red, Sony. A friend picked up this SR2 in Iraq in 2003 from a Brit filmmaker, my friend was there for NatGeo filming. He has a terminal illness and gave me the Arri SR2 w/Angenieux 10-150 and an additional high speed magazine. The SR2 is serial # 63831. I'm planning on filming with it and getting it set up (it needs a new cell or replacement battery - the casing is there but empty inside, just 2 wires). Ideal would be to convert to a V-Mount if possible. And down the road convert to Ultra16 (DeMarco/Aranofsky). I'm curious it has a High Speed magazine, How do I tell if the camera is a High Speed version (10-150fps)? If not can I use the high speed magazine as a standard mag? iPhone snaps attached.
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I'm asking $600 USD for both mags with the case. I just had these two mags checked/serviced by Andree Martin of AM Camera last month, so you know they're good to go. Invoice from AM Camera is included with the images of the mags. I also just had Innerspace install new foam, since the old foam had gotten sticky/melty. I bought these from one of the big Otto Nemenz auctions around mid-2012. Available for local pick up in Brooklyn, NYC (preferred in-person sale). I can also ship at buyer's cost. I won't sell just one mag, or just the case. Besides working on the Arri 35-3 (AKA the "Arri 3"), these are also compatible with the Arriflex 2C and 3C. You can even use these on the 235 and 435, but if you want to go faster than what they were designed for (120 fps), you'd want to use a 435-style mag on your 435, like if you want to go up to 150 fps. Feel free to DM me with any questions.
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Set includes: 9.5mm 12mm 16mm 25mm All lenses have high quality Arri-PL adapters (with brass inserts), front and rear caps. The set also includes the rare Zeiss Aspheron and attachment rings for 9.5 and 12mm. The 12mm has a removable front ring to allow you to use threaded filters. The 25mm has a custom step-up frontage, which does not allow the use of thread filters. Also included is a plastic follow focus gear that was fitted to the 12mm. There are some minor cleaning marks to some of the front optics. No scratches, haze, fungus or contamination. Price: £7500 Lenses ship worldwide in Pelicase. Buyer pays all costs, shipping and necessary insurance.
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