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Philip Reinhold

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Philip Reinhold last won the day on December 31 2019

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About Philip Reinhold

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  • Occupation
    Cinematographer
  • Location
    Berlin, Germany
  • My Gear
    Bolex H16

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  • Website URL
    http://www.philipreinhold.com

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  1. hey, im selling my decent set of Super16mm Zeiss superspeed MK1 12mm/16mm/25mm T1.3 with 0.8 Focus Gear, 75mm Front (+ 80mm Adapters). Arri B Mount but can provide pl mount adapters as well. They are all in really great and clean condition. some very tiny cleaning marks but no scratches no fungus no dust. Mechanics works perfectly. Got serviced last Year. 2000€ for all 3. Best, Philip
  2. not personally yet. indeed it looks gorgeous! Kind of a Peter Pan story. I wish I could have the time to visit Sundance this year.
  3. dir. Benh Zeitlin & dp. Sturla Brandth Grøvlen shot Wendy on 16mm as well. Looks wonderful.
  4. looks pretty much like Sony venice open Gate with Canon K35 glass? Just my guess… not sure but got pretty similar results recently with these combination. Can be Alexa LF/miniLF as well depending on Colorgrading. But Glas looks pretty much like K35 on FullFrame.
  5. To feel the "spirit" of filmstock without feeling the perf and get some white cotton fuzzles in the mag right away?
  6. I used the MiniLF on most ADVERT/TVC jobs recently and pretty sucessfully. No trouble so far. You shouldn´t be more afraid as with a classic alexa mini. She likes to have a bit more batteries. Have fun!
  7. I think what you mean is more about lighting than grading. When I work for American & some Chinese Clients, they tend to be more afraid of darkness and mood. But every Client is a bit different. But it is true that some of these Clients ask for more "fill" on Set. And of course the same Guys will ask to get even more pop in the Grading as well. Well and Americans tend to be a little less reserved in their advertising and like it more loud?
  8. i use this combi below since years: 1. Get Lumenair or any other iphone/Android DMX app. 2. Get a wifi DMX Dongle, HMB Tech works pretty well with iphones and Lumenair… https://hmbtec.de/produkt/cc512-v4-〈-isky-〉wifi-→-dmx-dongle 3. get any DMX Dimmer where you can plug in the Dongle. (German webshop example) https://www.thomann.de/de/eurolite_edx_4r_dmx_rdm_dimmerpack.htm?glp=1&gclid=EAIaIQobChMIoJb4u6SU5gIVleR3Ch2ZgA94EAQYAiABEgI3q_D_BwE is around 300$ all in. I use it a lot for Practicals as well as all DMX controllable Stuff like LEDs / Skypanels / Litetile… and so on… 🙂 to be honest, I can not imagine a light that the industry isn´t currently developing… the film/foto/stage light marked is exploding these days. but a modern carbon-arc would be great…
  9. since my 758 was stolen i´m using the 858 ... and yes, it's annoying, especially when shooting in harsh conditions. The touch screen is really bothering... I hope sekonic finds a way back to a more traditional button setup on their next update… also the c700/c800 is bothering… huge delay on the touchscreen and many software crashes. So sekonic if you google yourself and read this ... please please please as in my mails already mentioned ... the 758 was almost the perfect light meter. Bring it back to market.
  10. This „HDR“ thing brings a lot of confusion... but actually, these are more topics for postproductions and Monitoring on set than for the creative side of filmmaking. All modern digital cameras support HDR from scratch by recording log which support almost every digital camera now, as well as film scans. With the knowledge of the wide latitude of modern digitals & film scans in our head we expose for HDR already anyway since some years.
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