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2 - Packages Available $14000 Each. Will Consider Offers Hours: 1247 & 1260 Canon Cinema EOS C700FF Body PL Mount Canon EVF-V70 OLED Viewfinder for C700 ARRI Pro Set 19mm ARRI VF attachment C700 VF Cable 4 Pin Power Cable 5 x Sandisk Cfast 2.0 128GB Cards Lexar Cfast Reader ARRI Dovetail Plate 12” Canon Top Handle & Accessories 35mm Global Shutter Sensor (Original which can be refitted if needed)

F.S. Blackmagic URSA Mini Pro 4.6K G2 Packages (Reduced) $5,900 Each. Buy two or more $5,500 Each.

Arriflex 435ES Camera Package $12K US Includes: - 435ES Camera Body s/n:7159 - 4-Perforation Movement - NTSC Color Video Assist - Camera Grip Hangle System - Arriflex F-3 Swing-Over Finder - Wide Angle Eyepiece - Wide Angle Eyecup - Arriflex FE-3 Finder Extension - Arriflex EL-3 Eyepiece Leveler - (6) 400-ft ARRIMAG 120 Magazines - Arriflex RCU-1 Remote Control Unit - On/Off Pistol Grip - Shoulder Pad - Arriflex BP-3 Bridge Plate (15mm) - Sliding Base Plate - Set of Long Iris Rods - (2) Camera Power Cable - Power Cable Extension - RCU Cable - RCU Extension Cable - Set of Flight Cases 2 -24v batteries

2- Phantom Flex 2K packages for sale. Details below 1.Price $30K Package is not located in the US VR Phantom Flex 2K 32GB 2 x 512 mags Audio box Camera top handle Camera bottom plate Power adaptor – slight damage but working Power cable Mag cinestation PCIE card and cable Rain Cover 2. Price $20K Package is not located in the US VR Phantom Flex 2.5K 32GB VR0111 S/N 1069 PL Mount EF Mount F Mount 1x Cinemag 256 VRI-P65FL-256GIG VR0410 9533 1x CineStation VR01107938 10GB

Selling my Red Komodo with 7 hours used. The camera is bought in Europe more precisely in CVP and that is why it is sold in euros. Location is Tirana, Albania. Thanks RED KOMODO 6K BODY ANGELBIRD AV PRO CFAST 2.0 MEMORY CARD - 1TB CORESWX KOMODO V-MT BATTERY PLATE RED KOMODO OUTRIGGER HANDLE TILTA TA-RF-PL CANON RF/PL ADAPTER SMALLRIG 2756 MINI TOP HANDLE SANDISK EXTREME PRO CFAST CARD READER Canon BP-975 3x Lithium battery 10050 mAh V-mount V-mount Charger Total Price €12.000 Extra DJI RONIN-S GIMBAL NEW OPEN BOX €766.90 See less

Library Look license included. Price : $39,000 US Below is the list of items included. K1.0003873 Alexa mini body Hours : 3886 K2.0003216 Titanium PL LDS Mount K2.0005861 Viewfinder K2.0008135 View finder cable (2Pcs) K2.0007091 Bebob V-Mount Battery Adapter for ALEXA Mini K2.0006960 Transvideo Starlite hd5 Mon/Rec KK.0005677 UBS-3 Handgrip Set K2.0031436 Bridge Plate BP-8 K2.0006334 2x Lightweight adapter plate for ALEXA Mini (MAP-1) K2.0006347 2x Adapter plate with rod support for ALEXA Mini (MAP-2) K2.0006348 2x Side bracket for ALEXA Mini (MSB-1) K2.0006352 1x Bridge plate adapter for ALEXA Mini (BPA-4) K2.0006186 2x Rod mounting bracket (RMB-3) K2.66255.0 2x 15 mm Reduction Insert K2.0006140 1x Viewfinder mounting bracket for ALEXA Mini (MVB-1) K2.73002.0 2x Center Camera Handle, CCH-2 K2.66252.0 1x Support Rods 340 mm (13.4 inch), Ø 15 mm K2.0006495 3x CFast 2.0 Card 256 GB K2.75007.0 1x Power Cable Straight (2m, 6.6 feet) KC-50 K2.72021.0 1x ALEXA Ethernet/RJ-45 Cable (3.00m/9.8ft) KC 153-S K2.0006170 1x EXT-RS Adapter K2.0006471 1x Battery Adapter Plate BAP-1 K2.0006990 2x Battery Adapter Plate BAP-2 K2.0006807 1x Shoulder Pad CSP-1 K2.0008408 1x Low bracket for CSP-1 K2.0001242 1x CFast 2.0 Card Reader (USB-3) Pelican 1620 Case

If anyone has one they can sell please email pricing and details to sales@broadcastsolutions.com.

Bolt High-Speed Cinebot - for high speed camera movements. Includes 6-axis robot, UniVAL software, Interfacing option to Flair high speed motion control software, Flair License, PC hardware & Hilscher EtherCat networking adapter, Hand-held remote controls, Ulti-axis card for control of Focus/Zoom/Iris motors, Two high speed focus/zoom motors, Intime Real-time Extension & License, Custom Camera platform with multiple mounting points, Safety and additional Emergency stops, Bloop light & extension, triggers box, 4 GP Outputs, 2 GP Inputs, 3D Graphical display, CGI moves Import/Export facility, Interfacing to turntables and Model Movers. Set of allen keys and 14mm allen key, flair and RX160L manuals. Spares package including: Ulti-axis card, Quad Axis card, spare PC hardware & Hilscher EtherCat networking adapter, spare GPIO card, spare focus/zoom cable, network cable, Ulti-Axis XLR power cable, fuses Pedestal unit with out-riggers and weight buckets for weighting down. Small turntable capable of a 20kg payload. Simple motor that can be triggered to move items or open valves, etc. Warranty until 05/06/21 Price : $110,000.00 USD

ARRI ALEXA XT PLUS 4:3 FULL PACKAGE (Open Gate includes Codex XR Media Mags, EVF, Reader, More) S/N 8580 FS: Alexa XT Camera Package (Hours: Between 1000 and 2000 - will update on exact hours when returns from ARRI Blauvelt) Licenses: ARRIRAW, 16:9, 4:3 License Super Speed and Open Gate License High Speed License Media: (2) Codex 512GB Capture Drives XR (1) Codex USB 3.0 Capture Drive Dock Components: (2) Codex ARRI BPA-13 Bridge Plate Adapter, ARRI Bridge Plate Adapter, ARRI ALEXA Center Camera Handle, ARRI ALEXA Electronic Viewfinder EVF-1, ARRI Viewfinder Mounting Bracket (Tube), Anton Bauer Gold Mount Plate, ARRI Viewfinder Cross Pipe, ARRI Wedge Adapter WA-1, ARRI LB-1 Leveling Block, ARRI Alexa Shoulder Pad, ARRI ALEXA Cable 5P-XLR-M TO (Y) 2x3P-XLR-F, (1) 2-Pin ARRI Fischer to XLR Power Cable (3) EVF Cables, (2) 19mm 18" Metal Rods, (2) 15mm 12" Metal Rods, Tilta 12" ARRI Style Dovetail, ARRI EVF Extender, ALEXA XT Custom Case Price: $14,500

F.S. Phantom Flex 2K 32GB Package $25K Package Includes: 1 x Phantom Flex 32GB HD Colour Digital Cinema Camera 1 x Sony Colour Viewfinder HDVF-C35W With Diopter adjustment. 2 x 512GB Cine Mag 1 x 10 Gbe Fibre Optical Cinestation 1 x Remote On/Off (Pickle Switch) For Flex 2.5K 1x Ethernet Cable, 1 x Power Cable, 1 x Remote Splitter Cable with 3 BNC connectors as pictured. 1 X Riser Plate for Phantom HD/Flex with Lens.

Hi, I have been trying to read up on this but it seems I can't find anything. So forgive me if this has been answered before. How do you actually do the “mirror gag” much like I attached here. I know skyfall was big budget, so if the answer is just masking and blue screen I get it, but I do know there are quite a few that has done this practical. C

ARRI ALEXA MINI KIT $41,500 ALEXA Mini Body Hours-650 Look Library & 4:3 License MAP-2 x 2 MAP-1 x 1 CCH-2 BPA-4 MSB-1 MSB-2BAP-1 MVB-1 View Finder V-Mount Adapter Plate EF Mount PL Mount 2 x 256GB Cfast Cards 15mm Rails Wooden Camera A-Box Pelican 1620 Case Pelican 1020 Micro Case

Selling my Arri SR3 High Speed (150fps) super16 camera. The package comes with two HS 400ft magazines, eyepiece extension, base plate, "pig tail." 1.66 fiber optic groundglass (full aperture+safe.) Flight case. Extra AKS cable included (RS long cable, 3pin XLR power cable.) No batteries included with the package. The camera is clean and in good condition. Send me an email for more details and photos flarrondom@gmail.com Package is located in LA. Local pickup is preferred, but can ship at buyers expense.

I became interested in microcontrollers a while ago and I am considering a DIY sync sound motor for my Kinor 2m camera. I also have other cameras which could use a stable speed motor (for example my 35mm Soyuz-US3N camera and the rheostat motored Konvas 1KCP. This is because there is no available motors of any kind for Soyuz and the rheostat Konvas never had any sync motors made originally) . I started with the 16mm Kinor motor last month and I'm refining the analog control electronics and fine tuning the code now. I was just thinking, is there lots of people out there who could use a customisable sync sound motor on their camera and if so, which exact camera models would be the most in demand? If there seems to be some common interests then I could take them into account when developing my own motor project and it might be easy to make custom solutions for other persons cameras as well. --------- What would be the absolutely mandatory specifications for this type of motor? I am aiming for +/- 10rpm accuracy at the moment but we will see how accurate the diy solution will be when it is fine tuned for the specific motor and camera model. That 10rpm accuracy would be about 1 frame drift for every 2.5 minutes of footage shot which should be usable for sync sound uses in indie films which have relatively short takes (a minute per take for example). My current design for the Kinor16 motor will have 6 different preset speeds and it uses the original pilot tone generator just like the Olex crystal sync modification does though my design is not as sophisticated or accurate (one gets what one pays for :) the Olex motor is better and my design is cheaper). - what type of camera and "wild" motor would most urgently need a digital speed stabilising system like this one? - how accurate the speed needs to be. how much it can drift to be usable? I am talking about minimum specs which would enable practical use of the system, NOT about how much would be nice to have :) - how much it can cost, in case there seems to be so much demand that it would be doable to do for example a dozen or so of these? - how much the end user can assemble by themselves? is a parts kit with pre drilled circuit board enough (needs soldering and a little bit of tuning) or only fully assembled board would do? - it is very clear from beginning that this type of product needs to be user installed to be a viable option. It would not be economical to ship cameras and motors back and forth between continents, that would ruin the whole point of this type of motor solution - what kind of inputs for the encoder which is attached to the motor. My current design uses the pilot tone generator signal coming from the Kinor motor but for other cameras I will use either a encoder disc or magnetic sensors for rpm feedback.

Recently serviced by Andree including syncing shutter timer and switching to 3-perf movement. Price $47K & shipping cost ARRICAM LT 3 and 4 perf movements (2) Shoulder Mags (2) Steadi Mags (2) 1000’ Studio Mags Studio Viewfinder Handheld Bracket Shoulder Pad Low Mode Bracket Heated Eyepiece + Cable Remote trigger + ext cable BP8 Riser Plate 1.85 GG

Alexa Mini Kits Available (2) 1. Hours 513 + ARRI Certified w/ Warranty (ARRIRAW, 4:3, Look Library) Price $ 52K 2. Hours 1,235 (ARRIRAW, 4:3, Look Library) Price $46K Includes Abel Cine Inspection Items below included with Body and MVF (2) ARRI MAP-1 (1) ARRI MAP-2 (2) ARRI MSB-1 (1) ARRI RMB-3 (1) ARRI CTH-1 (1) ARRI MVF Mounting Bracket (1) ARRI Gold Mount Plate (1) ARRI MVF Cable (3) SanDisk Extreme PRO 128GB CFast 2.0 Card (1) Pelican CFast Card Case (1) CFast 2.0 to USB-C Card Reader

What are people's thoughts on the Kinefinity Mavo Edge that was just announced recently? https://www.newsshooter.com/2020/04/27/kinefinity-mavo-edge-8k-internal-prores-raw-recording/ I've never seen a Kinefinity camera in the wild personally, but specs-wise this thing is just incredible. It's practically everything I've been asking manufacturers for, for years (and a number of cool things that would never have occurred to me): Unibody design (but still tiny) Internal NDs that allow for precision in exposure (so no big 2-3 stop jumps in density) this is a HUGE time saver All the Prores flavours/framerates + all the downsampling options you could want Internal scratch mic (for audio sync) A couple of different compression options for the raw recording Affordable media (though you'll want to stick with Samsung "PRO" NVMEs for the MLC Nand - to deal with continuous 8k recording) Integrated V-mount plate (so you're not having to worry about power cables as a point of failure/snag point) The added option of integrated BP-U batteries will be terrific for times you need to jam the camera on a car's dashboard (or similar tight spots) TRUE 12-bit 4k 4:4:4 RGB recording, downsampled from 8k (I'm pretty sure this is the first camera to ever offer this) Clear manual controls, and control screen (I don't know what Kinefinity menus are like, but if most of the essentials can be adjusted from the main screen, life should be fairly easy). True flexibility in sensor windowing and squeeze ratios (like the Mini LF), so that whatever image format, aspect ratio, lens type, anamorphic squeeze, or final deliverable you're working to - you can set it in camera, and don't have to rely on bringing in specific external monitors that have the controls you need. Good variable framerates Built-in power outputs, so you don't have to be adding additional power plates just to get your basic accessories running. Enough monitoring outputs to make life easy Dual Base ISO Two proprietary video outputs (for running a Kinefinity EVF and Monitor at the same time) - TAKE NOTE CANON! A "Lens" cable port at the front (which I'm hoping is going to be capable of powering FIZ motors (and not just conventional servo motors). This could allow for a SUPER-tidy camera build with RF-integrated motors like the Cforce Mini RF. A super-easy, super-flexible base lens mount, that can be adapted to basically anything you need/want Extremely fast sensor readout, for minimal jello skew. I keep trying to think of what else I'd want to add to a camera, or a physical build-layout that I'd prefer, and I keep coming up blank. 12G-SDI ports for 4k external monitoring would be nice (not that we have 4k monitors on-set very often), and an integrated EVF/Monitor like the Arri's new one for the Mini LF (so the operator can instantly move between the two) also comes to mind (and that's certainly an accessory that Kinefinity could build down the line). But that's about it. The camera simply sounds pretty much perfect for my needs. The one spec question I do still have is boot-up time. The Sony Venice and Canon C500ii (with their 4-5 second boot times) have really set the standard here. So I've got fingers-crossed the Edge can manage sub-10 seconds at least. Warranty repairs/support is a concern (I'm in Australia and I don't know what the Kinefinity situation is like down here). Image-wise, I've seen gorgeous stuff produced on the Mavo LF, so I suspect this will do fine on that front. The Mavo LF's highlights do seem to clip a little harshly, but that's about the only imaging concern I have at the moment, they seem to have found a really nice space for themselves in terms of their colour science. What an incredibly exciting camera. I no that no Producer is ever going to ask for it (which is a serious concern), but I can see this camera genuinely making my life on set easier (and allowing me to make my days faster). And that's a big deal. What do you think?

Cooke S5/i Set Includes: 18/25/32/40/50/65/75/100mm Price $128K US

Email sales@broadcastsolutions.com for pricing and details. Arri 535B 4- Perf Kit Includes: 1- 535B Camera Body Serial 1- Ground Glass 535 1:78 TV (S) 1- Arri 24V Power Cable 1- Eyepiece Extension 535B 1- Eyepiece Leveler 2- 400’ Magazines 1- 1000’ Magazine 1- Bridge Plate 1- OB Monitor 1- CEI Color Video Assist 3- A&J Carrying Cases

Excellent low hours Helium Epic W. This kit was built for doc shooting, thus the modules approach and low profile. I love it. The custom side-mount for the 4.7" monitor hinges flat for transpo. Right side rail mount for clamping an on-camera mic to feed into the Teradek XLR2 module. Teradek Bolt 500 DSMC2 TX module for wireless video. Redvolts plus V-lock plate to balance it on the shoulder and hot-swap batts without interruption. I can sell the brain, partial kit or complete setup. All close to new, excellent condition. $12,000 Epic-W brain with PL or EF mount $14,000 Kit w Brain, 4.7 monitor, Volt module, V-lock battery plate, both PL and EF mounts $22,000 Full kit w DSMC2 Bolt 500 TX, SmallHD 703 Bolt 7" Director's RX monitor (still in factory plastic), XLR2, both PL and EF mounts, Two 512GB Red Mini-Mags, DSMC QR Platfor Pack with QR Shoulder Mount and 15mm Rod mounts solowiejs@gmail.com https://www.dropbox.com/s/9o3iin8c7beat3r/123049394_10224304493510538_4801605578702400541_o.jpg?dl=0 https://www.dropbox.com/s/f04t2tos3vccfvd/124167684_10224304490670467_3216872067309092113_o.jpg?dl=0 https://www.dropbox.com/s/4qf2ss50oedkn5a/124183624_10224304490230456_2523687879101577728_o.jpg?dl=0 https://www.dropbox.com/s/3xf8p0f7kf2h2xa/124110231_10224304490470462_9207346960063360336_o.jpg?dl=0 https://www.dropbox.com/s/pkatm89zq58xy1f/123712511_10224304493870547_2876820138763188057_o.jpg?dl=0 https://www.dropbox.com/s/dibm3o1hjq45mym/124041366_10224304493310533_8501629247583900452_o.jpg?dl=0 https://www.dropbox.com/s/oe9hzcf13qm07ou/124044889_10224304492830521_853627341996754089_o.jpg?dl=0 https://www.dropbox.com/s/hw79q9yhg6tddmo/124155465_10224304492630516_3269114347214498652_o.jpg?dl=0 https://www.dropbox.com/s/05lzv37e7aul1np/124213352_10224304492430511_5129753740276516163_o.jpg?dl=0 https://www.dropbox.com/s/dibm3o1hjq45mym/124041366_10224304493310533_8501629247583900452_o.jpg?dl=0 https://www.dropbox.com/s/uft36fehab2dzav/124108678_10224304494150554_71554543520687713_o.jpg?dl=0

Hello all! I'm a new member to this forum, I'm an undergrad student in LA and I recently wrapped shooting a new film just last week. One of the scenes I shot took place at an arcade, I was hoping to get feedback from other like-minded artists. What did you like? What are some things you would 've done differently in regards to lighting? If you have questions let me know! I'll be posting more stills in the coming weeks. Thanks. Link to stills https://imgur.com/a/hGzTWI2

Looking for an Alexa Mini Camera Package to purchase. Must be in the US. Please respond to sales@broadcastsolutions.com

Good Afternoon just wondering if anybody is interested in my Arri 535b Camera kit price £10k or would swap for a Aaton xtr prod outfit will send pictures if interested

Arri 535b super35 kit with 5 1000ft magazine 2 steady 400ft magazines long and short viewfinder power cable The camera in excellent condition looking for £10k or would be interested in a swap for a Aaton xtr prod camera outfit

Good Evening inquiring if anybody is interested in buying my Arri 535b Camera kit The Camera comes with 5 1000ft magazines 2 400ft steady magazines long eyepiece and short eyepiece power cable £10,000.00