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Found 542 results

  1. Daniel D. Teoli Jr.
    They got the film; you just need the $$. Where are you with film in your work? If you work in digital and film, what percentage of each comprises your work? Here is a PDF snapshot survey of B&H's 16mm inventory made on 2.8.2026. (1 film is not on PDF) Survey of 16mm Movie Film B&H Photo D.D.Teoli Jr. A.C. : D.D.Teoli Jr. A.C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  2. mariam wael
    Hello, Are Fomapan 100, 200, and 400 supposed to have the same development time when using Ilfotec LC29 at 1+19 in a JOBO CPE3 processor with rotation at 75 rpm? Digitaltruth lists the same time for all of them (6.5 minutes), but that does not make sense to me. I recently developed Fomapan 400 using this recipe, and the film does not look good to me. It looks like it did not develop evenly. Some photos look overexposed and some do not, even though they are on the same roll. When I scan the film, the scanner sees some frames as negatives and some as positives, and I am still confused about what I should do and what I did wrong.
  3. Boris Kalaidjiev
    Hi everyone, Does anyone by any chance have any sample footage of S16 with 8 and 12mm Ultra Primes? Anything to be worried about when shooting 16mm with 35mm lenses? Thanks!
  4. Daniel D. Teoli Jr.
    I like their silver safe. Must have been one of many. The Home Of Kodak 1929 D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive The I.A. has a low-res PDF copy of it if you prefer a PDF. I like individual, decent res scans for my archive. Plus, I don't have any PDF software. Download JPEGs at link to view without moiré pattern. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  5. Daniel D. Teoli Jr.
    How kids kept milk cold at a rural school in the 1900s. VHS clip from 'Anne Of Green Gables' (1934) D.D.Teoli Jr. A.C. : D.D.Teoli Jr. A.C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  6. Daniel D. Teoli Jr.
    Fiberglass 16mm 400-foot film reel Daniel D. Teoli Jr. Small Gauge Film Reel & Can Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  7. flavio filho
    For sale TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s and 16-M Cameras Bought from Du-All Cameras 3 years ago. Used a couple of times and tested recently. Works flawlessly. Item is in great Condition, with only minimum scratches here and there, barely seen. Serial number 9440 Paid US$ 995.00 (see price label on picture). It's on eBay at US$ 800, but open to Make Offer: http://www.ebay.co.uk/itm/TOBIN-TXM-22A-CRYSTAL-MOTOR-FOR-ARRI16S-and-ARRI-16-M-CAMERAS-/172541639598? Feel free to contact me with any questions.
  8. flavio filho
    Hi guys. Selling my lovely TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s. Bought from Du-All Cameras 2 years ago. never used, only tested recently, working like a charm. Asking price: US$ 900 (Paid US$ 995, receipt as proof). Can ship worldwide. Item is in Brazil. Can declare small value to avoid customs. Shipment costs is around US$ 60, ETA 2 weeks by normal postage. Can ship UPS if you'd like. Will post pictures here soon. Any questions, just shout. *** PLEASE CHECK MY 2 ARRI 16S KITS FOR SELL ON EBAY: http://www.ebay.co.uk/itm/2-ARRI-16S-ARRIFLEX-KITS-FULLY-WORKING-PRISTINE-CONDITION-/171665355148?#shpCntId
  9. Matej Pok
    Hi, I've got for sale standard 16mm camera set, including lenses, cables, filters... all fitted in Peli case. Camera is in fully working condition, I have used in only occasionally. The last user, had it got serviced in Bolex, Switzerland (in 2009). Camera is equipped with normal 16mm gate, bolex bayonet mount, in-camera filter holder and TTL exposure meter (till ASA 640) What's in set: Bolex EL 16mm camera mark.II Kern Vario-Switar compact zoom 17-85mm T3,8 Angenieux 15mm f1,3 Bolex bayonet - C-mount adapter (2x) C-mount - Arri Standard adapter gelatine filter holder (4x) battery cable 4pin XLR (2x) Peli case Price is €850 + shipping I'm located in Slovak Republic, and ship to E.U. and U.S.A. Photos: https://www.flickr.com/photos/91204852@N05/sets/72157648786143401/ 16mm footage:
  10. Rick Anderson
    For Sale : Aaton A-Minima S16 Camera Package Price : $18,000 US LINK : https://broadcastsolutions.com/product/aaton-a-minima-s16-camera-package-2/ A-Minima Kit Fully Serviced At AM Camera LA. 3 Month Warranty Aaton A-Minima Body B/W Video Power Block Sound Barney 3 200ft Magazines Top Carry Handle with Start Stop Cable 2 On Board Batteries (recelled) Battery Charger with 1 Charging Cable 10ea 200ft Rolls of Various Kodak Vision Filmstock (negative quality not guaranteed) Film Spooling Rig Camera case Note : Arrangements can be made for the installation of an HD Video Tap at an additional cost
  11. Rick Anderson
    Looking For : Aaton XTR Prod Camera Pkg w/S/N 2000 & Above Email sales@broadcastsolutions.com
  12. Rick Anderson
    ARRI 416 HS Plus Camera Package Price : $58,500 USD LINK : https://broadcastsolutions.com/product/arri-416-hs-plus-camera-package/ Arri 416 HS Body Arri Viewfinder Eyepiece The Ground Glass is 1.78 | 1.33 Safe With a Centre Cross In The Middle Arri Eyepiece Extension Arri Eyepiece Arm 416 Stripped Side Plate (Elokuva) Arri 416 Top Handle 416 Riser (Elokuva) 416 15mm LWS (Elokuva) Arri IVS Video Split 416 Pal The Tap is SD But Has Elokuvakonepaja V-Lock Power Adapter with Built-In Wicam Analog SDI Converter Which Produces a 1080 Signal Arri 416 V-Lock Power Adapter w/Built-in Wicam Analog SDI Converter 416 Steadicam Riserplate 416 Shoulder Pad Arri 416 Plus HS PL Mount Cap Arri Antenna 3x 416 Shoulder Magazine 400 ft. Arri 416 Pls HS Magazine Port Cover Arri Pistol Handgrip Arri 416 Manual Arri 416 Tool Kit Transvideo Starlite HD5 Monitor Kit Custom Camera Carry Case Custom Magazine Carry Case
  13. Matthew J. Walker
    It's my understanding that to eliminate roll bar from a CRT or 'Tube' TV, one can use the combination of a 23.967 framerate and a 144º shutter. This specific combination, of course, only works with NTSC (60Hz) televisions only. The other PAL (60Hz) methods obviously don't pertain to my situation. Anyway, It just so happens I will be filming a CRT TV, however I own an Arriflex SRII which has a fixed 180 degree shutter. I am able to use a speed controller to set the framerate to 23.976 but that alone won't exactly fix the problem, but rather keep the black bar in a fixed location. I want to eliminate the black bar entirely. It occurred to me that this wasn't a possibility, until I researched the problem quite a bit and actually found out there is actually something called a Film/Video Synchronizing Control Box. At my first uneducated glance I thought it was some outdated equipment which was probably used to change the framerate of cameras before we had framerate controllers. Then the size of the thing struck me and I thought "Maybe this isn't simply for only framerate" because there's no conceivable way to describe going from a giant box to change the framerate to only years later the speed controllers we all know and love that can all fit in the palm of your hand. That's just not the way technology progresses. So after more research, and finding a couple instances of people vaguely talking about how they used to use these sync boxes 'back in the day', I seemingly submitted to the fact that this thing can actually do what it says. But I still just couldn't understand how people can make the claim that this thing could sync any camera with a CRT TV when not every camera has an adjustable shutter. That was until I found this post on here from back in March of 2018. This actually makes sense, given how cathode ray tubes are sensitive to magnetic fields. Now before anyone dismisses the Film/Video Synchronizing Control Box, I should probably point out a few ways I will not settle for fixing the problem. 1. No I do not want to green screen the tv, even with artificial light to suggest television glow. It never looks real. 2. I don't want anything shot digitally, especially since the cost of a digital camera is more than that of the sync box. 3. I can't afford renting another film camera that has an adjustable shutter for merely one or two shots. I have considered number one as an option in the past for shots of the television screen only, however one also runs into the problem of the glass reflection not being there. And probably the biggest problem is my idea of a wide shot of the actor watching the television from across the room, both the television and the talent visible in the frame. Now while real television glow is nowhere near enough for a key light, it would have still been present in the frame thus casting some type of glow that would reflect near objects, even the slightest bit. I went a little off track as I often do, so here are my two questions. How does the Film/Video Synchronizing Control Box actually work? Can someone who has used this before please explain the setup and operation in detail? If applicable to my situation I'd love to own one.
  14. Rick Anderson
    Looking to purchase an Arri 35mm 3 perf 435 or 535B Camera Package. Please DM me with anything you might have for sale.
  15. Raphaël Jaafari
    Hi everyone, I have a S16 SR2 with the SR3 lens support system that has two small rods (see picture attached). I was wondering what kind of thread was needed for 15mm extension rods ? Would something like this work : https://www.digixo.com/audio-hifi/accessoires-video/smallrig/p380092-smallerig-1659-combinaison-de-tiges-filetees-15mm.html?affiliateID=300&gQT=1 Or do I need special rods ? Thanks a lot !
  16. Daniel D. Teoli Jr.
    Vaccumate was one of those film preservation treatments they did back in the day along with Vaporate. This sample of a Vaccumate treated film is marked with a 3. Maybe they had different versions. It is all just guess work. I could not find out anything about either treatment. Although you can't see it in the scan, the Vaporate film did seem to have a matte finish applied to the stock. I did not see any difference to Vacuumate treated film versus untreated film. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  17. Rick Anderson
    Arri 435ES 4 Perf 35mm Camera Package $20,000 USD Link : https://broadcastsolutions.com/product/arri-435es-4-perf-35mm-camera-package/ – 435 Camera Body (4 Perf) with IVS (PAL) – Top Handle [No Bridge Plate/Rails] – 3 x 400ft Magazines – FE-3 Extension Eyepiece – Capping Shutter Set for 435 (ICS-1/SFHC-1) – not installed but with instruction manual for installation – 1 x Shoulder Pad for 435 – 2 x Allen Key Drivers (1.5mm & 2mm) – 1 x KC-20s 3 Pin XLR Battery Lead – 1 x ARRI S35 Director’s Viewfinder – 435 ARRI Glow Masks – Ground Glass – Printed Quick Start Manual
  18. Rick Anderson
    Arri 235 4 Perf 35mm Camera Package $28,000 USD Link : https://broadcastsolutions.com/product/arri-235-4-perf-35mm-camera-package/ – 235 Camera Body (4 Perf) with IVS (PAL) (JUST INSPECTED) – Top Handle [No Bridge Plate/Rails] – 3 x 400ft Shoulder Magazines – 2 x 200ft Shoulder Magazines – 3 x 400ft Steadicam Magazines – Steadicam/Low Mode Top Bracket Fitting – 1 x Shutter Tool – 1 x ARRI RCU-1 Setup with Cabling – 1 x ARRI Style Director’s Viewfinder – ARRI Ground Glass Note: The Operator Side Run & Phase Buttons Are Not Functioning But AC side Is Fully Functional. The RCU-1 That Is Included With The Kit Is There To Mitigate The Side Panel Not Functioning As The RCU Can Do The Same Functions Once Plugged Into The Camera.
  19. Daniel D. Teoli Jr.
    In the old days we had to tone film / prints with chemicals and bleach. Kodak also made a line of pre-tinted cine' film and lightly toned printing papers. But...when digital came around it opened up the entire palette of colors to choose from to tone your images. Here are some samples of digitally toned images. This 2-inch-long piece of film was broken off of some nudie cutie arcade reel and who knows which one it was from. So, before trashing it, I put this gal to work for one last time and did some tests with her. (You will be seeing more of her down the road as I did numerous tests with her beside toning.) Full collection of toning tests below; including raw scan, full BW monochrome scan and warm toned versions. Digital Toning Examples of Cine' Film D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive (Download hi res files to view properly and for reference.) <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  20. Daniel D. Teoli Jr.
    If you have films with vinegar syndrome, they have to be stored open air. If they are stored open air, they generally stabilize more or less. And if you want to be sure about halting vinegar syndrome, you vacuum seal the film and freeze them. Nothing cures vinegar syndrome, but you can slow it down or halt it. These films shown have been stored open air for a few years. The previous owner stored them sealed in metal cans in a hot storage unit in L.A. for many years. Once they were aired out, they have not visually deteriorated further since they were stored open air. Most of the vinegar smell is gone; but if they are returned to film cans, especially non vented, the vinegar syndrome will start back up. Vinegar syndrome is caused by a lack of ventilation and heat. It is best to air out films on wire racks so they can breathe on both sides. Or you can stack them with a film core between the reels. The films shown are just a small fraction of the hot L.A. storage unit film collection I acquired, and I don't have room for that. But they have done OK being aired out as shown. You can flip them every year or so, but these have been sitting as shown for years. If you have your films in cans and they are acetate...you have to burp them once in a while to de-gas. When I first got this collection, you could smell the vinegar from across the room. Now the vinegar is 'almost' undetectable with the nose. Other reels still have a noticeable smell, but they have decreased with the vinegar odor maybe 85%. If your films are warped or start to develop flats you can reverse wind them. None of the chemicals being marketed to handle vinegar syndrome have done any good from what I can tell, and I've tested most of them, if not all of them, over an 8 year period. You can get PH / A-D strips to see where your films fit in with the vinegar syndrome. I don't use them. I'm not that anal or scientific. Film is just one small area I work in. Not enough time, money or space for everything. Plus, the A-D strips need to be enclosed in the can with the film to work right. These films will never be returned to a can, so the A-D strips are not of much use to me. But if you are of an anal nature, strip your films and chart them! I just use my nose. A-D strips are good to tell you when the vinegar syndrome is starting. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  21. Filip Nerold
    Hello all! I am very curious about your opinions and thoughs on lighting in LOTR trilogy. I have made this video-essay, where I am focusing on conceptual lighting techniques and how it tells information, pushing narrative and impact audience. I would like to have a discussion about this, if you are interested! You can watch here: Thank you and looking forward to your thoughts!
  22. Daniel D. Teoli Jr.
    Moviola Film Editing Machine | eBay This seller has all sizes! $350 a pop...16mm or 35mm. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography
  23. Davo McConville
    Canon 11-165mm PL Mount Super 16 Format T2.5 Amazing Zoom Lens Good shape lens, amazing technically. Includes hard case. £3500 (EU) or $4200 (US) – I am based in London but will be in New York soon so can ship it from there if that helps. Technical Specs Focal length 11-165mm Max aperture (T) 2.5 Close focus 3' Image Circle 16mm Front diameter 95mm Weight 2268g Length 190mm Mount PL Mount
  24. Rick Anderson
    Aaton A-Minima S16 Camera Package $17,000.00 US Link : https://broadcastsolutions.com/product/aaton-a-minima-s16-camera-package/ A-Minima PL Mount Body w/Top Handle Video Tap 3 Magazines Aaton Intervelometer Sachtler Touch & Go Quick Release Plate 2 Camera Power Cables Battery Charger 2 Battery Charging Cables 2 Short BNC Cables 1 12V Micro Force Y Cable 2 IBM Generic Power Cables Hardigg Case
  25. Stephen Perera
    Here's my piece 'Luthier'. It's the making of a classic guitar by an artesanal luthier. Shot on Aaton XTR XC + T2.5 Cooke Varokinetal 9-50mm lens + Kodak Vision3 500T and 250D. Processed and scanned on a Scanity (4K) by Cinelab London. I made the live recording of the music in the theatre using a Rode NTG4+ mic into a Zoom F3 recorder. The music was composed by Jeremías (the guitarist/luthier) and is called 'Aida' named after my mother that passed away a couple of Decembers ago. The why: finding out this talented busker was also a luthier, I asked him to make a guitar for me with the idea of filming the whole process. Both the guitar and the 'piece' are intended as a family heirloom. I can't play a note myself! I want to pass the guitar down on the one hand and have the 'filming' as a testament to my 'art'. I hope you have a bit of time to watch the piece. I will be entering it into the very modest Gibraltar Visual Arts Spring Festival in some months time. If I win it will pay back some of the costs I incurred and that's good enough for me haha. Watch at 1440p on YouTube for the best quality! Thanks for watching if you do watch!!!
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