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  1. For Sale : Zeiss Supreme Prime 150mm Lens (NEW) $23,000.00 USD.
  2. Looking for more info on this rehoused 14mm f2.8L. Just got a great deal on ebay. There was little info on the post and the guy didn't get back to me. From the photos I thought it was PL, but it's wider and the seat is deeper. Any ideas on the source of the rehouse or the mount?
  3. Hello Community! I‘m searching for a Canon 8-64mm T2.4 S16 zoom lens. If someone want to sell one please write me! Greetings - Rick
  4. Hi, everyone! Gonna be shooting a film with a look rooted in Jazz photography from the likes of William Claxton, Dennis Stock and others known for the marvelous images they created around that beautiful genre. Obviously, the film's aesthetic's going to borrow a hell of a lot from these great photographers... However, what I'm most interested in is the B&W film stocks that were around the time in which the most iconic artists were photographed: the 1950s. So, on the one hand, what I'm wondering is if there's anyone in the room with an idea about the the rolls of B&W film available at that time and their characteristics. But on the other hand, I'd like to know if anyone knows where can I find information on the way these photograpers worked, which is to say the lenses and equipment they used, the way they developed their film and created they final shot in the darkroom, etc. Also welcome is information on the film stocks used to shoot movies or documentaries around the 50s. My guess is even at that time Double-X was the real deal, but... You know. A guess is a guess.
  5. For Sale : Cooke Varotal 18-100 T3 Zoom Lens Email sales@broadcastsolutions.com for pricing and details.
  6. Apart from shape of bokeh, what are the pros and cons of having more iris blades ? Cooke S7i (image circle : 46.3 mm) - 9 blades Zeiss CP3 (image circle : 46.3 mm) - 15 blades Zeiss Supreme (image circle : 46.3 mm) - 16 blades Arri Signature (image circle : 44.7 mm) - 11 blades Leica Thalia (image circle : 60 mm) - 15 blades
  7. Hi, I have got for sale Angenieux 28mm f1.1 / T1.2 super fast lens for Super16 Features: custom made 80mm front diameter Arri standard mount nice sharp image Lens is in good used shape, mechanics are a little dry (CLA would definitely help it) and optics was cleaned of fungus a few years ago (you could see the remains), so the price respects overall state. PRICE 550 EUR + shipping costs PAYMENT PayPal SHIPPING I am located in Slovak Republic, EU. And I preferrably would ship within EU.
  8. Anywhere you look online, it is stated that Canon K35 lenses were used for Aliens, but I recently had a back and forth with someone in the "Anamorphic Shooters" facebook group that piqued my curiosity. I haven't seen any mention of this in the forums, so I'm interested in what info anyone might have aside from this seemingly sensible hearsay: (names removed) "Aliens was shot on Panavision lenses, most likely rehoused Zeiss HS optics. The K35s story is an internet myth, one that is repeated as gospel by most rehousing and hire companies. The K35s were used simply on the b-camera for cutaways." Me - "Really? I can’t find any source that says that, how do you know?" "A guy I know worked with Adrian Biddle on a commercial project before his death. K35s were not highly regarded lenses until 10 years ago... no one wanted them and there is no way 20th Century Fox would ever let an entire blockbuster with a budget of 18 million be shot on them. Adrian Biddle replaced veteran Dick Bush who was fired by James Cameron. Bush was a very old school DP and there's no way on earth he'd not used Panavison lenses. Aliens was Biddles first movie as a DP and he'd never have been able to send back a full Panavision lens set and replace them with K35s. They had a short schedule and since no one wanted the K35s Biddles was able to get them cheap and have them used on the B-camera for additional coverage. The internet and especially rental houses listings are full of half truths... and myths ... the reality is... a huge number of movies simply used Panavision glass. Panavision were rehousing lenses since the 1950s and still are... and in that time have used Bausch & Lomb, Nikon, Leica and especially Zeiss optics as the basis for their lenses. If you believe the internet: Hitchcocks, "The Birds" was shot on SuperBaltars... even though the movie came out in 1962 and the lenses were released in 1966/67. The Godfather was shot on SuperBaltars... even though a good portion of the lens was shot on Gordon Willis' custom made Panavision 40mm. American Hustle was shot on K35s... well half true, the original casings were so useless they were quickly replaced by Zeiss Superspeeds. Kubrick used K35 on Barry Lyndon... not true... he used an early Canon FD specially rehoused. Aliens being shot on the K35s is yet another one of those myths. In their original unrehoused form they were a pain and in fact 10 years ago a case of lenses would cost you about 5k. ...the K35s are very popular now... but never were at the time... even though they did win an Oscar. All but the 18 and 35mm are basically rehoused FDs (with some improvements to the coatings) which is why they cover a LF sensor. The truth about lens choices pre digital... often it was a lot less sexy and complicated than we think... it was what was there, what worked and what gave the sharpest image on 35mm film. Plus the most reliable mechanics... and that was part of the K35s downfall... and their uneven focus throws. you might find this piece worth a read. Gregory Irwin who worked on American Hustle also AC'd on Joker, Interstellar... his credits list is huge."
  9. W.T.B. Canon Cine-Servo 50-1000mm PL Mount Send pricing and details to sales@broadcastsolutions.com
  10. W.T.B. Fujinon XK 20-120mm Cabrio Lens
  11. W.T.B. Qty-2 Each / Angenieux EZ-2 15-40mm & EZ-1 30-90mm Lenses
  12. W.T.B. Leica Summilux-C 16mm & 135mm Please email sales@broadcastsolutions.com with pricing and details.
  13. Hi everyone, I am trying to find out what lenses were used in the shooting of Terrence Malick's Badlands, but there seems to be no info available on this topic. I just know that three cameras were used during the production: Mitchell Bncr, Cameflex, and Arriflex. Badlands was shot in 1972, does anyone know what lenses were common for any of this cameras around that time, specially for the Mitchell? Thanks!
  14. FOR SALE: CANON 6.6-66 super 16 ZOOM PL mount lens Excellent condition. Bought it like new on cinematography.com three years ago. Used it for one documentary project (centerscanwith F5 - beautiful results.) No longer using it so it is time for it to find a new home. 5000 euro. Lens is in Amsterdam, the Netherlands. Can ship anywhere as long as you pay for freight costs. contact: petr@lomfilms.com
  15. I have an 8mm Illumina (Optar) lens for sale. It's in B mount for super 16mm sensor/film. I bought this lens to begin a set with but then found a complete set for sale, so this one is no longer needed. I'm asking £1620 + shipping for it. It is a rare lens and in excellent condition. I can provide more pictures if needed. Shipping will be charged at the cost, insured and signed for. I'm also happy to meet the buyer and exchange. I'm based in Hampshire UK, often working in London if that suits the buyer to meet there. This is me.. http://davidcawleydop.com Please contact via email david@davidcawleydop.com Regards, David Cawley DoP
  16. Email sales@broadcastsolutions.com for pricing and details.Prime lensesArri Master primes - 18, 21, 25, 32, 40, 50, 75 and 100 - metric scalesCooke S4 classic (not i) 14, 18, 21, 25, 32, 40, 50, 75, 100 and 135mm - metric and imperialArri Ultra Prime 10, 14, 16, 2x20, 24, 28, 32, 40, 50, 65, 85, 100 and 135mm - metricCooke Speed Panchro TLS 18, 25, 32, 50, 75mm - metricCooke Speed Panchro TLS 18,25,32,40,50,75mm - Imperial or metricTokina Vista 18, 25, 35, 50 and 85mmZeiss B-Speed (MkI, Opton version) 18, 25, 35, 50 and 85mmZeiss Super Speed MKIII uncoated 18,25,35,50,85 and 135(T2)Zeiss Stealth HS (Gecko Cam) 18,25,35,50,85Zoom LensesArri Alura 15.5-45Arri Alura 30-80mmAngenieux Optimo 56-152mm AnamoprhicRed Pro Zoom 18-85mmAngenieux Optimo 24-290mm S35Fujinon Cabrio 19-90mmCanon K35 25-120Cooke 20-100 T3.1Specility LensesP+S Technik T-RexOptex Borescope (old version)Canon FD 200mm T1.8 PL Canon FD 300mm T2.8 PL Canon FD 800 5.6 PL
  17. Hi there! I built two sets of Leica R's for a feature and now am looking to let go one of them, if there is demand right now. The set consists of: Leica R 19mm 2.8 V1 Leica R 21mm 4.0 Leica R 24mm 2.8 V1 Leica R 28mm 2.8 V1 Leica R 35mm 1.4 Summilux Leica R 50mm 1.4 Summilux Leica R 80mm 1.4 Summilux (optional) Leica R 90mm 2.0 (my second set consists of a lot more focal lengths, if you are looking to add more lenses) They are all from the same time period and match very well. All have been serviced, declicked, focus gears, 80mm universal fronts (apart from the 19), and original Leica UV Filters (apart from the 19). Very good condition & they did a beautiful job on the full frame sensor. Located in Vienna, Austria - can be shipped worldwide Hit me up for more infos, pictures & price suggestions - I will update this post later on Thanks! Best, Patrick
  18. For Sale : Arri Alura 18-80 T2.6 Zoom Lens (Feet) $14,900.00 US. Flight Case Included.
  19. Email sales@broadcastsolutions for pricing and details. Super 35 + Series. Each lens includes FF conversion kit. 32, 50, 75 & 100mm.
  20. I'm selling 2 Arri CLM-2 lens motors. Both are in used condition but perfectly functional. I'm asking €1000 excl. shipping. I'm located in Belgium.
  21. Cooke Speed Panchro Set Includes: 18/25/32/40/50/75/100mm P&S Price : $44,000.00 USD
  22. 32mm Cooke Speed Panchro (T2.3) For Sale. Arri Standard Mount. Serial Number starts with a 5. I also have a 75mm CSP that I'm selling, listed here separately. I'm asking USD $2,200 for this lens. Preference will be given if there's a buyer who wants to buy both lenses together. I popped it on my Panasonic S1H and unsurprisingly, it doesn't cover Full Frame (see portholing picture in the photo album). This is a Super 35 lens, although there's a bit of darkening at the edges noticeable on these S35 4:3 aspect ratio shots, but it's *barely* noticeable in 16:9, especially if you're not shooting white walls, and certainly not noticeable in anything wider like 2:1 or 2.35:1. Typical of Cooke Speed Panchros of this vintage, it has some light coating scratches in the front and rear elements, (including one deeper scratch near the edge of the front element, see pictures) but nothing that would affect the image. Duclos told me there's some haze and contamination (see picture) in the optics, and some oil on the iris blades as well. It could use a service, or rehousing somewhere like P+S or TLS. I've included a few shots (of the camera operator figurine from a low angle), shot at T2.3 (Wide Open), T2.8, T4, and T5.6. If you're close enough in Brooklyn, Manhattan, or Queens, I can deliver by Uber. Or I can ship. Uploaded file size limits here are pretty small, so I'm going to see if linking to a photo album works: https://flic.kr/s/aHsmPk26hi
  23. Arri UP 12mm in Good Condition Price: $9,000 omar@raw-entertainment.com
  24. I'm writing an essay and comparing optical artefacts between different lenses in different price ranges. Being able to compare these requires me to determine what a desirable result is and what an undesirable result is. Logically an artefact is a defect so it should be undesirable, but as well all know lens flares are a commonly used artefact in movies. Is there a way to determine what a good "lens flare" is?
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