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Showing results for tags 'Lenses'.
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Zeiss Super Speeds mkII, coated or uncoated?
Leo Behrens posted a topic in Lenses & Lens Accessories
I have shot with the Zeiss Super Speeds mkII on three short films in the past. I have always rented from bigger rental companies such as Keslow, BeCine etc. From what I have gathered, you can get the mkII both coated and uncoated, and every time I rented them from the bigger vendors they ask if I want with or without coating. I always choose with coating as I like the look better. Especially for the type of projects I do. For my upcoming shoot, I'm choosing them again, but this time I'm renting them from Sharegrid. I have messaged most of the owners, asking if they are coated or uncoated, but none of them knows. Some list "it has the magical T coating", but I don't know if that means a different coating or the regular coating? Anyway, due to low budget, I want to rent the ones with the cheapest price (due to budget restrictions), but none of them seems to have a clue if they are coated or not. So I guess my question is: Is it true that you can get coated and uncoated for the mkII version? When I research this online, it seems like people refer to the uncoated version as the mkI version (B-speeds) not mkII. Also, is there anyway to figure out if they are coated or not by just looking at them? They won't let me test the lenses, but I could stop to have a look. Thanks -
Hi all, I just wanted to share a new online library that I've been working on with my focus puller to share our lens and filter tests with other filmmakers, cinematographers, directors, camera crews etc. It's called the LFL - Lens & Filter Library and is available at rwpreisner.com/lfl So far there are over 80 lens and filter tests with many more to come in the next few months. It's currently in the early stages of development and I'm looking for feedback to see how useful people find it to be and what improvements they would like to see. I'm also looking to see how useful the choice of tests are to those that use the library. It's available to be saved as a quick shortcut on IOS & Android devices so can essentially function as an App on Ipad and Android as well as the videos being available in 4k for viewing on larger monitors. It's appeared a couple of times in the BSC magazine news and they have been supportive. You can read their short article about it here Have a look and it'd be great to know your thoughts!
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Full set serviced less than a year ago by Charles Pickel at Serious Gear. The glass is pristine aside from a tiny pinprick on the rear element coating of the 9.5mm, has absolutely no effect on the image whatsoever. Message me if you're interested and want photos of the individual lenses, they really are absolutely pristine! Markings are in feet, NOT metric. Here are a couple projects I shot with these lenses, they produce some really beautiful images: https://www.fiokarpenko.com/thick-and-heavy https://www.fiokarpenko.com/howl Looking to get $14,000 for the full set.
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FOR SALE: Cooke mini S4/i Cine Lens Set of 6, with flight case. These lenses are all in fantastic condition and have perfect front and back optics. Measurement is in imperial. They have only been used to shoot one feature. The lenses mechanics are all perfect.Focal lengths are 18, 25, 32, 50, 75 and 100mm. Price £24,750 GBP You can view the all hi-res photos here: https://drive.google.com/drive/folders/1yLE5iDZA66A3bS7RW9g5rWOYvt_91QoM?usp=sharing Cooke miniS4/i Cine Lens SetThe miniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0.
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NEW Arri Signature Prime 16-32mm T2.8 $63,000 NEW Arri Signature Prime 65-300mm T2.8 with 1.7x Extender $68,000 omar@raw-entertainment.com
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NEW Arri Signature Zoom 24-75mm T2.8 $45,000 NEW Arri Signature Zoom 45-135 T2.8 $45,000 omar@raw-entertainment.com
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NEW Cooke S3 Panchro/i Classic FF Full Set X12
Omar Tarek Alarian posted a topic in Cine Marketplace
NEW Cooke S3 Panchro/i Classic FF Full Set X12 $145,000 omar@raw-entertainment.com S3 Panchro/I classic FF lens 18mm S3 Panchro/I classic FF lens 21mm S3 Panchro/I classic FF lens 25mm S3 Panchro/I classic FF lens 27mm S3 Panchro/I classic FF lens 32mm S3 Panchro/I classic FF lens 40mm S3 Panchro/I classic FF lens 50mm S3 Panchro/I classic FF lens 65mm S3 Panchro/I classic FF lens 75mm S3 Panchro/I classic FF lens 100mm S3 Panchro/I classic FF lens 135 mm S3 Panchro/I classic FF lens 152 mm
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When shooting on a MFT sensor, in my case an Lumix GH6, do the characteristics of the focal length of the glass stay the same? For example: Let's say you want to shoot a nice portrait shot. Because of the so called 'crop factor' you would use a focal length of 25mm instead of the usual 50mm, to have the same frame. However would mean that the subject in the frame would have the characteristics of the 25mm? And does this then mean it is still better to use a real 50mm (which becomes a 100mm) to get the best portrait shot?
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Tribe7 Blackwing Set X6 T tuned Custom T tuned 20.7mm, 27mm, 37mm, 57mm, 77mm, 107mm $125,000 omar@raw-entertainment.com This set are all T tuned. Custom T tuned. They are very special set. when the lenses were made the owner had some adjustments made to the standard tunings. The edge fall off is slightly different And the contrast and flares too But they are very similar to T tuning with a special upgrade. That’s why this set is one of a kind. Here are more details of the set. 20.7mm - Boutique lens manufacturer Tribe 7 has added a brand new 20.7mm prime lens to their current Blackwing line of primes. The 20.7mm is now the widest lens in the set. It remains T1.9 like the rest of the set which is respectably fast. 27mm - 1960’s Retrofocus construction Sigma WIDEMAX Asahi Super TAKUMAR 37mm- 1950’s retrofocus construction R1 Angenieux 35mm f/2.5 “I used the 37 for a flashback memory sequence on the upcoming Brave New World show; I found the lens at T1.8 to be so magical, so painterly, so evocative and unique. BLACKWING7 lenses allow for total artistic expression in cinema.” ANDRIJ PAREKH, ASC. Cinematographer/Director 57mm-1940’s Biotar construction Asahi TAKUMAR 55mm f/1.8 77mm-1950’s Double-Gauss construction Schneider XENOTAR Carl Zeiss BIOTAR 107mm-1970’s BIOTAR / PETZVAL construction Hasselblad 110mm f/2 PLANAR
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Brand New Cooke S8i FF Set X7 Escrow service is available Price: $215,000 We have pre-booked 3 set of Cooke S8i lenses. The delivery is July - August 2022. You must do the Advance payment of 25% to reserve the set for you. Omar Alarian COO / Film Producer IMDB: www.imdb.com/name/nm7440967/ Raw Entertainment www.raw-entertainment.com Email: omar@raw-entertainment.com Youtube Channel: youtube.com/c/RAWegypt Instagram: instagram.com/rawegypt?igshid=YmMyMTA2M2Y= Latest Feature Film Trailer Welad Rizk: youtu.be/KbuuzxTxhP4
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Canon FD 24mm F1.4 L The glass and the body are in stunning condition. FD 24mm F1.4L Canon FD 55mm F1.2 S.S.C. Aspherical Beautiful and very unique lens. The glass and body are in great condition with a little wear from the age. FD 55mm 1.2 SSC Aspherical DM please and make a reasonable offer for either or both. I have more FDs I'm open to selling if you're interested please reach out.
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Ultra Prime Set X6 $31.5k Escrow service is available Lenses are located in Cairo omar@raw-entertainment.com (16mm) : 8871219 ( 24mm) : 8889092 ( 32mm) : 8889085 ( 50mm) : 8889480 ( 85mm) : 8878263 ( 135mm ) : 8870884
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Cooke S7/i Full-Frame Plus Set X6 Price: $142,500 The set is located in Dubai Escrow Service is available omar@raw-entertainment.com
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Cooke S8i FF Set X7 omar@raw-entertainment.com Escrow service is available Price: $219,000 We have pre-booked 3 set of Cooke S8i lenses. The delievry is July - August 2022. You must do the Advance payment of 50% to reserve the set for you.
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Selling some very clean front anamorphic optics for square front Lomos. I have various single and complete glass groups: 35mm Cylinder set - element 1, Element 2, Element 3+4 doublet nice glass in good shape ($4500 for complete Cylinder) ($2000 for front elements) 50/75mm Cylinder set - element 1+2 doublet, element 3+4 doublet ($4500 for complete Cylinder) ($2500 for front groups) All glass in good shape. Some slight markings to be expected but great replacements or completes for an anamorphic project. Also have some original lomo metal work from the front housing in poor condition available for $500 each. This is just front anamorphic glass, no spherical parts, great for replacements. -
For Sale : Arri Signature Prime Lens Set : 18/25/35/47/75/125mm Excellent Condition Includes custom innerspace flight case.
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Original Housing. Refurbished By Duclos. Full Service Overhaul By Focus Optics. 40mm T2.3 80mm front diameter 77mm threaded front 50mm T2.3 80mm front diameter 77mm threaded front 75mm T2.8 80mm front diameter 77mm threaded front 100mm T3.4 80mm front diameter 77mm threaded front
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Prestine set of DZO Pictor S35 zoom lenses. I used these lenses were used on two projects, but no longer need them. I've been really impressed with the IQ, they're a really good value. Comes with original shipping box. price includes insured ground shipping to CONUS https://www.sharegrid.com/newyork/l/229316-dzofilm-pictor-20-55mm-and-50-125mm -
Hey everyone! I'm getting a super 16 camera in the near future and am in the market for some lenses, preferably something more budget friendly. Does anyone have any primes they're looking to get rid of? Ideally looking for a set of 3 fast lenses, something like a 7mm, 16mm, and 25mm. Thank you!
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There seems to be a problem with my Schneider-Kreuznach 10mm lens for Arriflex ST. Whenever I've used it it's produced a cloudy/fogging image (see image) - this happens whether I use a matte box or not. I enquired with one lens servicing/repair company here in the UK and they suggested that the doublet elements might have separated, if this was indeed the case, they quoted £450 to fix it. If it was an issue with the coating, however, they said that couldn't be fixed by them. I should say that they were going by the pictures i sent and didn't have the lens itself to inspect. Anyway, what's your advice regarding this? £450 sounds a great deal of money to spend on the lens, especially considering you can buy another one for less than that. What should I do? Any suggestions? It would be a shame for the lens to simply not be used anymore.
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Hi, everyone! Gonna be shooting a film with a look rooted in Jazz photography from the likes of William Claxton, Dennis Stock and others known for the marvelous images they created around that beautiful genre. Obviously, the film's aesthetic's going to borrow a hell of a lot from these great photographers... However, what I'm most interested in is the B&W film stocks that were around the time in which the most iconic artists were photographed: the 1950s. So, on the one hand, what I'm wondering is if there's anyone in the room with an idea about the the rolls of B&W film available at that time and their characteristics. But on the other hand, I'd like to know if anyone knows where can I find information on the way these photograpers worked, which is to say the lenses and equipment they used, the way they developed their film and created they final shot in the darkroom, etc. Also welcome is information on the film stocks used to shoot movies or documentaries around the 50s. My guess is even at that time Double-X was the real deal, but... You know. A guess is a guess.
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For Sale : Angenieux Optimo 28-340mm T 3.2 Zoom Lens. (Feet) Includes 2 motors and microforce w/ cables.
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Hi, Working as camera assistant I came across combination of RED Monstro 8K VV and Sigma FF lenses. All good, except 14mm… That marks beginning of Compact Matte Box. I have found this type of product very useful in various fast pacing situations as wll great for gimbals and other lightweight setups. www.nd9.eu Available for 80/95/110/114 mm size as well 14mm Sigma prime. Custom size and solutions also available, If any questions please write Contact form
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Currently, my 5008 MS is in Sweden with Björn being serviced, re-celled, and having a Angenieux 8-64mm collimated - it's a lens I'm very happy with as I've always found it to be sharper than the Schneider 6-66mm. That said, I've recently been offered a chance to buy a 10mm 1.8 retrofocus Angenieux which I've seen be compared to the Cinegon 10mm! But is it worth buying this and then paying for it to be collimated if I've already got a 8-64mm? -
Zeiss CP.2 Super Speed lenses in good condition, no damage on glass, mechanically perfectly working, with some marks of use on the housing: 25mm T2.1 35mm T1.5 50mm T1.5 85mm T1.5 100mm T2.1 Close focus PL mount, Focus scale: meter Price: 11800 euros More pictures: https://www.dropbox.com/sh/cn2jmnakfnj925r/AACz3ry5XoWEof-1fhhdOS0ua?dl=0
