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  1. Hello, I'm intrigued by the Panavision Elaine 16mm camera which seemed like a good camera that never seems to get used anymore and is largely forgotten. It was introduced in 1987 but the only thing I know was shot with it was some of 'Malcolm In The Middle' back in the 90s. I'm assuming it was used primarily for TV. Has anyone here had any experience with it or used one recently? What are your thoughts on it, what was it like to use? Kind regards - Aren
  2. Let’s the the usual talk out of the way. Yes I know PV is PV, but I have see. These EVFs in the wild since after Panavision threw them out. Heck I have even seen two PV genesis is private possession. With that known. I am looking for the Panavision EVF for the F35. I have been looking at aftermarket ones as well, but seems they aren’t worth the effort. //C
  3. Here's the glorious teaser for Matt Reeves' The Batman that dropped on Dc FanDome. Matt himself uploaded a 4K version on his Vimeo account: They only shot 25% of the film so far, so pretty astounding they have that much footage, and so coherently edited, to show yet. Production resuming in September at Leavesden (they cancelled the other planned shooting on location in the UK, so some have wondered whether there'd be a noticeable change visually from shooting on location to on set, or studio lots, I doubt it with Fraser and Reeves). Fraser is shooting this on the Alexa LF p
  4. Panavision and its family of companies return to the EnergaCamerimage International Film Festival from November 9-16 in Torun, Poland, with an immersive, end-to-end experience for attendees. Torun’s newly renovated Karczma Damroki facility, across the street from the Jordanki Festival Center, will be transformed into an interactive festival space called PanaVillage and will showcase the integrated technologies, products, and services from Panavision, Panalux, Light Iron, LEE Filters, and Direct Digital. “We are giving filmmakers the opportunity to experience our broad array of tools in a
  5. Panavision, the world-class provider of end-to-end solutions, will return to Cine Gear Expo (May 31-June 1) at The Studios at Paramount to showcase the latest innovations in the company’s ever-expanding production and post production ecosystem. Panavision, Light Iron and LEE Filters will display an array of integrated technologies and systems at booth S408 on Stage 3 – ranging from lenses, cameras and filters, to state-of-the-art production and post production workflows – that illustrate Panavision’s commitment to providing the most versatile and powerful storytelling tools. “At Panavisio
  6. Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season. Customized workflow offerings from Light Iron for BETTER THINGS, THE GOOD FIGHT, THE OA, RAMY, SHRILL, THE MARVELOUS MRS. MAISEL, and WHAT WE DO IN THE SHADOWS, included dailies, digital intermediate, archive, and data services, among other creative and technical contributions. From San Francisco and Los Angeles to New York and Toronto, Light Iron serviced the productions from a range of locations with color and front-end teams in
  7. Panavision, the world-class provider of end-to-end solutions that power the creative vision of filmmakers, will return to BSC Expo (Feb. 1-2) with a demonstration of the company’s comprehensive and expanding ecosystem for feature film, television and commercial productions. Along with Panalux and LEE Filters, the array of integrated technologies – ranging from lenses, camera systems, and accessories, to filters and lights – illustrates the extent to which Panavision is committed to giving filmmakers the most versatile and creative storytelling tools possible. “Panavision is excited to exhi
  8. As entertainment industry luminaries prepare to swarm Park City for the Sundance Film Festival, Panavision and Light Iron (Panavision’s post production subsidiary) are proud to announce their collaborations with filmmakers on more than 25 projects screening or competing at the 2019 event (Jan. 24 – Feb. 3). The independent filmmakers behind these unique stories leveraged the innovative services of Panavision and Light Iron to provide a full range of offerings from gear to final deliverables. “We’re honored that independent artists join forces with us to achieve their vision,” says Kim Snyd
  9. Panavision, the entertainment industry’s leading designer, manufacturer and rental provider of high-precision optics and camera systems, has named Zoe Iltsopoulos Borys to lead the company’s Atlanta office as vice president and general manager. Borys will oversee day-to-day operations in the region, and ensure Panavision’s customers continue to receive the highest level of service to support their production needs. “Zoe is a respected partner to the cinematic community and we are pleased to have her on the team at Panavision,” said Michael George, Panavision’s chief operating officer. “Her
  10. Panavision’s Millennium DXL2 8K camera makes its Cine Gear Expo debut on June 1-2 at The Studios at Paramount in Los Angeles. The premier, large-format camera with a new post-centric firmware upgrade will be showcased at the Panavision booth (#S102) in Stage 17, along with four new large-format lens sets, a DXL-inspired accessories kit for RED DSMC2 cameras, and a preview of custom advancements in filter technology. “Millennium DXL2 is the cornerstone of an ever-evolving ecosystem that is designed to improve creative control across every department,” says Michael Cioni, senior vice preside
  11. This is a rare Cinematography Electronics film/video sync. system. Complete kit from a major Hollywood camera house, ready to go. This was another extra item from an auction lot. These are over $5000 new from C.E.. Sell for $350. Ships in hard case for $25 From the CE spec page: Works with: Aaton 7 LTR, 54 LTR, LTR-X, XC, XTR, XTR+, XTR, Prod, XO+, X Prod, 35 mm Type (1, 2, 3) Arriflex 16SR (1,2,3), 16 SRHS (1, 2, 3), 35-3, 35-2A*, 35-2B*, 35-2C*, 35-3C*, 435, 535, 535B, 35 BL (1,2,3,4,4S) Panavision 16MM, Gold (1,2), Millennium, Panaflex, Panaflex X, Platinum, Panastar (1,2), PSR Moviec
  12. Is it mostly based of preference? The one's I know by name are Canon, Sony, Zeiss, Cooke's, Leica's, Sigma's, Panavision, Arri and Rokinon. I like the Zeiss super speeds because the smoothness of the gears whenever on I'm on a follow-focus rig. Also the sigma's quality I really love. Rokinon's are pretty decent for their price when you need to get something like a knock-off zeiss, I've heard people say. I own two Roks, really are impressed with them. So all in all, does it comes down to preference/price? or are there more factors?
  13. Looking for more info on this rehoused 14mm f2.8L. Just got a great deal on ebay. There was little info on the post and the guy didn't get back to me. From the photos I thought it was PL, but it's wider and the seat is deeper. Any ideas on the source of the rehouse or the mount?
  14. Panavision, the motion picture industry’s most respected designer, manufacturer and provider of state-of-the-art cinema lenses, high-precision camera systems and innovative post production technologies, will showcase its Millennium DXL2 8K camera at the National Association of Broadcasters (NAB) Show, which runs April 7-12 in Las Vegas. Technology leaders from Panavision and its subsidiary Light Iron will also share their vision and expertise during panel discussions throughout the conference. The DXL2 is the evolution of a unique camera ecosystem, built by Panavision based on the input of
  15. Panavision, a global leader in optics and camera systems, will explore the beauty of 8K large format in an eye-opening presentation at SXSW on March 13 at 11:00 a.m. at the Vimeo Theater. Attendees to the interactive discussion will learn about the symbiotic relationship between full-frame imaging devices and large-format optics, and how these tools can help improve production value while remaining cost effective. The session will also present clips that demonstrate the benefits of 8K capture and how ultra-high resolution equates to more creative control. Panavision’s Dan Sasaki, a revered
  16. For Sale: Zeiss/Arriflex 28MM & 50MM Lenses have been mounted, but never used in a production environment. "New" in original boxes. The physical condition is as new and is free of scratches, cleaning marks or oil. Based on serial numbers these are from the last batch of Standard Speeds Arri made. Rare opportunity to own new vintage lenses. Format: Super 35 PL Mount 80mm Front Diameter Include front and rear caps Lenses 28 mm T* 2.1 ($5500.00) 50 mm T* 2.1 ($5500.00) PM with any questions or interest Lenses are in Los Angeles and available to see.
  17. Panavision (Stand 502) is introducing the new Millennium DXL2 8K camera here at BSC Expo 2018, running Feb. 2-3 at Battersea Evolution. The large-format camera is the heart of a complete imaging ecosystem designed from filmmakers’ perspectives, seamlessly incorporating Panavision’s unmatched optics and camera architecture, the RED MONSTRO 8K VV sensor, and Light Iron color2 science (LiColor2). The DXL2 builds on the success of the Millennium DXL and benefits from Panavision’s unique and storied partnership with cinematographers, whose real-world experience and input are manifested in the DXL2’
  18. Panavision has named Dan Hammond, a longtime creative solutions technologist in the industry, as vice president and general manager of Panavision Hollywood. Hammond will be responsible for overseeing daily operations at the facility, and working with the Hollywood team to leverage the exceptional camera systems, optics, service and support that Panavision customers have come to expect. Hammond is a Panavision veteran, who worked at the company between 1989 and 2008 in various departments, including training, technical marketing, and sales. Most recently he was at Production Resource Group
  19. A commercial I shot in September was released today and I thought that it would be interesting to post it here as it has a mix of "things that the client wanted" and "things that we wanted" on a really tight budget. Directed by Ciarán Dooley, the commercial is a 2 minutes commercial for a company called Homestore + More which sells House thingies such as cutlery, ornaments, towels, etc here in Ireland and it tells the story of an elderly widow who is urged to seek companionship by her loving grandson Everybody had a clear vision of what they wanted to do for the campaign as they had sh
  20. Continuing 25 years of support, Panavision once again celebrates the art and craft of moving pictures with filmmakers at the Camerimage International Film Festival of Cinematography, which runs November 11 - 18 in Bydgoszcz, Poland. This year, Panavision hosts a masterclass with Oscar®-winner John Toll, ASC, and a workshop on large-format filmmaking. http://www.panavision.com/panavision-brings-millennium-dxl-camera-and-large-format-lenses-camerimage-2017 On Nov. 14 in the MCK, Panavision Day begins with the workshop, "The Beauty of 8K Large-Format" from 11:00 – 13:00. Peter Deming,
  21. TORONTO (September 27, 2017)—Panavision announced that Johanna Gravelle has joined the company as Canada’s national sales manager. Gravelle will be based in Toronto, and is responsible for ensuring that customers receive unparalleled service and top-notch camera and lens systems for their productions in the region. “We are truly excited to have Johanna join the Panavision team,” says Paul Mason, senior vice president and CFO of Panavision Canada. “Her invaluable experience and longstanding relationships will contribute to our progressive efforts to serve the needs of cinematographers and p
  22. Hi all, I'm starting prep work for my college thesis at Emerson and I'm researching into the different challenges with shooting the project on film. I'm particularly thinking 16mm, just for budgetary reasons, and can't seem to find a Super 16mm camera that shoots up to 300 fps other than scientific/military cameras. The film is about a track athlete, so I'm wanting to get some very beautiful, frozen moment shots of our talent running. Does anyone know of any cameras that shoot as high as 300 fps? I see most of the HS cameras from Arri only go up to 150 fps. Thanks!
  23. Hey guys! Please check out The Ultimate Anamorphic Lens Test where we tested 13 brands, 40 lenses and created over 500 tests and 130 4K videos. You can compare them all in our 4x side-by-side viewer here. Brands tested include: Angenieux Optimo 44-440mm T4.5 AS-2 Anamorphic Zoom ARRI / Zeiss Master Anamorphic Atlas Lens Co. Orion Series Anamorphic 65mm T2.0 Cineovision Anamorphic Cooke Anamorphic /i Special Flare Elite Anamorphic Hawk V-Lite Vintage `74 Anamorphic Iscorama Pre-36 Anamorphic Lens Adapter Kowa Cine Prominar Anamorphic Lomo Round-Front Anamorphic Panavision Aut
  24. Selling a like-new Precision Speed Control 2 that is currently selling for $3000 on CE's website. This one has the LED display and the 3-perf option. Link here: https://cinemaelec.com/products/precision_speed_control_2/ This connects to your film camera and gives you control of your frame rates for over and under cranking, flicker reduction, TV scan line issues etc.. The display also serves as a digital tachometer and footage/meter counter. Works on Panavision, Aaton, Arri, Moviecam and more. Comes with a cable but you may need a different connector for your specific camera. Only uses the
  25. WOODLAND HILLS, CA, (June 1, 2017) – Panavision will reveal advanced new tools for its unprecedented, large-format Millennium DXL 8K camera at their booth in Stage 2 (#S302) at Cine Gear Expo, June 2-3. Demonstrating the evolution of their innovative approach to filmmaking, Panavision will debut a set of fast, wirelessly controlled “Primo Artiste” lenses that cover the full 8K HDR image; the world’s first HDR OLED “Primo” Viewfinder; a new color spectrum filter called “PX-Pro”; and “DXL Control,” an iPhone app for remote camera control. These new technologies support Panavision’s Millennium DX
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