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  1. RED Digital Cinema will showcase its DSMC2™ camera line-up at IBC in Amsterdam from September 14 - 17. Located in Hall 13, Elicium Tower, 4th Floor, RED will feature its DSMC2 camera brain with three sensor options – MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. Additionally, RED will demonstrate an 8K workflow, covering 8K REDCODE RAW, HDR, and its enhanced image processing pipeline (IPP2). RED experts will be available to answer questions and offer insight into the possibilities for efficiently producing 8K projects. The DSMC2 camera BRAIN includes high-end frame rates and data rates regardless of the sensor chosen. RED’s modular camera system allows a shooter to configure a fully operational camera setup to meet their individual needs. RED offers a range of accessories including display and control functionality, input/output modules, mounting equipment, and methods of powering the camera. The DSMC2 camera is capable of up to 60 frames per second at 8K, offers 300 MB/s data transfer speeds, and simultaneous recording of REDCODE® RAW and Apple ProRes or Avid DNxHD/HR. The flexibility of RED’s modular camera designs with accompanying accessories and integration solutions can also be seen on the show floor through a variety of manufacturers, including Sigma, Cooke, Zeiss, Angenieux, Schneider Optics, Teradek, CoreSWX, Fujifilm and Motion Impossible. Projects shot on RED include the upcoming Voyage of Dr. Doolittle (Guillermo Navarro, ASC), A Million Little Pieces (Jeff Cronenweth, ASC), Maleficent 2 (Henry Braham, BSC), and King of Thieves (Danny Cohen, BSC), among many other productions, including Eighth Grade (Andrew Wehde), Mindhunter (Erik Messerschmidt), Stranger Things (Tim Ives), Godless (Steven Meizler), GLOW (Christian Sprenger), and House of Cards (David M. Dunlap), to name a few.
  2. Please email sales@broadcastsolutions for pricing and details. For Sale: CINEMA LENSES: Leica Summicron-C Set Includes: 18/25/35/50/75/100mm Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Arri Ultra Prime Lens Set Includes: 16/24/32/50/85/100mm Arri Ultra Prime Lens Set Includes: 16/24/32/50/85mm Arri Ultra Prime 28mm Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Arri Alura 45-250mm Lens Feet New Arri Alura 18-80mm Lens Feet Schneider Shift Tilt Super Angulon Lens Set Includes: 28/50/90mm Macro Zeiss CZ-2 28-80mm T2.9 Compact Zoom Lens Zeiss CZ-2 70-200mm T2.9 Compact Zoom Lens Fujinon Cabrio 19-90mm V1 Zoom Lens Red Pro 300mm T2.9 Lens Red Pro 18-50mm T2.9 Lens Red Pro 50-150mm T2.9 Lens Red Pro 17-50mm T2.9 Lens CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags, Cine Station,OLED VF, Extended Warranty, Email For Complete Details & Price Phantom Flex 4K 64GB Package Includes: 2TB CineMags, Cine Station NEW Arri Alexa Mini Kit w/License, Under Warranty Email for Details Arri Alexa SXT EV Camera Package Arri Alexa XT Plus Camera Package Arri Alexa Studio Camera Package Arri Alexa Plus 4:3 Camera Package Red Epic-W Helium 8K Brain New Never Used Red Epic Dragon Camera Packages Sony F65 Camera Package Sony F55 Camera Package Panasonic Varicam LT Camera Package Panasonic HPX 3700 Camera Packages Panasonic Varicam 35 Camera Packages S16/35mm FILM CAMERAS Arricam LT 3 Perf Film Kit ArriFlex 16SR3 High Speed Advanced Film Kit ArriFlex 16SR3 Silent Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit 2/3" Lens Canon HJ11ex4.7B WRSE Canon HJ17ex7.6B IRSE Fujinon HA22x7.8 Lens Qty.-2 Available Fujinon XA17x7.6BERM Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads Qty.-2 Worral Gear Head Sachtler Video 20 Tripod System CAMERA ACCESSORIES: Teradek Bolt Pro 3000 (SDI) Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE & M21VE Arri Follow Focus FF3 2 Speed Follow Focus w/15 &19mm Sliders,Short & Long Tails,Case Looking For : (Preowned) To Purchase Arri Alexa Mini Packages Arri 416 Film Kits Arri Alura 18-80 Lens Canon K35 Lenses Film Scanner: Lasergraphics Director 4K, Scanity, Scanstation or Northlight 2 P&S Technik Skater Scope Century 2000 Periscope
  3. Hey everyone! The production company I work for is parting ways with our Red Weapon Helium 8K S35. It is in great condition, 333.6 hours used. Willing to sell each accessory separately. Red Weapon Helium 8K S35 Brain w/ Skin Tone Highlight OLPF - $30,000 Side Handle DSMC2 - $600 Bomb EVF w/ Spinner (no cables included) - $2,000 Ti PL Mount - $1,000 AC / Wall Power cables x2 - $150 for both. DSMC Canon Mount - $500 All accessories OBO. PM for more details and photos. Thanks!
  4. Please email sales@broadcastsolutions.com for pricing and details. For Sale: CINEMA LENSES: Leica Summicron-C Set Includes: 18/25/35/50/75/100mm Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Arri Ultra Prime Lens Set Includes: 16/24/32/50/85/100mm Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Zeiss CZ-2 28-80mm T2.9 Compact Zoom Lens Zeiss CZ-2 70-200mm T2.9 Compact Zoom Lens Fujinon Cabrio 19-90mm V1 Zoom Lens Red Pro 300mm T2.9 Lens Red Pro 18-50mm T2.9 Lens Red Pro 50-150mm T2.9 Lens Red Pro 17-50mm T2.9 Lens CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags, Cine Station,OLED VF, Extended Warranty, Email For Complete Details & Price Phantom Flex 4K 64GB Package Includes: 2TB CineMags, Cine Station NEW Arri Alexa Mini Kit w/License, Under Warranty Email for Details Arri Alexa SXT EV Camera Package Arri Alexa XT Plus Camera Package Arri Alexa Studio Camera Package Arri Alexa Plus 4:3 Camera Package Red Epic Dragon Camera Packages Sony F55 Camera Package Panasonic HPX 3700 Camera Packages Panasonic Varicam 35 Camera Packages S16/35mm FILM CAMERAS ArriFlex 16SR3 High Speed Advanced Film Kit ArriFlex 16SR3 Silent Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit 2/3" Lens Canon HJ11ex4.7B WRSE Canon HJ17ex7.6B IRSE Fujinon HA22x7.8 Lens Qty.-2 Available Fujinon XA17x7.6BERM Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads Qty.-2 Worral Gear Head Sachtler Video 20 Tripod System CAMERA ACCESSORIES: Teradek Bolt Pro 3000 (SDI) Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE & M21VE Arri Follow Focus FF3 2 Speed Follow Focus w/15 &19mm Sliders,Short & Long Tails,Case Looking For : (Preowned) To Purchase Arri Alexa Mini Packages Arri 416 Film Kits Arri Alura 18-80 Lens Arri Alura 45-250 Lens Canon K35 Lenses Film Scanner: Lasergraphics Director 4K, Scanity, Scanstation or Northlight 2
  5. Please email sales@broadcastsolutions.com for pricing and details. For Sale: CINEMA LENSES: Leica Summicron-C Set Includes: 18/25/35/50/75/100mm Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Arri Ultra Prime Lens Set Includes: 16/24/32/50/85/100mm Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Zeiss CZ-2 28-80mm T2.9 Compact Zoom Lens Zeiss CZ-2 70-200mm T2.9 Compact Zoom Lens Fujinon Cabrio 19-90mm V1 Zoom Lens Red Pro 300mm T2.9 Lens Red Pro 18-50mm T2.9 Lens Red Pro 50-150mm T2.9 Lens Red Pro 17-50mm T2.9 Lens CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags, Cine Station,OLED VF, Extended Warranty, Email For Complete Details & Price Phantom Flex 4K 64GB Package Includes: 2TB Cinemags, Cine Station Arri Alexa SXT EV Camera Package Arri Alexa XT Plus Camera Package Arri Alexa Studio Camera Package Arri Alexa Plus 4:3 Camera Package S16/35mm FILM CAMERAS ArriFlex 16SR3 High Speed Advanced Film Kit ArriFlex 16SR3 Silent Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit 2/3" Lens Canon HJ11ex4.7B WRSE Canon HJ17ex7.6B IRSE Fujinon HA22x7.8 Lens Qty.-2 Available Fujinon XA17x7.6BERM Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads Qty.-2 Worral Gear Head Sachtler Video 20 Tripod System Sachtler 18SB Head, ENG 2 CF Legs, Spreader & Handle CAMERA ACCESSORIES: Teradek Bolt Pro 3000 (SDI) Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE & M21VE Arri Follow Focus FF3 2 Speed Follow Focus w/15 &19mm Sliders,Short & Long Tails,Case Looking For : (Preowned) To Purchase Arri Alexa Mini Packages Arri 416 Film Kits Arri Alura 18-80 Lens Arri Alura 45-250 Lens Canon K35 Lenses Film Scanner: Lasergraphics Director 4K, Scanity, Scanstation or Northlight 2
  6. Please email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags, Cine Station,OLED VF, Extended Warranty Email For Complete Details & Price Phantom Miro M320S Package Arri Alexa SXT EV Camera Package Arri Alexa XT Plus Camera Package Arri Alexa EV Camera Package Arri Alexa Plus Camera Package Arri Alexa Plus 4:3 Camera Package Red Weapon 8K Helium Brain Only Red Epic Dragon Camera Packages Sony HSC 100 Includes: CCU,RCP 1500,VF Qty.-3 Available Sony F55 Camera Package Sony F5 Package w/4K Upgrade Panasonic Varicam V35 Camera Packages Panasonic HPX 3700 Camera Packages CINEMA LENSES: Elite Anamorphic MK-4 Lens Set Includes: 25/32/40/50/75/100mm Arri Ultra Prime LDS Lens Set Includes:16/20/24/32/40/50/65/85/100/135mm Metric Arri Ultra Prime Lens Set Includes: 16/20/24/28/32/40/50/65/85/100/180mm Metric Arri Ultra Prime 12mm Lens Feet Arri Ultra Prime 14mm Lens Arri Ultra Prime 20mm Lens Arri/Zeiss MK1 Super Speed T1.3 Lens Set Includes: 18/25/35/50/85mm Arri/Zeiss MK III Super Speed T1.3 Lens Set Includes: 18/25/35/50/85mm Arri/Zeiss Master Prime Lens Set Includes:18/21/25/32/40/50/75/100mm Feet Arri/Zeiss Master Prime 16mm Lens Feet Arri/Zeiss Master Prime 65mm Lens Feet Zeiss 28-80mm T2.9 Light Weight Zoom Lens Arri Alura 45-250mm Zoom Lens Arri Alura 30-80mm Zoom T2.8 Lens Arri Alura 15.5-45mm Zoom T2.8 Lens Angenieux Anamorphic 30-72mm Zoom Lens Angenieux Anamorphic 56-152mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 45-120mm Zoom Lens NEW Angenieux Optimo 30-76mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Angenieux Optimo DP 30-80mm Zoom Lens Cooke Panchro Lens Set Includes:18/25/32/40/50mm Leica M0.8 Lens Set Includes: 21/24/28/35mm New In Original Boxes Fujinon Cabrio 85-300mm Zoom Lens Fujinon Cabrio 19-90mm V1 Zoom Lens Qty.-2 Canon 17-120mm Cine-Servo Zoom Lens Canon 15.5-47mm Zoom Lens Canon 30-105mm Zoom Lens S16/35mm FILM CAMERAS Arri 416 Plus Film Kit ArriFlex 16SR3 High Speed Advanced Film Kit ArriFlex 16SR3 Silent Film Kit Arri 435 4 Perf Kit Arri 535 4 Perf Kit 2/3" Lens Canon HJ11ex4.7B WRSE Canon HJ17ex7.6B IRSE Fujinon HA22x7.8 Lens Qty.-2 Available Fujinon XA17x7.6BERM Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available Red 300mm T2.9 Red 18-50mm T2.9 Red 50-150mm T2.9 Red 17-50mm T2.9 CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads Qty.-2 Worral Gear Head Sachtler Video 20 Tripod System Sachtler 18SB Head, ENG 2 CF Legs, Spreader & Handle CAMERA ACCESSORIES: Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE & M21VE Looking For : (Preowned) To Purchase Fujinon Alura 18-80 Lens Arri 416 Film Kits Canon K35 Lenses Innovision Probe II Film Scanner: Lasergraphics Director 4K, Scanity, Scanstation or Northlight 2
  7. Red Volt Battery Bundle 15 batteries. 5 chargers. $1,100 OBO Based out of Salt Lake City. Photos viewable at this link: https://classifieds.ksl.com/listing/52546796 PM me on here or you can reach me through the contact info given on that link.
  8. Please email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags,Cine Station, VF Extended Warranty Email For Complete Details & Price Arri Alexa Mini Package Arri Alexa SXT Plus Camera Package Arri Alexa EV Camera Package Arri Alexa Plus Camera Package Arri Alexa Plus 4:3 Camera Package Red Weapon 8K Helium Brain Only Panasonic Varicam V35 Camera Packages Panasonic HPX 3700 Camera Packages CINEMA LENSES: Zeiss Super Speed T1.3 Lens Set Includes: 18/25/35/50/85mm Zeiss 28-80mm T2.9 Light Weight Zoom Lens Arri Alura 45-250 Zoom Lens Arri Alura 30-80mm Zoom T2.8 Lens Arri Alura 15.5-45mm Zoom T2.8 Lens Leica M0.8 Lens Set Includes: 21/24/28/35mm New In Original Boxes Cooke Panchro Lens Set Includes:18/25/32/40/50mm Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 30-76mm Zoom Lens Angenieux Optimo DP 16-42mm Zoom Lens Fujinon Cabrio 85-300mm Zoom Lens Fujinon Cabrio 19-90mm V1 Zoom Lens Qty.-2 Canon 15.5-47mm Zoom Lens Canon 30-105mm Zoom Lens Canon 17-120mm Zoom Lens 2/3" Lenses: Fujinon HA22x7.8 Lens Qty.-2 Available Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available Fujinon XA17x7.6BERM CAMERA ACCESSORIES: Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE & M21VE
  9. RED Digital Cinema will be at Cine Gear Expo this year in Los Angeles at The Studios at Paramount from June 1-2. Located at Booth S101 in Stage 17, RED will showcase its DSMC2™ camera line-up featuring its premier sensors, MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. Additionally, RED will demonstrate 8K workflow, covering 8K REDCODE RAW, HDR and image processing pipeline (IPP2). RED will also be taking attendees behind the scenes on Christopher Probst, ASC’s new short film, Epoch. On June 1 at 12:45pm and June 2 at 11:45am, Probst will break down his approach to shooting the short film, set in a post-apocalyptic world of harsh, dusty exteriors and dark desolate nights. Probst and director Rich Lee relied on the sensor qualities of the RED MONSTRO to deliver a visually compelling 13-minute narrative finished in 4K. Both sessions will take place in the Sherry Lansing Theater on the Paramount lot. For more information, visit http://www.red.com/cinegear-2018.
  10. RED Digital Cinema is advancing its product portfolio of high-quality cameras and sensors with a focus on simplicity, price and quality for customers. Beginning today, RED’s camera line-up will be modified to include one DSMC2 camera BRAIN with three sensor options - MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35. The single DSMC2 camera BRAIN includes high-end frame rates and data rates regardless of the sensor chosen and, in addition to this new value, the streamlined approach will result in a price reduction compared to RED’s previous camera line-up. “RED was founded with the desire to democratize the digital cinema camera industry by making trailblazing technology accessible to shooters everywhere,” said Jarred Land, President of RED Digital Cinema. “And that mission has never changed. With that in mind, we have been working tirelessly to become more efficient, as well as align with strategic manufacturing partners to optimize our supply chain. As a result, today I am happy to announce a simplification of our lineup with a single DSMC2 brain with multiple sensor options, as well as an overall reduction on our pricing.” RED’s DSMC2 camera BRAIN is a modular system that allows a shooter to configure a fully operational camera setup to meet their individual needs. RED offers a range of accessories including display and control functionality, Input/Output modules, mounting equipment, and methods of powering the camera. The DSMC2 camera BRAIN is capable of up to 60 frames per second at 8K, offers 300 MB/s data transfer speeds and simultaneous recording of REDCODE® RAW and Apple ProRes or Avid DNxHD/HR. The RED DSMC2 camera BRAIN paired with each of RED’s sensor options provides the ultimate blend of flexibility and performance. · DSMC2 with MONSTRO 8K VV offers cinematic full frame lens coverage, produces ultra-detailed 35.4 megapixel stills, and delivers 17+ stops of dynamic range for $54,500. · DSMC2 with HELIUM 8K S35 is the recipient of the highest DxO score ever, delivers 16.5+ stops of dynamic range in a Super 35 frame, and is available now for $24,500. · DSMC2 with GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility using standard mode for well-lit conditions or low light mode for darker environments priced at $19,500. RED will begin to phase out offering new sales of its EPIC-W and WEAPON camera BRAINs immediately. In addition to the changes to the camera line-up, RED will also begin offering new upgrade paths for customers looking to move from older RED camera systems or from one sensor to another. The full range of upgrade options can be found here. “We would not be where we are today without the continued support of our customers,” continues Land. “And after having many conversations with a wide range of those customers, now is also the perfect time to announce our latest loyalty programs to give them the opportunity to upgrade to the latest RED technology."
  11. I have three Zeiss Planar Standard Speeds all in PL mount::: 85mm, 100mm and 135mm T2.1 All the glass is super clean, all the gears work just fine. Very moderate signs of wear on the barrels. - Zeiss Planar 135mm T2,1......$5900 - Zeiss Planar 100mm T 2,1.....$4700 - Zeiss Planar 85mm T2,1.........$4200 FOR PICS CLICK HERE
  12. I wanted to share a problem I recently encountered on a feature I shot in May/June of 2017. This website is a great resource to search for solutions to film specific problems and I feel my experience with G Drives, partition maps, formatting, and Red Undead can help others who may end up in the same situation. I will go in depth on what I learned and end with a simple tutorial on how to fix the problem. Detailed Story The production I was shooting decided to have post-production be a Windows OS based workflow. Per usual, I checked in with the post-team to figure out their OS and together advised the production on which types of hard drives to get. Remember, a FAT32 file system is largely unsuitable for video production because of the file size limitations. The production was opening formatting all of the hard drives FAT32 so they can work on either a Windows or Mac OS, but I advised against it for the above reason. I haven't had much experience with ExFat, which holds larger file sizes and is cross platform. We decided a conservative approach and felt formatting the hard drives for Windows was our best solution. The film was low budget and slightly inexperienced, so we received our hard drives on the first day of production. We used G-Drive branded hard drives with 3TB each. Our camera system was the RED Epic with normal SSD magazines. The first night after shooting we started to format hard drives and discovered that G-Drive is specifically designed for Mac. It can work on Windows, but G-Drive's workflow for formatting hard drives on and for a Windows environment is convoluted. Instead of having the hard drive in a FAT32 format that both systems can recognize for initial formatting, the drives came pre-configured for Mac. To format them, we had to use disk utility and command prompt (see instructions here: https://support.g-technology.com/KnowledgeBase/answer.aspx?ID=14080) A key thing to note about this process: command prompt uses the clean command that erases the information that tells the computer the layout of the file structure of the hard drive. In a nutshell, every hard drive has a file that is a roadmap of all the data it stores; where each physical gate is, what row, how it's fragmented, etc. Windows and Mac have very specific structures, hence why Mac hard drives are largely unreadable by Windows and vice versa. [TANGET] Software exists that allows the OS's to read hard drives for opposing OS's [TANGENT] The clean command erases that file, but nothing else. When you're in a Windows environment, a Mac formatted hard drive will not even be recognized by the OS. The only way a user can see it is through the Disk Utility program; at that point a user can only see that a hard drive is connected, but nothing else (because Windows sees nothing else either!). When you use clean in command prompt on the Mac hard drive, it creates the drive as an "unallocated" or unused hard drive. You can then create a new volume out of this unallocated hard drive and format it to a Windows structure. From there you have a hard drive that Windows can read/write to. What if you accidentally use a clean command? What if that command was used on a Red SSD that has undownloaded footage? That happened to my production. There is no way to undo a clean command; the partition file that describes to the OS what the structure is becomes completely unique once content is written to the hard drive because the partition file is updated to reflect where that new information is written. It's like a dynamic rosetta stone; without it, there's no way to decipher the data written. It is better described as a partition map. With the partition map erased, the SSD had undownloaded footage with no way to find it. This became extremely stressful for me. However, I did find a solution. Red Undead is a Mac based program developed by Red. It's designed for recovering data from accidental formatting of SSD's. Essentially, when an SSD is formatted in camera, the partition is re-written to display the structure and all of the data is made available for re-writing. But, none of that data is changed; physically the bits are still in the position they were last in (either a 1 or 0). Red Undead takes advantage of these "old states" and reads the data. From there, based on how Red's own R3D files are constructed, Red Undead can re-create the lost footage. To recap, we had accidentally erased the partition map of a Red SSD. There's undownloaded footage sitting on the magazine, but there's no map available to tell the computer a) that a hard drive exsists and B) what and where each file is. So, we decided to try Red Undead. We formatted the Red SSD in camera (to write the Red partition file) and then brought it into Red Undead. The program then spent an hour or so reading every gate, eventually spitting out nearly all of the lost footage. We only lost a portion of the first clip, which is a lot better than losing the entire card. NOTE: do not perform a secure format of the SSD in camera. A secure format rewrites the partition file and writes 0's across the entire SSD. A secure format truly erases footage. There are a few things to learn from my experience: Hard Drives must be delivered during prep. Be adamant about it as a DP and DIT. Erasing a partition map is part of the formatting process; the damage is done. An unsecured or simple format doesn't erase the already written data, but makes it available to be written over A secured format erases the partition map and writes 0's across the entire card/hard-drive, fully erasing footage. Red Undead reads old written data that hasn't been written over yet Red Undead is only available for the Mac OS. (we should keep pestering them for a Windows port) The obvious one: DO NOT FORMAT HARD DRIVES WITH CAMERA MEDIA CONNECTED AT THE SAME TIME Of course, this technology may change over the years, but the concepts should hold. Tutorial: How to fix a Red SSD Mag that has its partition map erased If the partition map has been erased, do nothing else to the SSD mag if it's still connected to a computer. Insert the SSD mag and do an unsecure format in camera. Reconnect the SSD mag to a Mac computer. Run Red Undead in the computer. Verify which clips were saved and which were not. Ensure recovered clips are backed up before formatting the card again. --- I hope my experience can help others! I'm in no way an engineer (software or hardware), so please correct me if my terminology or concepts are wrong. Has anyone else had experiences similar to this? Does ARRI, Canon, or Panasonic offer data recovery software like Red Undead?
  13. RED Digital Cinema® is showcasing its latest sensor technology, MONSTRO 8K VV, on Stand 426 at the BSC Expo, running Feb. 2-3 at the Battersea Evolution. MONSTRO is an evolutionary step in large-format sensor technology with improvements in image quality including dynamic range and shadow detail. The new cinematic, full-frame WEAPON® camera with the MONSTRO™ 8K VV sensor that launched in October 2017 is now available for purchase. On Feb. 2 at 11:15 in the Seminar Room, RED and Mission Digital are hosting a conversation with Chris Ross, BSC and Mission Digital Managing Director Mark Purvis. They will discuss the shooting of FX’s flagship show Trust, directed by Danny Boyle and starring Donald Sutherland, Hilary Swank and Brendan Fraser. Attendees can learn how Ross and the post-production team approached the creative and technical aspects of one of the biggest television shows to be shot in the UK. RED will also host a premier seminar with CHEAT colourist Toby Tomkins and Panavision Senior Vice President of Innovation Michael Cioni on “The Benefits of 8K RAW Workflow in High Resolution TV Delivery.” The event will take place Feb. 2 at 15:15 in the Seminar Room. The two will discuss using an 8K RAW workflow on feature films, as well as the recently released Netflix original TV series The End of the F***ing World. The series was shot on RED WEAPON 8K S35 by cinematographers Justin Brown and Ben Fordesman with Tomkins handling final color. Tomkins will share his insights and approach to managing high-resolution workflows and explain the value of RED's new Image Processing Pipeline (IPP2). RED’s newest camera and sensor combination, WEAPON 8K VV, offers cinematic full frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds – up to 300 MB/s. And like all of RED’s DSMC2 cameras, WEAPON shoots simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to the company’s dedication to OBSOLESCENCE OBSOLETE® – a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.
  14. Selling a RED SCARLET MX Package. This kit includes everything you would need to get shooting with the RED! Serious Inquiries only Asking 9,500 USD! email me at jeanlucoicle@gmail.com Kit includes: RED SCARLET MX Brain (EF Mount) DSMC RED Touch 5" LCD 4 x Redvolt battery 2 x Redvolt charger 2 x 64gb Redmag DSMC Side Handle RED DSMC Bolt Kit Smallrig Top Plate Smallrig Cheeseplate Wooden Camera Riser Smallrig 15mm Rod Adapter 2 x Smallrig Carbon Fiber 15mm rods Smallrig Top Handle (rubber grip) Olympus Stereo Mic Anton Bauer Gold Mount Battery Plate RED LCD/EVF CABLE (RIGHT-TO-RIGHT) 12inch RED LCD/EVF CABLE (RIGHT-TO-RIGHT) 18inch Wooden Camera A-Box AC Adapter Pelican Case Located in Montreal. Would ship to US and Canada.
  15. 317mm Telepanchro - Excellent condition, Just PL'd lubed + optics cleaned + camera support added, very very nice....Price $7,495k PICS HERE I also have another 317mm that is Arri Standard mount for $6,495. Email if interested. PICS HERE This is my personal Telepanchro. Duclos did the report and Optitek cleaned optics + did the PL work. Feel free to reach out. I'm located in Los Angeles. Local pickup preferred! Email me if I need to ship. I'll think about shipping it, but depends on your location. FYI - I have two full panchros sets (ser II + ser III). One in excellent condition @ 24.5k PICS HERE and one in good condition for 21.9k PICS HERE. Sold three sets so far! Last two sets available. Thanks! Best, Alex asafdie@gmail.com
  16. Set #217 are Cooke Speed Panchros ser# 6XXXXX, just the 75 and 18 are 7XXXXX They all work fine, very minor cleaning marks in few of them. Price is 19.5k. Please let know if you have any questions. FOR PICTURES CLICK HERE PS - We do have a couple other sets available in better conditions for higher price. Thanks!
  17. For Sale : JUST LISTED (PRE-OWNED) : Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 45-120mm Zoom Lens Angeniuex 25-250mm HR T3.5 Zoom Lens Zeiss Digizoom 17-112mm Lens NEW Zeiss CP2 18/28/50/85 Lens Set PL Mount Arri XT Plus Camera Package Arri Amira Camera Package Low Hours Red Weapon Magnesium Brain Camera Package Red Epic-W Helium 8k Camera Package CINEMA LENSES: Cooke S4 Lens Set Includes: 14/18/25/32/40/50/75/100mm Feet Cooke S4i Mini Lens Set Includes: 18/25/32/50/75/100/135mm Feet Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Re-Housed Zeiss Digizoom 17-112mm Lens NEW Zeiss 14mm Standard Speed T2.1 Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 15-40mm Zoom Lens Angenieux Optimo 45-120mm Zoom Lens Angeniuex 25-250mm HR T3.5 Angenieux 17-102mm T2.9 Arri Alura 30-80mm Zoom Lens Fujinon Cabrio 19-90 V1 Zoom Lens Fujinon Cabrio 19-90 V2 Zoom Lens Canon CN-E 30-300mm Lens (2 Available EF & PL Mount) Canon 150-600mm T5.6 Red 18-85mm Lens Red 18-50mm Lens Red Pro Prime Set (6) Lenses Cooke Varotal 18-100mm T3 MKII Zoom Lens Cooke Varotal 25-250mm T3.9 MKII Zoom Lens Cooke Varotal 20-100mm T3.1 Zoom Lens Sony FE PZ 28-135mm f/4 G OSS Lens 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Just Refurbished By Canon Canon HJ11ex4.7B IRSE Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon 80X Digi Lens Digi Semi-Servo SD Latest Generation. Incl: Sled & Case Fujinon HA13x4.5 BERM-58 w/2x Fujinon HA18x7.6 w/Servo Zoom Fujinon HA20x7.8BERM-M28 Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M1 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available S16mm LENSES Canon 7-63 T2.6 S16 Zoom Lens Canon 11.5-138 T2.5 S16 Zoom Lens Optex 5.5mm Super 16 T1.9 Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 CAMERAS: ARRI Alexa XT Plus Camera Package ARRI Alexa Plus 4:3 Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa Classic Camera Packages ARRI Alexa-M 4:3 Camera Package Red Weapon Magnesium Brain Camera Package Vision Research Flex 2K Package Vision Research Miro Package Sony PMW-F55 Camera Package Sony PMW-F5 Camera Packages Sony PXW-FS7 Camera Package Sony PDW-F800 Camera Package Sony PDW-700 Camera Package Sony PMW-200 Camera Package Panasonic AJ-HPX 3700 Camera Panasonic AJ-HPX 2700 Camera Package Canon C500 PL Mount Camera Package Canon C300 EF Mount Camera Package Canon C300 PL Mount Camera Package Sony PMW EX3 Camera Package Sony PMW-EX1 Camera Package CAMERAS : (Film) ARRI 435 Film Camera ARRI 535 Film Camera ARRI SR III Film Camera CAMERA ACCESSORIES Vision Research 512GB Cine Mag Preston FIZ 3 Kit Complete w/Extras. Email For Details C Motion System Precision Linked Motorized controls for Focus, Iris, Zoom, or Convergence Control Includes: 4 Motors, 2 Cayman Command Units, 1 Hand Control Unit Run/Stop Control, 3 Batteries, 2 Chargers & Accessories. Just Serviced In Germany Thru C Motion 3D 3ality Element Technica Quasar 3D Rig Email For Details Genus Hurricane 3D Beamsplitter Rig GRIP TRUCK Chevrolet 2008 5 Ton Diesel Truck 169K Miles 60" Liftgate w/Tilt & Pig Tail Control System Includes Grip & Lighting Package Email for the details. Will Sell Without Grip & Lighting Package AVID Avid Unity Media Engine 5 48TB Unity 5 [unity MediaNetwork 10 Port Fibre Channel, 16 TB Media Engine PLUS 2 16TB chassis [for a total of 48 TB of storage].
  18. Alright before I continue, let me say... Im not exactly a gear head. Im much more about the feeling, and always say you can make a great film shooting on a toaster if you have the right ideas/script etc. The reason im writing this is because late last year I purchased a Red Epic-W and while Ive been able to shoot some nice content, I keep running into stupid issues with the camera itself. Im not alone actually. Others are constantly complaining about the "green cast" and all sorts of other bugs that you would think wouldnt be present on a "high end" camera. Im just wondering.. did the alexa mini come with a bunch of bugs as well? Maybe this has already been discussed., would appreciate if someone could point me in the right direction. And if not.. What do you prefer to shoot on when it comes to reliability. Thanks
  19. Thanks in advance for sharing your experience with me. I'm going to be DP on a friend's shortfilm and they want to use the Red Scarlet W with a Dragon sensor. I'm excited about that because I have never used a RED camera, but I have some questions, specially since I won't have acces to the camera pretty much till the shooting day. How do you expose for this camera? I know it sounds like a dumb question but I'm really asking, where do you put your 18% gray? and how's your experience with your technique? I like using my light meter to set exposure, but now with a variety of cameras available and manufacturers putting 18% gray wherever they want it's complicated. Here is my point: I have an Ursa Mini 4.6k and it's a great camera. I tested the camera using an 18% gray card and some other tests and I determined that in order to get proper exposure without correcting in post I have to overexpose the camera by almost two stops. I set ISO 800 on the camera and ISO 250 on my light meter, and I get what I consider proper exposure. There is a video where Shane Hurbult tests the camera and he gets pretty much the same results. I guess it was sort of embarrasing for Blackmagic to say their camera is rated at ISO 250 so they said it's a ISO 800 camera like REd and Alexas, but by doing that they are forcing people to under expose a camera that doesn't have tolerance to underexposure. It's a great camera, if you expose it properly and that is not at ISO 800. I know they are trying to protect the highlights, so their camera looks good, but I know how to take care of my dynamic range and I rather take it to the limits taking my own decisions. Is there something similar with RED cameras? How do you expose for RED specially with a light meter? Do you over expose or underexpose for some reason? Do you get more noise if you underexpose it? How far would you take ISO and still get a decent image? I'm not lazy, I did read the manual, but knowing that manufacturers play games with specs I rather have some info from people who have experience using the camera or I may say the sensor. Thanks in advance for your help.
  20. I have three Zeiss Planar Standard Speeds all in PL mount::: 85mm, 100mm and 135mm T2.1 All the glass is super clean, all the gears work just fine. Very moderate signs of wear on the barrels. ****Willing to split up the set. Pics HERE Price $14.8k
  21. Up for sale a BP3 and a BP5 kit, includes All Arri parts; Baseplate, Baseplate and Rods used a handful of times one is 15mm the other 19mm. $1,000.00. In LA buyer pays shipping
  22. Looking To Purchase Red 5'' DSMC1 LCD Touch Monitors Please email details and pricing to : sales@broadcastsolutions.com
  23. Looking To Purchase Red Epic-X Packages. Do not need batteries or charger. Please email details and price to : sales@broadcastsolutions.com
  24. A refreshed RED Tools app from RED Digital Cinema® is available now from the Apple App Store and available for the first time on Google Play for Android devices. RED Tools is a multipurpose toolkit designed for use by filmmakers and cinematographers with RED’s DSMC2® and DSMC® cameras. Within the free app, camera operators will find Light and Dark modes for different shooting environments plus a selection of convenient tools that aid camera set-up for: Crop Factor, Recording Time, Flicker-Free Video, Depth of Field, Panning Speed and Exposure in 11 languages including English, Simplified Chinese, German, Japanese, French, Spanish, and more. For more information, visit www.red.com.
  25. Irvine, CA — October 5, 2017. Today, RED Digital Cinema® announced a new cinematic full frame sensor for WEAPON® cameras, MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the DRAGON 8K VV sensor with improvements in image quality including dynamic range and shadow detail. This newest camera and sensor combination, WEAPON 8K VV, offers full frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds — up to 300 MB/s. And like all of RED’s DSMC2 cameras, WEAPON shoots simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to the company’s dedication to OBSOLESCENCE OBSOLETE® — a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear. “RED’s internal sensor program continues to push the boundaries of pixel design and MONSTRO is the materialization of our relentless pursuit to make the absolute best image sensors on the planet,” says Jarred Land, president of RED Digital Cinema. “The Full Frame 8K VV MONSTRO provides unprecedented dynamic range and breathtaking color accuracy with full support for our IPP2 pipeline.” The new WEAPON will be priced at $79,500 (for the camera brain) with upgrades for carbon fiber WEAPON customers available for $29,500. MONSTRO 8K VV will replace the DRAGON 8K VV in RED’s line-up, and customers that had previously placed an order for a DRAGON 8K VV sensor will be offered this new sensor beginning today. New orders will start being fulfilled in early 2018. RED has announced a comprehensive service offering for all carbon fiber WEAPON owners called RED ARMOR-W. RED ARMOR-W offers enhanced and extended protection beyond RED ARMOR, and also includes one sensor swap each year. “‘Good’ has never been ‘good enough’ for RED,” says Land. “We put ourselves in the shoes of our customers and see how we can improve how we can support them. RED ARMOR-W builds upon the foundation of our original extended warranty program and includes giving customers the ability to move between sensors based upon their shooting needs.” Additionally, RED has made its enhanced image processing pipeline (IPP2) available in-camera with the company’s latest firmware release (v7.0) for all cameras with HELIUM and MONSTRO sensors. IPP2 offers a completely overhauled workflow experience, featuring enhancements such as smoother highlight roll-off, better management of challenging colors, an improved demosaicing algorithm, and more. Visit red.com for details or find an authorized dealer or rental house in your area.
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