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  1. From most of the sources I have read, it was always written than overexposing film (thicker negative) would lead to increased latitude in the highlights and underexposing film (thinner negative) would lead to increased latitude in the shadows (the opposite is true for digital which makes sense). However, I am currently reading Glen Kennels excellent book on "color and mastering for digital cinema" and am now a bit confused if what I have read regarding overexposing = more highlight detail and vice versa is true. Perhaps I must be misunderstanding something. 1) Now in this book he mentions that to obtain more details in the shadows, you would want to overexpose to obtain a heavy negative and then print down to extend the range into the shadows. This would lead to deeper blacks as he shows in a diagram, but as he also mentions, is that can uncover "details that might otherwise have been lost". As well as to underexpose the negative to assure that all the highlight information is obtained in the negative. Perhaps I am confusing underexposing to ensure that all the highlight details are captured and overexposing to obtain a larger range of details in the highlights as the same thing, when in reality they are different. However, it seems like it would make much more sense to underexpose and then print up to obtain more details in the highlights. Furthermore, I don't understand how underexposing would lead to more details in the shadows compared to as is mentioned in the book, overexposing and then printing down. I hope someone could maybe help me clear up some of my confusions regarding this. 2) Another point I would like to mention is that overexposing the negative is said to lead to more contrast; however, when I'm looking at the curve of the color print film, the gamma of the curve seems to be the same, which is theoretically the definition of contrast in projected print. Although I thought that perhaps the reasoning is that we now have a larger difference between the minimum and maximum amount of density on the color film print. Is this correct?
  2. Zeiss MK2 Standard Speed Set of 10 PL Mount 12,16,,20,24,28,32,40,50,60 &85mm ๐ˆ๐Ÿ ๐ฒ๐จ๐ฎ ๐š๐ซ๐ž ๐ฅ๐จ๐จ๐ค๐ข๐ง๐  ๐Ÿ๐จ๐ซ ๐ญ๐ก๐š๐ญ ๐œ๐ฅ๐š๐ฌ๐ฌ๐ข๐œ ๐‚๐š๐ซ๐ฅ ๐™๐ž๐ข๐ฌ๐ฌ ๐ฅ๐จ๐จ๐ค ๐ญ๐ก๐ž๐ง ๐ญ๐ก๐ž๐ฌ๐ž ๐š๐ซ๐ž ๐ญ๐ก๐ž ๐ฉ๐ž๐ซ๐Ÿ๐ž๐œ๐ญ ๐ฅ๐ž๐ง๐ฌ๐ž๐ฌ ๐Ÿ๐จ๐ซ ๐ฒ๐จ๐ฎ. ๐‘จ๐’๐’ ๐’•๐’‰๐’† ๐’๐’†๐’๐’”๐’†๐’” ๐’‰๐’‚๐’… ๐’ƒ๐’†๐’†๐’ ๐’”๐’†๐’“๐’—๐’Š๐’„๐’†๐’… ๐’‚๐’• ๐‘ซ๐’–๐’„๐’๐’–๐’” ๐‘ด๐’‚๐’š 2022 ๐’‚๐’๐’… ๐’Š๐’ ๐’“๐’†๐’‚๐’ ๐’๐’Š๐’„๐’† ๐’”๐’‰๐’‚๐’‘๐’†. ๐๐ฎ๐ฒ๐ข๐ง๐  ๐“๐ž๐ซ๐ฆ๐ฌ: You have the right to a 48 hour check out period from time of receipt to verify that equipment purchased has not been misrepresented in any way and to verify that it is in good working order. ๐‘ญ๐’๐’“ ๐’Ž๐’๐’“๐’† ๐’Š๐’๐’‡๐’๐’“๐’Ž๐’‚๐’•๐’Š๐’๐’ ๐’„๐’๐’‘๐’š ๐’๐’‡ ๐’”๐’†๐’“๐’—๐’Š๐’„๐’† ๐’“๐’†๐’‘๐’๐’“๐’• ๐’‚๐’๐’… ๐’‘๐’Š๐’„๐’•๐’–๐’“๐’†๐’” ๐’‘๐’๐’†๐’‚๐’”๐’† ๐‘ท๐‘ด ๐’Ž๐’† ๐’๐’“ ๐‘ช๐’‚๐’๐’ ๐’๐’“ ๐‘ป๐’†๐’™๐’• 917-499-9596 ๐’๐’“ ๐’†๐’Ž๐’‚๐’Š๐’ ๐’ƒ๐’‚๐’“๐’ƒ๐’‚๐’“๐’‚@๐’๐’†๐’˜๐’‘๐’“๐’๐’—๐’Š๐’…๐’†๐’.๐’„๐’๐’Ž Focal Length Aperture 12mm T2.1 16mm T2.1 20mm T2.1 24mm T2.1 28mm T2.1 32mm T2.1 40mm T2.1 50mm T2.1 60mm Macro T2.9
  3. Take the camera and Run - Film cameras Blog As happened to me quiet a few times lately (and I have the feeling it will keep on happening) I found myself in one of the shooting situation I dislike the most, which is when more or less suddenly As happened to me quite a few times lately (and I have the feeling it will keep on happening) I found myself in one of the shooting situation I dislike the most, which is when more or less suddenly the 1st AD tells me :โ€Put in that van everything youโ€™re gonna need for the rest of the day, weโ€™re moving to a new location which is an hour drive from here. Donโ€™t forget anything, be fast and pleaseโ€ฆ keep it simple!โ€. Of course, Iโ€™m not speaking about situation where this was in the callsheet, in that case it is pretty easy to be prepared. Iโ€™m speaking of those times when a sudden change comes up (rain on location, new shooting plan, talentโ€™s agenda variations and an awful long etc.) and we need to improvise, which is from my point of view one of the most important skills of a good AC. Iโ€™m pretty sure that some of you came up quickly with an answer like :โ€Ask the DoP!โ€ and even though it is logic, if life was so easy everybody could be a top notch assistant cameraman. Normally, when this kind of situations happens, there has been an important change in the order of the shots, so is pretty likely that the DoP has his hands full speaking with the gaffer and/or the best boy about the new situation, discussing with the director all kind of lighting issues etc. Of course, the camera crew also will need confirmation from him, but is going to be much more fast if we do all the thinking, and then we just ask for a confirmation of the equipment list. Plus, making sure there is everything is needed for the shooting camera wise is one of the duties of the first assistant. More here: https://www.camaleonrental.com/gb/blog/take-the-camera-and-run.html
  4. Selling RED Epic-X Dragon 6k Kit which includes the following: 1. Red Epic-x Dragon 6k brain 2. RED bottom plate with 15mm Rod adaptor 3. Red Pro 5โ€ Touch Monitor 4. Red Bomber EVF 5. Two Lemo Video cables 6. Top Red plate 7. Red Side handle 8. 512GB Red Mini-mag 9. Red Top Handle 10. Wooden A-Box for Audio 11. V-lock adaptor 12. I/O back expander 13. Mini-mag Reader 14. Red EF Adaptor 15. Red Pro monitor tilt adaptor 16. OLPF for Low-light, highlight-skin-tone, and standard 17. Pelican Hard-Case 18. Magic-Arm for EVF 19. V-lock charger 20. 2 V-lock batteries 21. RED Tactical cage Around 600-700 hours run time, great condition and well looked after. Had some cable damage to the V-lock adapter so I've been using a D-Tap cable which is included. Really enjoyed using this camera. Happy to provide more images. Asking price ยฃ9,000 (London based collection only).
  5. For Sale Set of 8 Brand New Signature Primes Will ship in 7 to 10 days! Call or Text or WhatsApp 917-499-9596 Email barbara@newprovideo.com $162,000.00 PL Mount with Feet scales Focal Lengths ARRI Signature Prime 18/T1.8 F ARRI Signature Prime 25/T1.8 F ARRI Signature Prime 35/T1.8 F ARRI Signature Prime 47/T1.8 F ARRI Signature Prime 58/T1.8 F ARRI Signature Prime 75/T1.8 F ARRI Signature Prime 95/T1.8 F ARRI Signature Prime 125/T1.8 F
  6. CHECK IT OUT HERE SPONSORED CHALLENGE Take the Challenge TODAY! The Make It Epic 2.0 challenge presented by Filmmakers Academy and Musicbed is officially here! We are challenging filmmakers everywhere to take an ordinary object and make it look epic in a minute or less using one of the 5 songs on the Musicbed โ€œMake It Epic Playlist.โ€ Submissions are OPEN and close November 11th. Here are two examples of how we made a Hot Pocket and BlueShape battery look epic ๐ŸŽฌ Click the link to submit! Prizes will include Musicbed subscriptions, Filmmaker Academy memberships, Blueshape batteries, Tiffen Black Pro-Mist Filter, Lowel Lights, Shotdeck subscriptions and more! And our judges include Grammy-nominated producer Jamee Ranta, award-winning cinematographer Shane Hurlbut, ASC, renowned cinematographer Lawerence Sher, ASC, acclaimed commercial director Jane Qian, industry regarded director/executive producer Lindsey Hagen, and accomplished cinematographer Justin Jones. We canโ€™t wait to see what you come up with! Learn more about the Challenge of the DECADE! CHECK IT OUT HERE
  7. ALEXA LF Pro Camera Set $115,000 omar@raw-entertainment.com ALEXA LF Pro Camera Set, 2 TB Includes: 1x ALEXA LF Basic Camera Set for Pro Set, 2 TB 4x Codex SXR Capture Drive 2TB 1x ALEXA LPL LF FSND Filter Set, Full 1x ALEXA Bundle Accessory Set, EV/Plus/W/LF Note 1: Docks or on-board battery adapters are not included and can be ordered separately. Note 2: For use with FSND filters, the included FSND shim has to be installed to assure proper flange focal depth.
  8. Arri Alexa Super 35 Alexa 35 Production Set (19mm Studio) $78,000 NEW PRICE PRE-ORDER NOW omar@raw-entertainment.com Includes: K1.0039373 1x ALEXA 35 camera body 10.0043678 1x ALEXA 35 Cine License K2.0018983 1x ARRI LPL Mount (LBUS) K2.0016936 1x ARRI PL-to-LPL Adapter K2.0034180 1x Balance Utility Dovetail BUD-1 K2.0023751 1x B-Mount Battery Adapter K2.0020916 1x Multi Viewfinder MVF-2 K2.0042857 2x Cable VF Right Angle (0.5m/1.5ft) K2.75007.0 1x Camera Power Cable Straight 2m/6.6in KC -50 K2.0024101 1x Power Distribution Module PDM-1 KK.0041533 1x Production Support Set - Top KK.0041534 1x Production Support Set - Side KK.0041535 1x Production Support Set - Bottom Note: This set does not include recording media, media dock/reader, batteries, or lenses, which should be ordered separately.
  9. Arricam ST 3 perf Package with Arri HD Tap $75,000 Email me for details omar@raw-entertainment.com
  10. Arri 435 Xtreme 35mm Camera 4 Perf omar@raw-entertainment.com
  11. This lens has been installed with the Duclos Multi-Mount system which allows you to switch mount flanges within seconds. Includes both the EF & PL mounts. Also included a custom-made flight case and a genuine lens support post. Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this EF mount lens surpasses the performance requirements of any HD imaging system. Located in Sydney, Australia $7000 USD
  12. This Canon CN-E 15.5-47mm T2.8 lens has been installed with the Duclos Multi-Mount system which allows you to switch mount flanges within seconds. Includes both the EF & PL mounts. Also included a custom-made flight case and a genuine lens support post. Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this EF mount lens surpasses the performance requirements of any HD imaging system. Located in Sydney, Australia $7000 USD
  13. Hi Iโ€™m a director based in Rhode Island. Iโ€™m working on few projects and Iโ€™m new to the area. I want to start up few of my projects, but Iโ€™m in need of a dp/cinematographer. Also Iโ€™m in need of a crew based or near area, to help. Iโ€™m looking for long run relationship on future projects. This can be considered passion projects but will pay if necessary.
  14. - DIONIC HC Battery Digital series HC Logic - 14.4 volts 91 # 25054 (Gold Mount) - DIONIC HC Battery Digital series HC Logic - 14.4 volts 91 # 25057 (Gold Mount) - Anton Bauer - QRC DUAL PT 14 progress drive shelton (Gold Mount) Anton Bauer - TWIN - Charge of 2 simultaneous positions - # 00018352 (Gold Mount) Excellent condition. Batteries have always been used under ordinary circumstances, nothing extreme. In stock, they have always been plugged in order to ensure their longevity. They still show, fully charged 4 hours, as they were new. For Sony For Red For Canon For Black Magic URSA For Atomos Pack purchased for owner's exclusive use - NEVER RENTED Dual pack and TWIN charger (simultaneous charge) Gold Mount (unlike V-lock, the parts have no friction and wear is less) These, the condition of the mount is like new. HC Logic system: depending on the number of accessories (and therefore consumption), the battery calculates the remaining charge time and displays it to you. Sold with an Anton Bauer gold plate equipped with a 4-pin cable and 2 D-tap plugs to power supply the accessories. Maximum total output 150 watts Maximum lighting 75 watts Capacity: Typ. 91WH / min. 89WH As a gift: A D-tap to 4-pin cable that I had bought as a "just in case solution" but it has never been used. I accept PAYPAL Only - Price โ‚ฌ 200 - (worldwide colissimo shipping +/- 35โ‚ฌ, Covid pandemic & restrictions could make the drop off longer)
  15. $160,000 without head with head $174,000 choice of Ronin or Movi Comes with Telescopic jib Maximum lens height: 6.6m (22 ft.) Maximum telescopic reach: 4.7m (15.5 ft.) Adjustable telescopic speed: 0-1.5 m/sec. Adjustable fluidity of telescopic start and stop Automatic deacceleration at telescopic ends Weight: 89 kg 1-Electronic unit Linear Amplifiers with real-time operation system Adaptable for 230 V or 115 V 1-1 Mains cable 25 m 3-1 Control unit for telescope / Hand Rocker 1-1 Control unit for telescope 2-1 Cable for telescope control unit - 3m 3-1 Cable for telescope control unit - 10m 4-1 Autohorizon unit 1-1 Autohorizon motor unit 2-1 Autohorizon cable Counterweights 1-14 Counterweights (21) 2-1 1/2 Counterweight 1 1/8 Counterweight 3 Sliding weights Tools 2 Ratchet Strap 1 Set of Allen Keys 1 Set of Spanners - 10, 13, 19, 24 1 Ratchet with 24 + 18 nuts 1 Case for Tools 1 Cutter 1 Electric drill with adapter (Only for voltage of 220 V) 4 Screw 3/8 inch x 20 2 Screwdriver 1 Spirit Level 4 Nut M16/half Additional material 1-Set of gloves 1-Tin of Vaseline 1-Cable ties medium 10-Velcro medium 1 Manual (English language) Buyer is given a 2 day check out period on all equipment. Take a look at the rest of our gear at Newprovideo.com
  16. Selling my Red Komodo with 7 hours used. The camera is bought in Europe more precisely in CVP and that is why it is sold in euros. Location is Tirana, Albania. Thanks RED KOMODO 6K BODY ANGELBIRD AV PRO CFAST 2.0 MEMORY CARD - 1TB CORESWX KOMODO V-MT BATTERY PLATE RED KOMODO OUTRIGGER HANDLE TILTA TA-RF-PL CANON RF/PL ADAPTER SMALLRIG 2756 MINI TOP HANDLE SANDISK EXTREME PRO CFAST CARD READER Canon BP-975 3x Lithium battery 10050 mAh V-mount V-mount Charger Total Price โ‚ฌ12.000 Extra DJI RONIN-S GIMBAL NEW OPEN BOX โ‚ฌ766.90 See less
  17. Hello Everyone, I have decided to break-up my kit and sell my Sony F35 camera body separately at a highly reduced price than previously listed. The camera body comes with the coveted and ultra rare BandPro wet dock, as opposed to the bulky IF box. In addition to being a lot smaller than the IF box, the BandPro wet dock has four 1.5G HDSDI outputs, to deliver 12 bit 4:4:4, GPIO output, and power output to an external recorder. I am also including a custom-made V-mount battery plate with integrated belt clip, a custom-made AC power adapter, to power the camera from a 120V outlet, and the original top handle. Everything is in good to very good physical condition and 100% functional. Here is the list of items included in this sale: - Sony F35 CineAlta Camera Body Serial #11036 - BandPro Codex CDX-P055 Sony F35 "wet dock" - Custom-made V-mount battery plate with 3 foot (1 meter) cord and belt clip - Custom-made AC adapter with 20 feet (6 meter) cord - Original top handle Here is the link to a series of high resolution photos to see the camera in detail: CLICK HERE I am selling my F35 for a bargain price of $3000 + PayPal fee + shipping. I will also accept Venmo, in which case there would be no PayPal fee. I am located in the San Francisco Bay Area. If you are local, you are welcome to come pick the camera up in a COVID safe environment. I also have extensive experience in packing and shipping delicate items safely everywhere in the world, so domestic or international shipping is not a problem. Should you have any questions, please let me know. Cheers, Igor
  18. P+S TECHNIK T-REX RARE ITEM Price DROP email: omar@raw-entertainment.com $36,900 32-70mm 8-18mm 20-55mm 17-37mm 60-125mm T-REX Multidirectional System + Arri Remote Focus Serial: MLS-029 $36,900 Email: omar@raw-entertainment.com
  19. Hi I just recently purchased an arriflex 16st, it works amazing. it has a mag with zoom lens. Iโ€™m new to using this camera. Does anyone know how to use shutter and aperture. Also is their any places to find accessories.
  20. Sniper Package $6000 MK3 Laser & Display paired and with newest firmware Smoke Iris 17 Degree Lens 5 Degree Lens Optical Flat P&T Bracket Noga Arm 5 Batteries 2 Chargers Power Cables 1 P-tap to 2 pin coiled 1 3-pin to 2-pin coiled 1 straight 3-pin to straight 2-pin 36โ€ 1 straight 3-pin to 90 degree 2-pin 36โ€ Preston MDR interface cables 1 short 90 degree to straight 16โ€ 1 long 90 degree to straight 36โ€ 1 long 90 degree to 90 degree 36โ€ 1 Display Cable 36โ€ Manual $6000 , shipping included in price, if purchased in the Continental US
  21. Hi Name is Boris Iโ€™m a young director looking for a team in creating a film crew. I need a Dp/camera operator. Iโ€™m preferably looking for one located in Massachusetts. I shoot music videos, short films, etc. Iโ€™m trying to work ASAP
  22. https://vimeo.com/327032597 We are documenting events here in Japan prior to the 2020 games for practice. Thank you for all your input. We filmed Tokyo Marathon, I love Ireland Parade, Holi 2019, and most recent a Go Ruck event. Thank you for your time. Sincerely, LODI Team Japan
  23. For sale is a gorgeous Ekran Anamorphic Zoom lens, 40-120mm F2.5 T3.1 35mm format with PL-mount (model number 35OPF19-1A, serial number 850003). http://www.ebay.com/itm/Ekran-Anamorphic-Zoom-40-120mm-F2-5-T3-1-PL-mount-35OPF19-1A-Russian-35mm-Lens-/182554997311
  24. Hello, Set of CookeS4i for sale: -Set of 5: - cooke S4i/18 18 mm lens footage cooke S4i/32 32 mm lens footage cooke S4i/50 50 mm lens footage cooke S4i/75 75 mm lens footage cooke S4i/100 100 mm lens footage -New in box -Available now Please if interested send me an email at zaarour.joelle@gmail.Com Thank you
  25. Hello, Set of CookeS4i for sale: -Set of 5: - cooke S4i/18 18 mm lens footage cooke S4i/32 32 mm lens footage cooke S4i/50 50 mm lens footage cooke S4i/75 75 mm lens footage cooke S4i/100 100 mm lens footage -New in box -Available now Please if interested send me an email at zaarour.joelle@gmail.Com Thank you
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