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Showing results for tags 'lens'.
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Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo
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Hi group, Well I was always wondering: Why don't lenses provide the F stop which exactly corresponds to the light actually hitting the film emulsion or sensor (not accounting for lens flare and other random factors, just the glass inside the lens)? So in reality: if I get an F stop value from, say, a light meter, I most likely will get it in T stop. Otherwise the "exposure triangle" would make no sense (to me that is). Looks like some lenses are reducing as much as one stop while others perhaps a third of a stop. There is some information for some lenses regarding the actual T-stop, but many don't come with that information - and even with that information: what to do? Now add certain filters and you're into some serious math.... The only thing that remains the same (F stop/T stop) is of course the depth-of-field/focus. Fully automatic digital cameras with 100% matching lenses (or built-in ones) most likely take all that into account (to varying degrees of success IMHO). But what about using different lenses with no electronics and a 100% manual exposure? With film, once it's in the camera (and you don't have a variable shutter angle) your only way(s) to control exposure is/are lighting, filters and F stop. Please let me know how you go about the F stop vs. T stop issue and avoid under exposure. As always: any reply highly appreciated. Christian
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Selling a super wide angle lens for super16 or micro 4;3 Originally in Arri Standard Mount, it has a PL mount adapter installed. The lens is in great condition, I hate to see it go! Looking at 950$ for it. Pictures : https://drive.google.com/open?id=1e4WUZfFNWzAnBGbXM_ZNR7tuMWDS1OCz Contact: albu.william@gmail.com
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Please email sales@broadcastsolutions.com for pricing and details. 18/21/25/29/35/50/75/100/135mm T2
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Hi everybody, I'm doing a check out tomorrow and we are checking two 24mm lenses, one of which is detuned, what does that mean? Thank you in advance for the help!
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Set Includes: 18/25/35/50/75/100mm Please email sales@broadcastsolutions.com for pricing and details.
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Please email sales@broadcastsolutions.com for pricing and details. Cooke SK4 S16 6mm T2 Lens Cooke SK4 S16 12mm T2 Lens -
Zeiss CP.2 35mm T1.5 Super Speed PL Mount - $3.800 Interchangeable EF Mount Set for Zeiss CP.2 35mm T1.5 Super Speed - $300 https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing https://drive.google.com/file/d/0B6d...ew?usp=sharing Very excellent condition.
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FS Arri / Fuji Alura 18-80 Zoom Lens (Feet) Please email sales@broadcastsolutions.com for pricing and details.
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Hi Guys, Just looking to confirm some Sony F5 sensor size and lens crop factor. Sony F5 = Super 35mm sensor Super 35mm Crop Factor 1.5 So an 18mm lens on an F5 or any Super 35mm equivalent sensor is more like a 12mm lens? As 18 / 1.5 = 12 Is this correct? Thanks Steve
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Originally posted in FILM STOCKS Im am curious to gather some opinions. I plan on shooting a short in the near future on 16mm. Naturally my choice of stocks are limited to Kodak, and for production purposes 250D would be my best option. Now, really hate doing color correction and DI. I dont like doing it myself, and I dont want to pay to get a colorist to do it for me. I am wondering, how accurate are the colors of 250D, raw out of the stock? What sort of work would I have to do in post to make them accurate. Are there options for me in filtration to normalize the stock? My thought process is, that I want the stock to have an accurate color baseline for me to modify to fit my story. I am looking for a warm, medium contrast, and slightly diffused look. Something in between George Washington (2000) and The Long Goodbye (1973). For this, my idea of was to shoot with some TLS Rehoused Super Baltars, and apply a Tiffen Warm Black Pro-Mist 1/4. What do you think
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Zeiss Biotar 35mm f2 (Arri Standard Mount + PL Adapter) Zeiss Biotar 35mm f2 in Arriflex Standard Mount, plus PL adapter made by c7adapters.com. The adapter doesn't fit the Arri Amira/Alexa Mini PL Mount! Glass without scratches or fungus. Some dust particles inside. Smooth Aperture and focus rings. Arri Standard Mount + PL Adapter (PL Adapter doesn't fit Alexa MINI/Amira) Covers Super35mm film and sensors Price: 756$ Ebay Link: https://www.ebay.com/itm/173381486646?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Angenieux 12-120mm f2.2 - Cameflex Mount Glass is clean without scratches, haze or fungus. Focus, aperture and zoom rings run smooth. Slight wear on the body. Cameflex Mount Covers 16mm sensor. It also covers Super 16mm sensors, but it starts vignetting when focusing closer than 8 meters Price: 413$ Ebay link: https://www.ebay.com/itm/173381492080?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Samyang 800mm f8 - PL Mount Glass has no scretches, haze or fungus. The body has some wear. The lens has been professionally modified in order to be usable on PL Cameras. PL Mount Covers Super 35mm film and Sensors Price: 282$ Ebay link: https://www.ebay.com/itm/Samyang-DX-Tele-Lens-800mm-f8-PL-Mount/173381496210 All lenses are located in Zürich, Swizterland. For any question feel free to email me at vanja.tognola (at) gmail (dot) com . To see more pictures, check the ebay link or ask me directly! I wish you all a wonderful day Vanja -
WTB Cooke S4i 150mm Lens (Imperial) ASAP. Send pricing and details to sales@broadcastsolutions.com.
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Includes: Single Channel Handset, MDR2 (both Blue Dot and 4G), DM-1 motor with 19mm Hill bracket with 15mm inset, 1 Marking Ring, 2 working Batteries, ac charge with lighter cable. Camera cables for: Sony, Panavision, 11pin Fischer. Power cables MDR to: Ptap, 3 Pin, 24V Panavision, 11 Pin Fischer. MDR mounting bracket (V mount), motor cable. Custom Innerspace Pelican case Send me your email. This website has a ridiculous small size for pictures to be posted. Shame on it.
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Hi, I'm looking to purchase some of the lenses at the long end of the Ultra 16 set. It's like looking for a unicorn, so rumors are welcome. Cheers!
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Hi all, I'm going to be shooting a short film in the very near future on the Sony FS5. The Camera only comes with a kit lens, so I was wondering whether it was worth sourcing another lens to work with. I know friend's have pretty pricey Canon lenses, but I'm unsure whether these would be better or worse. The film is going to be shot mostly outside on location, shots of buildings and streets etc. If anyone has ideas, let me know. Thanks.
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Beautiful Kowa Anamorphic-35BS set of lenses for sale. Perfect condition, rehoused by PS Technik. PL-mount, metric scale, focus and iris gears. 80mm front. - 40mm /T2.3/ Serial Number: 45441 - 50mm /T2.3/ Serial Number: 55588 - 75mm /T2.8/ Serial Number: 75568 - 100mm /T3.4/ Serial Number: 105264 Package includes the lenses with front and back caps, case (Mastercases), Hoya close focus diopters (+1, +2, +4), Arri 80mm Clamp Adapter for LMB-5/LMB-15/LMB-25. Price: 88 000 Euro Payment by bank, invoice (free of VAT for buyers from EU with a valid VAT number), delivery costs and insurance are not included. Lenses are located in Sofia, Bulgaria.
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Hi, I'm Ben, a learning camera assistant who chose not to study film and is now catching up on production etiquette and techniques! I recently pulled focus on a short film for a great DoP (Tansy Simpson) here in London and at one point she asked me to push the iris to a 'two plus' Now i assumed this meant something like a t2.1, or did it mean 2.5? I'd love to get clarification on this as I was too worried she might think I was an amateur if i asked! Thanks in advance for any help offered, Benjamin
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WTB Lens test projector. One that can accepts both PL and EF mounts. Please email pricing and details to sales@broadcastsolutions.com.
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Please email pricing and details to sales@broadcastsolutions.com. Looking For : (Preowned) To Purchase Arri/Zeiss Master Prime Lens Set Arri 416 Film Kits Arri LWS For SR Camera Phantom Flex 4K 128GB Package Phantom Miro Camera Package Arri Ultra Prime Lenses Cooke Anamorphic Lenses Canon K35 Lenses Canon HJ14ex:4:3 Lenses Angenieux Optimo 45-120 Lens Angenieux Optimo 30-80 Lens Zeiss Classic ZF.2 Distagons in F Mount
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Email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CAMERAS: Arri Alexa SXT Plus Camera Package Arri Alexa SXT EV Camera Package Arri Alexa Mini Camera Package Includes License 4:3 & ArriRaw Arri Alexa XT Camera Package Arri Amira 4K Premium Camera Package Phantom Flex 4K 64GB Camera Package Sony F55 Camera Package CINEMA LENSES: Arri/Zeiss Master Prime Lens Set Includes: 18/25/35/50/75mm Canon K35 Lens Set Includes:18/24/35/55/85mm Cooke Panchro Lens Set Includes:18/25/32/40/50/75mm Cooke S4/i Mini Lens Set Includes:18/25/32/50/75/100mm Angenieux Optimo 17-80mm Zoom Lens Arri/Fuji Alura 45-250 Lens Arri/Fuji Alura 18-80 Lens Canon 17-120mm Cine-Servo Lens CAMERA SUPPORT: Qty.-2 Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads CAMERA ACCESSORIES: Preston HU3 Hand Controllers Heden Motors M26VE & M21VE
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I have three Zeiss ZF.2 lenses for sale and two adapters. Each one has a custom lens gear and screw on front diameter adapter (35-50 = 77mm front, 21=95mm front). The lenses can be delivered with indexed aperture or de-clicked. Your choice. The lenses have seen very light use and are in like new condition. The two adapters take the Nikon mount ZF.2 lens and convert them to either Canon or Sony camera mounts. Both adapters have been gently used. 21mm f/2.8 $1000 35mm f/1.4 $1200 50mm f/2.0 makro $800 Novoflex Nikon to EF adapter $50 Metabones Nikon to Sony E-mount adapter $50 Prices do not include shipping. We can do local pickup if you're in the Southern California area. Paypal or cash only. DM me if interested.
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Hi everyone, I'm currently preparing for a music video. A couple of scenes will need a misty dreamlike look to it (example down below)? I understand old glass is the best to get this look, but I would like to know the different type that I could rent. I currently live in the UK wanted to know the most accessible filter and lenses needed to provide an image like this? Thank you for Reading Christopher
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Fuji 25-300 Arri Alura 18-80 Arri Alura 45-250 Email sales@broadcastsolutions with pricing and details.
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For the purposes of future testing for a project, I would like to get some opinions on the various characteristics of some Super 16mm primes. Flares, bokeh, sharpness, contrast, color temperature, the works. Lenses in particular I would appreciate information on are... Zeiss Super Speed Mk 1 Zeiss Super Speed Mk 2 Optar Illumina s16 Cinema Products Ultra T Any other prime sets that have both 16mm & 25mm focal lengths. I'm really only interested in prime lens sets, no single primes like the Angenieux 5.9mm or any zoom lenses.
