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My Gear


Found 13 results

  1. Hi there! I built two sets of Leica R's for a feature and now am looking to let go one of them, if there is demand right now. The set consists of: Leica R 19mm 2.8 V1 Leica R 21mm 4.0 Leica R 24mm 2.8 V1 Leica R 28mm 2.8 V1 Leica R 35mm 1.4 Summilux Leica R 50mm 1.4 Summilux Leica R 80mm 1.4 Summilux (optional) Leica R 90mm 2.0 (my second set consists of a lot more focal lengths, if you are looking to add more lenses) They are all from the same time period and match very well. All have been serviced, declic
  2. I’m looking for a set designer and editor for my short film. I’m shooting a horror short film. I reside in Massachusetts. I’m looking for a video editor and set designer.
  3. Rare set of three lenses for sale: 35mm, T2,5 50mm, T 2,5 and a 80mm, T2,4 All with PL Mount Lenses come with: - front cap - rear PL cap; - new suitcase The price for all three lenses is USD 36,000. Lenses have metric scale. These are Russian vintage ANAMORPHIC NAS Lomo lenses with PL mount. They were used for a big movie recently and then inspected and serviced by Pure4C (Munich) These are 35mm camera format lenses. We used lenses on RED EPIC 6 K. These lenses create the vintage anamorphic look with amazing flares. Lenses are in great optical condition for
  4. Hi folks/students/eaters of knowledge I’m holding a workshop for cinematography set lighting. There are two four hour sessions being held at The Cove studio on Markfield Road, Tottenham, London on Saturday 18th August as part of the Fountayne Road Open Warehouse Day. It's aimed at people who haven't had any or little set lighting experience to come and educate their eyes by trying out things for themselves to see what the results are. A set is being specifically built for the workshop and it’s a fantastic opportunity to learn some real set lighting techniques whether for commercials,
  5. Beautiful Kowa Anamorphic-35BS set of lenses for sale. Perfect condition, rehoused by PS Technik. PL-mount, metric scale, focus and iris gears. 80mm front. - 40mm /T2.3/ Serial Number: 45441 - 50mm /T2.3/ Serial Number: 55588 - 75mm /T2.8/ Serial Number: 75568 - 100mm /T3.4/ Serial Number: 105264 Package includes the lenses with front and back caps, case (Mastercases), Hoya close focus diopters (+1, +2, +4), Arri 80mm Clamp Adapter for LMB-5/LMB-15/LMB-25. Price: 88 000 Euro Payment by bank, invoice (free of VAT for buyers from EU with a valid VAT number), delivery costs an
  6. 16.750,-- € mint condition (18, 25, 35, 50, 85, 100 mm) in original RED lens case All lenses are protected with TIFFEN Professional 105C UV Protector I will issue you an commercial invoice (price + VAT) located in Würzburg, Germany please PM me in case of interest. Best, Frank
  7. Hey all! Newer to the forums here. I'm shooting a senior thesis project coming up next weekend, and like any student project I'm trying to always up my game to the next level. We're shooting a lot of daylight exteriors, and I plan on setting up a lot of 10x's with diff to just get some more control of the light and to keep it consistently soft on close ups. My understanding of the workflow between G&E is still growing, and I was wondering what the gaffers role would be on a daylight exterior scene? It feels to me more like we would only need a KG on a day that we're just fla
  8. I'm planning on lighting the set of half a plane practically with the classic moving ovals against the talent and background. I've got a few ideas as to how to create the ovals but then to have them move I'm struggling to think of a consistent method. Any advice on how to light the outside of the plane to create an even blown out background, and foreground, including moving ovals would be greatly appreciated. Chris
  9. So I am currently going into my senior year at film school, and am trying to work as a PA in LA this summer. I have some money saved up, and am trying to buy some essential gear to have on set. I just don't have enough money right now to buy all the essentials I have been compiling. Do any of you have any suggestions on which are the most important up front? Any suggestions are welcome. Thanks guys.
  10. Hello everyone, I need your help. I'm currently a film school student. I will direct a very short film/exercise (one day of prep one day of shooting) in 40 days. So the mood and the set design will be a weird mix between Kubrick films (2001, Clockwork..) and THX 1138, kinda. Anyway we have this 4 by 10 meters set at school, that has no ceiling. But I have one obligation for this exercice/short : only use a 16mm lens (on the Alexa). 10 meter long room, 16mm.. I'd better need something as a ceiling. I'd want something white I could use as a diffusion so that the ceiling would be
  11. I want to build a 10m(L) x 20m(W) + 5m(H) mid century modernist lobby with a large 20m x 5m glass front (with dividers) and want to know how realistic it is to have such a thing built. Can I use anything instead of glass or not use glass at all? How much do you think the glass front would cost?
  12. HI All. Selling my Arri 16s. Just serviced by Les Bosher in UK. Arri 16s Body + 2 Magazines (1 12v by Tobin and 1 8V) + 1 Tobin TXM22a Motor + Original Arri 8V Motor + Original Matte Box. Kindly accepting offers before going for ePay. Pictures sent on request (attached only one as is allowed 100kb). Thanks, F
  13. Hi all. I have an Arri 16mm Set for sale. Beautiful condition: 1 Arri S Body + 2 Magazines (1 8v + 1 12V) + Tobin TXM 23 Motor + Original Arri 8V Motor + Original Matte Box I'm accepting offers before putting on eBay. Let me know how much would you offer. Pictures sent on request. The body has just been serviced by Les Bosher in UK. It's fully working and proper lubbed. Thanks, F
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