One World Sudios Posted October 27, 2012 Share Posted October 27, 2012 Hey Everyone, Big news today... We wanted to let you know that we will be streaming our Super 8mm feature 'I Am ZoZo' in its entirety at no charge for 24hours over Halloween on LiveSciFi.tv. The event begins with a live presentation at 7:30pm EST and will end on Nov 1st. Screening link here: http://livescifi.tv/...a-movie-online/ Official Trailer: http://www.youtube.com/watch?v=Bm0qxr6rCbo Please help us pass the word and thanks as always for the amazing support! Best, Zack and Scott Scott Di Lalla Writer/Director/Cinematographer Zack Coffman Producer One World Studios Ltd. 9714 Regent St. #17 Los Angeles, CA 90034 Quote Link to comment Share on other sites More sharing options...
Premium Member Alessandro Machi Posted October 27, 2012 Premium Member Share Posted October 27, 2012 I can post an article on my www.alexlogic.blogspot.com site. Why don't you put together some info about the film, aka press release. I'd like to focus on the super-8 aspect. The transfer looks really clean. Even without a few more backlights (the first thing to go in lower budgeted films), it looks really good. Quote Link to comment Share on other sites More sharing options...
Premium Member Alessandro Machi Posted October 27, 2012 Premium Member Share Posted October 27, 2012 I like your behind the scenes interview. By the end of it, I was really hoping to see a really climatic 5 to 10 second terrifying teaser. Quote Link to comment Share on other sites More sharing options...
One World Sudios Posted October 27, 2012 Author Share Posted October 27, 2012 I can post an article on my www.alexlogic.blogspot.com site. Why don't you put together some info about the film, aka press release. I'd like to focus on the super-8 aspect. The transfer looks really clean. Even without a few more backlights (the first thing to go in lower budgeted films), it looks really good. Thanks Alex! We tried to keep everything tight and contained to maximize the light we had. The Kodak V3 200T stock picked up so much, we were astounded. If you can think of any specific questions, please let me know. More than happy to share what we learned. Quote Link to comment Share on other sites More sharing options...
Premium Member Alessandro Machi Posted October 27, 2012 Premium Member Share Posted October 27, 2012 Thanks Alex! We tried to keep everything tight and contained to maximize the light we had. The Kodak V3 200T stock picked up so much, we were astounded. If you can think of any specific questions, please let me know. More than happy to share what we learned. For starters, you might want to post a message on a super-8 facebook page as well. http://www.facebook.com/groups/27648968851/ Quote Link to comment Share on other sites More sharing options...
Chris Burke Posted October 27, 2012 Share Posted October 27, 2012 I'll be watching. thanks for doing this Quote Link to comment Share on other sites More sharing options...
Premium Member Alessandro Machi Posted October 28, 2012 Premium Member Share Posted October 28, 2012 Thanks Alex! We tried to keep everything tight and contained to maximize the light we had. The Kodak V3 200T stock picked up so much, we were astounded. If you can think of any specific questions, please let me know. More than happy to share what we learned. I PM'd you a list of questions. Quote Link to comment Share on other sites More sharing options...
Francisco Martins Posted October 28, 2012 Share Posted October 28, 2012 DEFINITELY keeping an eye on this. Footage looks fantastic for Super8, far beyond what I thought was capable visual-quality wise. Quote Link to comment Share on other sites More sharing options...
Premium Member Alessandro Machi Posted December 11, 2012 Premium Member Share Posted December 11, 2012 I've posted an article about this film thanks to the questions that were answered by Scott and Zack. And the article has a handy link back to this article as well. Quote Link to comment Share on other sites More sharing options...
Premium Member Matthew W. Phillips Posted December 12, 2012 Premium Member Share Posted December 12, 2012 I love the grit and grime of Super 8. I wish the trailer would have had titles filmed in S8 instead of all pristine and clean. To me, it broke the suspense. 70s horror films were so much better than most modern horror. I think a lot of it is due to the grittiness of 70s 16mm. Super 8 is practically identical nowdays to 70s 16mm. I love it. Quote Link to comment Share on other sites More sharing options...
Matt Stevens Posted December 12, 2012 Share Posted December 12, 2012 Alessandro, nice interview. Good useful information. Matthew, I agree about the titles. That drives me crazy with Super8 that I see with shorts. The titles are so out of place they just scream at you, "Made with Final Cut Pro or Premiere Pro's simple text tool!" The now discontinued Ektachrome 100D and Vision3 200T have very fne grain and can indeed be mistaken for 16mm of old. Apparently Kodak's Vision3 50D will be so super fine grained, it will appear to be 16mm. 1 Quote Link to comment Share on other sites More sharing options...
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