Chris Burke

Correct me if I am wrong, but he way I understand Fuji film stock is that the 6 in 8651 refers to 16mm. It should be 16mm film unless the OP had a typo.

If you watch "My Best Fiend" by Herzog, you get a lot of behind the scenes information as to why the locals offered to kill Klaus Kinski. In short, only Herzog was opposed to his leading man being offed by local mercenaries. Even then he had to think about it for a bit.

You say ACL. Do they all cover Super 16? All focal lengths?

For sale is a Blackmagic Production 4k with PL mount. GLOBAL SHUTTER. In very good condition. Shoots 4k to cinema DNG or ProRes. UHD and HD also. Uses 2.5inch SSDs. Extremely easy workflow. In perfect working order. Internal battery holds charge, which is rare for these cameas. Cage, top handle and rods included!!Tripod in photos NOT INCLUDEDItems included:Blackmagic Production camera 4k PLAC adapterSunshadeOriginal packagingFilmcity CageTop HandleRods Asking $1100US. Shipping cost payed by buyer. Located on east coast US. Local pick up is okay Photos are here. https://drive.google.com/drive/folders/1nn2k26Rc_w3quggeaSgnDywLTWhnDkaF?usp=sharing

I would buy some on 400 foot cores. As long as it is single perf.

Does anyone really think that the Vision 3 stocks are lacking in any way? I think that they cover the bases pretty well. Maybe Kodak thinks the same thing. I agree with the desire for a stock with more contrast than the current line up. Not a faster stock, but a different "looking" 500T. They have done it before.

Issues with rem jet or the backing coming off the emulsion usually happen toward the end of the roll. I have had it happen to about the last 30 seconds of film often.

I have used a Nikon Super Coolscan 4000 ED to scan Portra 400 and 800 with great results. Quite a flat look coming out of the scanner. The scanner has custom settings that I adjusted to scan Lomokino 2 perf footage. The results were typical for that camera, but it was agonizingly slow.

I can second Duall Camera. I had a Nizo 6080 CLA by them with no complaints. Also what about Pro 8mm?

I went and enjoyed it.

These videos give a new appreciation of the product and what Orwo is going through to get a new stock to market.

I only suggested the camera listed above as a possible rebuild platform. But seeing the camera that is for sale on the Swiss site Ricardo, I would go for that. I shoot in a similar style and can see why you have the requirements you do. My only drawback (for an Eyemo) is the small loads. How do you deal with it? Am I wrong or is that a 100 foot load?

https://www.ebay.com/itm/275776622230?hash=item4035914e96:g:VF8AAOSwEvxkLFlQ&amdata=enc%3AAQAIAAAA4AulIp7OTUCcbPX2viHWH6HisBVuzI1uApZbfBJoastbfGHbyY%2FpGUU77vXhI2JIs3R6WO4tX5ug%2FSDEiBJJZx2Hio1q4bAigB32dvhjWG%2BDJK4oFxc9thmnlJ1D%2BmSbah1XDur8RMsS%2FMifA5UOmYhuLjN48Z9GZVaip5VNCgJjeRpX3QfBW2arqHGFQLFrkJ3VH6Erclv6Qyb5mnJcbk34ErxeMgijXfo0tqf7Ec9g%2Bdxgts82YI3if6IHOHYrG1o88r3y8I%2FukhADJrM4Q3vbhlvq%2FxEFIFWTqrmZGu0m|tkp%3ABk9SR-CIi-7xYQ

Have you considered using 1.8x, 1.6x, 1.5x, 1.33x squeeze lenses? Little to no cropping with those depending upon the format you shoot in I recommend shooting at the highest resolution the camera can offer and yes, down sampling to the required deliverable resolution.

It has been discussed here not too long ago and if I recall, the camera in question is an early gen IMAX camera. To my understanding, many motion picture cameras can be modified to be hand cranked. For instance I have used an Arri IIc that was hand cranked. My Arri 35 3 can be modded to be hand cranked. Lots of fun using a camera that way and rather efficient for some kind of shots since you rarely reach 24fps hand cranking. It is usually a slower frame rate yielding a fast paced home movie look.