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Everything posted by JD Hartman
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No to the paracord. Essentially "clothesline", #6 or #8, two lines on an 8x8. Do you have enough "hands" to keep an overhead frame safe in winds? Unlikely that you going to: find things to tie it down to; have enough sandbag to make up for a lack of Grips; be able to drive anchor spikes in an urban environment.
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Small claims court over unpaid invoice
JD Hartman replied to Frank Hegyi's topic in Business Practices & Producing
When you win a judgement, how do you actually collect? -
Safe materials for creating light shafts
JD Hartman replied to Kim Bolan's topic in Lighting for Film & Video
Or Silicosis: http://www.lung.org/lung-health-and-diseases/lung-disease-lookup/silicosis/silicosis-symptoms-causes-risk.html -
Safe materials for creating light shafts
JD Hartman replied to Kim Bolan's topic in Lighting for Film & Video
When Fullers Earth is inhaled in dust form it's a potential lung hazard. The issue being that although a clay product, it may contain some silica. How much silica is enough to create long term issues? I don't know. Can't find the reference, but I recall reading that Fullers Earth was banned on Sag shoots. MSDS: http://www.sciencelab.com/msds.php?msdsId=9924104 See: https://www.csatf.org/pdf/ifs_dust.pdf https://www.csatf.org/pdf/10ARTIFICIAL_SMOKE.pdf -
Why I won't be buying a new camera
JD Hartman replied to Samuel Berger's topic in General Discussion
There's always FleaBay. -
What Camera is this? (Segata Sanshiro Commercial Shoot)
JD Hartman replied to Samuel Berger's topic in General Discussion
Time to settle this dispute before it escalated further. Time for Thunderdome: -
My DIY Kino-Flo Select Style LED.
JD Hartman replied to Chanon Wangtrirat's topic in Lighting for Film & Video
Nice build. Some way to skirt the end of the panel would be useful. Some type of clip to hold a piece of black Coroplast would be nice. -
What Camera is this? (Segata Sanshiro Commercial Shoot)
JD Hartman replied to Samuel Berger's topic in General Discussion
This is like bear-baiting: https://en.wikipedia.org/wiki/Bear-baiting Why do you do this? -
I'd have to agree with Adrian, 25 and 50' stingers will be the bulk of what you use. When you to 100', you start to exceed acceptable voltage drop at anything over 15A. As far as the 10' stingers, nice to have if you are shooting a lot in cube farms, but you can always rent those as needed. As far as buy vs. make you own, if you're not a total bungler with tools and shop carefully, you can easily beat the "retail" price on the materials. Look on Fleabay for caps and bodies, look on Craigslist and estate sales for an electrical contractor going out of business or swap meets and buy mostly full spools of 12/3 cordage. Your time?? Make them while watching TV.
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As I recall the clamp on cable marker and rope holders were about $10 each, great for feeder cables worth hundreds of dollars. Anyway you could try: http://www.so-calvalueadded.com/cable-holder.shtml I use a simple label under clear self adhesive shrink tubing (so does Lex for cables they manufacture).
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Lex: http://www.lexproducts.com/
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IMHO they are overkill for stingers and not cheap either. I find tying a constrictor knot with long tails sufficient. Anyway, I don't have a direct source for them but Lex carries them, maybe try the MCMaster-Carr website.
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You don't provide a geographic location, but in the Northeast, I'd use Rose Brand: http://www.rosebrand.com/ See this section: http://www.rosebrand.com/
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Arri S60C Skypanel Output & Advice
JD Hartman replied to Marz Miller's topic in Lighting for Film & Video
Great advice in the previous post. -
Bruce has made some good suggestions. Building a two wall set would be easier than trying to shoot in that room. What about dressing a much larger room as the bedroom? Paint is cheap.
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If ENG is going to be your chosen gig, the best thing to do is quickly become acquainted with the police departments you are likely to find on the scene. My nephew worked news in N. New Jersey for many years and the local police, Sheriff's deputies, etc., always kept him out of harms way. It's also possible to own your own protective gear, even "cheap" body armor can mean the difference between a serious wound and a fatal one.
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Lighting this night exterior
JD Hartman replied to Tiago Pimentel's topic in Lighting for Film & Video
If you employ Mark's advice (good advice!) be sure to wet down the sidewalk and road,it will help reflect some of the light back up and onto your talent. -
Can anyone remember a scene like this?
JD Hartman replied to Yash Lucid's topic in General Discussion
in Brazil. The backdrop hides the industrial wasteland behind it. -
Throwing huge shadows, Expressionist style
JD Hartman replied to Brett Cliff Harrison's topic in Lighting for Film & Video
One must realize, Mr. Harrison, that this board is not the equivalent of "Ask Jeeves". -
Suggestions for a night exterior
JD Hartman replied to Phil Rhodes's topic in Lighting for Film & Video
Did anyone read the first line in Phil's post? "....no money." Well, at least Miguel did. Just throwing it out there, while more power hungry, HMIs will be cheaper to rent than Skypanels. -
Riser casting usually have a brass or other soft metal metal brake shoe. Really nothing to go bad there. Surface corrosion in the plating pr the riser tubes can be removed with a fine Scotchbrite pad and WD40. You can substitute crumpled aluminum for foil or old blackwrap for the Scotchbrite pad. Check the riser tubes and legs for dents, these will become a possible point of failure in the stand.