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victor huey

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Everything posted by victor huey

  1. Hi, I am downsizing my 2 perf inventory, mostly converted russian Kinor movie cameras with oct.19 mounts converted to two perf and new electronics by Aranda in australia
  2. i have two moviecam compact mk 1 cameras, one has a cinema electornics module replacing the OEM one. The other is original, but is powered via four pin. The cinema electronics is three pin. I am not sure how much voltage each requires or the proper wiring?
  3. where are you located? how much to ship to New York City? 10002
  4. where are you located? How old is the film?
  5. i also have a problem, we sent some lens for him for service, superspeed 75mm and 35mm lomo and he disappeared on us as well, big lesson learned. He appears every so often, but years have gone by.
  6. i am interested in the long eyepiece, i have a movie cam compact.....my email is vichuey@gmail.com
  7. hi sergey, can you make the adapter for a Moviecam?
  8. any more news?it's already december????
  9. do you have a moviedom anamorphic viewfinder and gate?
  10. the camera has been totally rebuilt, new electronics, 2 perf gate , but russian oct.19 mount.
  11. lol, they are almost impossible to find! anyway here is a picture of the Kinor which is a copy of the older Moviecam, mitchell movement,
  12. i have some two perf camera's, mostly converted russian kinors...have one sitting at aranda in austrailla , who did the conversion right now, totally rebuilt....
  13. hi i have access to lomo round front anamorphic lens, i have a Moviecam Compact 35mm camera , 4 perf . I want to get the viewfinder that can desqueeze the image, and ask do i need a special ground glass and gate as well? I would appreciate any information on what I need to make this camera work with these lens. Thank you Victor Huey
  14. HI , i just got a set of lomo round front anamorphics on a sub rental basis, and was primarily using it in the digital world. I have been acquiring 2 perf cameras using spherical lomo lens for the wide screen look. I had bought a movie cam compact to convert to 2 perf but the cost was too much. So i was going to sell the body, when this chance to get these anamorphic lens came about. Its a four perf version, and i am in the same boat, i don't know much about anamorphic stuff i need to make it work. SO i assume that there was a switch for the viewfinder, but i didn't see one like the ones they have on panavison, Most of my AC friends are retired, and new digital ac have no clue. So what do i need to make it work, an anamorphic ground glass, Gate, viewfinder? Vicfor
  15. I have a spare kinor 2 perf ,converted by aranda, electronics rebuilt by anders, still sitting in austrialia, what do you have for trade? emailme at vichuey@gmail.com
  16. victor huey

    2 perf

    Hey fellows it has taken me 7 years to put together enough 2 perf sync cameras to support a feature, no one will shoot in 2 perf unless they have at least 2 cameras, and a spare. It's rare to find 2 perf cams in the same make as well.
  17. victor huey

    2 perf

    hi, Filmmakers make film. Digital peeps make Video! I am too old school to change, when the digital age came, I was in the process of converting my Kinor 35 to two perf at Aranda, when the digital tsunami hit. Projects shot on film began to fade away, to the sorry state it is now. Only those with studio support could afford to shoot film. Although 2 perf was a cheaper way to shoot film for indie projects, the lack of cameras and support doomed it before the 2 perf movement could begin. I have slowly aquired a number of 2 perf Camera's, and would like to start a 2 perf workshop in New York City. So few of todays generation have never touched a film camera, so training sessions would be necessary. Since most of the gear is russian, I will approach this group first, to see if there is any interest in a workshop. Victor Huey
  18. Yes, you have very valid points, i had an arri sr3, and sold it for less than 2k lol. I am in the industry so i had access to short ends, and two perf allows me to shoot cheaply. It's not for everyone, as the cameras are indeed heavy by todays standard, but the generation before me had cameras that were over 100 lbs. lol. I am not trying to run a school, but would like to gather people who still want to shoot film, and work on each others projects. Very retro, but some people pefer vinly over mp3. I perfer 2 perf over super 16, just a matter of access, as no one in my world shoots 16mm anymore and 35mm is getting rare. Victor
  19. hi, Filmmakers make film. Digital peeps make Video! I am too old school to change, when the digital age came, I was in the process of converting my Kinor 35 to two perf at Aranda, when the digital tsunami hit. Projects shot on film began to fade away, to the sorry state it is now. Only those with studio support could afford to shoot film. Although 2 perf was a cheaper way to shoot film for indie projects, the lack of cameras and support doomed it before the 2 perf movement could begin. I have slowly aquired a number of 2 perf Camera's, and would like to start a 2 perf workshop in New York City. So few of todays generation have never touched a film camera, so training sessions would be necessary. Since most of the gear is russian, I will approach this group first, to see if there is any interest in a workshop. Victor Huey
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