Paul-Anthony

The real problem with the Cintel is the focus. We bought one and kept it two months only, because all the footage scanned with it seemed out of focus compared to other standard machines. This is the real problem, and the focus system on the Cintel 2 looks as cheap as the previous model.

Absolutely not. Because Academy 4 perf does not include the sound track for image area. Super 35 by definition includes the soundtrack area for image. You can have super 35 4 perf or super 35 3 perf by the way.

Full frame = 24x36 format and not Standard 35mm film format.

I just shot a feature film on a Greek island, with an Arricam LT and Zeiss T.2.1 lenses. I did the focus myself on 90% of the shots (shoulder and still shots) and it really looked perfect at the end. I shot between F.stop .2.8 and 4 all the film. I did not use monitoring, only the viewfinder. We did several rehearsals each time, because we shot 35mm that gave me the time to get friendly while framing to do the focus. I just saw a screening of the film last week, and felt that the focus looked really organic because I was framing myself the movie. I think with an alexa camera it is the same. I did not use any follow focus, only my hand on the focus ring of the lens all the time. Cheers.

I had the same problem. The size of your 2 perf window is not correct. The conversion of your camera was probably done in England, lots of cameras converted in England had that little problem. I had to do a new gate for the camera at Aranda in Australia. The image once cropping the double exposed area is more or less a 2.50 ratio. Here was my problem, the same :

Hello. I own an Arricam LT camera with PAL IVS. I use the blackmagic monitor with internal recorder : https://www.bhphotovideo.com/c/product/1137319-REG/blackmagic_design_hyperd_avidas5hd_video_assist.html I need to use an analog to SDI converter https://www.bhphotovideo.com/c/product/558906-REG/Blackmagic_Design_CONVMAAS_Mini_Converter_Analog_to.html

For the samples only by PM guys.

Kafard films in Paris does 4K scan for 35mm at 100€/roll They do it with a Cintel scanner and it looks really great, I can PM you some footage. www.kafardfilms.fr contact@kafardfilms.fr

Hey Tyler. We charge 10€ per minute of footage scanned whatever the support is. So for a can of S16 we charge 100€ because 10 minutes is the length of a roll. 50€ for 35mm because 5 minutes is the length of a roll. Hope it seems clear.

Hello All. In France we also have good deals now. For Super 16 it costs 275€ all included with 2K scan per 400" can. 35mm 225€ per 400" can for a 4k Scan. Depending of film stocks available, the prices indicated are for refurbished stocks. We also do international films, in the UK, Germany, USA, and Asia with our lab, scan and film sales. contact@kafardfilms.fr

Hey Stanislav. Im interested but your mp box is full. Please contact me.

9.5mm sold. 16mm still available.

Lense in perfect condition. Ok to let it go for 1500€

Bump - 900€ each lens or 1700€ both. Thanks.

These are two very good Zeiss lenses in Arri Bayonet mount (easy to find PL adaptaters). Lenses open at 1.3. Perfect S16 or Blackmagic cameras. Can sale with Aaton adapters if you need. Visible in Paris. 2000€

Hello. This is beautiful zoom Angenieux in perfect conditions in Aaton mount. You can use it for S16 or Blackmagic cameras. It is a very bright zoom, one of the brightest i've used in S16. Visible in Paris or can send it. 2000€ Cheers.

You can also buy this : http://www.filmtools.com/iring-6313.html Very practical to put your net on the rear lense. PA

I'm interested, please send me MP, can't send you any message.