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AKELA CAMERA CRANE FOR SALE (INTERNATIONAL SALE ONLY) The 85' Akela Crane can go from ground level to six stories high in a single move, or follow a subject over broken ground for up to 170' without track or cables. It is lightweight and can be broken down into highly portable elements, enabling assembly in remote locations. The crane can be built at 45', 58', 72', or 85'. AKELA CAMERA CRANE - $55,000.00 (US/FOBUSA) *Pre-owned and in good condition

Pictures available on our website or by email request. Contact us with any questions or to place an order. ______________________________________________ PRIMES: - Arri/Zeiss Ultra Prime 20mm = $12,500 - Arri/Zeiss Ultra Prime 65mm = $12,000 - Arri/Zeiss Ultra Prime 100mm = $12,500 - Arri/Zeiss Variable Primes Set of 3 - VP1/VP2/VP3 = $15,000 - Cooke Optics S4/i 16mm = $13,500 - Cooke Optics S4 Set of 8 - 14/18/25/35/50/75/100/135mm = $123,000 - Cooke Optics mini S4/i Set of 10 - 18/21/25/32/40/50/65/75/100/135mm = $60,000 - Leica Summilux-C Set of 10 - 18/21/25/29/35/40/50/65/75/100mm = $320,000 - UniQoptics Set of 6 - 18/25/35/50/85/100mm = $14,000 - Zeiss Standard Prime 10mm = $14,000 - Zeiss Standard Prime 12mm = $5,000 - Zeiss Standard Prime 14mm = $8,000 - Zeiss Standard Prime 16mm = $6,000 - Zeiss Standard Prime 20mm = $6,000 - Zeiss Standard Prime 28mm = $6,000 - Zeiss Standard Prime 40mm = $5,000 - Zeiss Standard Prime 100mm = $6,000 - Zeiss Standard Prime 135mm = $6,000 - Zeiss Standard Prime 180mm = $7,000 - Zeiss Standard Prime Set of 9 - 16/20/24/28/32/40/50/85/135mm = $45,000 - Zeiss CP.2 Compact Prime Set of 9 - 15/21/25/28/35/50/85/100/135mm = $32,000 - Zeiss T1.4 Speed Prime Set of 5 - 18/25/35/50/85mm = $30,000 - Zeiss Mk2 Super Speed Set of 5 - 18/25/35/50/85mm = $58,000 - Zeiss Mk2/Mk1 Super Speed Set of 6 - 18/25/35/50/65/85mm = $65,000 - Zeiss Mk3 Super Speed Set of 5 - 18/25/35/50/85mm = $85,000 ZOOMS: - Angenieux HP 25-250mm = $9,000 - Angenieux HR 25-250mm = $14,000 - Angenieux Optimo DP 16-42mm = $10,000 - Angenieux Optimo DP 30-80mm = $10,000 - Angenieux Optimo Style 16-40mm (Brand New) = $16,750 (0% financing available) - Angenieux Optimo Style 30-76mm (Brand New) = $16,750 (0% financing available) - Angenieux Optimo Style 48-130mm (Brand New) = $22,750 (0% financing available) - Angenieux Optimo Style 25-250mm (Brand New) = $38,000 (0% financing available) - Angenieux Optimo 15-40mm = $32,000 - Angenieux Optimo 15-40mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 28-76mm = $32,000 - Angenieux Optimo 28-76mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 45-120mm (Brand New) = $39,750 (0% financing available) - Angenieux Optimo 17-80mm = $38,000 - Angenieux Optimo 19.5-94mm (Brand New) = $54,000 (0% financing available) - Angenieux Optimo 24-290mm = $58,000 - Angenieux Optimo 24-290mm (Brand New) = $73,000 (0% financing available) - Angenieux Optimo 28-340mm (Brand New) = $76,000 (0% financing available) - Cooke Optics 14-70mm = $12,000 - Cooke Optics/TechnoVision 18-90mm = $14,000 - Cooke Optics 18-100mm = $9,000 - Cooke Optics 20-60mm = $11,000 - Cooke Optics 20-100mm = $9,000 - Cooke Optics/TechnoVision 25-250mm = $14,000 - Cooke Optics 25-250mm (Mk2) = $5,000 - Cooke Optics 25-250mm (Mk3) = $7,000 - Fujinon Cabrio 14-35mm (Brand New) = $29,400 - Fujinon Cabrio 19-90mm (Brand New) = $27,860 - Fujinon Cabrio 20-120mm (Brand New) = $16,400 - Fujinon Cabrio 25-300mm (Brand New) = $30,800 - Fujinon Cabrio 85-300mm (Brand New) = $29,400 - Fujinon Premier 14.5-45mm (Brand New) = $79,750 - Fujinon Premier 18-85mm (Brand New) = $69,850 - Fujinon Premier 24-180mm (Brand New) = $69,850 - Fujinon Premier 75-400mm (Brand New) = $76,800 VINTAGE & ANAMORPHIC: - Angenieux Optimo Anamorphic 30-72mm (Brand New) = $63,500 (0% financing available) - Angenieux Optimo Anamorphic 56-152mm (Brand New) = $48,000 - 1x LENS AT THIS PRICE (0% financing available) - Angenieux Optimo Anamorphic 56-152mm (Brand New) = $63,500 (0% financing available) - Angenieux Optimo Anamorphic 44-440mm (Brand New) = $74,500 (0% financing available) - Angenieux HR Anamorphic 50-500mm = $32,000 - Bausch & Lomb Super Baltar 25mm = $10,000 - Bausch & Lomb Super Baltar Set of 5 - 25/35/50/75/100mm = $48,000 - Bausch & Lomb Super Baltar Set of 6 - 20/25/35/50/75/100mm = $60,000 - Canon K35 Macro 25-120mm = $25,000 - Cooke Optics/TLS Panchro Set of 7 - 18/25/32/40/50/75/100mm = $62,000 - Cooke Optics/TLS Panchro Set of 9 - 18/25/32/40/50/75/100/152/203mm = $85,000 - Elite Anamorphic Primes Set of 5 - 25/40/50/75/100mm = $100,000 - Elite Anamorphic Primes Set of 6 - 25/32/40/50/75/100mm = $135,000 - Kowa Anamorphic 40mm = $28,000 - Kowa Anamorphic 50mm = $26,000 - Kowa Anamorphic 75mm = $26,000 - Kowa Anamorphic 800mm = $20,000 - Kowa Anamorphic Set of 3 - 40/50/75mm = $75,000 - Kowa/TLS Cine Prominar Set of 8 - 15/20/25/32/40/50/75/100mm = $140,000 - Lomo Anamorphic Set of 4 - 35/50/75/100mm = $68,000 - Zeiss Ultra Scope Anamorphic 85mm = $9,000 TELEPHOTOS: - Canon FD “Series 2000” 400mm = $5,000 - Canon FD 600mm = $4,000 - Canon FD 800mm = $4,000 - Nikkor ED 200mm = $5,000 - Nikkor ED 300mm = $7,000 - Nikkor ED 300mm T2 = $10,000 - Nikkor ED 400mm = $7,000 - Nikkor ED 600mm = $7,000 - Zeiss Tele-Apotessar 300mm = $8,000 SPECIALTY OPTICS: - Angenieux Optimo 1.4x (Brand New) = $3,000 - ARRI-Macro “Auto-Exposure Compensation” 100mm = $16,000 - Century Low Angle Prism = $12,000 - Century/Clairmont Swing Shift Set = $20,000 - Cine Magic Revolution Probe Relay System = $65,000 - Kardan Shift & Tilt Set = $16,000 - P+S Technik Skater Scope = $29,000 - Veydra 1.2x Expander (Brand New) = $2,500 - Zeiss “Aspheron” 5666 Wide Angle Front = $2,500 - Zeiss CP.2 Compact Prime Makro-Planar 50mm = $3,750 - Zeiss Makro-Planar 60mm = $10,000 CAMERAS: - Arriflex Alexa = $17,000 - Arriflex Alexa 4:3 Plus = $22,000 - Arriflex Alexa XT Plus = $50,000 - Arriflex Alexa STX = $60,000 - Arriflex Alexa STX Plus = $75,000 - Vision Research Phantom Flex HS2K = $30,000 - Vision Research Phantom Miro LC320S = $45,000 SUPPORT: - Arrihead Geared Head = $15,000 - Arrihead Reduction Gears = $5,500 - Cartoni C40 & Dutch Head Package = $8,000 - Cartoni Lambda 25 Nodal Head (Brand New) = $8,750 - Cartoni Lambda 50 Nodal Head (Brand New) = $14,450 - Oconnor 50D Fluid Head (Refurbished) = $1,200 - Oconnor 100 Fluid Head (Refurbished) = $2,000 - Oconnor Ultimate 2575B Fluid Head = $8,000 - Oconnor Ultimate 2575D Fluid Head (Brand New) = $12,000 - Oconnor Ultimate 1030Ds Fluid Head (Brand New) = $5,000 - Ronford-Baker Standard Tripod (Brand New) = $1,875 - Ronford-Baker Baby Tripod (Brand New) = $1,875 - Ronford-Baker Ground Spreader (Brand New) = $600 - Ronford-Baker Off-Ground Spreader (Brand New) = $700 - Ronford-Baker Rolling Spreader (Brand New) = $1,300 - Sachtler 7+7 Studio II Fluid Head = $7,000 - Sachtler Dutch Head = $1,200 - Tango Swing Head (Brand New) = $6,000 - Weaver Steadman 3-Axis Model Head = $6,500 ______________________________________________ Jeff Roberts West Coast Cine Video, Inc. 5739 Kanan Road #307 Agoura Hills, CA 91301 818-742-8090 sales@westcoastcinevideo.com westcoastcinevideo.com

I'm so sorry to sell my lovely baby but I need some money for a next project. For sale : - 1 Arriflex 16 SR1 PL mount, upgraded in Super 16 by P+S Technik ( Munich). "Evolution Upgrading Program" by P+S Technik was a complete change of electronic mother board, new speed controller with screen ( intervallometer function on ), new mechanics, new viewfinder with better magnification, new black painting on whole camera body and magazines. - 2 Super 16 magazines. - 1 battery ( new cells) - 1 Arri battery charger - 1 VSU speed controller - 2 handgrip-trigger ( one broken, other one is ok) - 1 blimp - 1 matte box - 1 soft foam shoulder pad - 1 changing bag I join also some spare parts : - 2 new and unused lightmeters - 1 Arri SR2 motor - 1 normal 16 gate - 1 normal 16 ground glass Kit located in Europe ( Czech Republic). If you want to visit me for a local pick-up, you are welcome !! price : 3000 euros + shipping taxes. Lens is not included in the package ! Only here for the picture ! High Res pictures, informations and demo videos on demand : dartwiller@yahoo.fr

We have on sale our Scarlet W kit. It is still on guarantee, and includes everything that you need to start to shoot. The price is 20 000€. Here is the link for sale list with images. https://itemsforsaleweb.wordpress.com/

Looking for a solution - need a rotating lighting rig to simulate the movement of light on a stationary vehicle. Trying to simulate a train passing through darkness and shade. Any suggestion other than having someone Hollywood the unit or flag.

Looking for some exposure help when shooting moody scenes with the FS5 - I have seen a lot of people recommending setting the zebra to 70 percent ( which makes things pretty bright on the monitor for a darker scene/ is this something people only do in LOG? ) are there any other usable on camera exposure tool other than zebra?. Don't use Sony's much and am more used to Using a REC 709 LUT or false colors within my ALEXA eyepiece to expose. Also, should I be switching from LOG3 to cine gamma for lower light situations? Also any general tips for exposing low light scenes without crushing the blacks?

Hello everyone, I am a 3rd year film student studying Cinematography. The dream is to one day be a DOP for Film and Documentary, however, first I want to work my way up through the ranks of the camera department. I have undergone a number of weeks of work experience as a shadow camera trainee on 2 British TV shows. I was wondering if anyone has any advice on how to get work as a camera trainee in the UK? Or perhaps can offer me any work/work experience over summer as a trainee? Cheers! Josh Montoro

INTERNATIONAL CINEMATOGRAPHERS GUILD TO HOST THREE PANELS AT NAB SHOW (April 24-25) GAME Of THRONES: Behind the Scenes with the Filmmakers GHOST IN THE SHELL: Creating a Cyber Future NEXT GENERATION IMAGE MAKING – Taking Content Creation to New Places The panels, hosted by the The International Cinematographers Guild (IATSE, ICG Local 600), at the NAB Show (April 22 – 27,) will examine advanced and future imaging techniques, including the use of machine intelligence in pre and post production. The discussions will be set within the context of high profile, consumer content including Game of Thrones and Ghost in the Shell. All sessions will take place at the Las Vegas Convention Center. Monday, April 24, 1:00 PM, Ghost in the Shell: Creating a Parallel Cyber Future, produced in collaboration with the ICG Location: South Hall Upper Room S220 Ghost in the Shell is a sci-fi thriller about cyber-enhanced soldier, Major (Scarlett Johansson), her battles against hacker terrorists and her hunt for her stolen identity and its perpetrators. Combining artistry with cutting edge innovation, the filmmakers designed unique tools and systems, including an original, anime inspired 28-color palette; custom LED lights; a video-photogrammetry rig for 3D video inserts; and a DCI P3 workflow from camera through color finishing and deliverables. See clips and hear stories about the making of this visually groundbreaking motion picture based on the original Japanese manga. Panelists: Jess Hall, BSC, Director of Photography (Transcendence, Brideshead Revisited, Hot Fuzz) John Dykstra, Visual Effects Designer (Oscar Winner: Spider-Man 2, Star Wars, Emmy Winner: Battlestar Galactica) Michael Hatzer, DI Colorist, Technicolor Justin Wagman, Post Production Supervisor Moderator: David Geffner, Executive Editor of ICG Magazine Monday, April 24, 2:30 PM Game of Thrones: Behind the Scenes with the Filmmakers South Hall Upper Room S220 With its spectacular battles, dragons, reverberating hugs, and death winnowing storylines, season 6 of Game of Thrones ratcheted up the tension and raised anticipation for an eventual, epic series conclusion. The season was shot simultaneously by director/ cinematographer pairs rotating between stage and location (as is the custom), spotlighted a cast of hundreds and featured nearly 1900 visual effects shots. Learn how the filmmakers applied the Game of Thrones naturalistic lighting style to new locations and storylines, how they chose to block and edit the emotional turning points, and how they harnessed postproduction to visually unify the footage. See some great footage and understand why, in 2016, Game of Thrones drew an amazing 25.1 million viewers across all major platforms. Panelists: Bernadette Caulfield, Executive Producer Greg Spence, Producer Anette Haellmigk, Director of Photography (Emmy Nominee: Game of Thrones) Jonathan Freeman, Director of Photography (Emmy Winner: Board Walk Empire, Emmy Nominee: Game of Thrones) Moderator: David Geffner, Executive Editor of ICG Magazine Tuesday, April 25 10:30 – 11:30 a.m. Next Generation Image Making – Taking Content Creation to New Places North Hall. Room 251 Light field, volumetric capture, computational photography, real-time rendering, and generative imaging have the potential to transform image making for all forms of content. Already, they are contributing to the blurring lines between live action and computer-generated imaging, and between what takes place in preproduction, production and post. What is science behind these new technologies and how do they work? What are their current limitations and promise? Glimpse what NAB’s Central and South Hall could look like in five to ten years… Panelists: Andrew Shulkind, Director of Photography (Clients include: Paramount, DreamWorks, Sony Pictures, Apple, Adidas, AT&T, Budweiser, Google, Old Spice and Samsung.) Jon Karafin, CEO Light Field Lab. Inc. Gavin Miller, Head of Adobe Research. Steve Sullivan, General Manager, Holographic Imaging Microsoft Moderator: Michael Chambliss, technologist and business representative for the ICG, IATSE Local 600

Hi everyone, i want to sale some equipments: BlackMagic Desing Production 4k EF mount like new + SSD 512 + Davini Resolve Dongle ----- $2900 Black Magic Monitor Video Assist 5 '' HDMI SDI MONITOR & SDHC RECORDER ----- $400 2 X Nikon to Canon Eos Adapter (redrockmicro) new -----$100 Metabones E-mount to Nikon F new ----- $300 For more: up-agency@mail.com Thanks Julia

$750 Or Best Offer. If you own an Arri 3C and want to shoot anamorphic, this is something you'll want. You can shoot spherical, or flip a switch and the optics will desqueeze the anamorphic image so you don't have to frame up your image with everyone looking skinny. A very rare door, unique to the 3C, so certainly nice to have if you ever want to shoot anamorphic on this camera. Thanks, Rich

Aaton XTR Prod S16mm Camera Package All components have just been serviced and in great working order. From rental inventory and has been regularly maintained for the life of the camera. I have 2 comparable packages available. Package Includes: Aaton XTR Prod S16mm Camera Body VR46 Color Video Assist 1.78 Ground Glass Standard Viewfinder (short) Heated Eyecup Extension Finder Carry Handle w/ 2 Aaton Tools Right Side Grip w/ Start/stop 15mm LWS Right Ride Rosette Dual Rosette Grip Extension Arri 15mm Studio Baseplate 2x 6" 15mm Screw Type Mini Rods (not pictured) 2x Coiled Eyecup Heater Cables 8" 2pin to 2pin Start/stop Cable (not pictured) Mag Port Cover Lens Port Cover 3x 400' XTR Magazines w/ Throat Cover Flight Case For Camera Body (ATA Style) Flight Case For Magazines (ATA Style) $3895 I have On-Board batteries and chargers available upon request (fresh re-cell at time of sale). NP-1 style battery adapters that allow use of modern NP Li-Ion batteries as on-boards. Additional 400' and 800' magazines. Large selection of high quality used S16mm Primes and Zooms. Please PM with questions. Located in Hollywood, CA. I am happy to demo the camera in person. Willing to ship at purchasers expense.

Anyone have any fun in-camera ideas for shooting a dream sequence? So far I've got, tilt/shift, unseat/reseat the lens, and for filters I was thinking of playing with the glimmerglass, promist, soft FXs, etc.) Any other ideas? Anyone use any glass elements in front of the lens (with or without abrasions on it) that they like? Thanks! Best, Andrew

Minimal Camera gear for independent productions Not long ago I wrapped an independent feature that was shot in Morocco with a DoP I had already worked for on two more movies. From the very first contact with the production company, it was quite clear that it was a low budget movie, therefore it was mandatory to squeeze the most out of every single euro in order to make the shooting possible according to the schedule, without the need to do extra hours and such. As usual, I advised the director of photography on the gear list, try to get everything I considered necessary and making a separate list of devices and accessories that could be considered dispensable, hoping that finally the production company would come to an agreement with the rental house. Since the prep time had been very short, there was a lot of information about the shooting I wasn’t aware of, and now that I came back I would like to share what I’ve learn from this experience. Speaking about gear and accessories, I realized that there are some of them that are wrongly considered “fancy”, while it’s precisely in low budget productions when they become more handy and/or essential. Here you have my top 3... More info here Camaleon Cinema Services S.L - Fabio Giolitti.

Rare chance to own a complete Arri SR3 Advanced camera package just serviced and regularly maintained by Clairmont Camera. Includes premium IVS video assist. Package Includes: Arriflex SR3 Advanced S16mm PL Mount Camera Body S/N: 4070 1.78/1.33 Combo Ground Glass Arri 30mm Eyepiece Arri Heated Eyecup Arri FE-4 Extension Eyepiece S/N: 1007 Arri Eyepiece Leveling Rod S/N: 1072 Arri IVS S/N: 5079 Arri BP-7 S/N: 5929 Arri 12" Dovetail S/N: 5079 Arri DC/DC2 Box S/N: 1434 Arri Right Side Grip w/ Start/Stop S/N: 340 Arri "Piggyback" On-board Battery Adapter S/N: 9615 Arri 15mm Clip-on Mini Rods Mag Port Cover Lens Port Cover 2qty. 24v Y Cable (Camera Power) 12" 24v 3pin to 3pin Cable (Eyepiece Heater) Backup Fuse For Camera 3qty. Arri 400' SR3 Magazine S/N: 3130, 1564, 2102 3qty. 400' SR3 Magazine Throat Cover Custom flight Case For Camera Body Flight Case For 2qty. 400' Magazines Full SR3 Package - $4,695 Also Available: On-Board SR3 Batteries (New re-cell at time of purchase) $295/ech - 3x Available 24v SR3 Battery Charger (Built Into Case) $250 Located in Hollywood, CA. Happy to demo the camera in person. Willing to ship at purchasers expense.

Selling my Arri Amira camera package. It is fully licensed with 4K UHD, and is in great condition. Id like to sell everything as a package if possible, but also willing to split it up where there is a separate price indicated. Please PM or email me if your interested in this package, or want specific details regarding anything. Leo(at)PhotekFilms,com $50,000 for the complete package. Located in Los Angeles,CA. Pick up or buyer pays shipping. Cheers Priced individually: $45k ARRI AMIRA Premium License 4K/High Speed K0.0001091 PL LDS Lens Mount K2.0001107 V-lock Battery Adapter K2.75002.0 Wedge Plate WPA-1 K2.75000.0 Quick Release QRP-1 K2.0000399 Shoulder Belt SBA-1 K2.0001223 BPA-3 Bridge Plate Adapter for BP9/8 K2.75006.0 AMIRA Power to 2LEMO short cable AMIRA Lens Mount Port Cover AMIRA Tools and Audio Port Covers AMIRA VFA Viewfinder Adaptor 0.9mm Screwdriver Shoulder Belt SBA-1 K2.0001223 Camrade Wetsuit for Amira 2709.0353 Microphone Bracket for Amira DSA-0001 AMIRA Camera Case K2.0001239 ATA Amira Case $1000 Arri BP-8 Bridgeplate Arri Baseplate 12" $2.5k 4 x SanDisk 128GB Extreme PRO CFast 2.0 Memory Card $2k 4 x IDX DUO-150Wh V-Mount Batteries IDX 4-Channel Endura Charger VL-4SI $600 Arri MMB-1 Mini Mattebox Set Arri Top Flag for MB-20 System II Mattebox K2.47740.0 $1500 Arri MFF-2 Follow Focus K2.65255.0 $2000 Teradek Bolt Pro 300 3G-SDI/HDMI Video Receiver/Transceiver Set Teradek Dual-V-Mount Battery Plate for Bolt Pro 300/600/2000 Receivers

Selling my Arri Amira camera package. It is fully licensed with 4K UHD, and is in great condition. Id like to sell everything as a package if possible, but also willing to split it up where there is a separate price indicated. Please PM or email me if your interested in this package, or want specific details regarding anything. Leo(at)PhotekFilms,com $50,000 for the complete package. Located in Los Angeles,CA. Pick up or buyer pays shipping. Cheers Priced individually: $45k ARRI AMIRA Premium License 4K/High Speed K0.0001091 PL LDS Lens Mount K2.0001107 V-lock Battery Adapter K2.75002.0 Wedge Plate WPA-1 K2.75000.0 Quick Release QRP-1 K2.0000399 Shoulder Belt SBA-1 K2.0001223 BPA-3 Bridge Plate Adapter for BP9/8 K2.75006.0 AMIRA Power to 2LEMO short cable AMIRA Lens Mount Port Cover AMIRA Tools and Audio Port Covers AMIRA VFA Viewfinder Adaptor 0.9mm Screwdriver Shoulder Belt SBA-1 K2.0001223 Camrade Wetsuit for Amira 2709.0353 Microphone Bracket for Amira DSA-0001 AMIRA Camera Case K2.0001239 ATA Amira Case $1000 Arri BP-8 Bridgeplate Arri Baseplate 12" $2.5k 4 x SanDisk 128GB Extreme PRO CFast 2.0 Memory Card $2k 4 x IDX DUO-150Wh V-Mount Batteries IDX 4-Channel Endura Charger VL-4SI $600 Arri MMB-1 Mini Mattebox Set Arri Top Flag for MB-20 System II Mattebox K2.47740.0 $1500 Arri MFF-2 Follow Focus K2.65255.0 $2000 Teradek Bolt Pro 300 3G-SDI/HDMI Video Receiver/Transceiver Set Teradek Dual-V-Mount Battery Plate for Bolt Pro 300/600/2000 Receivers

Not to be confused with a ‘stylized look' LUT – I created the BozBMDFilm_to_Rec709 Utility LUT to bring out the organic contrast and color values captured by the BMCC / BMPCC in Film LOG or RAW modes. In addition, the LUT strives to preserve highlight and shadow detail [with emphasis on softer highlight roll off] while safeguarding image quality and integrity. [RAW video by John Brawley] Though it's not free, It's still cheaper than a Golden Arches Meal and definitely worth a look even if it's just to see more examples of how the LUT works. Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/

Arri Alexa XT $45,350 Inspected at Arri last week Hours:1186 Open Gate High Speed Anamorphic SXS EVF Viewfinder Center Camera Handle Handle Extension Block Top Plate PL Mount Gold Mount Base Plate Viewfinder Cable BP-12 2x Codex 512gb Cards Codex Card Reader Rear Filter Kit Clear ND.6, ND 12 & ND1.8 with case Lori Carson carson.lori61@gmail.com

Hi, I've got for sale my trusted Super16 camera kit. I've bought it in fall of 2010 from Mr. David Odd. as his personal camera. He had it converted to Super16 by P+S Technik in 2008 and had installed color video tap by Visual Products, inc. Since 2010 I've shot with this camera about 10x 400 ft of film. Here is footage What's in kit: Arri SR1 Super16 camera, 180 degree fixed shutter - HDTV 1:1,78 gate (brighter, from SR3) - Visual Products color video tap PAL - PL mount - wideangle PS Technik eyepiece (made by Voigtlander) 3x super16 magazine 1x spare magazine (not converted to super16) 1x SR3 magazine (with TC) LWS 15mm support rods (2x) Arri BP-7 base plate (for 15mm studio) CE - Precision Speed Control 2 (for other frame rates than 24 fps) Arri VSU - variable speed unit (not as exact as CE) 2x 12V old batteries (as spare, needs recelling) 12V NiCd charger 12V discharger handle, incl. remote switch --------- I live in Bratislava, Slovak Republic. Shipping only in EU. Price is 1700 € + 150 € for shipping --------- PHOTOS

For sale TOBIN TCS TXM-22A Crystal Sync Motor for Arriflex 16s and 16-M Cameras Bought from Du-All Cameras 3 years ago. Used a couple of times and tested recently. Works flawlessly. Item is in great Condition, with only minimum scratches here and there, barely seen. Serial number 9440 Paid US$ 995.00 (see price label on picture). It's on eBay at US$ 800, but open to Make Offer: http://www.ebay.co.uk/itm/TOBIN-TXM-22A-CRYSTAL-MOTOR-FOR-ARRI16S-and-ARRI-16-M-CAMERAS-/172541639598? Feel free to contact me with any questions.

RED WEAPON WITH HAWK C-SERIES: THE NEW MEETS THE VINTAGE. This week I would like to share one of my last experiences on set where I got the chance to use a cinema camera and a set of lenses for the first time. On one side, and I don’t exactly know why, it was an incredible long time since I used for the last time a RED camera and I didn’t had tried yet the “new” (even though there is already a newer model out there called Raven) 6K Weapon; plus, I did had seen the Hawk C-Series, but just in rental houses promotional meetings, and we all know that an actual set is a totally different environment. THE CAMERA Truth is that from quiet a few points of view I was gratefully surprised by the camera, since comparing to the RED Dragon it features severals tools that, if you want my two cents, are a consistent improvement, both in the operation of the camera as a 1AC and the performance of the camera itself. First of all... More information: http://www.camaleonrental.com/gb/blog/red-weapon-with-hawk-c-series-the-new-meets-the-vintage-n14

Changing it all, so nothing change - Arri Alexa SXT. I know the title may sound a little dramatic, but I’m convinced that this was the philosophy behind the big change ARRI is going to make. Of course there were improvements to make, but there was also the big satisfaction of the film community with the previous models, so the challenge was to make happen important upgrades without changing the essence of the camera itself.

Changing it all, so nothing change - Arri Alexa SXT. I know the title may sound a little dramatic, but I’m convinced that this was the philosophy behind the big change ARRI is going to make. Of course there were improvements to make, but there was also the big satisfaction of the film community with the previous models, so the challenge was to make happen important upgrades without changing the essence of the camera itself...

Arri Alexa XT $49,990 Hours:1186 Open Gate High Speed SXS Center Camera Handle Handle Extension Block Top Plate PL Mount Gold Mount EVF Viewfinder Viewfinder Cable Base plate BP-12 Rear Filter Kit - Clear, ND.6, ND 1.2 & ND1.8 and case for them 3x XR512gb Codex Cards Codex Card Reader. Lori Carson carson.lori61@gmail.com

Please email sales@broadcastsolutions.com for pricing & details. For Sale : JUST LISTED (PRE-OWNED) : Arri Ultra Prime 16mm Lens Feet Arri Ultra Prime 32mm Lens Feet Arri /Zeiss Master Prime Lens Set:16/25/35/50/75/100mm Feet Arri Amira Camera Package Sony PMW-F55 Camera Body W/ Pro Res Card Still Under Warranty BRAND NEW Fujinon 20-120 T3.5 PL Mount Cabrio Lens w/Original Box $14,500 CINEMA LENSES: Cooke S4i Mini Lens Set 18/25/32/40/50/75/100/135mm Feet Excellent Condition Cooke Optics Speed Panchro Prime Lens Set 18/25/32/40/50/75mm Re-Housed Zeiss 14mm Standard Speed T2.1 Lens Zeiss 16mm Standard Speed T2.1 PL Mount Lens Zeiss 35mm CP2 Super Speed Lens Zeiss 18mm CP.2 T3.6 CF 12" Prime Lens Angenieux Optimo 16-42mm Zoom Lens Angenieux Optimo 30-80mm Zoom Lens Angenieux Optimo 17-80mm Zoom Lens Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 45-120mm Zoom Lens Arri/Fuji Alura 30-80 Zoom Lens Arri/Fuji Alura 15.5-45mm Zoom Lens Fujinon Cabrio 19-90 V1 Zoom Lens Fujinon Cabrio 19-90 V2 Zoom Lens Canon CN-E 30-300mm Lens Red 18-85mm Lens Red 18-50mm Lens Red Pro Prime Set (6) Lenses Cooke Varotal 18-100mm T3 MKII Zoom Lens Cooke Varotal 25-250mm T3.9 MKII Zoom Lens Cooke Varotal 20-100 Zoom T 3.1 Sony FE PZ 28-135mm f/4 G OSS Lens 2/3” HD ENG LENSES: Canon HJ11ex4.7B IRSE Just Refurbished By Canon Canon HJ14EX4.3B IRSD PS12 Canon HJ17x7.7B IRSE Canon HJ22ex7.6B IRSE Fujinon 80X Digi Lens Digi Semi-Servo SD Latest Generation. Incl: Sled & Case Fujinon HA13x4.5 Fujinon HA18x7.6 w/Servo Zoom Fujinon HA23x7.6 BERM-M58 Fujinon HA25x16.5BERD Fujinon ZA12x4.5BERM-M58 Zeiss Digi Prime 70mm Zeiss Digi Prime Lens Sets Available Zeiss Digizoom 6-24mm B4 Mount HD Lens 2 Available Zeiss Classic ZF.2 Distagons in F Mount (Nikon Mount) with Duclos Cine-Mod Angenieux 5.6-61mm Cinema B4 Mount Lens 2 Available S16mm LENSES Zeiss S16 High Speed Set Includes: 6/8/9/5/12/14/18/25/50mm Metric Just Serviced Canon 7-63 T2.6 S16 Zoom Lens Canon 11.5-138 T2.5 S16 Zoom Lens Optex 5.5mm Super 16 T1.9 Zeiss Variable Lens Set VP-1,VP-2,VP-3 T2.2 CAMERAS: Arri Alexa Studio Camera Package ARRI Alexa XT Plus Camera Package ARRI Alexa Plus 4:3 Camera Package ARRI Alexa Plus 16:9 Camera Packages ARRI Alexa EV 16:9 Camera Packages ARRI Alexa-M 4:3 Camera Package Red Epic Dragon Package Vision Research Miro Package Sony PMW-F55 Camera Package Sony PMW-F5 Camera Packages Sony PXW-FS7 Camera Package Sony PMW-200 Camera Package Panasonic AJ-HPX 3700 Camera Canon C300 EF Mount Camera Package GRIP TRUCK Chevrolet 2008 5 Ton Diesel Truck 169K Miles 60" Liftgate w/Tilt & Pig Tail Control System Includes Grip & Lighting Package Email for the details. AVID Avid Unity Media Engine 5 48TB Unity 5 [unity MediaNetwork 10 Port Fibre Channel, 16 TB Media Engine PLUS 2 16TB chassis [for a total of 48 TB of storage]. 3D 3ality Element Technica Quasar 3D Rig Email For Details Genus Hurricane 3D Beamsplitter Rig Need To Purchase Items Below: Preowned Vision Research 4K Camera Package Vision Research Phantom Flex 2K 32GB Package Arri Alexa Mini Packages Arri 416 Camera Packages Arri Ultra Primes 16,24,32,50,85 & 135mm Arri Ultra Prime 32mm Lens Angenieux Optimo 24-290 Lens Cooke S4i 65mm Lens Zeiss MKII or III Set Of Lenses Zeiss MKII 18mm Lens Zeiss Vario Sonnar 16.5-110mm Sony SR-D1 Memory Drive Unit