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  1. Eyemo VS Arriflex 35 WWII cameras test dive in battle AGFA Aviphot pan 200 and USSR Tasma b\w negative films
  2. Hey everyone! I have the BP-7 15mm studio baseplate for my SR3 and am looking to trade it for the 19mm version - the BP-6. Anyone out there interested in that trade? I just accidentally bought 19mm accessories for my SR3 thinking that the baseplate takes 19mm rods and just realized that I made a big mistake 😅
  3. Lot's of great film gear for sale. Everything is well maintained!! Please make an offer and send me a PM! Click here for pictures: https://www.zonerama.com/Link/Album/5045829 ARRI SR 3 Refurbished – Complete Kit This camera has been used by Michael Ballhaus for teaching at the Munich Film School until I bought it in 2011. It was then fully refurbished and repainted by former ARRI technician Georg Bogner. This kit runs perfectly and has been serviced since at least once a year by Georg Bogner. I am only selling this because I have a second kit! Set includes: - ARRI SR 3 Super 16 with lightmeter + timecode (SN: 1634) - ARRI IVS (PAL) - 4 SR 3 Timecode 122m Magazines (SN: 1484, 1322, 3502, 1307) - Metal cases for all parts And further accessories: ARRI Viewfinder Extension FE-2 SN:1423 ARRI Eyepiece Leveller EL 3 + mounting plate for tripod ARRI Battery plug-on adaptor ARRI MCL 4 - Timecode machine SN: 32 ARRI ESU-1 - External Sync Unit Bildschirm-Sync, alle Kabel, Bedienungsanleitung NN 7" Videomonitor with ARRI plugs ARRI S-3 Shoulder Rig, Geweih ARRI VSU 4, Variable Speed Unit SN: 1114 ARRI Heated eyecup HE 3 ARRI SR 3 Raincape ARRI LWS 15mm rods, with two extensions ARRI Viewfinder Extension FE-4 SN: 1324 ARRI ARRI studio matte box 4x4 / 4x5.65 with sideflags, frenchflag, two rotating filter stage, 19mm rods, custom made. Filters can be positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. ARRI Frenchflag 4x4 ARRI / NN Leather Blimp for 122m magazine ARRI DC DC Converter 24V 12V ARRI Battery plug on adaptor ARRI power distributor ZV4 ARRI 2 Plug on batteries, need to be recelled ARRI Standard charger ARRI Power cable with XLR/Fisher plugs ARRI groundglass 1.33 / 1.66 ARRI groundglass 1.78 / HD (maximum area!) ARRI groundglass 1:2.35 (custom made, maximum area) ARRI ARRI Timecode cable BNC (AUDIO) to Fischer (KAMERA) Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 ARRI 535B - 3perf + 4perf – Complete Kit This set runs perfectly and has been checked and serviced by Georg Bogner (Munich). At the moment the 3-perf-movement is installed. But the set also includes a 4-perf-movement as well. FEATURES OF THE ARRI 535 • Silent Sound Sync camera (under 24 db). • In-camera ARRI Glow for 9 formats (there is no need to physically change the glow mask. It can be done easily in-camera using the CCU-1). • Electronic shutter. The camera uses an electronic shutter and can be programmed to ramp up or down. • Speed ramping from 3fps to 50fps with individual steps of 0.001 frame. The exposure will stay constant as it is being compensated for by the electronic shutter. • Shutter ramping from 11 to 180 degrees. Ramping can be programmed or changed during the shot. • Beam splitter: Options are 10/90, 90/10 or 50/50. The 535 is the only ARRI camera that offers a 50/50 beam splitter. • SMPTE Timecode and ARRI time code system (timecode module is included in this auction). • Swingover Viewfinder System and In-Camera Contrast Filter Kit includes: ARRI ARRI 535 B with IVS (PAL), Tophandle etc. SN 5164 ARRI 3perf movement (mounted) SN 3P97 ARRI 4perf movement (additional) ARRI 2 120m Magazine M-11 with Case SN 4857 + 5161 ARRI 2 300m Magazine M-10 with Case SN 8812 + 9168 ARRI 2 Steadycam-Magazines 122m LM 1 SN 6202 + 6084 And further accessories: ARRI SCU-1 ARRI VCU-1 ARRI groundglass 1.78, ARRI GLOW ARRI groundglass 2.35, ARRI GLOW ARRI Viewfinder Extension FE-3 SN 1064 ARRI Timecode TC Cabel XLR Fischer ARRI Raincape ARRI CCU-1 Computer Control Unit ARRI CCU-Cable 30m ARRI Eyepiece Leveller EL-3 ARRI CCU cable short more cable for SCU and Antiflicker ARRI RCU-1 Remote Control Unite ARRI RCU Cable ARRI RCU Manual ARRI PL Port Cap ARRI 535 Flight Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Canon Zoom Super 16 SC15x11 T2.5 11-165mm Checked and serviced zoom with normal wear but really perfect glass. It’s the most versatile Super16 zoom I have ever worked with, one of the best ever made for Super 16. It's not a converted lens, it was properly designed for Super 16. It’s really sharp! Can be used in crop-mode on all the digital cameras as well. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Follow Focus Checked and serviced Follow Focus for 15mm rods, with handles/wheels on both sides, One can be removed if not needed. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Chrosziel Matte Box – 15mm rods with Frenchflag, one fixed, one filter stage fixe, one rotating, swing-away, 15mm rods Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 NORRIS Intervalometer ARRI SR3 Complete set for stop motion or special effects photography with ARRI SR 3 cameras. These intervalometers are hard to find. Took me two years to get one. But since I only used it on very few projects it is time to sell it. This Intervalometer kit comes with motors for Arri SR's as well as the large capping shutter with 15mm rod mount to prevent any light pollution/fogging on your film. Includes: SCC-300 Time-lapse Controller Motor For Arri SR (1,2, Or 3) 24V 3 Pin to 4 Pin Power Cable 12V 4 Pin to 4 Pin Power Cable Controller/Remote Cable Case Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Sachtler tripod (100mm), Video 18 III head It's in good shape, works absolutely smooth and is ready to shoot. Many more accessories are available. Please check the pictures and make an offer: https://www.zonerama.com/Link/Album/5045829 Many more accessories are available. Please check the pictures and make an offer:
  4. History of Arriflex https://www.arri.com/en/company/about-arri/history/history Cinematographer Anna Foerster with ALEXA Photos: Arri - Fair Use ...Too bad Arri doesn't make an affordable film scanner for archivists. <><><><> Betty Brosmer - The top earning figure model of the 1950s DDTJRAC
  5. Arriflex 435ES $7,500 https://www.ebay.com/itm/Arriflex-435ES-Camera-Package-Very-Good-Condition-/374028088830?mkcid=16&mkevt=1&_trksid=p2349624.m46890.l6249&mkrid=711-127632-2357-0 Omar Alarian COO / Film Producer IMDB: www.imdb.com/name/nm7440967/ Raw Entertainment www.raw-entertainment.com Email: omar@raw-entertainment.com Youtube Channel: youtube.com/c/RAWegypt Instagram: instagram.com/rawegypt?igshid=YmMyMTA2M2Y= Latest Feature Film Trailer Welad Rizk: youtu.be/KbuuzxTxhP4
  6. Hi, I've recently noticed a small blemish in the top left corner of the image when I use my Angenieux zoom lens (filming with my Arriflex 16mm camera). The blemish does not appear on the other lenses and has only very recently (on my last shoot in January) become apparent. Anybody know what it could be?
  7. Mag is in beautiful condition, serviced by Andree Martin at AM Camera. One of the cleanest SR3 mags I've encountered, with only minor cosmetic blemishes on the exterior. Mag has been used on a project this past week and works perfectly. Selling this mag because I have 4 total with my SR3 package and don't have a need for a fourth. Pickup in LA preferred but willing to ship. $1000 Photos: https://drive.google.com/drive/folders/1FQkf0rpufyD6I2uV0rgARU7xGfSymo9T?usp=sharing
  8. Excellent++ condition original ARRI film magazine for Arriflex 16 BL movie camera 500ft 16 mm film single and double perforation, full working condition. In film mag mechanics is serviced, clean and clear inside, outside have small scratchers for using. The price: 150 USD+ shipping New Kodak 16 mm film stock 1 can 400 ft (122m) - 7207 - 250D daylight color film, iso 250. Purchased in Kodak's official embassy in Russia, in 2020. Froze refrigerating storage. The price: 140 USD+ shipping email: schubert@ngs.ru Worldwide shipping.
  9. Hi all, I was out shooting with my 16 bl earlier and everything was running correctly. Just trying it again now and both magazines I was using are extremely stiff. It was quite a cold morning but I wouldn’t expect that to be the issue. Does anyone have any advice? Thanks,
  10. Hi, I'm student of cinematography and I'm looking for s16 camera package (preferrably Aaton or Arri sr) or/and s16 lens nojusdra at gmail, or p.m. here Thanks! Nojus
  11. Hi everyone. I was wondering if it could be optically possible to adapt an SR3 original eyepiece, designed to cover the super16 format, to an Arriflex SR1 (super16 converted) viewfinder. Do anyone know if it could be relatively easy to replace the sr3 eyepiece's mount and eventually recycling an old sr1 eyepiece's mount to let it compatible with that? What problems should I face and how could I do? Thanks
  12. Hi! I'm looking for the P+S Technik Rodenstock 25mm Super Wide Angle eyepiece or a 35 bl eyepiece for my Arriflex SR super16 converted. Does anyone have any to sell? Thanks
  13. Two ground glasses for sale. For use with an Arri 2C, 3C, 35-3 film cameras or Kish UDF or other Dir/Find that uses this type of ground glass. $200 for both OR: $150 for the one with the metal handle (in slightly nicer condition) with Academy 1.85 and what looks like Academy 4x3 (common sides). In blue ARRI jewel case. $100 for the one without handle (a couple of tiny blemishes, visible in photos), marked with Academy 1.85 and a "TV" that is not common sides or top/bottom. The 1.85 marking is the dominant marking on this one. Both have tiny chips outside of the picture area. Both have center cross-hair. Located in Brooklyn, NY. Thanks for looking.
  14. I have for sale four Arri groundglasses. These are standard glasses, so from memory will fit a IIC or a 35III - but others might be able to put me straight on that. They're also great for many viewfinders, including the Kish UDF. 1. 'TV' (4:3) with mounting bracket. In excellent condition. 2. Another 4:3, no mounting bracket, some pencil marks where it has been marked up in a mystery ratio. Tiny mark bottom right, very clean otherwise. 3. 1:1.85, marked up to 16:9 (?) A chip on one side from bad handling, but it doesn't encroach into the picture area. Good for a viewfinder, or general use. No scratches/marks otherwise. 4. Probably a 4:3 but has been taped to 16:9 at some point. Apart from the tape residue (easily removed) it's in excellent condition too. Each one has a case - happy to sell separately or as a set, pickup or post. The going rate seems to be $150 (AUD) each, and $100 for the one with the mark. They're eyewateringly expensive new. But let's talk - I'm happy to negotiate for a package deal, or if these prices seem out of whack. Postage will be from Melbourne, Australia. Cheers, Jonathan. ( ** I only seem to be able to upload images of 2 of them - message me for more images **)
  15. CAMERA ARRIFLEX + SCHNEIDER CINE-KREUZNACH SET aSKING PRICE : 6000 Euros / Location : Paris, France THIS KIT IS TESTED AND READY TO ROLL. The camera number shows it is one of the latest model, the body and the mags are in perfect condition, so as the lenses. This kit contains : - 1x Camera body ARRIFLEX 16 s + Matteboxe - 4x lenses + focal extender x2 : 16, 25, 50 & 75 - 2x 300ft Magazine (122 meter) - 1x 8 volt Battery + case - 2x Motors (1x 25fps motor & 1x Variable speed motor from 8 to 48 fps) - 1x Viewfinder extension - 2x Flycase All the material are like new, no sign of use (NO SCRATCH, NO TECHNICAL PROBLEM). The photo tripod in the pictures is not included in the kit. Here is some pictures of the hole kit, and multiple footage that i shot with it, it includes an audio sync shot with the 25fps motor : https://drive.google.com/drive/folders/15O28olFOoT8RYyXCPoNKTD2SjgrYUTBi?usp=sharing Here is the ebay link to the offer : https://www.ebay.fr/itm/144256898217
  16. $2,500 O.B.O. Great 4x5.65 lightweight studio (swing-away) matte box for sale. In good condition. I know a few top-level ACs who prefer the MB-19 over the MB-18 or MB-20. This can mount on 15mm LWS rods, or with the included adapter, on 19mm studio rods. If you want to use with 15mm studio rods, you'd just need to pick up that adapter: K2.66040.0. Includes two 4x5.65 filter trays and it can hold a 138mm filter in the rear. Front horizontal tray holds either a 4x4 or 4x5.65 filter and rear vertical 4x5.65 filter tray is rotatable, great for positioning a grad filter just right on the horizon. Eyebrow and side brows included. Rubber bellows for 110mm included. Also included is plastic adapter to reduce 114mm to 80mm, but you'd need to buy Arri K2.52204.0 in order to use that. But then you'd also have a 114mm option. Case is a bit worn but foam is generally fine. Included hard shipping case has a small impact point near a corner (pictured in linked flickr album). Here are ten high-res pictures: https://flic.kr/s/aHskvKPSRB An excellent pdf technical resource for this matte box can be downloaded here: http://www.arri.com/camera/pro_camera_accessories/products/matte_boxes/studio_matte_boxes/studio_matte_box_mb_19/downloads/ Just click on: 29 May 2017 8.6.0 Matte Box MB-19 4x5.65 Download (pdf, 352 KB) I'm located in Brooklyn, NY. Thanks for looking.
  17. Hi everybody, here is Luca from Milano, Italy. How are you? I'm a camera technician and I've bought an Arriflex 16BL on Ebay (camera and 1 mag from UK, 2 mag and Angenieux 10x12 with blimp from DE) that I want to completely refurbishing, both lens and camera. The camera was ok, I've tested with a battery and everything was working good, and not too noisy! The lens unfortunately has lots of fungus inside, so I'm gong to completely restore it. I'm writing here because maybe (MAYBE..) it could be interesting for someone, or if someone need explications about the camera, or even if someone has tips and suggestion for my work, I'll be pleased! My aim is to make the camera in perfect conditions, both esthetically and working one (it works, but it needs a good cleaning). I would like to add a crystal sync unit, that it will probably will Arduino based - Swiss Made (since I'm Swiss eheh). For the zoom, that has a good mechanic but bad optical part, I'll extract all the lenses, clean them and recompose everything. So, first of all I'm un-assambling all the mags, the blimp and the camera in order to divide all the elements: the ones that needs to be re-anodyze will be sent to the lab, and the mags and the camera will be repainted with the original wrinkle effect. The problem is the serigraphies, that seems to be painted OVER the paint. I don't want to loose them, so I'm thinking for a solution but if someone has a suggestion.. please say it! :D
  18. Arriflex 435 ES - 4-perf, IVS video assist PAL, FEM (functionality expansion module), TimeCode module, Arriglow module - Base plate BP-8 + dovetail plate + 19mm rods long, short 3x 400ft magazine + case 1x 400ft magazine (35-III model) 3x 200ft magazine + case finder extension FE-3 finder extension FE-5 ground glass + arriglow: - super35 2,35 - super35 1,85 - super35 silent gate 1,33 - normal35 2,35 - normal35 1,85 - normal35 1,33 P+S Technik uRC - remote control for speed ramps Video-top 100% + SCA-2 (for steadicam low-mount) EasyLOOK video-assist system - digital system for recording and playback - generates Quicktime files on HDD - wireless option Transvideo TITAN transmitter + receiver set for analog SD wireless video Transvideo Rainbow II 6,5” monitor - bright PAL monitor - anamorphic desqueze support PHOTOS: https://photos.app.goo.gl/xaJqzid9JwCFyyxY8 Camera is located in Bratislava, Slovak Republic, EU Shipping within European Union will cost €550 Shipping outside EU is not possible at the moment. In case of personal pickup, I can supply old Kodak film stock (10 rolls) for free. Payment via PayPal, incl. buyer´s protection.
  19. Hi, I'm struggling to find a 400 foot magazine for the Arriflex 16m that will ship to Australia. It looks similar to the 16bl magazine but has slightly different drive gears. If you have one you'd be willing to sell and send overseas, let me know. (I'd also be interested in the 1200 foot mag if anyone has one) Thanks - Aren
  20. Hi everyone, I am trying to find out what lenses were used in the shooting of Terrence Malick's Badlands, but there seems to be no info available on this topic. I just know that three cameras were used during the production: Mitchell Bncr, Cameflex, and Arriflex. Badlands was shot in 1972, does anyone know what lenses were common for any of this cameras around that time, specially for the Mitchell? Thanks!
  21. I'm so sorry to sell my lovely baby but I need some money for a next project. For sale : - 1 Arriflex 16 SR1 PL mount, upgraded in Super 16 by P+S Technik ( Munich). "Evolution Upgrading Program" by P+S Technik was a complete change of electronic mother board, new speed controller with screen ( intervallometer function on ), new mechanics, new viewfinder with better magnification, new black painting on whole camera body and magazines. - 2 Super 16 magazines. - 1 battery ( new cells) - 1 Arri battery charger - 1 VSU speed controller - 2 handgrip-trigger ( one broken, other one is ok) - 1 blimp - 1 matte box - 1 soft foam shoulder pad - 1 changing bag I join also some spare parts : - 2 new and unused lightmeters - 1 Arri SR2 motor - 1 normal 16 gate - 1 normal 16 ground glass Kit located in Europe ( Czech Republic). If you want to visit me for a local pick-up, you are welcome !! price : 3000 euros + shipping taxes. Lens is not included in the package ! Only here for the picture ! High Res pictures, informations and demo videos on demand : dartwiller@yahoo.fr
  22. I've been trying to purchase a decent Arri SR2 w/ Super16, but they're either too expensive, the sets miss a lot of vital accessories, or the cams don't seem to be in the best of shape. This has lead me to consider going for a regular SR1 or SR2 and mount anamorphic lenses. My questions: Does anyone have any experience shooting Arri 16SR or SR2 regular 16mm with an anamorphic lens? What are the biggest challenges? Do I have a lot of options with anamorphic lenses on a arri bayonet mount? Is the noise level on earlier Arri SR1's gonna be a problem for nearby sound recording? Thanks! 😃
  23. Boris bruno

    Arri 35 IIC

    Hi I just purchased an arri 35mm IIC, I’m new to using it I’m use to using 16mm. It has bncr mount. I need help understanding camera as in gates, what lens is good to use, or how to operate. Also what accessories do I need for it in order to shoot short films and longer features. Also does anyone know where to convert to pl mount.
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