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Found 78 results

  1. CAMERA IS NEW IT HAS ONLY 15HRS OF OPERATIING TIME, IT COMES WITH ADDITIONAL ACCESSORIES. CAMERA 1 ARRI Alexa LF Camera Body with LPL Lens Mount & Cap 1 ARRI Top Camera Center Handle CCH-4 1 EVF Electronic Viewfinder for Alexa 1 EVF Mounting Bracket 1 EVF Extension Bracket 1 ARRI BP-13 Bridge Plate 15mm Sliding Baseplate 1 ARRI Dovetail For Sliding Baseplate 12" Inch 2 15mm rods 10 Inch MEDIA 1 SxR Adapter for Alexa 1 SxS Adapter for Alexa 2 SxR Capture Drives 2TB w/ Cases 1 SXR Card Reader Codex 1 Cable: Thunderbolt 1 Cable: Card Reader to AC Power 1 SanDisk 64GB SD Card CABLES 1 EVF Cable (KC 150-S) 1 ARRI 4-PIN XLR to 2-PIN LEMO 12V Cable -3ft 1 24V 3-PIN XLR to @ PIN FISCHER Cable - 10ft AC POWER 1 XLR 3pin to AC Power Box Cameo 24V/220W LENS ADAPTER 1 Lens Adapter LPL to PL Mount ARRI WIRELESS RECEIVER SET 1 Arri WVR-1 1 Arri MIA-1 Bracket 1 Cable: USB to Micro USB 1 Cable: Power Box to 3pin female 1 Cable: 2pin to Edison
10 Antenna Rx TX for Alexa LF & Receiver BATTERY ADAPTERS Wooden Camera 24V Sharkfin battery bracket for Alexa LF (V-Mount) ARRI LF CASE Case for ARRI ALEXA LF FILTERS Arri Alexa SFND Filters full set with case. PLEASE CONTACT US IF YOU HAVE ANY QUESTIONS. Email- seebeyondusa@gmail.com NOTE: THE LENS IN THE PICTURES IS NOT INCLUDED IN THE BUNDLE
  2. Hey everyone, This might be a question that exposes my ignorance, but recently I was asked if I could grade a 30 minute documentary for someone. I happen to do a lot of color correction for my job as well as just for fun when I want to mess around in Resolve, so I was confident that I could do what the director was asking for (she said she wants it to look true to life, so mostly just primary corrections it sounds like). Then she told me that the footage was V-Log 4K shot on the Panasonic EVA1 and asked if I have a 4K monitor, which I don't. What I do have is an IPS 1920x1200 monitor, specifically a ProArt ASUS PA248Q, and a ColorMunki. I have graded C100, FS5ii, GH4, and even downscaled RED footage on this monitor with good results, but because she specifically asked if my monitor is 4K, I'm beginning to wonder if maybe my monitor wouldn't be accurate enough for her project. As far as I know, the only problems I would have are judging sharpness and noise, but as far as color goes it should be fairly accurate regardless of my monitor's resolution as long as I calibrate properly, right? Or is there something I'm missing here? I'd love to help with her project, but I also don't want to waste her time. What do you guys think?
  3. WTB Arri Amira Premium 4K Package Please email sales@broadcastsolutions.com with pricing and details.
  4. One of my most awaited films of this year, Ang Lee's Billy Lynn's Long Halftime Walk shot by John Toll (starring Steve Martin, Garrett Hedlund, Kristen Stewart, etc) in a super experimental 4K 3D 120 fps. They apparently showed footage at NAB in the format, but only showed it in 24 fps at Cinemacon. Great article about it: http://www.hollywoodreporter.com/behind-screen/nab-ang-lees-pushing-envelope-880076 Apparently, they're planning on using 120 fps especially for the war sequences making it an incredibly vivid experience. Practically no theater though can project it the way it's intended to be seen right now, they had to watch the dailies on set at 2K 60 fps, and probably very few people will be able to experience the film at this framerate, resolution and in 3D, but it sounds absolutely super interesting. Anyone seen the footage?
  5. Good afternoon everyone, I have a run & gun gig coming up in the foreseeable future for which I'd like to give the new BMPCC 4K a shot (I don't technically own one yet, but hopefully will reasonably soon). Due to the job's specific nature, I will require an extremely lightweight and portable setup. I've done similar work in the past and always suffered from having to work with primes (both in terms of weight and overall practicality), so this time I decided I'd rather stick with a single zoom for the entirety of the shoot. On a full-frame camera I would probably just opt for the Sigma 18-35 f1.8, but being the new BM Pocket M4/3, I don't think that would give me enough range to handle a broad enough variety of situations. I've done a little bit of research for suitable options and found that quite a few people seem to be praising the Olympus 12-40 f2.8 M.Zuiko PRO as a good one for video. Has anyone here had any experience with it? Or would you know of any interesting alternative covering the same/similar range (24-80 equivalent)? I've also read that a few people appear to be very happy with C-mount vintage options, such as the Angenieux 12-120mm f2/2 (amazing range and constant aperture) but it weights a ton and the whole point is to retain flexibility while shooting. Also another set of issues that I've had with vintage Angenieux in the past has included very noticeable chromatic aberrations, heavy breathing and vignetting (all things that I would want to avoid for this project). However, if you're aware of any vintage lens that might fit the bill I'd be more than open to consider it. Please let me know if you have any recommendations for me, as I could gladly use some. Wish you all a lovely rest of your day and thank you for having taken the time Best, Filippo
  6. Hi. I am selling my Arri Amira. Its my personal camera and i am the first only owner / operator. I used it only my music video works (www.erginozturk.com) Its in EXCELLENT condition (both technical and cosmetics). Never rented. Used only by me! Total hours of operation: 235h Premium package with UHD 4K Price: 35.000 USD Pıctures of camera and accesories. https://www.dropbox.com/sh/ah3jwc1dc7luo22/AAD4VJTFzCv-sxztBNuVkKyWa?dl=0 List of accesories included. K0.0001092 AMIRA Camera Set with Premium License K1.71700.0 Amira camera body,camera handle,viewfinder mount,viewfinder cables,usb stick K2.75004.0 AMIRA Viewfinder MVF-1 K2.75000.0 Wedge Plate Adapter WPA-1 K2.0001208 CFast 2.0 Card 60 GB (2pcs) CFast 2.0 Card 120 GB (2pcs) K2.0001242 CFast 2.0 Card Reader (2pcs) K2.75005.0 Microphone Holder Bracket MHB-2 K2.75001.0 Gold Mount Battery Adapter K2.75003.0 PL Lens Mount K2.0000399 Quick Release Plate QRP1 K2.75002.0 V Lock Batter adapter Location: Istanbul-Turkey thanks! ergin ozturk erginozturk.com ergin.ozturk@ifs.com.tr
  7. Please email sales@broadcastsolutions.com for pricing and pics. 236 Hours PL Module 4K License Sony top handle w/VF Mount Viewfinder L Bracket LCD L350 w/ Cable Sony Base Plate w/ Shoulder Pad 2 x 10” 15mm Aluminum Rods Sony SxS USB2 Card Reader w/Cable Sony BC-l90 Simultaneous Charger w/ AC & 4-pin XLR Cables SKB Custom Shipping case
  8. For all the editors who are hiding out in this forum :ph34r: ....I was wondering if film is actually cheaper to once you got to post than video. Specifically, can you outline the difference in workflow between a Super16mm workflow vs shooting in 4k(or even 2k) and finishing on the accepted digital projection format(or 35mm)? My guess is that film would come out a bit cheaper and easier to manage for the beginner. Quite counter-intuitive I know, but digitial non-linear editing appears to be a black hole which swallows all of your budget.$10K! I'm betting that a 10:1 shooting ratio on Super16, comes out cheaper than a shoot-it-'til-people-threaten-to-leave:1 shooting ratio on video. Can anyone comment on this?
  9. Please email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CAMERAS: Phantom Flex 4K 128GB Includes: 2-2TB CineMags, Cine Station,OLED VF, Extended Warranty Email For Complete Details & Price Arri Alexa Mini Package Arri Alexa SXT Plus Camera Package Arri Amira 4K Premium Camera Package Arri Alexa EV Camera Package Arri Alexa Plus Camera Package Arri Alexa Plus 4:3 Camera Package Red Weapon 8K Helium Brain Only Red Weapon 8K Helium Package Red Dragon Camera Packages Sony HSC 100 Includes: CCU,RCP 1500,VF Qty.-3 Available Sony F55 Camera Package Sony F5 Package w/4K Upgrade Panasonic Varicam V35 Camera Packages Panasonic HPX 3700 Camera Packages SUPER 16 FILM CAMERAS Arri 416 Plus Kit Arri 35 535B Kit Arri 35 435ES Kit CINEMA LENSES: Zeiss Super Speed T1.3 Lens Set Includes: 18/25/35/50/85mm Arri/Zeiss Ultra Prime LDS Lens Set Includes 16/20/24/32/40/50/65/85/100/135mm Metric Arri/Zeiss Ultra Prime Lens Set Includes: 16/24/32/50/85mm Arri/Zeiss Ultra Prime 12mm Lens Arri/Zeiss Ultra Prime 10mm Lens Arri/Zeiss Master Prime 16mm Lens Arri/Zeiss Master Prime 65mm Lens Zeiss 28-80mm T2.9 Light Weight Zoom Lens Arri Alura 30-80mm Zoom T2.8 Lens Arri Alura 15.5-45mm Zoom T2.8 Lens Leica M0.8 Lens Set Includes: 21/24/28/35mm New In Original Boxes Cooke Panchro Lens Set Includes:18/25/32/40/50mm Cooke S4/i Mini Lens Set Includes:18/25/32/50/75/100mm Angenieux Optimo 24-290mm Zoom Lens Angenieux Optimo 30-76mm Zoom Lens Canon 15.5-47mm Zoom Lens Canon 30-105mm Zoom Lens DSLR LENSES Zeiss ZF.2 Lens Set Includes: Zeiss ZF.2 18mm F3.5 Zeiss ZF.2 25mm F2.8 Zeiss ZF.2 35mm F2.0 Zeiss ZF.2 50mm F1.4 Zeiss ZF.2 85mm F1.4 All lenses cinevised. They are de-clicked, have Delrin follow focus gears, and stepped up front rings to 80OD 2/3" Lens Fujinon HA22x7.8 Lens Qty.-2 Available Zeiss DigiZoom 6-24 B4 Mount Qty.-2 Available Zeiss DigiPrime 28mm Lens CAMERA SUPPORT: Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads Qty.-2 Worral Gear Head Sachtler Video 20 Tripod System Sachtler 18SB Head, ENG 2 CF Legs, Spreader & Handle CAMERA ACCESSORIES: Digital Bartech Kit (Email For Full Details) Preston HU3 Hand Controllers Heden Motors M26VE Looking For : (Preowned) To Purchase Fujinon Cabrio 85-300mm Lens Arri 416 Film Kits Cooke Anamorphic Lenses Canon K35 Lenses Innovision Probe II Arri/Fuji Alura 45-250 Lens Magnetic Audio Players 35mm
  10. <iframe src="https://player.vimeo.com/video/258354917"width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe> Tyler Burns - "Knock On Wood/Frankenthaler" Shot this 9.5 minute double music video/short film on Kodak 16mm MPF (50D, 250D, 500T) with an Aaton XTR Prod and Zeiss Primes MKI over the course of almost 3 years in Oregon. Development by Fotokem (Burbank, CA) Telecine by Lightpress (Seattle, WA) Love to hear what y'all think. http://aleceagon.com http://instagram.com/aleceagon
  11. Selling Sony FS5 package with RAW upgrade, Sony 24-135mm zoom, Zacuto rig, onboard mic, batteries and charger. Asking $6500 obo. Everything in like-new condition, valued at around $9k. Thanks for looking!
  12. For Sale : Phantom Flex 4K 128gb 2-2TB Cine Mags IV Cine Station IV OLED VF Extended Warranty Camera passes all function tests and meets all Vision Research Specs . Email sales@broadcastsolutions.com for pricing and complete details.
  13. Email sales@broadcastsolutions.com for pricing and details. For Sale (PRE-OWNED) : CAMERAS: Arri Alexa SXT Plus Camera Package Arri Alexa SXT EV Camera Package Arri Alexa Mini Camera Package Includes License 4:3 & ArriRaw Arri Alexa XT Camera Package Arri Amira 4K Premium Camera Package Phantom Flex 4K 64GB Camera Package Sony F55 Camera Package CINEMA LENSES: Arri/Zeiss Master Prime Lens Set Includes: 18/25/35/50/75mm Canon K35 Lens Set Includes:18/24/35/55/85mm Cooke Panchro Lens Set Includes:18/25/32/40/50/75mm Cooke S4/i Mini Lens Set Includes:18/25/32/50/75/100mm Angenieux Optimo 17-80mm Zoom Lens Arri/Fuji Alura 45-250 Lens Arri/Fuji Alura 18-80 Lens Canon 17-120mm Cine-Servo Lens CAMERA SUPPORT: Qty.-2 Vinten Quartz 2 Stage Pedestals w/Vector 900 Heads CAMERA ACCESSORIES: Preston HU3 Hand Controllers Heden Motors M26VE & M21VE
  14. Looks like Arri just announced a new camera at the BSC expo that should cover Netflix's broadcast requirements. Taken from 4kshooters.net Large Format 4K ALEVIII Sensor (from the ALEXA family) Compatible with Full-Frame LensesNew ARRI Signature Primes at T1.8 (mostly) Sensor is slightly bigger than 35mm full-frame Familiar ALEXA SXT family body design 4K ProRes recording options ARRIRAW at 150fps SxS or SXR Capture Drives depending on configuration Netflix/Amazon and other UHD/4K deliverables compliant New LPL mount for large format lenses Compatible with S35 lenses Wi-Fi enabled Basic pricing starts at €74,000 Available in March 2018
  15. Here's what they say: A Geek’s Guide to the 4K TV Revolution Perhaps this is the beginning of 4K becoming mainstream.
  16. Email sales@broadcastsolutions.com for pricing & details. For Sale: CAMERAS: Qty. -2 Arri Alexa Mini Camera Packages Available Includes License 4:3 & ArriRaw Email For Package Details CINEMA LENSES: Arri/Zeiss Master Prime Lens Set Includes:18/21/25/32/40/50/75/100mm Leica Summicron-C Lens Set Includes: 18/25/35/50/75/100mm Cooke Panchro Lens Set Includes:18/25/32/40/50/75mm TLS Rehoused Angenieux Optimo 28-76 Lens Looking For: Looking For : (Preowned) To Purchase Arri/Zeiss Master Prime Lens Set Arri 416 Film Kits Phantom Flex 4K 128GB Package Arri Ultra Prime Lenses Cooke Anamorphic Lenses Canon K35 Lenses
  17. ARRI AMIRA Premium License 4K/High Speed 1020h With: PL LDS Lens Mount V-lock Battery Adapter Wedge Plate WPA-1 Quick Release QRP-1 BPA-3 Bridge Plate Adapter for BP9/8 AMIRA Power to 2LEMO short cable AMIRA Lens Mount Port Cover AMIRA Tools and Audio Port Covers AMIRA MVF-1 (viewfinder) AMIRA VFA Viewfinder Adaptor Hawk-Woods XB-CAB5 XLR-4 power cable AMIRA spare HDMI cable (Long) AMIRA Pelican Camera Case ATA Amira Case Camrade Wetsuit for Amira Microphone Bracket for Amira Microphone Holder (4) x SanDisk 128GB Extreme PRO CFast 2.0 Memory Card Pelican C-fast card case (4) x IDX DUO-150Wh V-Mount Batteries IDX 4-Channel Endura Charger VL-4SI ATA Case for Batteries and accessories Great condition! $40k for complete package. Camera Located in Los Angeles and available for viewing. Contact me at Leo@PhotekFilms.com
  18. FOR SALE (Pre-Owned): Vision Research Flex 4K Camera Package Email For Details SMALLHD 2403 HDR 24" Production Monitor NEW IN UNOPENED BOX $3200.00 Vinten Osprey Plus Peds Qty. 4 Available Email sales@broadcastsolutions.com for pricing and details.
  19. Panasonic Varicam 35 Package For Sale - $19,500 I am Los Angeles-based director/producer and purchased the camera for a production. It was barely used (161 total hours). It's like new. I am happy to provide professional references from reputable industry professionals. This is an excellent camera at a steal of a price. All functions of the camera work perfectly. It has been extremely well kept at a rental house in LA. All functionality can be tested before purchase. The Package includes: ||CAMERA|| - Panasonic AU-V35C1G Varicam Camera with PL Mount - AU-VREC1G Recording Module - AU-VCVF1G OdLED Viewfinder for Varicam Mount - EVF Cable - Eyecup - Body Cap - Top Handle - Gold Mount Battery Plate ||OTHER|| - 2 x 256GB expressP2 Memory Card (2 256GB cards total) - Panasonic AU-XPD1 Express P2 Memory Card Drive - CUSTOM CAMERA CASE from Master Case. Latest firmware installed Version 7.50-00-0.00 (240 FPS, anamorphic de-squeeze, any Apple ProRes available, and more) Please let me know if you have any questions at all.
  20. Both working, both are in reasonable condition. One has barn doors, other hasn't They're big and heavy, so I'll ship to Europe only. https://www.ebay.ie/itm/202085601853?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 https://www.ebay.ie/itm/202085600277?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 I also have one 4k Sirio HMI with magnetic ballast, I'll also will let it go if someone interested
  21. Hi all, We are shooting interviews with 2 C300's Mark II and I need a very high quality. Not knowing the camera exactly, I wanted to know what do you think about the following? 4K recording DCI Cinema 4096×2160 (or is 4K recording in UHD 3840×2160 enough?) 10-bit 4:2:2 Also, which frame rate is the best? 23.976, 24, 25 and 29.97? I don't understand? Premiere supports many different file types, so I guess the native or raw file format doesn't matter? We tend to shoot for about 8-10 hours, do you think we will past 5TB? Usage is YouTube, TV's and Premieres. (Screenings) Thank you all!
  22. Not sure where to post this. News seemed like the obvious place but I can't post there but this seems of interest to everyone here as it is about one possible future for Theatrical presentation. Giant LED displays for the cinema: https://www.redsharknews.com/business/item/4751-samsung-launches-hdr-led-cinema-screen Freya
  23. This is a short film I made in Oslo. Feel free to critique, comment and maybe share :) Thanks! Martin
  24. You are looking at my trusted Sony PMW-F5 Camera. I've just upgraded to another system and unfortunately have to let it go. The system only has 634h on it's back and includes the 4k upgrade that allows for internal 4k recording. The package includes: 1x Sony PMW-F5 camera body and handle (PL-MOUNT) 1x Sony DVF-L350 3.5" Color LCD Viewfinder (Loupe included but not fully functional) 1x Sony SxS Pro+ 64GB Card 1x SxS Card Case 1x Movcam Shoulder Rig with sliding baseplate and shoulder pad 1x Movcam Right Handgrip Batteries (V-Mount) are NOT included. New this set up cost me $22k. I'm offering it for $8999 incl. Free US shipping. http://www.ebay.com/itm/122590849000 It's a great camera and has worked for me very reliably with no corrupted files or any other technical hick-ups. Neither screen nor sensor have any dead pixels or other glitches. It's never been rented out and has only been used on my own shoots. IMPORTANT NOTE: the camera is updated to version 7.01 and since it's one of the first units (Serial: 0100383) released it CAN ONLY be upgraded to version 8+ by Sony, which is a free procedure they provide. It's fully functional now and I've tested this version for 100h+ so far with no problems. All sales are final and there are no returns accepted, so please feel free to ask any questions before buying. I only ship to CONFIRMED Paypal addresses and NO PO Boxes. Thank you for your interest! More pics on ebay:
  25. This film was supposed to premiere today at the Cannes Film Festival. Darius Khondji will be there, according to afcinema. Apparently, Netflix did not want this to be shot on film and demanded it be shot in 4K: The film got into a controversy between Netflix and the Festival because Netflix didn't want to show the film in French cinemas. The screening was stopped today because of heckling. Here is a fresh interview with Darius Khondji – in French. Check this link, too. Here's another one, in French again. Funny that he says he hopes he has no style. The film will be released on Netflix on 28 June 2017.
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